G I L L I a N W E a R I N G 1963 Born in Birmingham, England
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Jelena Bulajic
JELENA BULAJIC Born in 1990, Vrbas, Serbia Lives and works in Serbia and London, UK SOLO EXHIBITIONS 2017 Jelena Bulajic, carlier | gebauer, Berlin, Germany 2016 Collision, Unit 1 Gallery | Workshop, London, UK 2014 Museum Collection of Cultural Centre of Vrbas, Vrbas, Serbia 2013 Old Age Cultural Centre of Belgrade, Belgrade Old Age Likovni Susret Gallery, Subotica 2012 Old Age Nadežda Petrovic Gallery,Cacak Portraits Gallery of the Association of Visual Artists of Vojvodina, Novi Sad 2011 Mladi dolaze Platoneum Gallery, Branch of Serbian Academy of Sciences and Arts, Novi Sad GROUP EXHIBITIONS 2016 Wasted Time, Ferenczy Museum Centre Art Mill, Szentendre, Hungary I Prefer Life, The Weserburg, Bremen, Germany Champagne Life, The Saatchi Gallery, London, UK 2015 New London Figurative, Charlie Smith london, London, UK Summer Exhibition 2015, Royal Academy of Arts, London, UK 2014 Premonition, Blood, Hope: Art in Vojvodina and Serbia 1914 – 2014, Künstlerhaus, Vienna, Austria Saatchi’s New Sensations and The Future Can Wait, Victoria House, London, UK BP Portrait Award 2014, National Portrait Gallery, London, UK. Travelled to Sunderland Museum & Winter Gardens, WWW.SAATCHIGALLERY.COM JELENA BULAJIC Sunderland and Scottish National Portrait Gallery, Edinburgh, UK The open west 2014, The Wilson Cheltenham Art Gallery & Museum, Cheltenham, UK Culture Escape: Toward a Better World, Galerie Nest, Geneva, Switzerland Young Gods, Charlie Smith london and The Griffin Gallery, London, UK. Curated by Zavier Ellis 2013 Young, Niš Art Foundation Art -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
WG Museums & Creative Industries Study Visit to Serbia from 13 to 15
WG Museums & Creative Industries study visit to Serbia From 13th to 15th of May, 2020 Wednesday, 13th of May – Belgrade Visit of several national museums: National Museum in Belgrade http://www.narodnimuzej.rs/) – presentation of the WG Museums & Creative Industries Museum of Contemporary Art (https://www.msub.org.rs/) Museum of Yugoslavia (https://www.muzej-jugoslavije.org/) – presentation of the Council for Creative Industries – Serbia Creates (under the auspices of the Prime Minister's Cabinet https://www.serbiacreates.rs/) Thursday, 14th of May – Novi Sad Visit to: The Gallery of Matica Srpska (http://www.galerijamaticesrpske.rs/) Museum of Vojvodina (https://www.muzejvojvodine.org.rs/) Foundation ”Novi Sad 2021 – European Capital of Culture” (https://novisad2021.rs/) In the late afternoon departure for Mokrin (accommodation in Mokrin House https://www.mokrinhouse.com/) – we will book the accommodation when we get the exact number of WG members - participants; also, we will check with Mokrin House if there is any possibility to make a discount for the WG members) Friday, 15th of May – Mokrin House 10.00 – 12.00: WG Museum & Creative Industries meeting If there is enough time (it depends on your departure time) visit to the Kikinda National Museum (http://www.muzejkikinda.org.rs/) The end of the study visit – organized transfer from Mokrin/Kikinda to Belgrade or to the airport. Organization: Netork of Euorpean Museum Organisations - NEMO WG Museums & Creative Industries and The Gallery of Matica Srpska with the support of the Council for Creative Industries – Serbia Creates and Foundation ”Novi Sad 2021 – European Capital of Culture”. Accommodation Recommended accommodation (in the city center) you may find on booking.com: Five Points Square – City Center Hotel Savoy Hotel Majestic Or any other accommodation on your choice Accommodation will be in Belgrade (1 or 2 nights) and in Mokrin House (1 night). -
Mark Dean Education 2017-2020 Encounter, London Centre for Spiritual Direction 2007-2010 Diphe Contextual Theology, St Mellitus
Mark Dean Education 2017-2020 Encounter, London Centre for Spiritual Direction 2007-2010 DipHE Contextual Theology, St Mellitus College 1992-1994 MA Fine Art, Goldsmiths' College 1989-1991 PGDip Youth & Community Work, Thames Polytechnic 1977-1980 BA (Hons) Fine Art, Brighton Polytechnic Solo Exhibitions & Projects 2020 Stations 2020, Arts Chaplaincy Projects (online project with socially distanced contributors) 2019 Where We Are, Laban Theatre, London (video and dance collaboration) 2019 All Angels, Marlborough College Chapel 2019 Color Motet, Austin Forum, London 2019 Pastiche Mass, Arts Chaplaincy Projects, London 2017 Stations of the Resurrection, St Paul's Cathedral, London (dance by Lizzi Kew Ross & Co) 2017 Stations of the Cross, St Stephen Walbrook, London 2014 Christian Disco, Museum Boijmans Van Beuningen, Rotterdam 2011 My Mum (V2-Sensitive), Beaconsfield, London 2010 The Beginning of The End, Beaconsfield, London 2007 Scorpio Rising 2, Holy Trinity & St Mary, Berwick-upon-Tweed 2006 Masochistic Opposite, Matthew Bown Gallery, London 2005 (Version) for Lightsilver, Beaconsfield, London 2004 Disco Maquette, Sketch, London 2002 The Return of JacKie & Judy (+Joey), Laurent Delaye Gallery, London 2002 MarK Dean, Volker Diehl Gallery, Berlin 2001 MarK Dean, IKON Gallery, Birmingham 2001 MarK Dean, Evolution, Leeds International Film Festival 2000 Ascension, Laurent Delaye Gallery, London 2000 MarK Dean, Imago 2000, Casa de las Conchas, Salamanca 1999 Dust, Laurent Delaye Gallery, London 1996 MarK Dean, City Racing, London Selected -
Novi-Sad 2021 Bid Book
CREDITS Published by City of Novi Sad Mayor: Miloš Vučević City Minister of Culutre: Vanja Vučenović Project Team Chairman: Momčilo Bajac, PhD Project Team Members: Uroš Ristić, M.Sc Dragan Marković, M.Sc Marko Paunović, MA Design: Nada Božić Logo Design: Studio Trkulja Photo Credits: Martin Candir KCNS photo team EXIT photo team Candidacy Support: Jelena Stevanović Vuk Radulović Aleksandra Stajić Milica Vukadinović Vladimir Radmanović TABLE OF CONTENT 7 BASIC PRINCIPLES 7 Introducing Novi Sad 9 Why does your city wish to take part in the I competition for the title of European Capital of CONTRIBUTION TO THE Culture? LONG-TERM STRATEGY 14 Does your city plan to involve its surrounding 20 area? Explain this choice. Describe the cultural strategy that is in place in your city at the Explain the concept of the programme which 20 18 time of the application, as well as the city’s plans to strengthen would be launched if the city designated as the capacity of the cultural and creative sectors, including European Capital of Culture through the development of long term links between these sectors and the economic and social sectors in your city. What are the plans for sustaining the cultural activities beyond the year of the title? How is the European Capital of Culture action included in this strategy? 24 If your city is awarded the title of Europian Capital of Culture, II what do you think would be the long-term cultural, social and economic impact on the city (including in terms of urban EUROPEAN development)? DIMENSION 28 25 Describe your plans for monitoring and evaluating the impact of the title on your city and for disseminating the results of the evaluation. -
List of References For
LIST OF REFERENCES FOR HOSPITALS AND HEALTH INSTITUTIONS Accident and Emergency clinic, UKC, Banja Luka, Bosnia and Herzegovina Accident and Emergency, Belgrade, Serbia Accident and Emergency, hospital building, Novi Sad, Serbia Angio KSW, Cantonal hospital, Winterthur, Switzerland Bacteriological institute, Kirov, Russia Beolab, laboratory, Belgrade, Serbia Care for elderly and inferm, Osijek, Croatia Cleangrad, Ljutomer, Slovenia Clinical center Dr Dragisa Misovic, Belgrade, Serbia Clinical center of Nis, Nis, Serbia Clinical center Zemun, Zemun, Serbia Clinical center of Montenegro, Laboratory, Podgorica, Montenegro Clinical center of Serbia, Belgrade, Serbia Clinical center Sofie Medgroup, Aktau, Kazakhstan Community Health Centre Ugrinovci, Belgrade, Serbia Community Health Centre Borča, Belgrade, Serbia Community Health Centre Veliko Gradište, Veliko Gradište, Serbia Day surgery complex Jedro, Belgrade, Serbia Day surgery of Railway, Belgrade, Serbia Dental surgery, Novi Sad, Serbia DNA laboratory of Police, Belgrade, Serbia ETH laboratory, Zürich, Switzerland FPC, hospital, Antwerpen, Belgium General Hospital, Požarevac, Serbia General Hospital, Aranđelovac, Serbia General hospital Nevesinje, Nevesinje, Bosnia and Herzegovina General hospital, Subotica, Serbia General hospital, Loznica, Serbia Gerontology center, Sombor, Serbia Gerontology center, Belgrade, Serbia Gerontology center “Oaza”, Novi Sad, Serbia Health center, Sremska Kamenica, Serbia Healthcare center, Neder Over Heembeek, Belgium Hematology hospital, Wrocław, Poland -
MUSEUMS AS CULTURAL HUBS the FUTURE of TRADITION MUSEUMS AS CULTURAL HUBS the Future of Tradition
THE NATIONAL COMMITTEE MAGAZINE NO 9 | JUNE 2019 | ISSN 2683-5282 MUSEUMS AS CULTURAL HUBS THE FUTURE OF TRADITION MUSEUMS AS CULTURAL HUBS The Future of Tradition May 13-19, 2019 FOR MUSEUMS MUSEUMS OF SERBIA International Museum Day - European Night of Museums - National Museum Week Free Admission 2 ICOM SRBIJA A WORD FROM PRESIDENT Jubilee Year From content This year, museum pro- fessionals will gather at the jubilee, 25th ICOM General Conference in magical Kyoto. There is plenty of symbol- 4 ism in the fact that the ICOM 25th General Conference - Kyoto 2019 Land of the Rising Sun is hosting 3,000 partic- Redefined Future of Tradition ipants who are going to discuss important is- sues of concern to the international museum 6 Interview community. This will be the right opportunity for Suay Aksoy, the new museum defi- nition to “rise” so as to ICOM President reflect the changed role of museums which have developed a closer bond 16 with the audience and New Museums become a more active part of the community The Largest Serbian Museum they belong to. Abroad The central theme of this year’s Conference, Museums as Cultural Hubs: The Future of Tradition, was exactly the thread that bonded 26 museums all over Serbia during the event Museums for 10, coor- International Cooperation dinated by ICOM Serbia. For the fifth time, the largest museum ini- Museum Connections tiative in Serbia presented museums as places where creativity and On The Silk Road knowledge unite, and visitors take an active part in creating and -ex changing ideas, and interact with each other, prioritizing the quality of knowledge exchange and development of critical awareness of major issues. -
Gillian Wearing Biography
GILLIAN WEARING BIOGRAPHY Born in Birmingham, United Kingdom, 1963 Lives and works in London, United Kingdom. Education: Goldsmiths' College, University of London, B.A. (Hons.) Fine Art, 1990 Chelsea School of Art, B.TECH Art & Design, 1987 Solo Exhibitions: 2014 Gillian Wearing, Regen Projects, Los Angeles, CA, December 11, 2014 – January 24, 2015 Gillian Wearing, Maureen Paley, London, UK, October 13 – November 16, 2014 Rose Video 05 | Gillian Wearing, The Rose Art Museum, Brandeis University, Waltham, MA, November 11, 2014 – March 8, 2015 We Are Here, The New Art Gallery Walsall, Walsall, UK, 18 July – 12 October 2014 2013 Gillian Wearing, Museum Brandhorst, Munich, Germany, March 21 – July 7, 2013. PEOPLE: Selected Parkett Artists’ Editions from 1984-2013, Parkett Space, Zurich, Switzerland, February 9 – March 11, 2013. 2012 Gillian Wearing, Whitechapel Art Gallery, London, United Kingdom, March 28 – June 17, 2012; travels to K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany, September 8 – January 6, 2013; Pinakothek der Moderne, Munich, Germany, March – July 2013. 2011 Gillian Wearing: People, Tanya Bonakdar Gallery, New York, NY, May 5 – June 24, 2011 2009 Gillian Wearing: Confessions/ Portraits, Videos, Musée Rodin, Paris, France, April 10 – August 23, 2009 2008 Gillian Wearing: Pin-Ups and Family History, Regen Projects, Los Angeles, CA, July 12 – August 23, 2008 2007 Gillian Wearing: Family Monument, special project curated by Fabio Cavallucci and Cristina Natalicchio, Galleria Civica de Arte Contemporanea di Trento, -
Murray Guy 453 West 17 Street New York NY 10011 T: 212 463 7372 F: 212 463 7319 [email protected]
Murray Guy 453 West 17 Street New York NY 10011 T: 212 463 7372 F: 212 463 7319 [email protected] MATTHEW HIGGS Born 1964 in Wakefield, West Yorkshire, England Lives and works in New York Education 1984-87 Newcastle-upon-Tyne Polytechnic, BA (Hons Fine Art) 1983-84 Blackburn School of Art (Foundation) Solo Exhibitions 2016 Lost For Words, Murray Guy, New York 2015 Matthew Higgs and Clive Hodgson, Wilkinson, London 2014 Matthew Higgs, Ian Wallace: Reading Works, The Apartment, Vancouver 2013 MLMH (two person exhibition with Margaret Lee), Murray Guy, New York 2012 MHML (two person exhibition with Margaret Lee), The Green Gallery, Milwaukee, WI 2010 Showdown, The Apartment, Athens, Greece 2009 Art in Crisis – Pictures in Peril, Murray Guy, New York Never Look Back, Glenn Horowitz Bookseller, East Hampton, NY Beginnings, Middles and Ends (with Gedi Sibony), Galerie Senn, Vienna 2008 Art Is To Enjoy, Wilkinson, London Are You Happy, The Apartment, Vancouver 2007 EX LIBRIS: Matthew Higgs and Peter Wuethrich, University Gallery Umass, Amherst, MA Jack Hanley, Los Angeles 2006 What goes around comes around, Murray Guy, New York 2004 Priceless, The Suburban, Oak Park, IL 2003 Art Isn’t Easy, Murray Guy, New York 2002 Not Worth Reading, Anthony Wilkinson Gallery, London 2000 Look Now, Pay Later, Murray Guy, New York 1999 Anthony Wilkinson Gallery, London 1997 There’s a painting on the wall (a collaboration with Chris Ofili), Anthony Wilkinson Fine Art, London 1996 There’s a painting on the wall (a collaboration with Peter Doig), Anthony Wilkinson Fine Art, London Selected Group Exhibitions 2016 Foundation Barbin Presents Redeux Sort Of, Kai Matsumiya Gallery, New York 2014 Not for All My Little Words (curated by Tim Hawkinson), Marc Straus, New York Manic Panic, Shoot the Lobster, New York. -
Biobibliography
Biobibliography Douglas Park born: 23-01-1972, United Kingdom visual artist, writer (of literary prose and critical essays, both mostly art connected), exhibition curator and multiple practices and roles combined http://www.myspace.com/douglas_park https://www.facebook.com/douglasrpark [email protected] +44 7813 271150 Every effort has been made to title and describe each entry; in some instances, the same items fall into several categories, hence apparent repetition. Group Exhibitions (excluding exhibitions in “Curation” category, even if personally appeared in) 1990: Boxes & Totems, curated by Jane England, England & Co Gallery, London An Art Fair Frieze, curated by Simon Cutts, Galleria Victoria Miro, Florence 1991: Art in Boxes, curated by Jane England, England & Co Gallery, London 1996-’97: untitled group exhibition, curated by City Racing, London, Life / Live, U.K art-scene survey, curated by Hans Ulrich Obrist & others, Musee d’Art Moderne de la Ville de Paris, touring to Centro Culturelle de Belem, Lisbon 1999: The Manchurian Candidate, curated by Ciara Ennis & David Goldenberg, Flexible Response / ESP / Homeless H.Q, London 2000: Hand Jobs, with Michael Landy & Gillian Wearing, The Approach, London 2001: City Racing 1988-’98: A Partial Account, curated by Matthew Higgs & others, Institute of Contemporary Arts, London 2002: Its Only Words, curated by Esther Windsor, Mirror, London Blow by Blow, with April Durham, Olive Martin & Michelle Naismith, Zoo Galerie, Nantes Drunks, curated by Gavin Broad & Natural Light, Vincent -
Art and Culture, an Investment for Serbia's
Cultural Policy Peer Review of Serbia Report of the Council of Europe Experts1 ART AND CULTURE, AN INVESTMENT FOR SERBIA’S FUTURE Rapporteur: Philippe KERN 26 August 20152 Experts: Kimmo Aulake – Ministerial advisor, Ministry of Education and Culture, Finland Philippe Kern – Rapporteur, Managing Director of KEA European Affairs, Belgium Lars Seeberg – Independent artistic advisor, board member of the Royal Theatre, Denmark Council of Europe representative: Kathrin Merkle – Head of Culture and Democracy Division 1. General considerations 1.1. Essential facts Population: 7.1 million - Capital: Belgrade (population: 1.6 million) A parliamentary democracy 25 administrative regions, 167 municipalities Around 17,000 employees in the public culture sector – 76 work at the Ministry of Culture and Media 900 cultural events and festivals - mainly in the field of dance and folk music (strong tradition) 533 public cultural institutions - 400 civil society cultural organisations 1 The opinions expressed in this work are the responsibility of the independent experts who produced the report and do not necessarily reflect the official policy of the Council of Europe. 2 This is the second version of the expert report replacing the previous version from April 2015. 1 1.2. Introduction3 The Republic of Serbia is still confronted with the consequences of the devastation of the nineties and the difficulties of the present decade. Yet many of the surviving strengths of Serbian cultural life are derived from a long tradition of cultural investment. The country is still relying on infrastructure dating from the defunct Federal Socialist Republic of Yugoslavia, in which decentralisation and institutional self-government were key characteristics of cultural policy. -
Sarah Lucas Biography
Sadie Coles HQ Sarah Lucas Biography 1962 Born in London, England 1982-83 Working Men's College, London, England 1983-84 London College of Printing, London, England 1984-87 Goldsmiths College, London, England Solo Exhibitions 2021 SEX LIFE, The Perimeter, London, England Project 1, NGA National Gallery of Australia, Canberra, Australia 2020 HURRICANE DORIS, CFA Berlin, Berlin, Germany NOT NOW DARLING, Le Consortium, Dijon, France HONEY PIE, Sadie Coles HQ, Kingly Street, London, England HONEY PIE, Gladstone 64, Gladstone Gallery, New York NY, USA 2019 Red Brick Art Museum, Beijing, China Supersensible, Works 1991-2012, Jason Haam, Seoul, South Korea Au Naturel, Hammer Museum, Los Angeles CA, USA (touring) 2018 Au Naturel, New Museum, New York NY, USA (touring) Dame Zero, kurimanzutto, Mexico City, Mexico Familias Felices, Salón Silicón, Mexico City, Mexico 2017 Good Muse, Legion of Honor, Fine Arts Museums of San Francisco, San Francisco CA, USA FunQroc, CFA Contemporary Fine Arts, Berlin, Germany POWER IN WOMAN, Humber Street Gallery, Hull, England 2016 INNAMEMORABILIAMUMBUM, Fondazione Nicola Trussardi off-site: Albergo Diurno Venezia, Milan, Italy, curated by Massimiliano Gioni and Vincenzo de Bellis Father Time, Sadie Coles HQ, Davies Street, London, England POWER IN WOMAN, Sir John Soane’s Museum, London, England 2015 I SCREAM DADDIO, The British Pavilion, 56th International Art Exhibition, Venice Biennale, Venice, Italy (cat.) Whitworth Art Gallery, Manchester, England 2014 Florian and Kevin, Aspen Art Museum, Aspen CO, USA Fried