the  review of the year 20 11– 2012 national gallery staff publications april 2011–march 2012

Susanna Avery-Quash, Research Curator Susan Foister, Director of Collections Minna Moore Ede, Assistant Curator of in the History of Collecting (and Deputy Director) Renaissance Paintings Art for the Nation, National Gallery Exhibition review: Dürer–Cranach–Holbein, Contributions to Luke Syson, Leonardo Company, London 2011 (with Julie Vienna and Munich, The Burlington da Vinci: Painter at the Court of , Sheldon) Magazine, vol. CLIII (December 2011), National Gallery Company, London 2011 Editor, The Travel Notebooks of Sir Charles pp. 841–3 Eastlake, The Walpole Society, vol. 73, Rachel Morrison, Scientific Officer – 2 vols (2011) Arturo Galansino, Harry E. Weinrebe Organic Analyst ‘Collector Connoisseurs or Spiritual Curatorial Assistant ‘’s “”: Aesthetes? The Role of Anglican Clergy in Contributions to Luke Syson, Leonardo da Treatment, Technique and Display’, the Growth of Interest in Collecting and Vinci: Painter at the Court of Milan, National Gallery Technical Bulletin, 32 Displaying Early Italian Art (1830s–1880s)’, National Gallery Company, London 2011 (2011), pp. 32–56 (with Larry Keith, Ashok in Joseph Sterrett and Peter Thomas Roy and Peter Schade) (eds), Sacred Text – Sacred Space: Sarah Herring, Isaiah Berlin Assistant ‘An Italo-Byzantine Triptych with the Architectural, Spiritual and Literary Curator of Post-1800 Paintings Mother of God and Saints: Summary of Convergences in England and Wales, Forests, Rocks, Torrents: Norwegian and Technical Findings’, The Picture Restorer, Leiden and Boston 2011 Swiss Landscape Paintings from the 38 (2011), pp. 7–11 (with Helen Howard Lunde Collection, National Gallery and Hayley Tomlinson) Rachel Billinge, Research Associate, Company, London 2011 (with Christopher Conservation Riopelle) David Peggie, Scientific Officer – ‘Altered Angels: Two Panels from the Organic Analyst Immaculate Conception Altarpiece once Helen Howard, Scientific Officer – ‘Painting Practice in Milan in the 1490s: The in San Francesco Grande, Milan’, National Microscopist Influence of Leonardo’, National Gallery Gallery Technical Bulletin, 32 (2011), ‘Non-invasive Investigations of a Wall Technical Bulletin, 32 (2011), pp. 78–112 pp. 57–77 (with Luke Syson and Marika Painting using Optical Coherence (with Ashok Roy, Marika Spring, Antonio Spring) Tomography and Hyperspectral Imaging’, Mazzotta and Rachel Billinge) ‘Painting Practice in Milan in the 1490s: SPIE Optical Metrology (International The Influence of Leonardo’, National Society for Optics and Photonics), Nicholas Penny, Director Gallery Technical Bulletin, 32 (2011), International Conference Centre, ‘A Visit to Rotterdam’, The Burlington pp. 78–112 (with Marika Spring, Antonio Munich, 23–6 May 2011 – Proc. SPIE 8084, Magazine, vol. CLIV (February 2012), Mazzotta, Ashok Roy and David Peggie) 8084F (2011) (with Haida Liang, Rebecca pp. 83–6 Technical note in Juliet Carey, Taking Time, Lange and Jane Spooner) Chardin’s ‘Boy building a House of Cards’ ‘An Italo-Byzantine Triptych with the Christopher Riopelle, Curator of and Other Paintings, exh. cat., Mother of God and Saints: Summary of Post-1800 Paintings Waddesdon Manor (National Trust), Technical Findings’, The Picture Restorer, Forests, Rocks, Torrents: Norwegian Aylesbury, 2012, p. 147, no. 3 38 (2011), pp. 7–11 (with Rachel Morrison and Swiss Landscape Paintings from and Hayley Tomlinson) the Lunde Collection, National Gallery Alan Crookham, Archivist Company, London 2011 (with Sarah ‘The Turner Bequest at the National Larry Keith, Director of Conservation Herring) Gallery’, in Ian Warrell, Turner Inspired: ‘In Pursuit of Perfection: Leonardo’s In the Light of Claude, National Gallery Painting Technique’, in Luke Syson, Ashok Roy, Director of Science Company, London 2012 Leonardo da Vinci: Painter at the Court Editor, National Gallery Technical Bulletin, of Milan, National Gallery Company, 32, National Gallery Company, London Jill Dunkerton, Senior Restorer London 2011, pp. 54–79 2011 ‘Leonardo in Verrocchio’s Workshop: ‘Leonardo da Vinci’s “Virgin of the Rocks”: ‘Leonardo da Vinci’s “Virgin of the Rocks”: Re-examining the Technical Evidence’, Treatment, Technique and Display’, Treatment, Technique and Display’, in National Gallery Technical Bulletin, National Gallery Technical Bulletin, National Gallery Technical Bulletin, 32 (2011), pp. 4–31 32 (2011), pp. 32–56 (with Ashok Roy, 32 (2011), pp. 32–56 (with Larry Keith, Rachel Morrison and Peter Schade) Rachel Morrison and Peter Schade) the national gallery  review of the year 2011 – 2012

‘Painting Practice in Milan in the 1490s: The Luke Syson, Curator of Italian Paintings, Influence of Leonardo’, National Gallery 1460–1500 Technical Bulletin, 32 (2011), pp. 78–112 Leonardo da Vinci: Painter at the Court (with Marika Spring, Antonio Mazzotta, of Milan, National Gallery Company, Rachel Billinge and David Peggie) London 2011 (with contributions by Larry Keith, Arturo Galansino, Antonio Per Rumberg, Pidem Curatorial Assistant Mazzotta, Minna Moore Ede, Scott Contributions to Luke Syson, Leonardo da Nethersole and Per Rumberg) Vinci: Painter at the Court of Milan, ‘Altered Angels: Two Panels from the National Gallery Company, London 2011 Immaculate Conception Altarpiece once in San Francesco Grande, Milan’, National Peter Schade, Head of Framing Gallery Technical Bulletin, 32 (2011), ‘Leonardo da Vinci’s “Virgin of the Rocks”: pp. 57–77 (with Rachel Billinge and Treatment, Technique and Display’, Marika Spring) National Gallery Technical Bulletin, 32 (2011), pp. 32–56 (with Larry Keith, Hayley Tomlinson, Scientific Officer – Rachel Morrison and Ashok Roy) Microscopist ‘An Italo-Byzantine Triptych with the Marika Spring, Principal Scientific Officer Mother of God and Saints: Summary of ‘Altered Angels: Two Panels from the Technical Findings’, The Picture Restorer, Immaculate Conception Altarpiece once 38 (2011), pp. 7–11 (with Helen Howard in San Francesco Grande, Milan’, National and Rachel Morrison) Gallery Technical Bulletin, 32 (2011), pp. 57–77 (with Rachel Billinge and Luke Marjorie E. Wieseman, Curator of Dutch Syson) Paintings 1600–1800 ‘Painting Practice in Milan in the 1490s: The Vermeer’s Women: Secrets and Silence, Influence of Leonardo’, National Gallery exh. cat., The , Technical Bulletin, 32 (2011), pp. 78–112 Cambridge, 2011 (with Ashok Roy, Antonio Mazzotta, Rachel Billinge and David Peggie) Humphrey Wine, Curator of 17th- and ‘Investigation of the Loss of Colour in Smalt 18th-Century French Paintings on Degradation in Paintings using ‘Boilly et la Grande-Bretagne au XIXe Multiple Spectroscopic Analytical Siècle’, in Boilly (1761–1845), exh. cat., Techniques’, ICOM-CC 16th Triennial Palais des Beaux-Arts de Lille, 2011, Conference, Lisbon, 19–23 September pp. 34–45 2011, Preprints, Janet Bridgland (ed.), ‘Jeune fille à la fenêtre’, in Boilly (1761– Lisbon 2011, paper 1614 (with Laurianne 1845), exh. cat., Palais des Beaux-Arts Robinet and Sandrine Pagès-Camagna) de Lille, 2011, pp. 258–61, no. 186 ‘Investigation of the Discoloration of Smalt Exhibition and catalogue review: Watteau: Pigment in Historic Paintings by Micro The Drawings, London, The Burlington X-ray Absorption Spectroscopy at the Magazine, vol. CLIII (July 2011), Co K-edge’, Analytical Chemistry, 83/13, pp. 489–90 (2011), pp. 5145–52 (with Laurianne Robinet, Sandrine Pagès-Camagna, Delphine Vantelon and Nicolas Trcera) the national gallery  review of the year 20 11– 2012 national gallery staff external commitments april 2011–march 2012

Paul Ackroyd, Restorer Member of Peer Review College, Arts and Member of the Board of Electors to the Visiting lecturer for the Conservation of Humanities Research Council (AHRC) Slade Professorship of Fine Art, University Easel Paintings course at the Courtauld of Oxford Institute of Art, London Claire Hallinan, Senior Collection Registrar Member of the Advisory Board of the VIII European Registrars Conference 2012 Government Art Collection Jillian Barker, Director of Education, Committee Member, United Kingdom Trusteeships and Memberships Information and Access Registrars Group Trustee of the Francis Haskell Memorial Trustee of the Prince of Wales’ Foundation Fund for Children and the Arts Elspeth Hector, Head of Libraries and Archive Trustee of the Bridget Riley Art Foundation Chair of Steering Group for New Music Member of Museums Librarians and (2011) 20x12 Archivists Group (MLAG) Events and Trustee of the Heritage Conservation Trust Member of the Engage Editorial panel Training Group (2008) Member of London Art History Libraries Trustee (1993) and Director (1998) of Rachel Billinge, Research Associate, Forum (LAHLF) Burlington Magazine Foundation Conservation Member of the Consultative Committee Member of the advisory panel for the David Jaffé, Senior Curator of The Burlington Magazine (1987) research project ‘Making Art in Tudor Member of the Committee, Heritage Member of the Governing Board of the Britain’ at the National Portrait Gallery Conservation Trust Courtauld Institute of Art (2008) Member of Peer Review College, Arts and Visiting lecturer, Courtauld Graduate Member of the Courtauld Remuneration Humanities Research Council (AHRC) Diploma in the History of Art, Rubens in Committee (2008) Paint and on Paper, Courtauld Institute Member of the Courtauld Gallery and Lorne Campbell, George Beaumont Senior of Art Academic Committee (2008) Research Curator Contributions to Syracuse University Member of the Bizot Group (2008) Member of the Consultative Committee, London Program, Museum Studies Member of the Advisory Board of The Burlington Magazine Prospettiva Member of the advisory committee for the Larry Keith, Director of Conservation Member of the Advisory Board of Auckland cleaning of Memling’s Christ between External Examiner, Courtauld Institute, Castle (2011) Singing and Music-making Angels, Postgraduate Easel Paintings Member of the Comité Scientifique of Koninklijk Museum voor Schone Kunsten, Conservation Course Arthena (2008) Antwerp Member of the Board of Studies, Courtauld Member of the Dal Pozzo Catalogue Member of the advisory committee for the Institute, Postgraduate Easel Paintings Advisory Committee conservation of The Ghent Altarpiece, Conservation Course Member of the Consultative Committee Sint Baafskathedraal, Ghent External Examiner, Hamilton Kerr Institute, of The Sculpture Journal University of Cambridge Member of the International Committee Alan Crookham, Archivist Advisor, Bank of America Art Conservation for the publication of Canova’s letters Board Member, Museums and Galleries Program and writings History Group Conservation Advisor, Heritage Member of the Council of the British Conservation Trust School at Rome (2010) Jill Dunkerton, Senior Restorer Member of the Advisory Board, Wallace Fellow of the British Academy (2010) Member of the advisory committee for the Collection Reynolds Project Fellow of the Society of Antiquaries of cleaning of Titian’s Jupiter and Antiope Member, commission scientifique de la London (2003) (La Vénus du Pardo), Musée du , Restauration de la Saint Anne de Léonard Fellow of the American Academy of Arts Paris de Vinci, Musée du Louvre and Sciences (2007) Member, Comitato Scientifico Sala delle Honorary Fellow of Saint Catherine’s Susan Foister, Director of Collections Asse, Castello Sforzesco, Milan College, Cambridge (2009) (and Deputy Director) Joint supervisor of DPhil student, University Nicholas Penny, Director Carol Plazzotta, Myojin Curator of Italian of Oxford, Department of History of Art Ex-officio Painting 1500–1600 Joint supervisor of PhD student, Expert adviser to the DCMS referring cases Committee member of the Centro di Studi Royal College of Art / Victoria and to the Reviewing Committee on the sull’Arte del Cinquecento nella Provincia Albert Museum Export of Works of Art Toscana the national gallery  review of the year 2011 – 2012

Ashok Roy, Director of Science Luke Syson, Curator of Italian Paintings, Member of the Advisory Council, Hamilton 1460–1500 Kerr Institute, University of Cambridge Trustee, The Holburne Museum, Bath Member of the governing board of the (until December 2011) CHARISMA project (EU project FP7– Member of Council, The Attingham Trust 228330) (until December 2011) Kress Foundation Visiting Lecturer, Member of Advisory Committee, Centre New York University for the Study of the Renaissance, University of Warwick (until December Charlotte Sexton, Head of Digital Media 2011) Board member for The Museum Computer Network (MCN) Angela Thompson, Photograph Conservator Mark Slattery, Senior Art Handling Member of ICON Book & Paper Group Technician committee on Meetings and Conferences Specialist Advisory Committee, PACCIN (Preparation, Art Handling and Marjorie E. Wieseman, Curator of Dutch Collections Care Information Network), a Paintings 1600–1800 professional sub-committee of the AAM Visiting lecturer, Central Saint Martins College of Art and Design Marika Spring, Senior Scientific Officer Member, CODART (Curators of Dutch Art) Member of the Board of Studies for the Executive Committee, ALCS (Association Conservation of Easel Paintings Course, for Low Country Studies) Courtauld Institute of Art Member, Committee for Low Countries Member of Peer Review College, Arts and Studies in London Humanities Research Council (AHRC)

Eloise Stewart, Exhibitions Registrar Events Secretary for the United Kingdom Registrars Group (UKRG) (November 2009 – November 2011)