Day Dream By Duke Ellington and Billy Strayhorn Transcribed by Jeff Lindberg

INSTRUMENTATION

Conductor 1st Trombone 1st E Alto Saxophone (Solo) 2nd Trombone b 2nd E Alto Saxophone 3rd Trombone b 1st B Tenor Saxophone Guitar Chords b 2nd B Tenor Saxophone Guitar (Optional) b E Baritone Saxophone Piano b 1st B Trumpet (Optional) Bass b 2nd B Trumpet (Optional) Drums b 3rd B Trumpet (Optional) b

Preview Only Legal Use Requires Purchase WILLIAM THOMAS STRAYHORN NOTES TO THE CONDUCTOR If you are familiar with the jazz composition, “Take the ‘A’ Train,” then you know something about not only Duke Ellington, but also Billy “Sweet Pea” Strayhorn, its composer. Perhaps the first of many works that Billy Strayhorn composed to feature Duke Ellington’s star alto saxophonist Billy was born in Dayton, Ohio, in 1915 and was attracted to the piano from Johnny Hodges, “Day Dream” (1940) is not only one of Strayhorn’s finest songs—it is a composition that Hodges the moment he was tall enough to reach the keys. The family soon moved to recorded consistently with unmatched lyricism. The first Ellington-related recording of the work was actually made Pittsburgh where Billy began piano lessons. He played the piano every day, by Johnny Hodges and His Orchestra (1941); the second was by the Duke Ellington Orchestra in 1943 (Live at sometimes becoming so engrossed that he would be late for school. He also Carnegie Hall). Subsequent Strayhorn/Ellington large ensemble recordings featuring Hodges include one of a band played in the high school band. He then enrolled in the Pittsburgh Musical Institution where he studied classical music. As a result, he had more classical recorded in 1962 under Strayhorn’s name (with essentially the Ellington orchestra personnel at the time) and two training than most jazz musicians of his time. studio recordings by the Ellington orchestra: Duke Ellington Presents (1956) and …And His Mother Called Him Bill Strayhorn joined Ellington’s band in 1939, at the age of 22. Ellington liked (1967). The arrangement used for the latter-mentioned two recordings is the one upon which this edition is based. what he saw in Billy and took this shy, talented pianist under his wings. Neither one was sure what Strayhorn’s function in the band would be, but There do not appear to be any surviving manuscripts of this particular arrangement (none in the Ellington their musical talents had attracted each other. By the end of the year Strayhorn Collection of the Smithsonian Institution or the Strayhorn Repository of Billy Strayhorn Songs, Inc.). Therefore, this had become essential to the Duke Ellington Band; arranging, composing, and edition is primarily a transcription of the two recordings, with most of this work taken from the 1967 rendition. The sitting in at the piano. Billy made a rapid and almost complete assimilation of Ellington’s style and technique. It was difficult to discern where Duke’s style impressionistic introduction and coda, as well as Hodges’ stellar solo from the 1967 recording, are preserved here; ended and Billy’s began. The results of the Ellington-Strayhorn collaboration the 1956 recording was used mostly for checking the accuracy of ensemble parts. brought much joy to the jazz world. The original arrangement did not include trumpet parts—three trumpet parts have been added to this transcription The Strayhorn pieces most frequently played are Ellington’s theme song, “Take the ‘A’ Train,” and Ellington’s “Lotus Blossom.” Among Strayhorn’s many brilliant to allow for greater participation, particularly by students in school ensembles. With the availability of trumpets, compositions, a few classics are: “Chelsea Bridge,” “Day Dream,” “Johnny Come the transcriber included one background figure (m. 24) from Strayhorn’s 1957 arrangement of “Day Dream” for Lately,” “Rain Check,” and “Clementine.” Some of the suites on which he Ella Fitzgerald. If this edition is performed without trumpets, the 2nd alto saxophonist and 2nd tenor saxophonist collaborated with Ellington are: Deep South Suite (1947), the Shakespearean should be tacet on beats 2, 3, and 4 of m. 24. Suite or Such Sweet Thunder (1957), an arrangement of the Nutcracker Suite (1960), and the Peer Gynt Suite (1962). Strayhorn and Ellington composed Other than the introduction and coda, the trombones play uninterrupted throughout—a taxing task even for the the Queen’s Suite and gave the only pressing to Queen Elizabeth of England. Two of their suites, Jump for Joy (1950) and My People (1963), had as their most experienced players. Thus, if four players comprise the trombone section of the ensemble performing this themes the struggles and triumphs of blacks in the United States. Both edition, the conductor may choose to involve the fourth player to spell one or more of the other three players. An included a narrative and choreography. Strayhorn conducted the latter at the optional guitar part has also been added. Negro Exposition in Chicago in 1963. Another suite similar to these two was A Drum Is a Woman. The Far East Suite was written after the band’s tour of —Jeff Lindberg, 2016 the East, which was sponsored by the State Department. In 1946, Strayhorn received the Esquire Silver Award for outstanding arranger. In 1965, the Duke Ellington Jazz Society asked him to present a concert at New York’s New School of Social Research. It consisted entirely of his own work performed by him and his quintet. Two years later Billy Strayhorn died Jeff Lindberg is Artistic Director of the Chicago Jazz Orchestra and Professor of Music at The College of Wooster in Ohio, where he serves as Music Director of the Wooster Symphony of cancer. Duke Ellington’s response to his death was to record what the critics Orchestra and Director of The College of Wooster Jazz Ensemble. With more than 100 transcriptions performed by artists and ensembles such as the Count Basie Orchestra, the Woody Herman Orchestra, the Smithsonian Jazz Masterworks Orchestra, the Chicago Jazz Orchestra, Dave Brubeck, Joe Williams, Al Grey, Milt Hinton, Clark Terry, Kenny Burrell, Roy Hargrove, cite as one of his greatest works, a collection titled …And His Mother Called and others, Lindberg is widely recognized as one of thePreview most respected, accurate, and prolific transcribers of ensemble compositions and arrangements heard on original jazzOnly recordings. Him Bill, consisting entirely of Billy’s compositions. Legal Use Requires Purchase CONDUCTOR By Duke Ellington and Billy Strayhorn 45085S DAY DREAM Transcribed by Jeff Lindberg (As played by Johnny Hodges) Ballad tempo å = 51 ~5} Solo

1st EÑ Alto Saxophone # ⁄˙ & # c ∑ ∑ ∑ ∑ ˙ P 2nd EÑ Alto Saxophone # & # c ∑ ∑ ∑ ∑ ∑

1st BÑ Tenor Saxophone # & c ∑ ∑ ∑ ∑ ∑

2nd BÑ Tenor Saxophone # & c ∑ ∑ ∑ ∑ ∑

EÑ Baritone Saxophone # & # c ∑ ∑ ∑ ∑ ∑ 1st BÑ Trumpet # (optional) & c ∑ ∑ ∑ ∑ ∑ 2nd BÑ Trumpet # (optional) & c ∑ ∑ ∑ ∑ ∑ 3rd BÑ Trumpet # (optional) & c ∑ ∑ ∑ ∑ ∑ 1/2 Plunger ˙ b˙ 1st Trombone ? b c ∑ ∑ ∑ ∑ 1/2 Plunger p 2nd Trombone ? ˙ ˙ b c ∑ ∑ ∑ ∑ 1/2 Plunger p 3rd Trombone ? ˙ ˙ b c ∑ ∑ ∑ ∑ F’7p AÌ Guitar (optional) b c ∑ ∑ ∑ ∑ & (As played by Duke Ellington) ’’’ ’ C9 ¸ C9 ¸ F’7 DÍ GÎ K F’7 DÍ GÎ K F’7p AÌ œ ( ) œ ( ) 3 K K K œ œ K K K ˙ œ œ œ œ ? ˙˙ œ œ K œ ? ˙˙ œ b b c ˙ ˙ ˙ ˙ & ˙ œ. œ ˙ ˙ & œ œ œ & ˙˙ ˙œ œ ˙œ œ œ˙˙ œ ˙˙ ˙˙ œ ‰ œ Piano ˙˙ œ œ p ˙ œ ? c ˙ ˙ Ó b ˙ ˙ ˙ ˙ ˙ ˙ ˙ (As played by Jeff Castleman)˙ GÎ C9 ¸ ˙ F’7 DÍ ( ) F’7 DÍ GÎ C9 ¸ End Solo Solo œ > œ œ œ œ bœ œ œ œ (œ ) œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Bass œ œ œ ? c Œ 3 Ô œ œ. Ô Œ Œ b 3 3 œ œ Brushes p Add H.H. Œ Œ Œ Œ ‰ K K ê Drums ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ‰ ¿¿ ¿ ¿ ¿ ¿ ¿ ¿ œ œ œ c w w w w œ œ æ 1 æ 2 æ 3 æ 4 Œ 5 Œ p © 1940 (Renewed) RESERVOIR MEDIA MANAGEMENT, INC., BILLY STRAYHORN SONGS (ASCAP) and SONY/ATV MUSIC PUBLISHING LLC (ASCAP) All Rights for RESERVOIR MEDIA MUSIC (ASCAP) and BILLY STRAYHORN SONGS (ASCAP) Controlled and Administered by RESERVOIR MEDIA MANAGEMENT, INC. RESERVOIR MEDIA MUSIC (ASCAP) Administered by ALFRED MUSIC This ArrangementPreview © 2016 RESERVOIR MEDIA MANAGEMENT, INC., BILLY STRAYHORN SONGS (ASCAP)Only and SONY/ATV MUSIC PUBLISHING LLC (ASCAP) Legal UseAll Rights Reserved Requires including Public Performance Purchase Conductor - 2 - Day Dream

, b , K Alto 1 # œ œ œ œ #œ. œ œ œ Nœ bœ œ œ nœ- œ- œ n-œ K # 3 Ô œ. œœœ œ ⁄ œ œ œ œ. œ œ œ. œ & Nœ œ œ 3 ⁄ 3 Œ‰œ ⁄ 3 Ô Ô f Alto 2 # & # ∑ ∑ ∑ ∑ ∑

Tenor 1 # & ∑ ∑ ∑ ∑ ∑

Tenor 2 # & ∑ ∑ ∑ ∑ ∑

Bari. # & # ∑ ∑ ∑ ∑ bw p Tpt. 1 # & ∑ ∑ ∑ ∑ ∑

Tpt. 2 # & ∑ ∑ ∑ ∑ ∑

Tpt. 3 # & ∑ ∑ ∑ ∑ ∑ b˙ b N˙ Tbn. 1 ˙ #˙ ˙ ˙ w bw ? b , Tbn. 2 ˙ ˙ ˙ ˙ ˙ ˙ ( ) bw w ? b , Tbn. 3 b˙ œ ˙ ( ) ˙ ? b œ ˙ ˙ ˙ b˙ bw B!Ø Aõ Aï DÊ CÊ B!Ê Cõ FÊ FÈ D!; Gtr. & b ’ ’ ’’ ’ ’ ’’ ’’ ’’ ’ ’’’ ’’ ’’ FÈ 3 ! ! ! K K D ; B Ø Aõ Aï DÊ CÊ B Ê Cõ FÊ # œ œ œ nœ œ b . b Œ‰ œ œ œ b ‰ œ Œ Œ œ Œ # œ b˙. & #œ œ ˙ œ Œ‰Ô œœnœ œ b . Pno. œœ ˙ Ó œ Ô œ bœ œ ˙ 3 œ ? œ ˙ K b Ó Œ œ ˙ Ó ∑ Œ œ ‰Ó ∑

Bass ? Œ Œ œ Œ Œ Œ Œ Œ Œ bœ Œ œŒ b œ œ œ œ œ œ œ

Drums œ œ œ œ œ Œ œ PreviewŒ ‘ ‘ Only‘ ‘ 6 Legal 7 Use Requires8 Purchase9 10 Conductor - 3 - Day Dream {13} K #- , œ œ œ. œ Alto 1 # ⁄˙ œ œ œ œ œ Ô œ - œ- & # #œ œ œ nœ œ.œ ‰ Ó Œ Œœbœ ˙ 3 Ô ‰‰ œ- œ Œ œ 3 3 3 Ô p P Alto 2 # & # ∑ ∑ ∑ ∑ ∑

Tenor 1 # & ∑ ∑ ∑ ∑ ∑

Tenor 2 # & ∑ ∑ ∑ ∑ ∑ Solo , œ nœ b œ Bari. # œ œ œ ˙ & # w #œ œ œ Ó ∑ ∑

Tpt. 1 # & ∑ ∑ ∑ ∑ ∑

Tpt. 2 # & ∑ ∑ ∑ ∑ ∑

Tpt. 3 # & ∑ ∑ ∑ ∑ ∑ , , ˙ b˙ , b˙ Tbn. 1 w n˙ œ bœ ˙ #˙ ˙ ? b , , , Tbn. 2 Nw ˙ œ bœ ˙ N˙ ˙ ˙ ˙ ˙ ? b , , , Tbn. 3 ˙ œ ˙ ˙ b˙ œ ˙ ? b Nw œ œ ˙ C; G9 G!9 F’7 AÌ B!Ø Aõ Aï DÊ CÊ Gtr. & b ’ ’’’ ’’’ ’ ’’’’ ’’ ’ ’ ’’ ’’ ! 6 ! C; G9 G 9 F’7 AÌ B Ø Aõ Aï DÊ CÊ b œ b Œ N˙ Œ Œ œ œ ‰ œ œ œ ‰ œ œ œ œ œ & N˙ œ ˙. ’’ œ bœ ’’ ’ ’ œ œ œ œ œ œ œ œ œ œ œ Pno. > œ œ œ œ œ ˙ ? b Ó ∑ ’’Ó ’’ ’ ’ ∑

Bass ? œ Œ œ Œ Œ Œ Œ Œ Œ œŒ œ Œ b œ œ bœ œ œ œ œ

Drums œ œ œ œ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ œ œ œ œ œ Œ œ PreviewŒ œ Œ œ Œ œ Œ œ Œ Only‘ ‘ 11 Legal12 Use Requires13 Purchase14 15 Conductor - 4 - Day Dream D’7 ! 3 D7 6 E 7 D; b ˙ œ œ œ . œ œ œ œ#œ œ #œ Alto 1 ## œ œ œ œ nœ ⁄œ nœ œ œ ˙ . r œœœ œ⁄ Ô œ . nœ œ œ œ œ œ Nœaœ - œ œ #œ œ ⁄ 3 ⁄ 3 ‰ œ 3 ≈ Nœ œ œ ‰ œ & ⁄ œ œ 6 œ œ #œ œ nœ œ nœ Ô 3 3

Alto 2 # & # ∑ ∑ ∑ ∑ ∑

Tenor 1 # & ∑ ∑ ∑ ∑ ∑

Tenor 2 # & ∑ ∑ ∑ ∑ ∑ , Bari. # œ - - #- œ #œ œ ˙ # ∑ ∑ b˙ œ œ œ - œ œ œ & ˙ ˙ œ Ô Ô

Tpt. 1 # & ∑ ∑ ∑ ∑ ∑

Tpt. 2 # & ∑ ∑ ∑ ∑ ∑

Tpt. 3 # & ∑ ∑ ∑ ∑ ∑

b˙ N˙ , b N . , bœ # œ ˙ Tbn. 1 ? w ˙ ˙ œ œ ˙ œ b Ô Ô Ô

˙ , ˙ , œ Tbn. 2 ? ˙ bw N˙ œ œ. ˙ œ œ ˙ b Ô Ô Ô , , Tbn. 3 ? ˙ b˙ b˙ n˙ K œ. ˙ œ œ bœ ˙ b ˙ ˙ œ Ô Ô ! !9 ! ! B Ê C7< #5> FÊ FÈ D ; C; F’7 F9 G 9 F; Gtr. & b ’ ’ ’’ ’ ’ ’’ ’’ ’’ ’ ’’ ’ Û Û Û | 3FÈ Ô Ô ! !9 ! ! B Ê C7< #5> FÊ K D ; C; F’7 F9 G 9 F; œ œ œ K œ ˙ œ œ ŒŒ bœ œ œ ˙ œ ˙ b ‰ œ Œ bœ Œ Œ Ô & œ bœ œ g œœ ŒŒœœœ ’’ ’ ’’ ’ 3 Pno. œ œ g 3 Ô œ bœ œ œ ˙ g ? g œ b Ó Œ g œ ’’ ’ ’’ ’ Û Û Û | Ô Ô Bass b ? Œ œ Œ Œ Œ bœ Œ œ Œ Œ œ Œ œ œ œ ˙ b œ œ œ œ Ô Ô ê Drums ¿ ê œ œ œ œ œ œ ¿ œ ˙¿ ¿ ¿ Œ ŒPreview‘ ‘ ‘ OnlyÔ Ô 16 Legal17 Use18 Requires19 Purchase20 Conductor - 5 - Day Dream {21} b œ œ nœ- - - nœ.. b œ ¯ ¯ ¯ #¯ aœ œ N b - - - N œ n œ œ n œ Alto 1 # ˙ ⁄ œ #œ œ œ œ œ Nœ œ #œ œ œ #˙ œ œ œ bœ Nœ œ- œ #œ œ #œ œ # 3 3 n-.œ #œ 3 & ‰ ‰ 3 ‰ #œ œ ‰ Ô ⁄ 3 w/Tpts. (Tacet if no Tpts.) N.V.F , Alto 2 # ˙ œ nœ n˙ œ # œ ˙ œ #œ #œ nœ œ b ∑ & (sub-tone) œ œ œ

N.V. π p ˙ œ bœ b˙ œ œ ˙ , œ #œ #w Tenor 1 # ∑ & (sub-tone) w/Tpts. (Tacet if no Tpts.) π Tenor 2 # & ∑ ∑ ∑ Œ #œ bœ œ #œ nœ ∑ p Bari. # & # ∑ ∑ ∑ ∑ ∑ Deep Hat Tpt. 1 # bœ & ∑ ∑ ∑ Œ œ œ bœ œ ∑ Deep Hat p Tpt. 2 # & ∑ ∑ ∑ Œœb bœ bœ nœ #œ ∑ p Tpt. 3 # & ∑ ∑ ∑ ∑ ∑ b , , b Tbn. 1 ˙ œ œ #˙ œ œ N˙ œ œ nw ˙ ˙ ? b , , Tbn. 2 ˙ œ #œ #˙ bœ nœ ˙ œ #œ #w ˙ ˙ ? b , , Tbn. 3 ? Nœ bœ ˙ ˙ b ˙ nœ ˙ Aœ b˙ nœ œ w B!’7 BÎ E7 A’7 B!ÎE!7 A!’7 AÈ D9 G’7 GÈ Cï Gtr. & b ’’’ ’ ’’ ’’ ’’ ’’ ’’ ’ ’ ’’ ’ ’ ! ! ! ! B ’7 BÎ E7 A’7 B Î E 7 A ’7 AÈ D9 G’7 GÈ Cï œ ~~~~~~ œ œ n˙. œ. K œ # ˙. œ œ b œ bœ œ ‰ œ œ n ˙. ‰. r œ & ˙ œ #œ #œ b Ô b Pno. ˙ œ œ œ #œ œ œ Nœ Aœ œ˙ ( œ ) ˙œ > > > œ >œ >œ >œ œ. . # bœ œ œ ˙ œ #œ >œ >œ œ nœ œ œ N œ œ œ ? ˙ œ œ ˙ bœ ˙ nœ œ Œ ≈ 3 3 œ ˙ œ b - ˙ n œ ˙ Aœ b˙ n œ 3 œ ˙ ˙

Bass ? Œ n Œ A bœ Œ œ Œ œŒ Œ œ Œ b œ œ œ œ œ bœ nœ œ œ

ê Drums ¿ œ œ œ œ œ œ œ œ Œ œ Œ Previewœ Œ œ Œ ‘ Only‘ ‘ 21 Legal22 Use Requires23 Purchase24 25 Conductor - 6 - Day Dream Swing! {29}

.. K Nœ œ œ œ œ œ. # œ ˙ - œ #œ. œ Alto 1 # ˙œ ⁄ Ô œ œ nœ ⁄ œ œ Ô & # œ. ‰ R œ œ œ œ ‰œœ œbœ ˙ Œ 3 ⁄ 3 p F Alto 2 # & # ∑ ∑ ∑ ∑ ∑

Tenor 1 # & ∑ ∑ ∑ ∑ ∑

Tenor 2 # & ∑ ∑ ∑ ∑ ∑

Bari. # & # ∑ ∑ ∑ ∑ ∑

Tpt. 1 # & ∑ ∑ ∑ ∑ ∑

Tpt. 2 # & ∑ ∑ ∑ ∑ ∑

Tpt. 3 # & ∑ ∑ ∑ ∑ ∑ ˙ ˙ , ˙ b˙ , ˙ b˙ ˙ #˙ Tbn. 1 ? nw b ˙ , , ˙ Tbn. 2 ? b˙ w ˙ ˙ ˙ ˙ ˙ b , , Tbn. 3 ? ˙ ˙ ˙ ˙ ˙ b˙ œ œ b b˙ w F’7 A§ G; GÈ C• F’7 AÌ B!Ø Aõ A7 Gtr. & b ’’ ’ ’ ’’’’ ’’ ’’ ’’’ ’ ’ ’ ’’ AÌ ! F’7 A§ G; GÈ C• F’7 B Ø Aõ A7 √ loco > œ. > œ. K bœ œ œ œ œ œ. bœ œ œ œ œ œ œ œ œ b b œ œ œ nœ œ ≈ œ œ œ Ó Œ œ & œ œ ˙œ œ bœ œ œ œ Pno. nœ˙ A˙ ˙˙ œ > > > . œ œ. . bœ œ œ > ? # œ œ ? œ œ œ œ œ œ œ œ œ œ Œ ˙ ˙ ˙. & œ .œ Ó ‰ ≈ œ œ Ó b ˙ œ ˙ 3 3

Bass bœ ? Œ Œ œ Œ Œ Œ Œ Œ Œ Œ Œ b œ œ œ œ œ œ œ œ

Drums œ œ œ œ œ œ œ œ œ Œ œ PreviewŒ ‘ ‘ Onlyœ Œ œ Œ ‘ 26 Legal27 Use Requires28 Purchase29 30 Conductor - 7 - Day Dream

3 > 3 N œ b œ œ K œ b œ œ œ , œ ˙ Alto 1 ## œ œ. œ œ œ œ nœ ⁄œ nœ œ œ œ œ K œœœ œ⁄ ˙ & Nœ œ œ ⁄ 3 ⁄ 3 ‰Œ œ 3 Œ ‰ Nœ œ 3 Ô Ô

Alto 2 # & # ∑ ∑ ∑ ∑ ∑

Tenor 1 # & ∑ ∑ ∑ ∑ ∑

Tenor 2 # & ∑ ∑ ∑ ∑ ∑ , Bari. # œ - - #- # ∑ ∑ ∑ b˙ œ œ œ - œ œ œ & ˙ ˙ œ

Tpt. 1 # & ∑ ∑ ∑ ∑ ∑

Tpt. 2 # & ∑ ∑ ∑ ∑ ∑

Tpt. 3 # & ∑ ∑ ∑ ∑ ∑ , b˙ b N˙ , , Tbn. 1 ˙ ˙ w b˙ ˙ œ Nœ. ˙ ? b Ô , , , Tbn. 2 ? ˙ ˙ ˙ ˙ bw ˙ N˙ œ œ. ˙ b Ô , , , Tbn. 3 ˙ ˙ K ? b ˙ ˙ ˙ b˙ b˙ n˙ œ œ. ˙ DÊ CÊ B!Ê Cõ FÊ FÈ D!; C; F’7 Gtr. & b ’’ ’’ ’’ ’ ’ ’ ’’’ ’’ ’’ ’’ ’ ’ FÈ 5 ! DÊ CÊ B!Ê Cõ FÊ K D ; C; F’7 œ œ œ œ b œ œ œ Œ‰ œ œ œ œ ˙ œ œ œ b Œ Œ ‰ Œ ‰. Œ Ó Œ œ œ r & œ œœœ œ (Trem.) œ fl œ œ.. bœ œ œ Œ‰Ô œ bœ œ œ bœ Pno. œ fl . œ œ ˙ 3 3 œ fl fl 5 3 K œ b˙ ? b ∑ ∑ Ó ∑ œ bœ > Bass ? œŒ Œ Œ Œ Œ Œ bœ œ œ Œ Œ b œ œ œ œ œ œ œ œ

ê Drums œ œ œ œ ¿ ¿ ¿ ¿ ¿ ¿ ¿ œ Œ œ Œ Preview‘ ‘ Only‘ œ Œ œ Œ 31 Legal32 Use Requires33 34Purchase35 Conductor {37} Double-time feel - 8 - Day Dream Half-time feel a œ n œ K ¯ ¯ # œ ÿ b œ œ ¯ ¯ . . # œ ˙ œ œ nœ œ - - œ- nœ. œ ¯ ¯ nœ #œ aœ œ Nœ bœ Alto 1 # œ.Nœ n # œ œ #œ œ #œ ⁄ œ œ Nœ œ #œ #˙ Nœ bœ # œ ‰‰ œ #œ œ œ 3 ‰ Ô n-.œ ‰ Ô 3 #œ ‰ œ & Ô #œ 3 implied swing f - Alto 2 # œ - - -œ œ- œ nœ #œ- - - #-œ œ nœ œ- - -N-œ œ bœ œ œ #œ & # ∑ ‰. R œ œ ‰. R #œ- #œ œ ‰. RNœ-Nœ nœ Ô ‰œ# aœ œ œ implied swing p Tenor 1 # - - r K # n # n # & ∑ ‰. œ œ œ œ bœ ‰. bœ n bœ bœ œ nœ ‰. œ n Nœ œ bœ œ ‰ œ œ œ œ œ œ R œk œk k k R bœk kœ k k k œNkœ œk k implied swing p k Tenor 2 # ∑ ‰. œ- œ bœ ‰. bœ- œ ‰. r K ‰ & œ œ œ œk bœ nœ bœ bkœ nœ kœ Nœ nœNœ œ bœ œ œ #œ nœ #œ œ Nœ R k k k R k k k œk k k k implied swing p - Bari. # œ #œ œ ˙ œ - - -œ œ- œ nœ #œ- - - #-œ œ nœ œ- - -N-œ œ bœ œ & # Ô Ô ‰. R œ œ ‰. R #œ- #œ œ ‰. RNœ-Nœ nœ Ô ‰ #œ œ œ œ œ œ implied swing Hat p Tpt. 1 # . - . - . r K & ∑ ‰ œ œ œ œ œ bœ ‰ bœ nœ bœ bœ œ nœ ‰ œ nœNœ œ bœ œ ‰Œ Ó R œk k k k R bœk k k k k œNkœ k k implied swing Hat p k Tpt. 2 # r K ∑ ‰. œ- œ bœ ‰. bœ- b œ n ‰. b ‰Œ Ó & R œ œ œ œk R bœ nœ bœ kœ œ kœ œNœ nœNœ œ œ œ implied swing k k k k k k k k k Hat p k Tpt. 3 # - - r K & ∑ ‰. œ œ œ bœ ‰. bœ b bœ œ nœ ‰. œ N œ bœ œ ‰Œ Ó R œ œk kœ k R bœ nkœ œk k k œNœ nœk kœ open p k k k k bœ # œ ˙ , ˙ œ œ # , bœ œ N , , Tbn. 1 ? Ô œ Ô ˙ ˙ œ œ n˙ œ b œ openP , , , , Tbn. 2 ? œ œ œ ˙ ˙ œ #œ #˙ bœ nœ ˙ œ #œ #˙ œ b Ô Ô œ openP , , , , Tbn. 3 ? œ œ bœ ˙ Nœ bœ œ œ b Ô Ô ˙ nœ ˙ Aœ b˙ nœ œ ˙ F9 G!9 F; B!P’7 BÌ Eï A’7 B!ÈE!9 A!’7 AÈ D9 G’7 Gtr. & b Û Û Û | ’’ ’ ’ ’ ’ ’’ ’’ ’ ’ ’’ ’ ’ ! Ô G 9 F;Ô ! ! F9 B ’7 A’7 ! ! A ’7 G’7 b œ BÌ Eï . B ÈE9 AÈ D9 b œ œ √ loco . > œ œ b œ œ. #œ œ œ √œ#œ œœ œ œœ #œ > œ œ bœ bœ œ b K œ . œb . K #œ œ œ Ô œ œ n & b ‰ œ œ œ œ œ œ‰ #œ. œ bœ n œ œ. ‰ œ œ œ 3 œ œ œ œ œ ˙ œ b œ œ b˙ . Ô 3 Pno. œ. # ˙ N ˙ œ œ bœ œ ? œ ˙ #˙ bœ bnœ ˙ œ #œ b œ Œ‰. œ ˙ Ó ˙ œ œ b˙ nœ œ ∑ R Bass ? œ bœ œ ˙ #œ œ.. œ œ.. œ . .œ œ b bœ œ nœ œ b Ô Ô œ Œ nœ. œ œ œ ≈ Ô ≈ œ Œ œŒ Brushes on snare

Drums ¿ ¿ ¿ ¿ ¿ ¿ ¿ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ¿¿¿ ¿ ¿ ¿ ¿ œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ Ô Ô PreviewŒ OnlyŒ Œ Œ 36 Legal Use37 Requires38 Purchase39 40 Conductor - 9 - Day Dream {45} N œ œ œ œ œ. > Alto 1 Nœ. .œ #œ Nœ #œ œ œnœ œ nœ œ ⁄ œ œ. œ > ˙ ## œ ˙œ Ô 3 œ œ œ œ œ œ ⁄ & Ô 5 œ‰‰ Ô œ ‰œœ bœ ˙ F P Alto 2 # & # ∑ ∑ ∑ ∑ ∑

Tenor 1 # & ∑ ∑ ∑ ∑ ∑

Tenor 2 # & ∑ ∑ ∑ ∑ ∑

Bari. # & # ∑ ∑ ∑ ∑ ∑

Tpt. 1 # & ∑ ∑ ∑ ∑ ∑

Tpt. 2 # & ∑ ∑ ∑ ∑ ∑

Tpt. 3 # ∑ ∑ ∑ ∑ ∑ & 1/2 Plunger

˙ b˙ ˙ ˙ b˙ , ˙ b˙ Tbn. 1 ? ˙ nw b 1/2p Plunger , Tbn. 2 ? ˙ ˙ ˙ b˙ ˙ ˙ ˙ ˙ b w 1/2p Plunger , Tbn. 3 ? ˙ ˙ ˙ ˙ ˙ ˙ ˙ b b˙ w p GÈ Cï F’7 A!® G9 GÈ Cï F’7 AÌ Gtr. & b ’’ ’ ’ ’’’’ ’’ ’’ ’ ’ ’’ ’’’ ’ F’7 A!® G9 GÈ Cï F’7 AÌ GÈ loco Cï - - - 3 . œ œ- œ- œ œ- œ œ- œ bœ œ œ œ œ œ œ ≈ œ œ œ œ > >œ > >œ >œ > œ œ b ‰K ‰® œ œ œ œ œ œ œ œ Ó ≈ bœ œ & œ œ b˙ œ œ Pno. œ œ œ œ ˙ œ œ . - - œ- - œ- - œ- œ œ œ ≈ œ œ œ œ œ œ > > > > > > ? œ. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ b ‰ œ. ‰® œ œ Ó ˙

Bass ? Œ œ Œ ‰K Œ Œ œ Œ Œ œ Œ Œ Œ b œ œ œ bœ œ œ œ œ

Drums ¿ œ œ œ œ œ œ œ œ œ œ œ œ Œ Previewœ Œ œ Œ œ Œ ‘ Only‘ œ Œ œ Œ 41 Legal Use42 Requires43 Purchase44 45 Conductor Swing! - 10 - Day Dream rit. . œ œ. , U Alto 1 # œ œ œ œ #œ Nœ bœ œ œ- - nœ œ nœ - K ⁄ ˙ ⁄ 3 Ô - œ œœœ œ ⁄ œ œ œ œœœ œ " 3 # ŒÔ3 3 œ ‰ œ ⁄ Œ‰œ & Ô 3 ⁄ 3 3 4 Alto 2 # U & # ∑ ∑ ∑ ∑ b˙ b˙ " 43 p Tenor 1 # U " 3 & ∑ ∑ ∑ ∑ ˙ ˙ 4 p Tenor 2 # U " 3 & ∑ ∑ ∑ ∑ ˙ ˙ 4 p U Bari. # " 3 & # ∑ ∑ ∑ ∑ b˙ ˙ 4 pHat Tpt. 1 # U " 3 & ∑ ∑ ∑ ∑ Ó b˙ 4 Hat p Tpt. 2 # U " 3 & ∑ ∑ ∑ ∑ Ó ˙ 4 Hat p Tpt. 3 # U " 3 & ∑ ∑ ∑ ∑ Ó b˙ 4 p U ˙ #˙ , ˙ b˙ b˙ N˙ , w b˙ ˙ Tbn. 1 ? " 3 b 4 , , U Tbn. 2 ? ˙ ˙ ˙ ˙ ˙ ˙ bw ˙ ˙ " 3 b 4 , U Tbn. 3 ? b˙ œ ˙ ˙ b˙ " 3 b œ ˙ ˙ ˙ b˙ b˙ 4 !9 C7< # > B!Ø Aõ A7 DÊ CÊ B!Ê Cõ FÊ FÈ D!§ 5 Gtr. U " 3 & b ’ ’’ ’’ ’ ’’ ’’ ’ ’ ’ ’’’ | | 4 A7 DÊ CÊ loco FÈ ! ! ! K ! 9 B Ø 6 Aõ B Ê Cõ FÊ # œ C7< # >√ K D § 5 √ œ œ œ œ nœ U œ #œ #œ. œ œ œ œœ œ œ œ œ œ œbœ œ œ œ œ œ œ œ œ œ œ œ #œ œ Nœœ œ œ œ œ œ . bœ œ. Ô œ Ô œ " 3 & b # œ 6 œ ‰ ‰ œ Œ ≈ ‰ Œ‰ Ó ‰ 4 œ œ 3 bœ R Pno. œ #œ b . œ. K #œ 6 œ œ # œ bœ œ. . œ œ nœ œ ? bœ Ô bœ œ œ U " 3 b ∑ ∑ Ó Œ ≈ Œ‰ ∑ 4 U Bass ? Œ Œ œŒ Œ Œ Œ Œ Œ b˙ " 3 b œ œ œ œ œ œ œ ˙ 4 U æ Drums œ œ œ œ · " 3 œ Œ Previewœ Œ ‘ Only‘ ‘ 4 46 Legal Use47 Requires48 Purchase49 50 Conductor Repeat ad lib. and fade out - 11 - Day Dream {52} a tempo rit. (last time) 3 . œ bœ . Alto 1 # 3 U œ œ œ ˙ ˙ K U & # 4 Œ c . ‰ œœœ œ w ∑ . ∑

Alto 2 # 3 U U & # 4 Œ ŒŒ c . ∑ ∑ ∑ ∑ . ∑

Tenor 1 # 3 U U & 4 Œ ŒŒ c . ∑ ∑ ∑ ∑ . ∑

Tenor 2 # 3 U U & 4 Œ ŒŒ c . ∑ ∑ ∑ ∑ . ∑

Bari. # 3 U U & # 4 Œ ŒŒ c . ∑ ∑ ∑ ∑ . ∑

Tpt. 1 # 3 U U & 4 Œ ŒŒ c . ∑ ∑ ∑ ∑ . ∑

Tpt. 2 # 3 U U & 4 Œ ŒŒ c . ∑ ∑ ∑ ∑ . ∑

Tpt. 3 # 3 U U & 4 Œ ŒŒ c . ∑ ∑ ∑ ∑ . ∑

Tbn. 1 ? 3 U U b 4 Œ ŒŒ c . ∑ ∑ ∑ ∑ . ∑

Tbn. 2 ? 3 U U b 4 Œ ŒŒ c . ∑ ∑ ∑ ∑ . ∑

Tbn. 3 ? 3 U U b 4 Œ ŒŒ c . ∑ ∑ ∑ ∑ . ∑

Gtr. 3 U U & b 4 Œ ŒŒ c . ∑ ∑ ∑ ∑ . ∑ F’7/Aloco DÈ/F GÈ/F C7 F’9 add6 DÎ GÍ C; ¸ F’® U > ( ) ( ) U b 3 Œ ŒŒ c . Œ ˙. Ó ˙ œ . & 4 ˙ œ œœ œ ˙˙ w Pno. > ˙˙ ˙˙ ˙˙ nww(fill) K >K >K w œ œ > œ U ˙ œ >œ œ ˙ ˙ U ? 3 Œ ŒŒ c . œ œ œ œ œ œ œ ˙ ˙˙ ˙ ˙ . w b 4 ˙ w GÈ C7 F’7 DÈ F’9 add6 DÎ GÍ C; ¸ F’® Solo ( ) œ œ ( ) œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Bass U œ. œ œ œ œ œ œ U ? 3 . Ô Ô 3 3 3 6 3 œ œ . w b 4 Œ ŒŒ c . ‰ 3 ‰ 3 3 ‰‰ 3 3 ‰ . U æ æ æ æ æ æ Drums 3 U · · · · · · 4 Œ c Preview. Only . 51 Legal52 Use53 Requires54 Purchase55 56 Preview Only Legal Use Requires Purchase Preview Only Legal Use Requires Purchase 45085S US $14.00 Preview Only U(a38081*PMLMSm(W Legal Use Requires Purchase