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Gene LeesLrc Ad LibitumLibitwm G& JazzletterIazzletter PO BOXBox 240,240, OjaiOjai CACA93024-024093024-0240 ]une 2005 Vol. 23 N0. 6

Because the same people who would tell you how wonder- Mail BagBrg ful the USA is also want to live here for nothing. God, I miss Europe. Clarke, West Des Moines, Iowa You will never think of haiku again in the same way when I ——- Donald Clarke, West Des Moines, Iowa tell you that every single haiku everevet written can be sung to the other publication which gives me more plea- tunetune of Moonlight in Vermont. I take no other publication which gives me more plea- initially sub- -—- Frank Frost, Santa Barbara, California sure. I havehave every issue of thethe Jazzletter. I initially sub- scribed because of my love of the music. I would remain a of the topic. I live in a "red state" so Five syllables,sytlabtes, seven syllables, andandfive.five. And that song hashas subscriber regardless of the topic. I live in a “red state” so enjoy your comments about this comrpt a haiku quality in that the lyric doesndoesn't’t rhyme and contains no I particularly enjoy your comments about this conupt ever recover from the acts and verbs except in the release. ItIt's’s all images. Frank is aaformerformer administration. Can we ever recover from the acts and these morons? classicsclassics professor, a novelist, and aajazzjazz pianist. omissions of these morons? Thoughrhou gh we have never met, I consider you a dear friend. About Darwin. In science, a guess is a “hypothesis”."hypothesis"' A "Y;ffi— John fR. McCandless,i};sffiH It;,ffi*'al.l;Oklahoma City “theory”"theory" is a testable hypothesis that is supported by a large body of empirical evidence and contradicted by none.none' It would John is an attorney.attorneY. be a shame ififthethe bewildered forced an end to this terminology.terminology' so many catch'up Jazzletters, and A theory is not held to be a “fact”"fact" because no one would deny What a tln*illthrill to receive so many catch-up Jazzletters, and as usual. I have no doubt that they are now and the possibility of new evidence requiring revision, and over the alla1l fabulous as usual. I have no doubt that they are now and great historical importance' yearsyeais the validation of evolution has been enriched as the will be in the years ahead of great historical importance. to accommodate it' And the incisiveness and general acumen ofofyouryour readership theoryiheory has been expanded and modifiedmodified to accommodate it. tflLi,1l That the press and politicians are deferential to all those isi s perhapsp erhap s unprecedented,unP rec edented' certainly in this field. .,ri rorni a people who expect to live in bliss for trillions and trillions of —— Jeri Coates,s'"Xil:]illLos Angeles, Califomia years in the company of Yahweh is no small part of our me too. national deterioration. The superstition is especially puzzling And that readershipreadershiP amazes me too. in those who have actually read the Bible, where the deity donate a gift subscription to someone who appears to be a capricious destructive megalomaniac very I’dl'd like to donate a gift subscription to someone who your discretion. My life is so enriched because much like the super-villains in comiccornic books. needs it, at your discretion. My life is so enriched because — Art Hilgart, Kalamazoo,Kalartazoo, Michigan ofofyou.you. - Martha McAndrews MD, Fortville, Indiana —- Martha McAndrews MD, Fortville, Indiana Your piece Darwin in Kansas made my heart leap with joy! the largest group of subscribers is There is no contradiction between religion and science, but Next to musicians, the largest group of subscribers is people who can’tcan't see beyond their noses certainly cannot doctors. contemplate a hundred billion years, let alone infinity'infinity. 'And you know you are appreciated. I for one consider J And while I’mI'm at it, why does no one evereverpointpoint out that the I think you know you are appreciated. I for one consider and I suspect I am not alone' right-wing nuts who want to get rid of the federal govemmentgovernment you a national treasure and I suspect I am not alone. — Roderick W. Pettis, San Rafael, CalifomiaCalifornia areu* no different from the orthodox Communists, who look for the “withering"withering away ofofthethe state”?state"? Is there a difference between doesn't mean I don't like hearing it, and left-wing crackpots and right-wingrightwing crackpots? Yeah, but that doesn 't mean I don ’t like hearing it, and me going, like that little stupid drum- Why is there less and less music teaching in the schools? the letters keep me going, like that little stupid drum-

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would often tape beating bunny. tapes of these airshots myself: my wife would often tape them off the radio when I was playing. My collection In your story about ZootZoot'n'’n’ Al, you mentioned Zoot’sZoot's includes several hours of Al and Zoot andand Rushing, and Richie Kamuca et brothers Gene and, of course, Ray. There was another brother, nights with Phil Woods, Bobby Hackett, Richie Kamuca et this stuff. I've younger I think, whose name was Bobby. Bobby was a trumpet al. There are already bootlegs out on much ofthisof stuff. I’ve one on the player who also sang (like Ray), as occasionally did Zoot. He found a couple at the record store, including one on the Zoot Sims at and I worked together in a nondescript band around L.A. Naked City label of Tijuana, Mexico, called Zoot Sims at listed as Bill Lucky Thompson was also with the band for a while, probably the Half Note, in which the accompanists are listed as Bill When I brought it during the late ’40s.'40s. The band had one trumpet and three saxes Crow, Roger Kellaway, and Mel Lewis. When I brought it in my collection. I was and three rhythm. Obviously Bobby never got the attention that home I found it was one of the tapes in my collection. I was It was John Ray and Zoot received. I have no idea whatever happened to pissed off because they got the credits wrong.wrong' It was John up him. Beal, Mousey Alexander and me. Naked City screwed up Al Cohn Let me add another Zoot storystory to the collection. Some time the song titles, too, putting their own titles on two Al Cohn justice? in 1954 or 1955 I did a concert on a Sunday aftemoonafternoon with originals. Is there, at last, no justice? 31,7964, Zoot. Guess I took a very worthwhile aftemoonafternoon off from the In the New Year’sYear's Eve broadcast, December 31, 1964, There was an Lighthouse that day. The concert was part of a series that Dick Zoot plays the wrong song at midnight. There was an and then Zoot Bock of PacificPacific Records had been doing at a small but delight- audience count-down, “Three,"Three, two, one!”onel" and then Zoot corrected him ful little theater on Hollywood Boulevard near LaBrea. Besides playedplayed Happy Birthday. When Alan Grant corrected him — "I knew it was something- me, Chet was there and a rhythm section all of whom I have on the air! ——- Zoot said amiably, “I knew it was something forgotten. ZootZoot arrivedarived half ripped. How he got there I don’tdon't festive.”festive." —- Dave Frishberg, Portland, Oregon know, as he had no car. As the aftemoonafternoon proceeded, he got the - other half ripped. The last piece we did was a blues. The three of Zoot. homhorn players all had chairs to sit on, for obvious reasons, when These two letters summoned up two memories ofZoot. to get not soloing. When it came time for Zoot’sZoot's solo he stood up When I became editor of Down Beat, I wanted to get I did with the.formi' (barely) and did lovely Zoot things for about ten minutes. Then more interesting covers, w'hichwhich I think Idid with theformi- young art his tenor began pointing more and more skyward. His body dable help of photographer Ted Williams and a young art started forming a shape like the letter s.s' Then the top of the s director named Bob Billings. put Zoot on the cover, and I was a very opened up and up went his tenor and back he fell into his chair, I wanted to put Zoot on the cover; and -— I was a very get a shot still playing. The chair went over backwards and he ended up active photographer in those days -— planned to get a shot - noticed a house in flatflat on his back, his tenor still pointing to the skies with Zoot of him on a visitvisit to New York. I had noticed a house in balcony still playingtheplaying the shit out of it. That was one of the few times Greenwich Village that had an interesting front balcony evoked New Orleans. I that I ever saw Chet Baker laugh. with a white cast-iron railing that evoked New Orleans. I This clearly concluded our concert. Where could we go arranged to take the picture ofofZootZoot on that balcony. by a blizzard, which from there? After he put his hornhom away Zoot hobbled over to But then New York was hit by a blizzard, which forced plows did their work and there me and said, “Hey"Hey Shank, take me home.”home." So I loaded him into me to wait a day or two. The plows did their work and there particu- my Hillman Minx (one of my better automotive investments) were great long ridges of snow along the streets, particu- one in the Village. Zoot and and off we went to Inglewood to the Sims’Sims' family home. To larly those as narrowndrrow as onefindsfinds in the Village. Zoot and afriend I can't remember who it say that it was a veryvery modest home would be a very modest I went down there with afriend --— I can ’t remember who it position on the balcony and I climbed up on statement. For so much marvelous music to come from such an was.wa* He took a position on the balcony and I climbed up on good positionfor the picture. I set environment is really remarkable. that snow ridge to get a good position for the picture. I set the image on the glass Thanks for all your great words and lyrics, and especially it up carefully, looking down into the image on the glass "Are you ready? " He said for your friendship. atop my Rolleiflex. I asked Zoot, "Are you ready? ” He said — Bud Shank, Tucson, ArizonaArizona he was. - And at that moment the snow gave way under me and I to my waist or maybe the armpits. WABC did a regular Friday night radio broadcast in stereo sank instantly to my waist or maybe the armpits. than he did that day. from the Half Note from 1963-1966. It was an hour show You never saw Zoot laugh harder than he did that day. hauled me out of the snow, I got my called Portraits in Jazz with Alan Grant.Grant.I'veI’ve got a bunch of He and ourfiiendour friend hauled me out ofthe snow, Igot my

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"former"oilmen?), I predicted picture, and I ran it on the cover.cover believe that he and Bush are ‘former ”oilmen ?), Ipredicted I shot another cover involving Zoot, this one atqt the second every event that has come to pass. Whenlfrhen they invaded, I the ground, Monterey Jazz Festival. I wanted a photo that said "Califor-"Califor' said they would have to put 500,000 troops on the ground, nia" and so I got some of the guys, including Zoot, Urbie drawing on the French and American experiences in Viet And given the Green, and Conte Candoli, took them out by a ratherratherfamousfamous Nam and that of the British in Malaya. And given the deployed, wind-bent Monterey pine, lined them up with their instruments number of National Guard units that have been deployed, to assure against the sunset, and took my shot. It was a black-and-white the country doesndoesn't’t have enough troops at home to assure (1.5. learn what photo, but Bob Billings ran the cover with a sky-blueslqt-blue overlay, domestic security. It'sIt 's insane. The U.S. needs to learn what and ittt waswus quite striking.strrking. the British and French learned to their chagrin: colonialism On our way back in a station wagon, Zoot said he liked the is expensive. one of Dukes ofDixieland.of Dixieland. That group was anathema in "hip"hip""jazz iazz The United States made a promise to the world, one of Revolution and circles, and one oftheo.f the musicians climbed all over him. How every manman'sfreedom.'sfreedom. It inspired the French Revolution and now purely couldcoulcl he possibly like them? Zoot said in his imperturbable so influencedinJluenced Britain that the monarchy is now purely way,way,"Well,“Well, you know me, man, I’veI've got no taste.taste."" ceremonial (and should be abolished). I expect the U.S. to live up to that promise; I demand the highest standards of I do not plan to renew my subscription, not because I don’tdon't it. " was enjoy the insightful, intelligent manner in which you present Lincoln called it “the"the last best hope of man. ”AndAnd he was (1782-1852) saw this youryour jazzjazzopinions.opinions. I’mI'm cancelling because ofofyouryour strong anti- right. And Senator Daniel Webster (I 782-I852) saw this Constitu- United States bias and your juvenile views of politics in even earlier. He said."said: “Hold"Hold on, mymyfriends,friends, to the Constitu- Miracles do not general, which I feel are uncalled for in a publication of this tion and to the RepublicRepublicforwhichfor which it stands. Miracles do not type.type' cluster andandwhatwhat has happened once in 6,6,000years000years may not -— Anthony Gagliardi happen again. Hold on to the Constitution, for if the - American Constitution should fall, there will be anarchy " And what type ofpublicationof publication is that? throughout the world. ” The anarchy has Before I ever wrote about music, I was a political reporter The Constitution is under attack. The anarchy has andandforeignforeign correspondent. I covered the French entanglement already begun in the Middle East. March 4, 1837, Andrew in Algeria,Algeria,fromfrom which they had to withdraw, and their defeat In his farewell address on March 4, I 83 7, Andrew "But my citizens, in and withdrawalwithdrawql from Viet Nam. And so when John FF. JacksonJacl

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requirements as a nation and the duties imposed by the nation where shock and humor have traditionally depended on upon the individual,"individual; balance between actions of the moment sexual subjects. and the national welfare of the future. Good judgment seeksseel