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58.0 42.4 98.8 Plan View 2 9/32" 1 21/32" 3 29/32"

Braces "G, H, L & M" - Round Brace Top And Taper Braces to 0mm At Both Ends of Braces m .0m h=3 w m = m 3 .5 . =3 5 w m m

h = G 2 . 0 m m

650.0 ( T 25 19/32" r e b 168.4 Scale Length le mm Taper Fan Brace Ends to 6 5/8" =3.5 S h "0mm" At Ends i mm d H 3.5 e w- ) 13.3 4.0 325.0 150.1 174.8 41.7 34. 5/32" 12 25/32" 5 29/32" 6 7/8" 17/32" 1 21/ 9 34.9 32" 1 3/8 25.8 " 1 3/8" 17.7 Neck Length 1 1/32" 11/16" "

Depth Of Holes For Rollers Can 27.6 0 . 6

1 3/32" 1 4 Vary With Tuning Machine Mfr. / 9 Dashed Lines Indicate Outline Of 1 The Center Joint Is One Of The Most R 31.9 Tapered Ivory Nut Important Joints On The Guitar For Both 1 1/4" Neck Block Where It Meets The 4.0mm J .5mm h= Top And Back Plates. Consider Using Our R 11.1 " Top. w=3

6 D " 7/16" 9 1 Plate Joining Jig For Hair . line Joints In Record 2 / 1 . 3 7 5 " / Brace Key Numbers. Refer To Time 5 2 9 3 1 1

/ Brace Diagram Section t Plan For Section 2

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n Locate Holes And Drile Precisely With A Drill e Note: At Fan Braces "F, J & K" Back Block or Butt Block. Vertical Grain

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A Q Press. Cut String Ramps In With A Round Rasp C Keep Bra uarter Sawn Spruce (Same at Top .9 34.9 ce Profile Square Over 34 1 3/8" and Final Shape With Sandp 29/32" ) Plate) /8" aper Wrapped Around w-3 Bridge Plate. Round Top Of e 1 3 A Rossette (Shaded) - .5 d A Dowel. L mm i h Remainder of Brace to End S C =3. 5m s m s Note: Be Sure To Check The Actual Roller Spacing a B B ( For Your Tuning Machines Before Making The Fret Wire Detail Brace Key Numbers. Refer To m Template and Layout. They Vary Slightly From Mfr. m Brace Diagram Plan For 5 To Mfr. 7 . Bracing Layouts 1 M = h 51.8 56.2 58.2 2 1/32" 2 7/32" 2 9/32" m m

" " 5 8 w . 2 2 . =3 2 2 0 3 3 3 .5 . . 5 / / /1 mm = 7 7 5 5 6 " 4. h= w 5 0 3. /3 0m

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3 Brace . 3 s "G, H, L & M" - Roun 5 d B 4 race 8 1 1 2 / 5 / 1 2 4 8 3 2 3 5 1 . " Top And Taper 2 1 Braces to 0mm At 4 9 / 3 1 Both Ends of Braces

Place Narrow Tentelltones (Approx 4mm Wide) On Either Side Each Brace End

5 Neck Section Neck Section Neck Section 1/32" @ 1st Fret @ 6th Fret @ 9th Fret 0 . " Lining For This Guitar Consists of 12mm Wide x 13mm 2 3 / 1 1 Tall Tentelltones Spaces 4mm Apart. These Blocks Are Hand Placed and Shaped to Fit The Sides Before n

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Gluing. Also Place th i e Tentelltones On Top of Each B 5.0 t

Brace End to S c erve as B 3/16" Brace Bracket.

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S 482.6 Neck Section Neck Section Neck Section 19" @ 1st Fret @ 6th Fret @ 9th Fret

660.0 25 31/32" Scale Length 177.6 7" Re-Constituted Ivory Or Excellent Quality Bone For the Nut. 21.0 4.8 330.0 330.0 13/16" 3/16" 13" 13" Neck Length Bridge Complete 129.6 Many Classical Built In The Spanish With Tie Block, Saddle Channel And " 5 3/32 For Fret Spacing, Refer To Fret Spacing Chart Below Tradition Shave The Bass Side Of The Fretboard Either Bone Or Ivory Saddle. Center Down Gradually From The 12th Fret To The

t .1 .0 t On 660mm Scale Length Both

3 e 19 4 e

r 7.9 /16" t r Soundhole To Give The Bass Strings Additional

1 e F 3/4" 1 1 F Vertically and Horiz ontally. 5/16" 34.9 r h

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t t Room To Osc illate.

/8" t 6 1 3 9

34.9 s

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@ Refer To 1 3/8" @ Sheet #3 For Purfling And "

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. Wood Bin / ding Details 1 This Light Line Is The Neck Splice 6 Joint. There Is A 8.13 Degree Angle

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2

2 From The Neck To The Headpiece 6

. 8 3 2

" / . 1 5

8.13° . /

1 . 6 7 3 5 5 " 2 1 2 4 / 2 1 2 1 1 9

1 3

/ 9 4 Drill These Holes Only After You Have . " 1 Purchased Your Tuning Machines. Make Holes About 1mm Larger Than The Roller. " 1 2 Drill These Holes First To Minimize Tear-Out . 3 2 /

O 1 f The Tuner Slots. 0

.2 R 38.7 1 4 103 1 17/32" 4 1/16" #1 Quality Cuban Mahogany Neck With Ebony Reinforcement Strip Down Center (See Detail Above). Select Only Vertical Grain Wood For Your Neck. The Top Trim For The Headstock Is Traditionally Made From The Same Wood As The Back And Sides. It is Usually Leftover Stock And Is About 2.2mm Thick. Glue Maple Or For Quick Neck Construction Consider Using Our Maple/Ebony Veneer Beneath For Additional Detail - This Is Neck Assembly Jig. You Can Cut Your Scarf Joint A Personal Preference. Glue These Pieces Before Any For The Head Joint, Glue The Headpiece To The Headstock Work Is Started. Nec k and Glue The Heel Block Quickly And Nothing Laminate Cuban Cedar Left Overs From The Slips Out Of Place. Neck Blank (Before You Rip The Blank Down The Middle). Make Sure To Glue Enough For The Continuous Neck Block And Foot At The Guitar Refer To Sheet #3 For Purfling And Interior As Well. Wood Binding Details 495.4 Either Extend The Back Material Over The Heel 19 1/2" Or Place A Piece Of Ebony Trim Over The Neck Heal. Both Practices Are Used And Traditional. Extension Of The Back Plate Over The Heals Gives The Guitar Additional Strength. Side Elevation Note For Detailed Guitar & Uke Construction Instructions Refer To Our Book "Guitar & Ukulele Construction Handbook @ http://shopglss.com

This Drawing or Drawings Are To Used For One Use Only Date: Jan. 15, 2017 1937hauserplan And Not Reproduced For Any Other Purpose Than Construction Of This Particular Instrument, and a One Time Reproduction Only is Allowed Georgia Luthier Supply Revisions: Reproduction, Distribution or Sales For Any Other Use Is Strictly Prohibited And Falls Under U.S Copyright Laws For David VerBurg AIA c 2017 Unless Noted Otherwise, These This Sheet Size Is Metric A0 Size Overall Size is 1189mm x Plans Are Drawn to Full Scale. They 841mm With 15mm Borders On All Sides. For USA Are Labeled in mm and Fractional 01 Customers Print On Architectural "E" (36" x 48") Without 1937 Hauser Classical Guitar Plan Inches Resizing For 1:1 Printout.