Spectrum 1981-03-27.Pdf (1.419Mb)

Total Page:16

File Type:pdf, Size:1020Kb

Spectrum 1981-03-27.Pdf (1.419Mb) nor th ~.dakota North Dakota ' 97, lssue4l fl March 27, 1981 ' . ·No more 'humor' . ·at the-Spectrum · ext year's enrollment up, The · Board of Student year, that t he board. be ap­ Publications v·oted 5-3 yester­ proached wi'th a fa irly s pecifi c day to ban the publication of outline of plans for a ny fu ture dents applying earlier anot her Spectrum humor humor issue, and t hat. when such humor iss ues are produc­ · By C.E. Duginski ly enrollment) are hovei:ing accepted eventually enrolled • issue this year. BOSP is the ed t hey should not be mailed The SU admissi6ns office is around the 17 percent mark. at SU. publisher of the Spectrum to riencing what director "We're interpreting pretty "Knowing that doesn't help which the editor is responsi­ off campus." The motion was appar ent ly rge Wallman· calls "early cautiously," Wallman said. us," Wallman said. "The ques­ ble. lication syndrome." , "We used to be able to go by tion is how much will it (ap­ The motion came from triggered by the publication a The number of applications the figures, but this year has plications) taper off?" Spectrum adviser Ray Bur­ December l 980 humor issue, the " Wrecked 'Em."" ived for next fall were up been different from any Another consideration in ington (proxy for Kilbourn Another motion by Bur­ much as 41 percent over a other." calculating enrollment is ·the Janacek). Burington moved ington to cut back publication ·1ar period last year, caus- , It's different in that number of returning that BOSP "advise the Spec­ of the Spectrum to once a speculation that enroll- · students are applying earlier. students. But significant trum that it should not week was rejected. at could also be up con- "This is ·pure spe'culation," figures will not be available publish 11nother humor issue rably next year. Waliman said. "But I think until after pre-registration in during the current ac~demic That was several weeks students are concerned about May. Now Wallman says it_ financial aid and concerned Until then, Wallman said, New diet plan stresses ms to be . tapering off. about housing." "We don't know where it will ·. ates of the increase in In the past, 85 to 90 percent go." 'cations (and subsequent·- of those who applied and were act·ivity, three squares By Deb· Farrell "How many times have you Bikini season is on its way gone home and Mom has and a lot of people are starv­ made all your favorite food." ing their way back into last If you don't eat all of it, or inor in.Women's studies approved ·year's swim suit. Unfor­ say no, Berg explained, Mom tunately, Francie Berg thinks. you don't appreciate By C.E. Duginski Some areas where a minor ly studied has been -directed argues, that extra fat will just her anymore. After all, look at The North Dakota State in women's studies may be · toward men," Lindgren said. keep ·coming back, and the all t hat time, effort and love of Higher Education beneficial in"clude positions "But if there is at any time a , starvation/indulgence cycle she poured into it. " Reject my approved a new minor in with social· agencies d,ealing legitimate need for_ such a will keep going_ in a vicious food, reject me " seems to be en's studies at SU, but with child and woman· abuse study, I see no problem with circle. a prevalent feeling of most re is some question as to and-r~pe. that." There is a way to break mot hers. practicality of such a Lindgren also feels that Hanson argues that while that cycle, though, said Berg, ''. Eating habits are in con­ ee. with increased unemploy­ most historical material deals author of "How to Lose trol of our lives," she con­ Dr. C.T. Hanson, of tbe ment and the present mainly with inen, the· minor Weight--The Action Way." tinued. "You've got to change h and drama depart­ economic situation, women in "presumes that history has Simply eat three solid meals a those habits before losing nt, doesn't see a strong more households will be forc­ treated men fairly." day-don't bother to count the weight." Otherwise the tional application for the ed -.to work, "and for some calories- and be active. weight will just keep coming · or. "In the contemporary ~ouseholds, this is quite an Hanson's final objection to This simple formula delves back. Id, we tend to think of adjustment." - the program is that it sets a deep in to . the sub­ · Sounds too simple, doesn't rything as having to have Background in women's precedent for special interest consciousness, into lifelong it? practical application. A changing roles in society as groups. "Now anytime a patterns that cause · eating It is this simple if you · or should reflect a voea­ provided by the new minor ·special interest group wants habits. Because of t he en­ follow the basic steps outlined al skill." might help in dealing with the recognition, they just press vironment most of us have by Berg. For instance, if all The defense for the pro­ -social adjustments involved. for a m.inor." been raised in, Berg said, food the food is kept in t he kitchen, mi s the theory behind a However, Lindgren does has become the center of our instead of in snacking dishes ral arts education, Hanson see a time when such a minor The women's studies minor lives. in other rooms, you won't be ·, "knowledge for the sake could . become a purely is made up of courses already Meals at dinner table, reminded of food all t he time, 1nowledge." · aesthetic pursuit. "The prac­ offered on campus, with the snacks between meals and, of she explained. ,O ne proponent of · the tital part may fall away, but exception of an additional in­ · course, desserts, have all Eat in the dining area for .or, Dr. Elaine Lindgren, the historical aspect will troductory course, University come to be big social events all t hree meals and eat· until 1ology, says she is aware ~lways be there." 150, offered this qua,rter. ·for most people, Berg said. ~ou're sa~isfied, but not full or It here are some criticisms Another objection by Han­ "There are not many get­ -st uffed. Eat what you like, ong faculty and students, son is that the minor is 'Tm not objee,ting to a togethers where you don't see she continued, but make sure she argues that there are discriminatory toward men. course in this," Hanson said. people ~ating." it's good, solid food from the ently practical uses for "We don't have a minor in ' "I just don't see any reason Food has also become a way four food groups. h a minor in the job men's studies." for grouping them together in mothers show their love for ket. "What we have traditional- a minor." their children, she ·added. Action Diet to pages Spectrum·ad-viser: paper is ,not keeping campus informed 0The Editor single advance story publicizing campus-wide fully with the News Bureau and I'm sure offered lth!nk it is far t~.easy at times for people to ra­ events such as the annual Concert Choir Christmas the Spectrum the same kind of cooperation. nahze their own position without looking at the Concert, annual Home Concert of the Concert An updated 1973 Code of Ethics from t he Society . Choir, and annual Home Concert of the Concert of Professional Journalists, Sigma Delta Chi, under This, in my estimation, is what the editor of the Band. The three concerts involved a couple- of hun­ a section entitled "Responsibility," suggests "t he , ct~um, Julie Holgate, did in her March 24 dred SU students and were primarily directed at public's right to, know of events of public impor­ lor1al, which in part read, "I do not believe it is. SU students. tance and interest is the overriding mission of the responsibility of the Spectrum to promote each Another major event, .the Little International, mass media." . · every campus organization. That is the duty of was not totally ignored because stories -0n the - I continue to believe t he advance meeting story, Publicity department within those groups." managers, qu,eens and the Man of the Year were the advance speech story, the advance concert If You can't get space in the Spectrum news col­ published. story, etc. (the bulletin board function) should be s, where can your publicity department turn? I But the Spectrum carried no stories announcing one of t he major functions of any newspaper , as do Understand an arguement that would ho•d you the time , place · or activities of the annual most editors, including.t he editor of the Forum. ~ld buy advertising; that is, if you're a profit­ Agricultural Engineering Open House, Physics I'm sorry that Julie Holgate, in her own wisdom, ing organization . .Even if, you're not, perhaps Depar tment Open House, Horticult ure Open has decided to throw out one of t he basic tenets of should occasionally buy. some advertising. House and Little Internationl Livestock Judging sound journalism observed by most newspapers in : 8ut this shouldn't preclude stories from the . Show. the country. The, campus community is suffering ; ct~um about upcoming events. Since the Spec­ These events involved hundreds of SU st udents because of that decision. ill 1s primarily a student newspaper and each and received far better publicity -from t he local The Spectrum has not been fulfilling one of its .r :eceives significant funding from t.he student Fargo-Moorhead media- t han they did on campus.
Recommended publications
  • Download This List As PDF Here
    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
    [Show full text]
  • IPG Spring 2020 Rock Pop and Jazz Titles
    Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian .
    [Show full text]
  • James Taylor
    JAMES TAYLOR Over the course of his long career, James Taylor has earned 40 gold, platinum and multi- platinum awards for a catalog running from 1970’s Sweet Baby James to his Grammy Award-winning efforts Hourglass (1997) and October Road (2002). Taylor’s first Greatest Hits album earned him the RIAA’s elite Diamond Award, given for sales in excess of 10 million units in the United States. For his accomplishments, James Taylor was honored with the 1998 Century Award, Billboard magazine’s highest accolade, bestowed for distinguished creative achievement. The year 2000 saw his induction into both the Rock ‘n’ Roll Hall of Fame and the prestigious Songwriter’s Hall of Fame. In 2007 he was nominated for a Grammy Award for James Taylor at Christmas. In 2008 Taylor garnered another Emmy nomination for One Man Band album. Raised in North Carolina, Taylor now lives in western Massachusetts. He has sold some 35 million albums throughout his career, which began back in 1968 when he was signed by Peter Asher to the Beatles’ Apple Records. The album James Taylor was his first and only solo effort for Apple, which came a year after his first working experience with Danny Kortchmar and the band Flying Machine. It was only a matter of time before Taylor would make his mark. Above all, there are the songs: “Fire and Rain,” “Country Road,” “Something in The Way She Moves,” ”Mexico,” “Shower The People,” “Your Smiling Face,” “Carolina In My Mind,” “Sweet Baby James,” “Don’t Let Me Be Lonely Tonight,” “You Can Close Your Eyes,” “Walking Man,” “Never Die Young,” “Shed A Little Light,” “Copperline” and many more.
    [Show full text]
  • Slap Magazine: Issue 67 (March 2017)
    Issue 67 Mar2017 FREE Lamb & Flag The Tything, Worcester, WR1 1JL Fantastic Food, Superior Craft Ales Cocktails & Exceptional Guinness... Folk Music, Poetry Conkers! Local Cider, Backgammon, Tradition We Have It All!! Fresh, Homemade, Authentic Italian Cuisine Thurs - Sun Cocktail Master Class! Open 7 Days - Parties & Functions Catered For [email protected] Tel: 01905 729415 www.twocraftybrewers.co.uk Well February shot by in the blink of an eye and here we are again! Welcome to the March edition of Slap. I was hoping to say ‘Spring is in the air’ but I’ve just seen the weather forecast and it’s far from Spring-like. It really feels like it’s been a long winter of discontent with news of more venue closures almost weekly. The latest to go at the end of February was the Pig and Drum in Worcester which has been prominent on the local music seen for a few years now. Thanks to the efforts of landlady Rachel Cale bands from out of town loved playing there. We don’t yet know the long term fate of the Boar’s Mar 2017 Head in Kidderminster since Sid & Sandra announced they’re moving on in the summer, But I don’t think it’ll be the last to go. With business rates rises due very soon and so many people feeling the pinch, these places are really suffering. There are SLAP MAGAZINE rumours of other venues around the counties who may also be Unit 3a, Lowesmoor Wharf, shutting their doors soon. And It’s not just the music scene that Worcester WR1 2RS suffers either, many of these spaces are now multi functional art Telephone: 01905 26660 spaces as well as platforms for comedy, spoken word and poetry.
    [Show full text]
  • David Bowie Under Review 1976-1979: the Berlin Trilogy Reviewed by Si Wooldridge
    David Bowie Under Review 1976-1979: The Berlin Trilogy reviewed by Si Wooldridge DVD features live and studio performances by David Bowie along with rare interviews, reviewed by esteemed experts such as Dieter Moebius, Michael Rother (former members of both Neu! and Cluster, key Bowie influences), Mark Prendergast, David Stubbs, Daryl Easlea (journalists, authors), and Paolo Hewitt among others. Introduction David Bowie is a musical icon and genius, sustaining an evolving career in music for nearly 40 years. We’re not talking about the treading water kind of career that the likes of The Rolling Stones, Eric Clapton and Status Quo have had either, we’re talking about a musician who isn’t afraid to experiment and put out music that others would deem to a failure. The 70’s were undeniably his peak in terms of success, a series of albums that influenced a generation and made him arguably one of the biggest stars in the world. His performance of Starman on Top Of The Pops, for example, is lauded as one of the landmarks in music television. Still, Bowie’s personal life was in turmoil through both drug addiction and media attention and by the mid-70’s he decided to get away from it all. Decamping to Berlin, he hooked up with Brian Eno and along with producer Tony Visconti embarked on the ‘Berlin Trilogy’, three albums hugely influenced by Krautrock bands such as Kraftwerk, Can, Neu and Harmonia. The resulting albums were Low, “Heroes” and The Lodger. Not exactly universally acclaimed at the time, these albums (particularly the first two) are seen as landmark musical moments and also led to the New Romantic movement of the early 80’s.
    [Show full text]
  • Record-Mirror-1982-1
    2 October 30, 1982 TEST OUR PRICE RECORDS LATEST OUR PRICE RECORDS LATEST OUP PRICE RECORDS LATEST OUR PRICE RECOR o E BLUE HON AE RED HOT FAVOURITES THIS LAST OUR WEEK WEEK PRICE -,- 1 I 1I tD_ oi AvEEsO rvilEAnal HI 4.49 2 3 CURKIUSLSTIN ETtg l-131EIBCLEVER _4.29 3 5 sFRHIAELNADFASAn _4.29 _ AT BUB PRIC-1 4 26 VT.A rKOInFROM FAME II 4.49 5 9 outrARATvEr 4.49 6 7 TV HA E KIDS FROM FAME 4.49 7 ii TKRIDCROLe OPICAL NTGHSETCE OR CS °NUTS 4 29 833 HHAoLL & OATES 4.29 92 un 3.99 EVELYN KING 10 12 G ET LOOSE ,3' 99 11 10 DIANA ROSS SILK ELECTRIC 4.49 12 16 zureteeHrs - ..rgAupriGsTEEN 1 . 13 4 i 4.29 ADAM ANT 1 14 19 FRIEND OR FOE 4.29 IMAGINATION 15 6 IN THE HEAT OF THE NIGHT 4.49 16 15 CVSTAIRSz" AT ERIC S 3.99 DEPECHE MODE 17 13 BROKEN FRAME 3.99 FAT LARRY'S BAND 18 R- BREAKIN OUT 4.29 ASSAUEMICHA LL As fe cNKKER 19 24 3.99 20 17 NSIEmwPCLDE0PAINDDRSEAm 4.49 BAUHAUS 21 e THE SKY S GONE OUT 4.49 ABC 22 14 EXICON OF LOVE 4.49 7 23 42 eNr NAit-gr= 4.29 gi9_=siiimETAOTNE-JsoTHHNiTs 24 38 4.99 DIONNE WARWICK 25 fa HEARTBREAKER 13.99 JOEL 26 30 NEDYLLLOYNUg PI TAINS 4.49 r YeADyNEIGHT RUNNERS 27 22 4.29 28 31 TV HA ETICORY KINDA LINGERS 5.99 TOYAH 29 0 WARRIOR ROCK 5.49 raDEHDEimE 30 41 C 4.29 31 21 r oRAN DURAN 4.49 32 18 :ETEFI GABRIEL 4.49 33 25 Alt= THE GANG 4.29 34 34 CVDE1151IZAUDKNEOISE 4.49 35 27 ceeenerCersil 4.29 CHICAGO 36 40 16 4.49 37 53 CTHE HRIS IDTEA BW UARYGH 4.29 LITTLE STEVE & DISCIPLES or SOUL 38 el MEN WITHOUT WOMEN 4.29 39 44 STRAWBERRIES 3.99 40 50 CHOOSE YOUR MASQUES 4.29 OUR PRICE RECORD SHOPS OUTER LONDON CENTRAL LONDON AYLESBURY BARNET R 4.49 BISHOPSGATE 1(2 GSTOKF BPENT CROSS 41 52 Aeior CANNON STREET f .GSHOPPlTTG CENTRE BROMLEY CHA ,, NO CROSS ROAD WC 2 AMBEKEY CAMBRIDGI umNA-rniL& ETD FIE MAMBAS 42 20 3.99 CHEAPSIDE EC CANTERBURY CHATHAM COVENTRY ST*ET •.•,• CHELMSFORD (RAwuy BLANCMANGE THINK ALBUM EDGWARE ROAD CROYDON HARLOW HAPPY FAMILIES 43 28 3.99 fINCHLEY ROAD ITW) HARROW HEMEL HFMRSTEAD FLEET STREET Er 4 KATE BUSH H"CH WYCOMBE -HOUNSLOW .
    [Show full text]
  • Article of Rny Faith. -It Is Also the Last· Orticle of My Creed. Mahatma Gandhi
    -·----- ----- · - -,. -_Jl{o AP.f2.1L_ Iq~~ . Non-violence is the first· article of rny faith. -It is also the last· orticle of my creed. Mahatma GandhI 'EDITOR: Chris E. Cell· MANAGEMENT STAFF: c:!bowski ADVERTISING: Kris Mal· Time for humanity to start ·.ASSOCIATE EDITORS: zahn . NEWS: Laura Stemweis · · Todd Sharp . AlP. Wong BUSINESS: Dean Koenig JI'EA'roREs: Kim Jacob- OFFICE MANAGE~: son . · . Elaine Yun-Lin Voo --_ - living what it preaches . SPORTS: Tamas Houlihan . OONTRJBUTORS: ENVIRONMENT: Andrew JW Fassbinder Savaglan · Cal Tamanji Tom Weiland It's funny. Here I sat wondering As the world's nations haggle over COPY EDITOR: Trudy Stewart . auisHavel what I was going to write about in my doctrine . and dogmatic differences, i . Susan Higgins editorial for the religion issue, when I humanity sinks closer to the point PHOTOGRAPHY: Rich · . Nanette Cable where religious dogmas won't mean a . Bumslde spotted a yellowing stack of old news­ Paul Gaertner papers here in the Pointer office . .. thing. Humanists are attacked froin . A~~Qtants: Fred Bobensee DebKellom : Mike Groricb Chocked full of the daily dose of mali­ many different religious corners, yet . ~~~Ss cious mayhem, one newspaper sur­ their beliefs in the essential goodness . QBAPBICS: Jayne Micb- 'PblfJinUi prisingly offered me an idea for an and promise of the hwnan race may llg. be what saves us from self-destruc­ Alalatant: BUl Glassen editorial about religion. There, in the ·=:.~ulloo creased upper righthand corner of tion. In the swirling, confusing mass .ADVJsoa: Dan HouUban . Laura 8ebnke BldtKaufman ... page eight was a story about a second of religious doctrines that bombard Amy Schroeder wall being erected to keep Protes­ the world community we need to find MikeDaebn tants and Catholics from each other's some conimon denominators.
    [Show full text]
  • The James Taylor Encyclopedia
    The James Taylor Encyclopedia An unofficial compendium for JT’s biggest fans Joel Risberg GeekTV Press Copyright 2005 by Joel Risberg All rights reserved Published 2005 Printed in the United States of America James Taylor Online www.james-taylor.com [email protected] Cover photo by Joana Franca. This book is not approved or endorsed by James Taylor, his record labels, or his management. For Sandra, who brings me snacks. CONTENTS BIOGRAPHY 1 TIMELINE 16 SONG ORIGINS 27 STUDIO ALBUMS 31 SINGLES 43 WORK ON OTHER ALBUMS 44 OTHER COMPOSITIONS 51 CONCERT VIDEOS 52 SINGLE-SONG MUSIC VIDEOS 57 APPEARANCES IN OTHER VIDEOS 58 MISCELLANEOUS WORK 59 NON-U.S. ALBUMS 60 BOOTLEGS 63 CONCERTS ON TELEVISION 70 RADIO APPEARANCES 74 MAJOR LIVE PERFORMANCES 75 TV APPEARANCES 76 MAJOR ARTICLES AND INTERVIEWS 83 SHEET MUSIC AND MUSIC BOOKS 87 SAMPLE SET LISTS 89 JT’S FAMILY 92 RECORDINGS BY JT ALUMNI 96 POINTERS 100 1971 Time cover story – and nearly every piece of writing about James Taylor since then – characterized the musician Aas a troubled soul and the inevitable product of a family of means that expected quite a lot of its kids. To some extent, it was true. James did find inspiration for much of his life’s work in his emotional torment and the many years he spent fighting drug addiction and depression. And he did hail from an affluent, musically talented family that could afford to send its progeny to exclusive prep schools and expensive private mental hospitals. But now James Taylor in his fifties has the benefit of hindsight to moderate any lingering grudges against a press that persistently pigeonholed him – first as a sort of Kurt Cobain of his day, and much later as a sleepy crooner with his most creative years behind him.
    [Show full text]
  • James Taylor Has Observed of His Songs, Whose Illuminations Have Provided Insight, Solace and Pleasure to Millions for More Than Three Decades
    PERFORMERS “ I SEEM TO WRITE A LOT ABOUT GOING FROM darkness to light,” James Taylor has observed of his songs, whose illuminations have provided insight, solace and pleasure to millions for more than three decades. He’s often been called a singer/songwriter, but that term fe applied in the early Seventies to describe Taylor and others who prof­ fered a more folkish, introspective retort to the rock & roll tumult of the Sixties - fails to recognize that he’s also incorporated all kinds of blues, Brill Building pop, Motown soul and country influences into one of the more unmistakable musical signatures of the rock era. His is a subtle, seductive magic, owing to the sturdy craftsmanship of his songs, the casual, amber warmth and Appalachian nasality of his voice and the utterly unique way he fingerpicks the acoustic guitar. With his second album, Sweet Baby James, he reached a large fol­ lowing early in his career that has stayed with him. Their loyalty owes as much to the consistent high quality of his work as it does to nos­ talgia for a favored set of tunes from their now-distant youth. Like the gangly Taylor himself, his career has legs. Indeed, his achievements make for an impressive tally of awards and statistics: He’s sold thirty million albums to date, and his recorded output extends like a string of platinum-certified stepping-stones from Sweet Baby James (1970) to Hourglass (1997)- Somewhat ironically, given that his rangy intel­ lect and retiring personality make him an unlikely pop star, Taylor has charted more than a dozen Top Forty hits, including “Fire and Rain,” served as dean of the medical school.
    [Show full text]
  • Artist 5Th Dimension, the 5Th Dimension, the a Flock of Seagulls
    Artist 5th Dimension, The 5th Dimension, The A Flock of Seagulls AC/DC Ackerman, William Adam and the Ants Adam Ant Adam Ant Adam Ant Adams, Bryan Adams, Bryan Adams, Ryan & the Cardinals Aerosmith Aerosmith Alice in Chains Allman, Duane Amazing Rhythm Aces America America April Wine Arcadia Archies, The Asia Asleep at the Wheel Association, The Association, The Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Atlanta Rhythm Section Autry, Gene Axe Axton, Hoyt Axton, Hoyt !1 Bachman Turner Overdrive Bad Company Bad Company Bad Company Bad English Badlands Badlands Band, The Bare, Bobby Bay City Rollers Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beach Boys, The Beatles, The Beatles, The Beatles, The Beatles, The Beaverteeth Bennett, Tony Benson, George Bent Left Big Audio Dynamite II Billy Squier Bishop, Elvin Bishop, Elvin Bishop, Stephen Black N Blue Black Sabbath Blind Faith Bloodrock Bloodrock Bloodrock Bloodstone Blue Nile, The Blue Oyster Cult !2 Blue Ridge Rangers Blues Brothers Blues Brothers Blues Brothers Blues Pills Blues Pills Bob Marley and the Wailers Bob Wills and His Texas Playboys BoDeans Bonham Bonoff, Karla Boston Boston Boston Boston Symphony Orchestra Bowie, David Braddock, Bobby Brickell, Edie & New Bohemians Briley, Martin Britny Fox Brown, Clarence Gatemouth Brown, Toni & Garthwaite, Terry Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Browne, Jackson Bruce
    [Show full text]
  • Synthpop: Into the Digital Age Morrow, C (1999) Stir It Up: Reggae Album Cover Art
    118 POPULAR MUSIC GENRES: AN INTRODUCTION Hebdige, D. (1987) Cut 'n' mix: Identity and Caribbean MUSIc. Comedia. CHAPTER 7 S. (1988) Black Culture, White Youth: The Reggae Tradition/romJA to UK. London: Macmillan. Synthpop: into the digital age Morrow, C (1999) StIr It Up: Reggae Album Cover Art. San Francisco: Chronicle Books. Potash, C (1997) Reggae, Rastafarians, Revolution: Jamaican Musicfrom Ska to Dub. London: Music Sales Limited. Stolzoff, N. C (2000) Wake the Town and Tell the People: Dancehall Culture in Jamaica. Durham, NC, and London: Duke University Press. Recommended listening Antecedents An overview of the genre Various (1989) The Liquidators: Join The Ska Train. In this chapter, we are adopting the term synthpop to deal with an era Various (1998) Trojan Rocksteady Box Set. Trojan. (around 1979-84) and style of music known by several other names. A more widely employed term in pop historiography has been 'New Generic texts Romantic', but this is too narrowly focused on clothing and fashion, Big Youth ( BurI).ing Spear ( and was, as is ever the case, disowned by almost all those supposedly part Alton (1993) Cry Tough. Heartbeat. of the musical 'movement'. The term New Romantic is more usefully King Skitt (1996) Reggae FIre Beat. Jamaican Gold. employed to describe the club scene, subculture and fashion associated K wesi Johnson, Linton (1998) Linton Kwesi Johnson Independam Intavenshan: with certain elements ofearly 1980s' music in Britain. Other terms used to The Island Anthology. Island. describe this genre included 'futurist' and 'peacock punk' (see Rimmer Bob Marley and The Wailers (1972) Catch A Fire.
    [Show full text]
  • The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
    (Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're
    [Show full text]