Waves: Light, Sound and Other Oscillations by Richard Brock
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ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2011 TY TITLE Artist CERTIFIED COMPANY CAT NO
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2011 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 MAKING MIRRORS Gotye <P>2 ELEV/UMA ELEVENCD101 2 REECE MASTIN Reece Mastin <P> SME 88691916002 3 THE BEST OF COLD CHISEL - ALL FOR YOU Cold Chisel <P> WAR 5249889762 4 ROY Damien Leith <P> SME 88697892492 5 MOONFIRE Boy & Bear <P> ISL/UMA 2777355 6 RRAKALA Geoffrey Gurrumul Yunupingu <G> SFM/MGM SFGU110402 7 DOWN THE WAY Angus & Julia Stone <P>3 CAP/EMI 6263842 8 SEEKER LOVER KEEPER Seeker Lover Keeper <G> DEW/UMA DEW9000330 9 THE LIFE OF RILEY Drapht <G> AYEM/SME AYEMS001 10 BIRDS OF TOKYO Birds Of Tokyo <P> CAP/EMI 6473012 11 WHITE HEAT: 30 HITS Icehouse <G> DIVA/UMA DIVAU1015C 12 BLUE SKY BLUE Pete Murray <G> SME 88697856202 13 TWENTY TEN Guy Sebastian <P> SME 88697800722 14 FALLING & FLYING 360 SMR/EMI SOLM8005 15 PRISONER The Jezabels <G> IDP/MGM JEZ004 16 YES I AM Jack Vidgen <G> SME 88697968532 17 ULTIMATE HITS Lee Kernaghan ABC/UMA 8800919 18 ALTIYAN CHILDS Altiyan Childs <P> SME 88697818642 19 RUNNING ON AIR Bliss N Eso <P> ILL/UMA ILL034CD 20 THE VERY VERY BEST OF CROWDED HOUSE Crowded House <G> CAP/EMI 9174032 21 GILGAMESH Gypsy & The Cat <G> SME 88697806792 22 SONGS FROM THE HEART Mark Vincent SME 88697927992 23 FOOTPRINTS - THE BEST OF POWDERFINGER 2001-2011 Powderfinger <G> UMA 2777141 24 THE ACOUSTIC CHAPEL SESSIONS John Farnham SME 88697969872 25 FINGERPRINTS & FOOTPRINTS Powderfinger UMA 2787366 26 GET 'EM GIRLS Jessica Mauboy <G> SME 88697784472 27 GHOSTS OF THE PAST Eskimo Joe WAR 5249871942 28 TO THE HORSES Lanie Lane IVY/UMA IVY121 29 GET CLOSER Keith Urban <G> CAP/EMI 9474212 30 LET'S GO David Campbell SME 88697987582 31 THE ENDING IS JUST THE BEGINNING REPEATING The Living End <G> DEW/UMA DEW9000353 32 THE EXPERIMENT Art vs. -
Developing an Intergovernmental Nuclear Regulatory Organization
Developing an Intergovernmental Nuclear Regulatory Organization: Lessons Learned from the International Civil Aviation Organization, the International Maritime Organization, and the International Telecommunication Union Clarence Eugene Carpenter, Jr. Bachelor of Science in Mechanical Engineering, May 1988 Seattle University, Seattle, WA Master of Science in Technical Management, May 1997 The Johns Hopkins University, Baltimore, MD Master of Arts in International Science and Technology Policy, May 2009 The George Washington University, Washington, DC A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 10, 2020 Dissertation directed by Kathryn Newcomer Professor of Public Policy and Public Administration The Columbian College of Arts and Sciences of The George Washington University certifies that Clarence Eugene Carpenter, Jr. has passed the Final Examination for the degree of Doctor of Philosophy as of November 26, 2019. This is the final and approved form of the dissertation. Developing an Intergovernmental Nuclear Regulatory Organization: Lessons Learned from the International Civil Aviation Organization, the International Maritime Organization, and the International Telecommunication Union Clarence Eugene Carpenter, Jr. Dissertation Research Committee: Kathryn Newcomer, Professor of Public Policy and Public Administration, Dissertation Director Philippe Bardet, Assistant Professor, -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and W abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection current and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
TREE of CLUES: a Packet for Popheads
TREE OF CLUES: a packet for popheads Written by Kevin Kodama 1. In one song by this artist, a background clicking noise slows down as she sings “I found another way / To caress my day”. One of this artist’s videos is a single shot of her as both a giant goddess and tiny dancers that slowly zooms out. A track by this artist that she described as “a medieval march through the destruction of a relationship” laments “I never thought that you would be the one to tie me down”. This artist asks “Why don’t I do it for you” in a video that showcases her pole-dancing skills, and she explained a part of her name as “a selection of letters that sounded... masculine and strong”. For ten points, name this artist who released “Cellophane” for her 2019 album MAGDALENE. ANSWER: FKA twigs (accept Taliah Debrett Barnett) 2. This song’s heavily ad-libbed bridge includes the James Brown-inspired lyric “Good God! I can’t help it!”. In the music video for this song, the artist crawls on the ground sporting white polka dotted lipstick. This song begins with a series of tongue clicking and a breathy “yeah” along with some funky guitars. The video for this song uses pink, purple, and blue lighting in a scene where the artist runs between a male flirt and Tessa Thompson. This song’s artist describes herself as “an emotional sexual bender”, which is a nod to her pansexuality. For ten points, name this top r/popheads track of 2018, a Janelle Monae song that was the lead single for the album Dirty Computer. -
Waves and Structures
WAVES AND STRUCTURES By Dr M C Deo Professor of Civil Engineering Indian Institute of Technology Bombay Powai, Mumbai 400 076 Contact: [email protected]; (+91) 22 2572 2377 (Please refer as follows, if you use any part of this book: Deo M C (2013): Waves and Structures, http://www.civil.iitb.ac.in/~mcdeo/waves.html) (Suggestions to improve/modify contents are welcome) 1 Content Chapter 1: Introduction 4 Chapter 2: Wave Theories 18 Chapter 3: Random Waves 47 Chapter 4: Wave Propagation 80 Chapter 5: Numerical Modeling of Waves 110 Chapter 6: Design Water Depth 115 Chapter 7: Wave Forces on Shore-Based Structures 132 Chapter 8: Wave Force On Small Diameter Members 150 Chapter 9: Maximum Wave Force on the Entire Structure 173 Chapter 10: Wave Forces on Large Diameter Members 187 Chapter 11: Spectral and Statistical Analysis of Wave Forces 209 Chapter 12: Wave Run Up 221 Chapter 13: Pipeline Hydrodynamics 234 Chapter 14: Statics of Floating Bodies 241 Chapter 15: Vibrations 268 Chapter 16: Motions of Freely Floating Bodies 283 Chapter 17: Motion Response of Compliant Structures 315 2 Notations 338 References 342 3 CHAPTER 1 INTRODUCTION 1.1 Introduction The knowledge of magnitude and behavior of ocean waves at site is an essential prerequisite for almost all activities in the ocean including planning, design, construction and operation related to harbor, coastal and structures. The waves of major concern to a harbor engineer are generated by the action of wind. The wind creates a disturbance in the sea which is restored to its calm equilibrium position by the action of gravity and hence resulting waves are called wind generated gravity waves. -
Massimo Olivucci Director of the Laboratory for Computational Photochemistry and Photobiology
Massimo Olivucci Director of the Laboratory for Computational Photochemistry and Photobiology September 12, 2012 Center for Photochemical Sciences & Department of Chemistry Bowling Green State University, Bowling Green, OH The Last Frontier of Sensitivity The research group working at the Laboratory for Computational Photochemistry and Photobiology (LCPP) at the Center for Photochemical Sciences, Bowling Green State University (Ohio) has been investigating the so- called Purkinje effect: the blue-shift in the perceived color under the decreasing levels of illumination that are experienced at dusk. Their results have appeared in the September 7 issue of Science Magazine. By constructing sophisticated computer models of rod rhodopsin, the dim-light visual “sensor” of vertebrates, the group has provided a first-principle explanation for this effect in atomic detail. The effect can now be understood as a result of quantum mechanical effects that may some day be used to design the ultimate sub-nanoscale light detector. The retina of vertebrate eyes, including humans, is the most powerful light detector that we know. In the human eye, light coming through the lens is projected onto the retina where it forms an image on a mosaic of photoreceptor cells that transmits information on the surrounding environment to the brain visual cortex, both during daytime and nighttime. Night (dim-light) vision represents the last frontier of light detection. In extremely poor illumination conditions, such as those of a star-studded night or of ocean depths, the retina is able to perceive intensities corresponding to only a few photons, the indivisible units of light. Such high sensitivity is due to specialized sensors called rod rhodopsins that appeared more than 250 million years ago on the retinas of vertebrate animals. -
Nearshore Current Pattern and Rip Current Occurrence at Jungmun Beach, Jeju by Numerical Computation 1. Introduction
한국항해항만학회지 제41권 제2호 J. Navig. Port Res. Vol. 41, No. 2 : 55-62, April 2017 (ISSN:1598-5725(Print)/ISSN:2093-8470(Online)) DOI : http://dx.doi.org/10.5394/KINPR.2017.41.2.55 Nearshore Current Pattern and Rip Current Occurrence at Jungmun Beach, Jeju by Numerical Computation Seung-Hyun An*․†Nam-Hyeong Kim *Coastal, Harbor and Disaster Prevention Research Institute, Sekwang Engineering Consultants Co., LTD. †Department of Civil Engineering, J eju National University, Jeju 63243, Korea Abstract : A nearshore current or a wave-induced current is an important phenomenon in a nearshore zone, which is composed of longshore, cross-shore, and rip currents. The nearshore current is closely related to the occurrence of coastal accidents by beachgoers. A considerable number of coastal accidents by beachgoers involving the rip current have been reported at Jungmun Beach. However, in studies and observations of the nearshore current of Jungmun Beach, understanding of the rip current pattern remains unclear. In this study, a scientific approach is taken to understand the nearshore current and the rip current patterns at Jungmun Beach by numerical computation for year of 2015. From results of numerical computation, the occurrence and spatial characteristics of the rip current, and the similarities between the rip current and incident wave conditions are analyzed. The primary results of this study reveal that the rip currents are frequently generated at Jungmun Beach, especially in the western parts of the beach, and that the rip currents often occur with a wave breaking height of around 0.5 ~ 0.7 m, a wave period of around 6 ~ 8 seconds, and a breaking angle of around 0 ~ 15 degrees. -
Beach Accretion with Erosive Waves : "Beachbuilding" Accrétion Sur Les Plages Avec Vagues Érosives : "La Technique De Construction De Plage "
Beach accretion with erosive waves : "Beachbuilding" Accrétion sur les plages avec vagues érosives : "la technique de construction de plage " Melville W. BEARDSLEY US Army Corps of Engineers, Beachbuilder Company Roger H. CHARLIER HAECON Inc., Free University of BRUSSELS - Belgique Abstract : A new method of beach preservation, theBeachbuilder Technique , proposes to harness the energy of normally erosive waves to produce beach accretion. A "flow control sheet" located in the surf zone directs the flow of swash and backwash causing net transport of sediment onto the beach. Beach and surf zone profiles created by the wave-tank tests show that the technique leads to accretion on this beach, during every test run with erosive waves. The successful wave tank results should reproduce on actual beaches ; rapid accretion on real beaches can be expected from the scaled wave-tank results. It is anticipated that by use of this new technique, costs of beach preservation would be cut by as much as 66%. Furthermore, rapid beach accretion, quick reaction, high mobility, good durability, «nd provision of employment for making the installations are major benefits to be derived. K e y w o rd s . Erosion - Waves - Accretion - Nourishment - Beach Résum é : Une nouvelle méthode de protection de plages, Techniquela de Construction de Plage, est proposée. Un "drap de contrôle d’écoulement" placé dans la zone des brisants dirige le clapotis et le remous et provoque un transport de sédiment vers la plage. Les profils de plage et de brisants créés par des tests conduits en bassins montrent que la technique produit une accumulation sur la plage pendant chaque test avec vagues érosives. -
Air-Sea Interactions - Jacques C.J
OCEANOGRAPHY – Vol.I - Air-Sea Interactions - Jacques C.J. Nihoul and François C. Ronday AIR-SEA INTERACTIONS Jacques C.J. Nihoul and François C. Ronday University of Liège, Belgium Keywords: Wind waves, fully developed sea, tsunamis, swell, clapotis, seiches, littoral current, rip current, air-sea interactions, sea slicks, drag coefficient. Contents 1. Introduction 2. Wind waves 3. Air-Sea Interactions Glossary Bibliography Biographical Sketches Summary The marine system is part of the general geophysical system. Physical and chemical boundary interactions at the air-sea interface are essential factors in the marine system's dynamics Wind blowing over the sea generates surface waves and energy is transferred from the wind to the ocean's upper layer. The fluxes of the momentum, heat, chemicals... at the air-sea interface are usually parameterized by bulk formula which assumed that the fluxes are proportional to the magnitude of the wind velocity at some reference height (10m, say). Although these bulk formulas have abundantly been used in several generations of models, they can only give a rough representation of the mechanisms of air-sea interactions where wave’s field’s characteristics, bubbles and spray, surface slicks, heavy rainfalls...can play a significant role. 1. Introduction Incoming short wave solar radiation and outgoing long wave radiation emitted by the earth surface, mediated by back and forth long wave emissions by clouds and aerosols - with its spatial variability due, in particular, to the earth’s sphericity - constitute -
Two-Dimensional Wave-Making Problem C.R. Chou, R.S. Shih, J.Z. Yim Department of Harbor and River Engineering, National Taiwan O
Transactions on Modelling and Simulation vol 12, © 1996 WIT Press, www.witpress.com, ISSN 1743-355X Two-dimensional wave-making problem C.R. Chou, R.S. Shih, J.Z. Yim Department of Harbor and River Engineering, National Taiwan Ocean University, Bee-Ning Road 2, Keelung 202, Taiwan Abstract In this study, generation of two dimensional nonlinear waves is simulated numerically using boundary clement method. The present scheme is based on a Lagrangian description together with finite differencing of the time step. An algorithm to generate waves with any prescribed form is also implantec in the scheme. The numerical model was first verified by studying the case of finite amplitude waves impinging against a vertical wall. Time histories of evolution of a soliton running up on a sloping beach, as well as over a submerged obstacle are then presented. 1 Introduction Problems associated with generation, propagation and deformatio.i have been studied numerically by many researchers. Based on a mixed Eulerian- Lagrangian method, solitary wave interacting with a gentle slope, and wave breaking on water of gradually varying depth are simulated numerically in two- dimensional fluid region by Sujjino and Tosaka[l], Ouyama[2] explored soli- tary wave set up on a slope by boundary element method. Pedersen & Gjevik[3 ] developed a numerical model to study run-up of long waves governed by a set of Boussinesq equations. Lagrangian coordinate description was used to sim- plify the numerical treatment of a moving shoreline. Based on the Green';* formular, Nakayama[4] applied a new boundary element technique to analyze nonlinear water wave problems. -
Klik Hier & Luister
5T/M16SEPTEMBER2016 NR ARTIEST ALBUM NR ARTIEST ALBUM 1 MICHAEL JACKSON THRILLER 76 RACOON LIVERPOOL RAIN 2 PEARL JAM TEN 77 QUEEN A DAY AT THE RACES 3 ADELE 21 78 BON JOVI KEEP THE FAITH 4 U2 THE JOSHUA TREE 79 ROBBIE WILLIAMS LIFE THRU A LENSE 5 PINK FLOYD THE DARK SIDE OF THE MOON 80 AC/DC HIGHWAY TO HELL 6 PRINCE & THE REVOLUTION PURPLE RAIN 81 ACDA & DE MUNNIK NAAR HUIS 7 COLDPLAY A RUSH OF BLOOD TO THE HEAD 82 DIRE STRAITS MONEY FOR NOTHING 8 NIRVANA NEVERMIND 83 PINK FLOYD WISH YOU WERE HERE 9 DIRE STRAITS BROTHERS IN ARMS 84 GUNS N’ ROSES USE YOUR ILLUSION 2 10 QUEEN A NIGHT AT THE OPERA 85 MADONNA MADONNA – THE FIRST ALBUM 11 RED HOT CHILI PEPPERS CALIFORNICATION 86 COLDPLAY VIVA LA VIDA OR DEATH AND ALL HIS FRIENDS 12 EAGLES HOTEL CALIFORNIA 87 LED ZEPPELIN REMASTERS 13 PHIL COLLINS ...BUT SERIOUSLY 88 GEORGE MICHAEL FAITH 14 KENSINGTON RIVALS 89 LIVE THE DISTANCE TO HERE 15 BRUCE SPRINGSTEEN BORN IN THE USA 90 BRUCE SPRINGSTEEN BORN TO RUN 16 FLEETWOOD MAC RUMOURS 91 ERIC CLAPTON UNPLUGGED 17 PAUL SIMON GRACELAND 92 U2 ALL THAT YOU CAN’T LEAVE BEHIND 18 METALLICA METALLICA 93 ROLLING STONES FORTY LICKS 19 THE BEATLES SGT. PEPPER’S LONELY HEARTS CLUB BAND 94 SIMPLE MINDS ONCE UPON A TIME 20 REM AUTOMATIC FOR THE PEOPLE 95 GREEN DAY AMERICAN IDIOT 21 GUNS N’ ROSES APPETITE FOR DESTRUCTION 96 PRINCE LOVESEXY 22 COLDPLAY X & Y 97 REM OUT OF TIME 23 MEAT LOAF BAT OUT OF HELL 98 GOLDEN EARRING MOONTAN 24 ALANIS MORISSETTE JAGGED LITTLE PILL 99 MAROON 5 SONGS ABOUT JANE 25 QUEEN INNUENDO 100 RED HOT CHILI PEPPERS BLOOD SUGAR SEX MAGIK -
Title on the Effect of Wind on Wave Overtopping on Vertical Seawalls Author(S)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kyoto University Research Information Repository On the Effect of Wind on Wave Overtopping on Vertical Title Seawalls Author(s) IWAGAKI, Yuichi; TSUCHIYA, Yoshito; INOUE, Masao Bulletin of the Disaster Prevention Research Institute (1966), Citation 16(1): 11-30 Issue Date 1966-09 URL http://hdl.handle.net/2433/124717 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University Bull. Disas. Prey. Res. Inst. Kyoto Univ., Vol. 16, Part 1, No. 105, Sept., 1965 On the Effect of Wind on Wave Overtopping on Vertical Seawalls By Yuichi IWAGAKI, Yoshito TSUCHIYA and Masao INOUE (Manuscript received June 30. 1966) Synopsis In designing seawalls and seadikes, it is very important to estimate the quantity of wave overtopping on them as exactly as possible. The estimation, however, is difficult because of complicated phenomenaof wave overtopping, and in particular the effect of wind on wave overtopping is entirely unknown. With this in view, the authors have begun the study to disclose the effect of wind on wave overtopping quantitatively. As a first step of the study. the present paper describes some experimental results of wave overtoppingon vertical seawalls for the wave steepnesses of 0.01 and 0.02, accompanied with wind created by a high-speed wind-wave tunnel, which is 0.8 m wide. 2.3m to 4.0 m high and 40 m long, having a blower of 100HP and a wave generator of submerged piston type with a motor of 10 HP. The main results obtained from the experiments are summarized as follows.