Recommended Action Movies on Netflix
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Written and Directed by Madeleine Olnek
Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in " Wild Nights With Emily," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy " Wild Nights with Emily." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W. -
Friday, May 18
Movies starting Friday, May 18 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “Deadpool 2” Rated R Run Time 1:20 Starring Ryan Reynolds Start 2:40 5:50 9:00 End 4:40 7:50 11:00 Rated R for strong violence and language throughout, sexual references and brief drug material. “Book Club” Rated PG-13 Run Time 1:45 Starring Diane Keaton, Jane Fonda and Candice Bergen Start 2:40 5:40 8:45 End 4:35 7:35 10:35 Rated PG-13 for sex-related material throughout, and for language. “Avengers: Infinity War” Rated PG-13 Run Time 2:30 Starring Robert Downey Jr, Chris Evans and Chris Hemsworth Start 2:15 5:30 8:45 End 4:45 8:00 11:15 Rated PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references. “Life of the Party” Rated PG-13 Run Time 1:45 Starring Melissa McCarthy Start 2:50 5:50 9:00 End 4:35 7:35 10:45 Rated PG-13 for suggestive material, partial nudity and some language. ***Prices*** Adults $13.00 (3D $16.50) Matinees, Seniors and Children under 12 $10.50 (3D $13.50) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies Deadpool 2 (R) • Ryan Reynolds • Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy of supernatural abilities from the brutal, time-traveling mutant, Cable. Book Club (PG-13) • Diane Keaton • Jane Fonda • Candice Bergen • Diane (Diane Keaton) is recently widowed after 40 years of marriage. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
November 1St - 15Th
BROADMOOR MOVIES: NOVEMBER 1ST - 15TH Thursday, November 1st 7:00 pm Won’t You Be My Neighbor? PG-13 (1 hour, 34 minutes) Friday, November 2nd 7:00 pm Captain Underpants: The First Epic Movie PG (1 hour, 29 minutes) Saturday, November 3rd 12:00 pm Despicable Me 3 PG (1 hour, 30 minutes) 7:00 pm Skyscraper PG-13 (1 hour, 42 minutes) Sunday, November 4th 2:00 pm Jurassic World PG-13 (2 hours, 4 minutes) 7:00 pm Won’t You Be My Neighbor? PG-13 (1 hour, 34 minutes) Monday, November 5th 7:00 pm Captain Underpants: The First Epic Movie PG (1 hour, 29 minutes) Tuesday, November 6th 7:00 pm Skyscraper PG-13 (1 hour, 42 minutes) Wednesday, November 7th 7:00 pm Won’t You Be My Neighbor? PG-13 (1 hour, 34 minutes) Thursday, November 8th 7:00 pm Captain Underpants: The First Epic Movie PG (1 hour, 29 minutes) Friday, November 9th 7:00 pm Skyscraper PG-13 (1 hour, 42 minutes) Saturday, November 10th 12:00 pm The Nut Job 2: Nutty by Nature PG (1 hour, 31 minutes) 7:00 pm Won’t You Be My Neighbor? PG-13 (1 hour, 34 minutes) Sunday, November 11th 2:00 pm Thor: Ragnarok PG-13 (2 hours, 10 minutes) 7:00 pm Captain Underpants: The First Epic Movie PG (1 hour, 29 minutes) Monday, November 12th 7:00 pm Skyscraper PG-13 (1 hour, 42 minutes) Tuesday, November 13th 7:00 pm Won’t You Be My Neighbor? PG-13 (1 hour, 34 minutes) Wednesday, November 14th 7:00 pm Captain Underpants: The First Epic Movie PG (1 hour, 29 minutes) Thursday, November 15th 7:00 pm Skyscraper PG-13 (1 hour, 42 minutes) PLEASE NOTE THE FOLLOWING Movies are shown in the Little Theatre All movies are subject to change Movies are complimentary for Guests & Members Matinee Showings are 12:00pm on Saturdays & 2:00pm on Sundays Won’t You Be My Neighbor? Rated: PG-13 Genre: Documentary | Biography Running Time: 1 hour, 34 minutes Summary: An exploration of the life, lessons, and legacy of iconic children's television host, Fred Rogers. -
Awards / Nominations
STEVEN PRICE COMPOSER CREDITS AWARDS & NOMINATIONS BAFTA TV CRAFT AWARD 2016 THE HUNT Original Music ACADEMY AWARD 2013 GRAVITY Best Original Score BAFTA AWARD 2013 GRAVITY Original Music GOLDEN GLOBE AWARD GRAVITY NOMINATION 2013 Best Original Score CRITICS CHOICE AWARD 2013 GRAVITY Best Score WORLD SOUNDTRACK AWARD GRAVITY NOMINATIONS Film Composer of the Year and Best Original Film Score of the Year FEATURE FILMS ARCHIVE Philip Herd, Luc Roeg, prods. Independent Film Company Gavin Rotherty, dir. OPHELIA Daniel Bobker, Paul Hanson, Sarah Curtis, Bobker / Kruger Films Ehren Kruger, prods. Claire McCarthy, dir. WONDERLAND Karen Rosenfelt, Kendra Haaland, prods. Paramount Pictures Dylan Brown, dir. AMERICAN ASSASSIN Lorenzo Di Bonaventura, Nick Wechsler, Di Bonaventura Pictures / CBS Films prods. Michael Cuesta, dir. BABY DRIVER Tim Bevan, Eric Fellner, Nina Park, prods. TriStar / Working Title Edgar Wright, dir. SUICIDE SQUAD Charles Roven, Richard Suckle, prods. Warner Bros. David Ayer, dir. FURY Bill Block, John Lesher, Ethan Smith, prods. Columbia Pictures David Ayer, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 STEVEN PRICE GRAVITY David Heyman, Geyer Kosinski, prods. Warner Bros. Alfonso Cuaron, dir. THE WORLD’S END Tim Bevan, Eric Fellner, prods. Working Title Edgar Wright, dir. MARLEY Charles Steel, prod. Cowboy Films Kevin Macdonald, dir. ATTACK THE BLOCK Nira Park, James Wilson, prods. Big Talk Joe Cornish, dir. SCOTT PILGRIM VS THE WORLD Eric Glitter, Nira Park, Marc Platt, Universal Edgar Wright, prods. *Additional Music Edgar Wright, dir. THE BOAT THAT ROCKED Hilary Bevan Jones, Tim Bevan, Working Title Eric Fellner, prods. *Additional Music Richard Curtis, dir. MR. BEANS HOLIDAY Peter Bennett-Jones, Tim Bevan, Working Title Eric Fellner, prods. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Pbc La 2018 Sessions Information Saturday, June 9Th 9
PBC LA 2018 SESSIONS INFORMATION SATURDAY, JUNE 9TH 9:30AM – 10:45AM CONVERSATION WITH: JIM GIANOPULOS & NEAL H. MORITZ Location: Paramount Theatre Speakers: • Jim Gianopulos, Chairman and CEO, Paramount Pictures Corporation • Neal H. Moritz, Principal, Original Film; “Fast and the Furious” Franchise, “Jump Street” Franchise THE ART OF PRODUCING ANIMATION The industry’s (and the global audience’s) appetite for animated content has continued to expand. This panel will give attendees insight into the unique challenges of producing animation for both film and television. Our session’s panelists span all forms of animation, ranging from major studio to independent productions, and from CG to 2D to stop-motion. Panelists will discuss the comparative complexity of working in a variety of formats and share realistic expectations for creating successful and memorable animated features and shows. Location: Sherry Lansing Speakers: • Allison Abbate, EVP, Warner Animation Group; “Fantastic Mr. Fox,” “Corpse Bride” • Andrew Goldberg; "Big Mouth," "Family Guy" • Jinko Gotoh; "The Little Prince," "9" • Jorge R. Gutiérrez; “The Book of Life,” “El Tigre, The Adventures of Manny Rivera” • Rosa Tran; "Final Space," "Anomalisa" Moderator: Bonnie Arnold, Producer, DreamWorks Animation; "How to Train Your Dragon," "Toy Story" WHAT DO YOU MEAN THAT'S NOT COVERED? LESSONS LEARNED IN MANAGING RISKS AND COSTS IN YOUR PRODUCTION sponsored by HUB Entertainment Insurance Insurance may be one of the last arrangements you make in your production, but it is for certain one of the most important. Done properly, it can mean all the difference in executing a safe, smart, and profitable production. In this panel, we bring perspectives from production executives and risk management & insurance professionals to explore real-life production disasters – ranging from weather delays to death of cast family members to #MeToo related turnover and reputation damages – and how you can learn from these incidents and prevent them (or at least contain their consequences). -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
Imta Alum Adrianne Palicki Takes on Red Dawn
IMTA ALUM ADRIANNE PALICKI TAKES ON RED DAWN IMTA Press Release November 20, 2012 Red Dawn opens nationwide Wednesday, November 21 “After I booked the part I ended up watching the [original] movie and I completely saw why people loved it so much…why it had such a cult following.” – Adrianne Palicki When Red Dawn was released in 1984, there were basically two camps that formed around the film: those whose politics leaned to the left and who viewed it as an over-the-top glorification of war, and those who leaned right, loved the film and supported Ronald Reagan’s stance in the Cold War against Communism. It was a startling story about a Soviet military invasion of the U.S. and a group of teens banning together to wage their own brand of guerilla warfare resistance. However, the mixed reviews of the first-ever PG13-rated film, and stars such as Patrick Swayze, Jennifer Grey, C. Thomas Howell, Leah Thompson and Charlie Sheen did little to keep it from becoming a cult classic that was recently described on one film blog as a “Guilty pleasure film that one day you'll have to explain to your grandkids.” In the 2012 remake of Red Dawn the Russians have been replaced by the North Koreans, but the basic plot is the same: a group of young patriots fighting back against an enemy occupation of their town. Taking full advantage of the advances in cinema technology and special effects, this updated version has been described by one review as “a scary, action-packed war zone that demonstrates the cost of selfishness and the importance of bonding as a team.” The film, which was actually shot in 2009-2010 but encountered numerous delays in its release, stars IMTA alum Adrianne Palicki (NY03) alongside Chris Hemsworth, Josh Hutcherson, Josh Peck, Isabel Lucas and Jeffrey Dean Morgan.