Scotland’s National ‘For & By’ Young People

Annual Report 2005/06

Annual Report 2004/05 A NATIONAL COMPANY 5

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SYT places visited 2005/2006

SUMMER FESTIVAL ● ● ● Portree ● ● ● Moffat ●

CLASSES ● Edinburgh ● Glasgow

SPECIAL PROJECTS ● Willowbank ● Lanark ● Musselburgh ● ● ● ● ● ● ● Stirling ● ● ●● ● New York ● ● Bridge of Don ● ●●● ● Kittybrewster ● ABERDEEN ● ● ● Corstorphine ● Glasgow ● Edinburgh ● ● ● Inverness ● DUNDEE St Machars ● ● Carstairs ● ● ● ● Crawford ●● ● Ayr ● Milngavie ● ●● ● ● ● Perth ● ● ● ● Harlaw ● STIRLING ● Hazelhead ● Forres ● ● ● ●●●●● Tromness ● ● ● ●●●●●● ● ● Sydney, NSW ● GLASGOW EDINBURGH ● Perth, WA ● ● ● ● ● ● ● ● ●● ROADSHOW ● Coatbridge ● Banff ● ● Bellahouston ● Aberdeen ● ● Barrhead ● Alford ● Bearsden ● Inverurie ● Bishopbriggs ● Arran ● Newton Mearns ● Thurso SYT PRODUCTIONS ● Livingston ● Kilmacolm PERFORMANCES ●● ● Edinburgh ● Arbroath ● Irvine ● Kirkaldy ● Elgin ● Edinburgh ● Gourock ● Inverness ● Stirling ● Lochgilpead ● Kingussie ● Skye ● Portethen ● Cumbernauld ● Castlemilk ● Ravelston ● Galashiels ● Glasgow ● ● ● Kildrum Dundee Elgin KEY:

● Kilmarnock ● Kinross ● Argyll ➙

● LERWICK ● SUMMER FESTIVAL ● ● ● ➙ Milngavie Lochgelly Castle Douglas ● ●

● ● ● NEW YORK CLASSES Bonnyrigg Isle of Islay Buckhaven ➙ ● ● ● Girvan ● Benbecula ● DUBLIN SPECIAL PROJECTS ● ● Largs ● Argyll ● Aberdeen SYDNEY, NSW ● ROADSHOW ● ● Ayr ● Sutherland ● Orkney ➙ PERTH, WA ● SYT PRODUCTIONS ● Helensburgh ● Castle Douglas ● East Kilbride ● Paisley ● Perth ● Dundee Annual Report 2005/06

4 Chairman’s Report

5 A National Company

6 Artistic Objectives

8 Our New Home

12 Summer Festival

14 National Roadshow

15 Weekly Classes

16 SYT Productions

18 Partnerships

19 Special Projects

21 International Projects

22 Training

23 Patrons / Board of Directors / Staff

25 Thank You FRONT COVER: HRH The Earl of Wessex talks to Associate Director Karen McGrady and some of our participants at the Royal Opening 2005. 26 Conclusion INSIDE FRONT COVER:

TOP: SYT Productions presents Dying for It

SECOND TOP: Photos of the foyer in our new building in the Merchant City.

SECOND BOTTOM LEFT: Summer Festival 5 week course performance of The Ugly Duckling.

SECOND BOTTOM RIGHT: HRH The Earl of Wessex unveiling the plaque at the official opening.

BOTTOM: New Patron pictured with members of the Geordie Scottish Youth Theatre is privileged to receive the support of its patrons. cast at Grand Central Station, NYC. The company thanks them for their time and consideration. BACK COVER: Mary McCluskey and members of Scottish Youth Theatre staff celebrate getting the keys to the new building. SCOTTISH YOUTH THEATRE IS A MEMBER OF THE SCOTTISH THEATRE COMMUNITY Annual Report 2005/06 4 CHAIRMAN’S REPORT

national achievement Harry Warnock, Chairman of Scottish Youth Theatre’s Board of Directors, reflects on a momentous year and the company’s rapidly increasing international reputation.

The year has seen yet another momentous year for Scottish Youth Theatre; I am constantly amazed at the diversity of the activities the company gets involved in throughout each year. 2005/06 will no doubt be remembered as the year we finally moved into our fantastic New Headquarters in the Old Sheriff Court, Glasgow. It is an emotional experience to stand in the foyer of our new building and see the end result of years of hard work by everyone concerned. The young people of can now look forward to having a space, specifically designed for them. A safe, nurturing environment that will, no doubt, be the envy of many people around the country, particularly when the vast majority of the cost was met by Persimmon Homes and Scottish Youth Theatre.

There have been so many other things happening this year Patron Brian Cox with Chairman Harry Warnock at the Dressed to Kilt event in NYC. that continue to illustrate that Scottish Youth Theatre’s reputation is spreading not just throughout Scotland, but As usual, there are many people to thank for helping to make throughout the world. The development of Geordie (more Scottish Youth Theatre so successful. It is difficult to mention later) has taken us to New Brunswick in Canada and New York, everyone individually, however, I would like to mention a few. USA. Mary McCluskey was also in Perth & Sydney (Australia) Mary McCluskey continues to astound me when I see her earlier in the year following our successful partnership with enthusiasm for what we do and how the young people react NHS Health Scotland, developing Dying for It, a play to that enthusiasm. To her, Caroline Cosgrove and all the promoting sexual health in young people. staff, a big Thank You.

However, Scottish Youth Theatre never forgets that the main To all our patrons, thank you for your continued support, in focus of our work is Scotland. This year, we have continued particular Colin McCredie for helping me in New York. I’d also to work our way round the country from Coatbridge, to Banff, like to welcome Alan Cumming as a new Patron of Scottish Elgin, Arran, Thurso and South Uist just to mention a few. Youth Theatre. Thanks to all our funders and sponsors, I hope Our classes in Edinburgh continue to grow, Glasgow goes we continue to live up to your expectations. Thanks again to from strength to strength and Aberdeen is expected to be Sir Tom & Lady Anne Farmer, everyone enjoyed New York! the next expansion area. Thanks to all our participants, their families and friends, enjoy the new building, it’s for you! Another obvious highlight of the year was being able to take a cast of young people to New York to perform the world Thanks to my fellow board members, old and new, in particular premiere of Geordie as part of Tartan Week. It was a great those responsible for helping to get the building completed with experience for all concerned, not only to be in New York the help of all our consultants and contractors. A special mention performing, but because Scottish Youth Theatre had a team to Alison Newton who retired from the board in 2005. Malcolm running drama workshops with the young people of New Crofts, Building Project Manager, gets my gratitude for doing York, not only letting them see how we work, but introducing such a good job guiding us through the process. A warm them to Scotland, our culture and our young people. welcome to GCC Councillor and past participant, Euan Macleod.

Thanks have to go to Sir Tom Farmer, who generously Finally, let’s not forget why Scottish Youth Theatre is here. I sponsored our trip to New York, allowing us to take more finish with a quote from a 13 year old participant, who took young people to savour the experience. Sir Tom has become part in one of our workshops, that I think sums up why we do a fan of Scottish Youth Theatre, since he realised the work what we do: that we do, in helping to encourage participants to develop “I liked it because I wouldn’t normally do it and I ‘soft skills’ – skills that they need in everyday life, such as was proud of myself”. self-confidence, presentation & communication skills and team work disciplines. These transferable skills not only help Harry Warnock CHAIR, SCOTTISH YOUTH THEATRE BOARD OF DIRECTORS improve self-esteem but also encourage those participating to have some fun along the way. Annual Report 2005/06 6 ARTISTIC OBJECTIVES

”Scottish Youth Theatre has undoubtedly helped develop me into the person I am today. I’ve had the chance to work with dozens of talented young people from all over Scotland and other parts of the world. Young people from Dundee to Dublin, Kirkcudbright to Kosovo all of whom have been great fun to work with, and many are still friends“ Craig Steele, 17yrs, Glasgow artistic objectives

Scottish Youth Theatre is Scotland’s national theatre ‘for & by’ young people. Artistic Director and Chief Executive Mary McCluskey outlines the year’s artistic objectives 2005/06.

Scottish Youth Theatre’s philosophy is simple – Never underestimate what a young person or a group of young people can achieve. Never lower your expectations!

The annual programme of activities is delivered through a series of courses, training sessions, workshops, classes and performances including: Summer Festival, Weekly Drama Classes (Edinburgh & Glasgow), a National Roadshow, SYT CLOCKWISE: HRH The Earl of Wessex with Artistic Director Mary McCluskey at the Royal Opening; Productions and Special Projects. Scottish Geordie workshops with pupils of the Nathan Youth Theatre operates all around Scotland Struass Prep School, NYC; SYT Productions presents Dying for It; Excerpts of Geordie performed at the all year round. Scottish Village in Grand Central Station and SYT staff in Dublin for Dying for It tour 2005.

Using theatre skills to encourage: Imagination / Creativity / personal citizenship / transferable skills / access at all levels of entry / Fun / Creative Thinking / Team Work / Sharing & Caring / Social Disciplines

annual statistics

25700 250 19500 7000 45 300 260 1200 YOUNG PEOPLE EVENTS PARTICIPANT AUDIENCE PERFORMANCES TOWNS VENUES FREELANCE ATTENDANCES EMPLOYEES Annual Report 2005/06 ARTISTIC OBJECTIVES 7

April 2005 through the end of March year 2006 was a year of landmark events 2005/06 for Scottish Youth Theatre.

APRIL SEPTEMBER / DECEMBER ❚ The company’s year began at the Festival ❚ 1st term of weekly classes in the building. Theatre in Edinburgh with the first phase in OCTOBER the script development for Geordie – 1 week ❚ HRH The Earl of Wessex officially course exploring David Walker’s novel. opened the building. MAY ❚ Launch of the company’s work in the new ❚ Edinburgh schools workshops in building by Patricia Ferguson, Minister for collaboration with Festival City Sport, Culture & Tourism. Trust. ❚ Scottish Youth Theatre is invited by the ❚ The handing over of the keys for International Division of the Scottish the new headquarters at the Old Executive to produce Geordie as part of the Sheriff Court. This allowed the Tartan Week celebration in New York. specialist fit-out to commence. DECEMBER JUNE ❚ The artistic director, associate director and ❚ SYT Productions provided the marketing manager visited NYC for a series entertainment for the prestigious of meetings identifying cultural partners and Arts & Business Awards at the a venue for the production. Glasgow Royal Concert Hall. JANUARY JULY / AUGUST ❚ Midnite Youth Theatre, WA visited Glasgow. ❚ Micro-Shakespeare performances JANUARY / MARCH at the Arches as part of the ❚ Geordie rehearsals. Shakespeare In The City Festival in FEBRUARY collaboration with RSAMD, The Arches, ❚ Scottish Youth Theatre hosts Promote YT’s Birds Of Paradise & TAG. ‘Skill Up’ event in partnership with Promote ❚ 29th annual Summer Festival including a YT & the National Gala Evening at the Festival Theatre. ❚ Technical fit-out of building commences. AUGUST MARCH Scottish Youth Theatre moves into the Old ❚ MA (Arts In A Social Context) Consultative Sheriff Court. Forum was established in collaboration with AUGUST / SEPTEMBER RSAMD & NTOS. ❚ Dying For It opened at the World Youth ❚ Scottish Arts Council confirm Scottish Congress in Stirling beginning its 2nd Youth Theatre as a ‘foundation’ company ‘national’ tour funded by NHS Health integral to the future of arts provision in Scotland. This was the first project to Scotland.

& social development / self-confidence / self- image / self-esteem / Serious / Career & Further Education / Self-awareness / Lateral & / Mutual Respect / Integration

rehearse in the new building. ❚ 1st week of the NYC workshop Scottish Youth Theatre – ❚ Playwright, David Cosgrove and director, programme. giving young people in Mary McCluskey travelled to Perth, Western ❚ Members of SYT Productions performed at Scotland the opportunity Australia to attend and lead workshops at the launch of the Tartan Village in Grand the Midas @ His Maj youth theatre festival Central Station, NYC. to explore and to reach and to initiate discussions regarding a joint ❚ The year ended with Alan Cumming, their creative potential production and tour of WA of Dying For It , agreeing to become a Patron of through a quality theatre with Midnite Youth Theatre. Scottish Youth Theatre. arts experience. Annual Report 2005/06 8 OLD SHERIFF COURT our new home In August 2005, Scottish Youth Theatre was delighted to move into our new home in Glasgow’s Merchant City.

This excellent venue will allow Western Australia / USA / placements. In the future, we’d the youth theatre to develop Canada / Kosova. The venue has like to explore the possibilities of new initiatives and projects enabled us to consolidate old becoming the ideal place for giving more access to more partnerships and nurture new research and development projects children and young people. collaborations. Scottish Youth – exploring the development of The combination of theatre Theatre is already talking to the imagination and creativity in practitioners and participants RSAMD, Strathclyde University, Y- children and young people. working in the building will lead Dance, NYCOS, NYOS, National to exciting new collaborations, a Youth Pipe Band of Scotland, healthy exchange of ideas and Highland 2007, Scottish Screen, the delivery of ‘best practice’ in Promote YT, the Festival City Royal Opening youth theatre arts. The centre Theatres and HMT Aberdeen of Scottish Youth will enable the company to offer Theatre @ The Old more classes, workshops, training For other Youth Theatres & Youth Sheriff Court courses and performances for Arts Organisations the building and by young people. Not only will serve not only as a valuable On 12th October, 2006, that but it will also be a meeting centre for rehearsals & meetings Scottish Youth Theatre place & resource centre for youth but also as a focus for excellence celebrated the opening of the theatre leaders, tutors and teachers. in arts activities for children & company’s new headquarters For the first time in the UK, young people. It will provide them at the Old Sheriff Court. The practitioners and young people with a city centre performance youth theatre was honoured by will be able to explore and space for productions ‘for & by’ the presence of HRH The Earl experiment creatively in a safe young people. For leaders we of Wessex, who had generously environment, a dedicated space. hope to deliver high quality agreed to officially open the new training events and provide a centre for excellence in youth Since Autumn ’05, it has become forum for debate – a national theatre arts. The event was an clear that the building has liberated resource offering advice & support. intimate affair involving Scottish the staff of the youth theatre. Youth Theatre’s participants, The company continues to deliver At all other times, when the their families, friends of the quality process and performance building is not busy with work company, the Board and Staff – based drama activities all around for children and young people both Core and Freelance. Billy Scotland all year round. Doubters the spaces have been available Boyd and Elaine C. Smith, both who felt that this new home would for use by other theatre companies, Patrons of the company, took give an over-emphasis to work in festivals, arts organisations & time out of their busy schedules the Central Belt have been proved businesses providing a city centre to share this special day with wrong. The new venue works on venue with extensive rehearsal, Scottish Youth Theatre. several levels. For Scottish Youth performance, conference & Theatre it will allow an expansion meeting spaces. HRH, Prince Edward spent time of our annual programme of observing and chatting to activities – more classes / courses We also look forward to working participants and tutors in drama / curriculum based workshops & with universities and colleges. workshops. The classes he special projects. It has raised the Scottish Youth Theatre has a long attended were – a 3 - 5 yrs company’s profile, both, nationally and happy relationship with some drama session with associate & internationally – projects are in of these institutions acting as a director, Karen McGrady: an 8 - development with groups from host organisation for student 10 yrs creative movement class Annual Report 2005/06 OLD SHERIFF COURT 9 ▲ TOP LEFT: HRH The Earl of Wessex engages with participants TOP RIGHT: Staircase from entrance to foyer MIDDLE LEFT: The Old Sheriff Court MIDDLE RIGHT: HRH The Earl of Wessex watches one of the workshops at the opening. BOTTOM LEFT: View from front door to courtyard BOTTOM RIGHT: Entrance to the Company’s brand new Studio Theatre. Annual Report 2005/06 10 OLD SHERIFF COURT

Members of staff meet HRH The Earl of Wessex. Patron and some of our participants a

with tutor, Abbie Wallace; an “Nothing could Official Launch theatre’s artistic team the group ▲ improvisation class with 11 - 14 compare with the of Scottish Youth performed shortened versions yrs led by Kenny McGlashan, Theatre in The Old of three of Shakespeare’s most assistant director; and an feeling I had when I Sheriff Court popular plays. They were as excerpt of Geordie performed first stepped into follows: Twelfth Night in the by SYT Productions and Brian this building. The official launch of Scottish Purple Room, outside Gunnee, musical director. Immediately I was Youth Theatre’s programme in the Courtyard and The of activities in the building Taming Of The Shrew in the After being given a tour of the hit with a sense of took place on Sunday, 31st Foyer. building by artistic director, Mary awe and the question October, 2006. The Board, Staff McCluskey and Patron, Billy ‘Is this really all & participants of the youth The celebration was a much Boyd, the Earl was introduced to theatre were pleased to welcome larger affair with guests the Core Staff, members of the ours?‘... But the main Patricia Ferguson MSP, Minister representing not only Board, Board of Directors, the Building thing I felt was a for Sport, Culture & Tourism to Staff, family, friends & Project partners, Scottish Youth feeling of comfort launch the company’s work in the participants but also local & Theatre’s Associate Artists, and Old Sheriff Court and all around national politicians, the press, the youth theatre’s funders – and welcoming. Scotland. After receiving an members of the Scottish Arts representatives of the Scottish Finally Scottish Youth exclusive tour of the premises. Community, officials from Arts Council, Glasgow City Theatre has a place Ms Ferguson proceeded to the educational institutions, friends Council and Scottish Enterprise foyer where she was the from organisations who work as which was Glasgow. keynote speaker of the day. The collaborators with Scottish undoubtedly ‘home’.” Minister’s speech was followed Youth Theatre, and past- HRH, The Earl of Wessex then Craig Steele, 17yrs, Glasgow by talks by Harry Warnock, Chair participants, who still have an unveiled a commemorative of the Board of Directors, Mary interest in the company’s work. plaque to mark the opening of McCluskey, Artistic Director the building. Harry Warnock, (Chief Executive) and, a special Scottish Youth Theatre Patrons Chair of the Scottish Youth speech from participant, Craig Blythe Duff and Colin McCredie Theatre board of Directors, Steele. Craig spoke from the attended to lend their support offered a vote of thanks to HRH young person’s point of view on the important day. They Prince Edward. Participants highlighting the difference the were accompanied by fellow presented HRH with a Scottish venue will make to all children Taggart team member, John Youth Theatre t-shirt, as a gift and young people who take part Michie, who is a recent supporter for his daughter. in Scottish Youth Theatre’s work. of the company. Scottish Youth Theatre was delighted to welcome Scottish Youth Theatre was Members of SYT Productions past-participants who are now encouraged by the Earl’s kind representing all parts of the working in television & theatre words and appreciates that he country provided the – James Anthony Pearson managed to fit the event into entertainment on the day. (Kidnapped & Jeopardy), his already full timetable. Under the direction of the youth Annmarie Fulton ( & Annual Report 2005/06 OLD SHERIFF COURT 11

at the royal opening. Patricia Ferguson,MSP becomes the first to sign our visitors book at the official launch.

“I am sure this On behalf of Scottish Youth ❚ W A Cargill Charitable Trust. Users of the Old Sheriff Court between August ’05 & March ‘06 impressive new Theatre, I’d like to thank a ❚ Hugh Fraser Trust few folk who helped to make ❚ Individual Givers to Yellow building and the YouthLink Scotland the building project at the Brick Road Scheme National Theatre of Scotland extra space it Old Sheriff Court possible. ❚ Special mention to Dr. Bill Doig TAG Theatre Co. Visible Fictions provides will be for his continuous support since Volunteer Development Scotland ❚ Scottish Enterprise Glasgow invaluable in helping Old Athenaeum days for their enlightened forward ❚ The Munro Family – in Body Documents the theatre continue thinking putting the cultural Billy Hughes memory of Keith Munro former Suspect Culture its important work. partner and space condition on participant and musical director Y-Dance For young people in all developers bidding for the BBC project ❚ Small Steps Scotland it is a clear Thanks also to the commitment, Scottish Arts Council ❚ Persimmon Homes our dedication & determination of Theatre Cryptic signal that they partners in this building project Scottish Youth Theatre’s Staff & Victoria Beattie Casting for their generosity of spirit. In Pattison + Sim matter in the cultural Board. In particular members of Giant Prodctions world”. particular, Doug Riddell and the Building Committee, Harry Glasgow College of Nautical Studies Minister for Culture, Tourism and Doug Law Warnock, Chair of the Board Of ❚ Parr Partnership – our Vox Motus Sport, Patricia Ferguson Directors, Caroline Cosgrove, City of Leicester College architects for designing this Administrative Director, and the TOSG Theatre Co wonderful space – so full of light company’s specialist consultants: Scottish Refugee Council ❚ Youth Music Theatre – UK Malcolm Crofts Building Project Sigma Films Thanks to funders of the Manager Hallam Foe Productions building’s specialist fit-out – ❚ Kaye Cullinan Interior Designer Promote YT ❚ SAC Capital Lottery Fund ❚ Ross + Liddell Sweet Sixteen), Carter Ferguson Ross Gerry Theatre Consultant Reeling & Writhing Theatre Co ❚ Glasgow City Council (River City) and Kelly Anne ❚ Sandy Pratt IT Consultant Royal Welsh College ❚ Farquar (Monarch Of The Glen). European Regional ❚ Mary-Jo Devlin PR Consultant Arts In The City Citizens’ Theatre Development Fund ❚ Lesley Boyd Fundraising ❚ Borderline Theatre Each of these events allowed Commonweal Fund Consultant Youth Scotland ❚ Scottish Youth Theatre to feel Gordon Fraser Charitable ❚ Anne McCluskey Marketing RSAMD Hannaywood Studios settled in its new home. They Trust Consultant ❚ Red Panda Films were ideal events where the Margaret Murdoch ❚ Finlay McLay Design Consultant FRAME – Merchant City youth theatre was able to share Charitable Trust Outside The Box our wonderfully unique centre ❚ The Thomas Sivewright Scottish Adult Learning Finally, the company wishes to Partnership with colleagues, friends and ❚ Catto Charitable Trust thank our participants & their Tony DeMarco family. Thank you to all of those Settlement families for their continued One Plus who were able to attend and to ❚ JTH Charitable Trust loyalty and support. Childline Scotland those who were unable to attend ❚ Scottish Executive – First Minister’s The Leng Charitable Trust Office but sent their best wishes. Annual Report 2005/06 12 SUMER FESTIVAL

summer festival

Scottish Youth Theatre’s flagship series of events enters its 29th year. Foundation Courses

Established in Edinburgh in As in previous years, in 2005, “One of the great This popular basic skills course for 12-15 year olds develops theatre 1977, the summer school has Summer Festival continued to be pleasures of the lull been the starting point for all Scottish Youth Theatre’s annual techniques in week one and works that comes before other developments in Scottish flagship event allowing the towards a new devised piece of Youth Theatre’s activities. company to best deliver its mission the Edinburgh theatre in week two. A Summer Festival 1977 was the statement in an intense 6 week Festival is the performance takes place on a main stage of a professional first event of its type in Scotland. period. In 2005 the youth theatre annual summer Theatre professionals worked offered almost 300 young people theatre the end of week two. season mounted by together with 40 young people the opportunity to participate in 8 Courses in SF’05 were as follows: the Scottish Youth from around Scotland for four courses in Edinburgh, Glasgow, EDINBURGH weeks to produce a theatre Moffat, Portree and Stirling. 73 Theatre. Among Clockwork City (or many Hans production of the highest quality. professional staff worked with some of the most make light work) King’s Theatre Annually, since then, a group of participants to produce 26 enjoyable shows GLASGOW young people between the ages performances attended by 2036 A – Shine On of 12 and 25 has come together audience members. All productions you will ever see, B – Second Hans Tramway with a team of professional in the company’s 29th annual its productions are C – Unique Tramway theatre practitioners to workshop, Summer Festival were performed remarkable for devise, rehearse and produce as part of the World Hans Christian MOFFAT their inventiveness theatre performances. The annual Andersen Bicentennial Festival. All WellWebbedWords.Fairytale.con Summer Festival remains the 12 plays, except for Geordie – Act and enthusiasm.” Old Well Theatre ‘flagship’ event in Scottish Youth One, were either adapted or devised Kenneth Spiers, The Mail on PORTREE Theatre’s programme of activities. from the works of Andersen. Sunday, August 2005 Singled Out Aros Centre Annual Report 2005/06 SUMMER FESTIVAL 13

LEFT TO RIGHT: Into the Light: Match Girl – 3 Cities, The Snow Queen, Ugly Duckling and another production shot from The Snow Queen.

Performance & “It was the most Into The Light: Match Girl 2005 – 3 Cities Production Course AMAZING thing I adapted by Fiona McGarry directed by Rebecca Kilbey designed by have ever done. I This 5 week-long intensive Finlay McLay with music by Rebecca Applin. have so much more theatre arts training course for The production performed in the Macrobert Centre, Stirling and the predominately 16-21 year olds confidence. Tramway, Glasgow leads to ‘main house’ productions. Kirsty Niven, aged 15, Acting Performance The course involves young people and Production Course participant from all around Scotland, and The Snow Queen beyond, attending five weeks of design, creating a ‘prompt book’, workshops, classes, rehearsals, prop making and finding, adapted by Stuart Paterson directed by Carter Ferguson designed theatre visits, and talks from design and sound design. by Hayley Bennett with music by Tim Brinkhurst and choreography guest speakers, culminating in by Carla Duggan & Ali McKinnon. performances in the final week. The P & P course, in 2005, was The production performed on the main stage at the Citizens’ based at the , Theatre, Glasgow During week one, all participants Glasgow, the Tramway and the spend at least one session a day macrobert centre. These in skills building workshops. All relationships with like-minded The Ugly Duckling students attend classes in voice organisations are mutually adapted & devised by the Company directed & designed by Kenny production, music, dance, stage beneficial to those involved. McGlashan & Abbie Wallace with music by Brian Gunnee. fighting and improvisation. Scottish Youth Theatre values Technical Theatre participants are these relationships. The production performed in the Circle Studio at the Citizens’ given the opportunity to attend Theatre, Glasgow sessions in stage lighting, stage The productions in 2005 were: ▲ Annual Report 2005/06 14 SUMMER FESTIVAL NATIONAL ROADSHOW

Promoting Scottish Youth Theatre Activities By Reaching Across Scotland. national

The National Roadshow is an Workshop important element of Scottish “Fan dabi dozy!” Youth Theatre’s annual Jacob Creik, aged 14, Elgin High programme of activities. It School Pupil and Roadshow helps the company fulfill its Participant ‘national’ remit through a series of free drama sessions and chats. “Never a bad second” For six weeks in the autumn of (aged 14, Balnacraig School) 2005, the National Roadshow visited a wide variety of groups all across Scotland – everywhere Tutors The Ugly Duckling. from Glasgow to Golspie, Arran “They were really to Aberdeen, Islay to Inverurie, Advanced Skills – motivational, made ▲ and Benbecula to Barrhead. The Music Theatre variety of groups hosting a us want to get Roadshow event included: involved” This two-week specialist course “I gained so much secondary schools, youth theatres, (aged 14, Notre Dame High School) gives experienced 16-25 year olds from the specialist amateur dramatic clubs, after the opportunity to develop new skills courses – school care clubs, support for “The tutors treated skills in specific areas of theatre arts, learning units and community whilst working with expert tutors. they’re brilliant!” education training centres. Each everyone equally, Each year a different theatre arts Fiona Manson, aged 18, Specialist Skills host was given the following supported everyone course participant skill is explored for two weeks. A options of sessions – ‘An when performing performance or sharing takes place introduction to drama’ or and were really nice at the end of the fortnight. ‘Advanced Improvisation Skills’. Not only did each group receive people” Geordie (Act One) adapted from Hayley MacDonald, aged 15, a free drama workshop but they David Walker’s novel by David Bellahouston Academy pupil and Cosgrove & Stuart Thomas directed also had a chat informing the Roadshow participant by Mary McCluskey with Stuart participants about how to get Thomas as musical director and Ali involved in youth theatre at a McKinnon as choreographer. local and a national level. This course was made possible “Lively, enjoyable through the continued partnership and helped the between Scottish Youth Theatre and the Festival City Theatres Trust. children towards The youth theatre appreciates the free expression” benefits of this collaboration and Margaret Keltie, Teacher, values the use of both of these Lionacleir, Benbecula grand theatres as an Edinburgh base for the company. Annual Report 2005/06 WEEKLY CLASSES / TRAINING 15

”Scottish Youth Theatre provides a unique opportunity for young people across Scotland and is a stepping stone to the unimaginable. It all begins by taking part.“ Gerard Butler, Ex-participant and Actor roadshow

Groups we visited: ❙ Cannongate Youth Project, Edinburgh ❙ The Mary Erskine School, Edinburgh ❙ ❙ St Patrick’s High School, Coatbridge Bollair Academy, Glasgow ❙ ❙ Bellahouston Academy, Glasgow Lomond School, Helensburgh ❙ ❙ Barrhead High School, Barrhead St Alyosious School, Glasgow ❙ ❙ Killermont Primary School, Bearsden Kirkintilloch High School, ❙ Thomas Muir High School, Kirkintilloch ❙ Bishopbriggs Dalry Secondary, Castle Douglas ❙ ❙ Eastwood High School, Newton Mearns Castle Douglas High School, Castle ❙ Notre Dame High School, Glasgow Douglas Participants perform abridged Shakespeare in the courtyard at the official launch. ❙ ❙ James Young High School, Livingston Our Ladys high school, Cumbernauld ❙ ❙ Craigholme School, Glasgow Kildrum primary school, Cumbernauld ❙ ❙ Toast & Drama group, Edinburgh Grove Academy, Dundee ❙ ❙ Craigdhu Primary School, Milngavie Balnacraig School, Perth ❙ ❙ Arbroath High School, Arbroath weekly classes Lasswade High School, Bonnyrigg ❙ ❙ Dunbar Grammar School, Dunbar Helm Training, Dundee ❙ Braeview Academy, Dundee ❙ Girvan Academy, Girvan These weekly ‘process’ based used four of Shakespeare’s plays ❙ ❙ Craigie High School, Braeview Largs Academy, Largs sessions for 3 - 25 year olds as the starting point for the ❙ Mainholm Academy, Ayr Academy ❙ involve over 600 young term’s work. The plays were as ❙ Hermitage Academy, Helensburgh LEMONS Youth Theatre, Aberdeen ❙ ❙ Gleniffer High School, Paisley Ellon Academy, Aberdeenshire people a term in Glasgow at follows: A Midsummer’s Night ❙ ❙ Ross High School, Tranent Alford Academy, Aberdeen the Old Sheriff Court and in Dream, Macbeth, Romeo & ❙ MSD (Mitchell School of Drama), ❙ Banff Academy, Banff Edinburgh at the Festival Juliet and The Tempest. The ❙ Elgin High School, New Elgin Inverurie ❙ Theatre. The main aim of the end of term sharings featured ❙ Florians Theatre, Inverness Portlethen Academy, Aberdeen ❙ classes is to provide a fun leisure devised pieces based on the plays. ❙ Elgin Academy, Elgin Inverurie Academy, Aberdeen ❙ ❙ Moray Youth Theatre, Moray Northfield Academy, Aberdeenshire time activity where the participants ❙ ❙ Culloden Academy, Inverness Golspie High School, Sutherland develop their personal and social Ibsen UK 2006 ❙ ❙ Kingussie High School, Kingussie Thurso High School, Thurso ❙ skills through the theatre process. Scottish Youth Theatre was ❙ St Maurice’s High School, Dumbarton Academy, Clydebank ❙ Classes run at each of the invited to be part of this festival Cumbernauld St Columba’s School, Kilmacolm ❙ following age ranges: 3 - 5 yr olds; celebrating the 100th anniversary ❙ Galashiels Academy, Galashiels Balerno High School, Edinburgh ❙ ❙ High School of Dundee, Dundee Saint Rochs Secondary, Glasgow 6 - 7 yr olds; 8 - 10 yr olds; 11 - 12 of the death of Norway’s world ❙ ❙ St John’s High School, Dundee Knightswood Secondary, Glasgow yr olds; 13 - 14 yr olds; 15 - 17 yr renowned playwright. The Spring ❙ ❙ Kilgraston School, Perthshire Clydebank High School, Clydebank ❙ olds and 18 - 25 yr olds. Term Of Weekly Drama Classes ❙ Kinross High School, Kinross Castlemilk Youth Complex, Glasgow ❙ used Ibsen’s Peer Gynt & An ❙ Lochgelly High School, Lochgelly Leith Academy, Edinburgh ❙ Shakespeare In The City Enemy Of The People as the ❙ Balwearie High School, Kirkcaldy 137th Brownies, Edinburgh ❙ ❙ Port Glasgow High School, Port East Ayr Youth Theatre – in mid- June ’05, Scottish Youth theme for the term’s class sharings. ❙ Glasgow Willowbank SEN School, Coatbridge Theatre joined in partnership Thus, producing at least 34 ❙ ❙ Gourock High School, Gourock Islay High School, Islay ❙ with RSAMD / TAG / The Arches devised pieces based on these ❙ Lochgilphead High School, Paible School, Western Isles ❙ / Birds of Paradise to celebrate plays. The Norwegian Consulate Lochgilphead Sgoil Lionacleit, Benbecula ❙ the works of Shakespeare in a supported the Edinburgh phase ❙ Tarbert Academy, Argyll Daliburgh School, South Uist ❙ Arran High School, Isle of Arran city-wide festival. Throughout of the project. Members of their ❙ Lamlash Junior Drama, Isle of Arran Some schools had multiple workshops the summer term, Weekly staff attended sharings at the which resulted in a total of 110 ❙ Auchenharvie Academy, North Classes in Edinburgh & Glasgow Festival Theatre. Ayrshire workshops Annual Report 2005/06 16 SYT PRODUCTIONS

SYT Productions is the youth theatre’s high profile, high quality performance group. The company was established to identify talented young , directors and technicians and to give then give them the opportunity to further develop their skills through challenging performance and workshop projects. SYT productions

SYT Productions allows the star Paul Young. Inspired by the “For many simply youth theatre to deliver one motion picture, with its charming going to New York is of its identified aims – by references to Highland life, Mary a dream but to acting as a channel for re-read the book. talented young people: actually perform on identifying them; providing them Struck by both the vitality of the stage in that city in with the opportunity to develop language and the moving, and celebration of all their talents; training them through distinctly Scottish, narrative, Mary things Scottish is the performance process; giving felt it would make an ideal new them the opportunity to showcase musical play for Scotland and something else. their skills on various professional decided to track down the author’s It was amazing”. stages throughout Scotland; family to ask for permission to use Katrina Innes, 18, Actor affording them the opportunity the novel. It was also at this point – SYT Productions of working with leading theatre that she approached David Cosgrove professionals; allowing them to to write the libretto and Stuart learn and experiment in a safe Thomas to compose the music. working environment; act as a “I hope the cast have a conduit into professional training Originally from Dundee, David great time and show and the profession; and to let Walker sadly passed away in 1992, the yanks what real them have fun as they are learning. but Scottish Youth Theatre traced his family, including his wife Willa, theatre is all about!” The personal and professional who are now living in Canada. Paul Young, the original Wee Geordie development of these participants Mary approached them with her is important to the future of the idea of adapting the book, and creative industries in Scotland. Chair of the Scottish Youth Theatre novel. 30 members of SYT when around twenty five young Scottish Youth Theatre is best Board of Directors Harry Warnock Productions worked with David people on the Scottish Youth placed to allow their talents to met with them on a trip to Canada Cosgrove, playwright; Mary Theatre’s Musical Theatre Course grow in a safe & professional to further build relationships McCluskey, director; Brian spent two weeks with Mary environment. between the company and the Gunnee, musical director; and McCluskey & working on songs, family. The Walkers were delighted choreographers, Carla Duggan & dance numbers and scenes as SYT Productions undertook the about Mary’s plans for the book, Ali McKinnon. Composer, Stuart part of Summer Festival 2005. following projects and productions with their only requirement being Thomas had provided three songs Children’s TV and writer in 2005/06: that Scottish Youth Theatre would for the project. On the Saturday David Cosgrove had already begun invite them over to Scotland for evening the company performed to write the adaptation of the Geordie the premiere of the completed two very different devised pieces novel as a stage musical, providing – Script development process musical! Scottish Youth Theatre of theatre to a warm and the course participants with a – The idea to adapt David Walker’s appreciates their co-operation and receptive audience. script from which to work from. novel Geordie came to Mary support. Musical Director Stuart Thomas McCluskey, Artistic Director of PHASE TWO – two week this time worked directly with the Scottish Youth Theatre after seeing PHASE ONE – one week Easter advanced skills course during the young people to create and rehearse the 1955 film, directed by Frank Project at Festival Theatre, first fortnight in July at the King’s more songs, and choreographer Launder and starring Born Free Edinburgh looking at the content Theatre, Edinburgh. In July 2005, Ali McKinnon stepped in to expand star Bill Travers and Scots child- of chapters 1-5 of David Walker’s Geordie was to develop further, on the movement routines. Annual Report 2005/06 SYT PRODUCTIONS 17

TOP LEFT: Geordie development week – April 2005 TOP RIGHT: SYT Productions on tour to Orkney with Dying for It BOTTOM LEFT: Dying for it 2005 BOTTOM RIGHT: Musical Theatre Course 2005 – Act one of Geordie

Rosanna Stone was the stage “It is a real pleasure It was at this event that the open the building. The group manager, as the piece now required to be in a position company first met Sir Tom & Lady then went on to work on further lighting and props. At the end of Anne Farmer. developing the script – working on the two week course participants to support Scottish sections that had proved to be a performed the whole of Act 1 of Youth Theatre Since PHASE THREE – one week challenge during the summer. It Geordie for an audience of 200 meeting the young October week course at the Old was at the end of this week of at the Kings Theatre, Edinburgh. participants, I am Sheriff Court, Glasgow. Now work that SYT Productions was with a full Act 1, members of SYT invited by the International This group of young people was convinced that the Productions once again came Division of the Scottish Executive asked to re-form a week later to company’s work together in October to rehearse to submit a proposal to take a perform a 20 min excerpt of the really does encourage parts of Geordie under the full production of Geordie to play before an invited audience young people to direction of Mary McCluskey and Tartan Week NYC ’06. at a gala evening at the Festival musical director, Brian Gunnee. Theatre. This was an exciting develop into self- The participants were honored to This group of 20 young people experience for all concerned as confident and perform extracts of Geordie on were then invited back to rehearse the audience was able to mingle positive individuals Wednesday 12th October for and perform edited versions of on stage with the cast at a with that all important HRH The Earl of Wessex, some of Shakespeare’s plays for reception after the performance. Prince Edward, when he visited the grand launch of the building ▲ This was a treat for all concerned. ‘can do’ attitude.” Scottish Youth Theatre to officially on 31st October. Sir Tom Farmer Annual Report 2005/06 18 SYT PRODUCTIONS / PARTNERSHIPS

SHAKESPEARE IN THE CITY – in May/June ’05, associate director, Karen McGrady worked with a group of 12 participants from classes to create a series of vignettes from A Midsummer Nights Dream as part of the Shakespeare in the City project in Scottish Youth Theatre’s programme of partnership with RSAMD and Birds of Paradise. The project activities would not be as successful without culminated in a series of the partnerships formed with other arts promenade performances at the organisations and venues. Arches Theatre, Glasgow.

Dying For It NATIONAL TOUR Billy Boyd with members of the company partnerships who performed at the Arts & Business – due to public demand the Awards. company embarked national tour PHASE FOUR – Tartan Week of David Cosgrove’s play relating ▲ In any one year Scottish ❙ Highland 2007 (Project Development rehearsals – the company came to young people and sexual health. Youth Theatre collaborates or – Schools’ workshop pilot & together at the end of January ’06 works in partnership with proposed tour by SYT Productions) to commence rehearsals for the “Despite the sobering ❙ many organisations in the HMT Aberdeen (Summer Festival production. Company members themes of disease –Weekly Classes Development) delivery of the Company’s came together from as far away Aberdeen City Council (Aberdeen and angst, having programme of activities. The as Gairloch in Wester Ross and International Storytelling Festival – company wishes to thank the Aberdeen to rehearse the seen it, I can say the schools’ workshop project) following: production every weekend from play is also very ❙ City Lights YT, NYC (Tartan Week January through March. Thanks funny, with a mix of Development) ❙ Scottish Arts Council ❙ to Sir Tom & Lady Farmer, Scottish Allstars YT, NYC (Tartan Week dry wit and laugh out (annual revenue funding & Capital Development) Youth Theatre was able to cover Lottery Funding & Professional ❙ MCC YT, NYC (Tartan Week participants travel expenses for loud moments set to Development Funding) Development) fantastic modern ❙ the rehearsal period and living & Glasgow City Council ❙ Baruch Performing Arts Centre, travel expenses for the NYC visit. music” (annual revenue funding & anti- NYC(Tartan Week Development) Robert Duffin, Ayr Extra sectarianism project) ❙ New Victory Theatre, NYC (Tartan ❙ PHASE FIVE – Launch of Tartan Sir Tom & Lady Anne Farmer Week Development) Village at Grand Central Station, Funded by NHS Health Scotland (Geordie – Tartan Week NYC ’06) ❙ NYC, Dept. of Education (Tartan ❙ NYC – on Friday, 31st March the the production performed at the International Division of the Scottish Week Development) actors playing the young and old World Youth Congress in Stirling Executive (Tartan Week NYC ’06) ❙ World Youth Congress (Dying For ❙ VisitScotland (Tartan Week NYC ’06) Geordies and Jeans performed University; at the Aberdeen It Tour) ❙ RSAMD (MA – Arts In A Social ❙ before an audience including International Youth Festival at The Dublin Young Fringe Festival (Dying Context & Shakespeare In The City) For It Tour) Alan Cumming, Donald Trump Lemon Tree, Aberdeen; North ❙ Festival City Theatres Trust (Weekly ❙ Aberdeen International Youth and over 200 members of the Edinburgh Arts Centre as part of Classes, Schools Project, Geordie Festival (Dying For It Tour) press at the launch of Visit the Edinburgh Festival Fringe; Script Development, Summer Festival ❙ Ibsen 2006 UK (Weekly Classes) Scotland’s Tartan Village. It was Castlemilk Youth Complex, Glasgow; & Gala Night) ❙ Norwegian Consulate (Ibsen UK 2006) ❙ at this event that Alan Cumming The Space, Dundee; James Arnott Citizens Theatre (Summer Festival) ❙ Shakespeare In Schools Festival ❙ agreed to become a Patron of Theatre, Gilmorehill G12, Glasgow; NHS Health Scotland (Dying For It (Development of One Night Of Scottish Youth Theatre. Lochside Theatre, Castle Douglas; National Tour & GGHB Conference) Shakespeare & Cast Workshops) ❙ Village Theatre, East Kilbride; Arts & Business (Awards Entertainment) ❙ Birds of Paradise (Shakespeare In ❙ ARTS & BUSINESS AWARDS Universal Hall, Forres; Stromness Strathclyde University (Student The City) Placements & Research and ❙ – in May/June ’05, associate Academy, Orkney; Aros Heritage Oxford Stage Company (Casting) Development Creativity Project) ❙ National Youth Performing Art director , Julie Austin, worked Centre, Portree, Skye; Gordonstoun ❙ Promote YT (Festival Launch, Skill Companies – NYCOS, NYOS, with 40 Scottish Youth Theatre School, Elgin; Magnum Theatre, Up Event & Board of Directors) NYPBOS & Y-Dance (Strategic participants putting together an Irvine; and Players’ Theatre, Trinity, ❙ National Theatre of Scotland (MA – Planning Relating to Cultural ❙ entertaining revue including songs, Dublin as part of the Dublin Arts In A Social Context, Rehearsal Commission) scenes and speeches in celebration Young Fringe Festival. Space & Skill Up Event) ❙ Orkney Council (Easter Sanday ❙ of the annual Arts & Business Toronto YT (Mentoring) Project Development) ❙ Awards at the Glasgow Royal Craig Steele a member of the ‘DFI’ Midnite YT, Perth, WA (Visit to ❙ Welsh College of Music & Drama Concert Hall. The entertainment cast chaired a GGHB Conference Midas @ His Maj, Dying For It (Shakespeare In The City was well received, in particular, in Shettleston, Glasgow. The workshop, Proposed Exchange Tramway (Summer Festival) the company’s ‘tongue in cheek’ conference focussed on ‘Giving Project Development and Return Visit ❙ Macrobert Centre (Summer Festival) to Glasgow, Glasgow Civic Reception) version of Money, Money, Young People A Voice’ relating to Saltire Society (After-dinner Talk) Money! from Cabaret. health issues. Annual Report 2005/06 SPECIAL PROJECTS 19

special projects

Scottish Youth Theatre continues to use its Special Projects to deliver its outreach and social inclusion activities.

The nature of the programme Festival Theatre Outreach “What I liked most ‘Respect me, respect everyone’ is continually changing to Workshop programme throughout about the workshop and ‘Lets not leave anyone out’, meet the needs of the youth primary schools in and around the group had opportunity to was making up theatre’s client groups. Edinburgh. Themes included devise theatre which celebrated Throughout the year, Scottish Friendship, History Alive and stories because you diversity in their own way. This Youth Theatre involved itself in Improvisational Skills. Tutors can make anything project worked with the whole special projects either initiated by worked with primary one up to happen!” school to create a sharing of work on the last day and the youth theatre, in partnership primary five of varying abilities Iona Grant, 10 with other organisations or in and needs. Edinburgh Festival produce a DVD of the project. response to requests from outside Theatre was extremely happy with bodies. In 2005/06, a variety of feedback from project and this has projects were delivered, including now become a core activity within evaluations and comments, from Carstairs After School the following: the Scottish Youth Theatre calendar both the staff and the young Drama Workshops people involved, have been very In February 2006, as a result of enthusiastic. The confidence of the success of the Crawford Edwin Morgan Willowbank School the group has grown each term. Primary / Gypsy Project, the youth 80th Birthday Drama sessions In February 2006 the group theatre was asked by South Celebrations (April 2005 - April 2006) came into the new Scottish Lanarkshire Council’s Integrated – in April ’05, six participants – Continuing on from the success Youth Theatre building for a full Childrens’ Services to deliver from Weekly classes recorded six of last year’s workshops at day’s workshop, helping to after-school drama workshops in of Morgan’s poems as part of Willowbank School in Coatbridge, consolidate their role as members Carstairs. The two communities Glasgow City Council’s special Scottish Youth Theatre has of Scottish Youth Theatre. of Carstairs and Carstairs Junction birthday CD marking Glasgow’s developed these sessions into a have rivalry and territorialism Poet Laureate’s 80th. This two small drama and performance issues. ICS have therefore been disc commemorative CD, featuring group. The pupils at Willowbank Gypsy Travelling Folk running a year long project to readings from Glaswegians from are school refusers with a variety Project – Crawfurd PS integrate the two local primary all walks of life, was listened to of behavioural, emotional or – In September ’05, over six schools in after school arts all over the city, on buses, trains, learning difficulties. The sessions, one day a week for six activities. Scottish Youth Theatre cafes, arts centres and on radio. performance group meets every weeks, Crawford Primary School delivered 5 drama and group The CD was also on sale in Tuesday afternoon during term pupils from p.1 to p.7 worked work sessions with two groups in outlets throughout the city. time to explore different drama, with a drama specialist and video the final term. The tutors worked communication and groupwork artist to ‘Celebrate Diversity’. The with p3-p7s and the response, skills. Three terms of drama school is located near a campsite both from participant evaluations Edinburgh Festival sessions have now been completed used by the Gypsy travelling and ICS were very positive. Since Theatre Primary and the progress of the group is community and there had been the completion of this project, Schools’ Project expected to continue into the community issues which began ICS have asked the company to to filter into school life. develop a longer, three-term – in May 05, 27 workshops were year, ‘06/’07, exploring new skills ▲ led as part of the Edinburgh and challenges each term. The Considering the themes of project – building on group work Annual Report 2005/06 20 SPECIAL PROJECTS

skills with more continuity. As health. Since the completion of regions. Scottish Youth Theatre skills, Staging styles and History ▲ the confidence of the participants the Aberdeen Storytelling and delivered a series of ‘Cast’ Alive. Teachers used the sessions grows it is envisaged that there Theatre Festival, the Arts workshops around Scotland to observe and note exercises will be a final celebratory sharing Education Team have contacted empowering and developing the used for future use. with the families of both SYT again to enquire about the performance skills of the young communities invited together. possibility of delivering a future people. A team of two project – a targeted summer experienced tutors worked with “It was great! Me and Shakespeare In The City project in a deprived area of all participating schools in all 10 my friends had a – Micro Shakespeare Aberdeen participating theatres from ball! Come again…!” Performance Lerwick to Ayr. Jennifer C Newton, aged 10, – in May/June ’05, associate Milngavie Primary School pupil director, Karen McGrady worked “It was a fun, learning with a group of 12 participants experience!” Ape Arts workshop from classes to create a series of Monica Burns, 12 – Scottish Youth Theatre led a vignettes from A Midsummer House style Workshop and Q & A GCC Anti-Sectarianism Nights Dream as part of the session with staff and young Music Project Shakespeare in the City project people from Busy Ape Arts who – In Autumn Term ’06, Scottish in partnership with RSAMD and Robert Smillie Primary are based in the North East of Youth Theatre will work in Birds of Paradise. The project School workshops England. Busy Ape Arts travelled partnership with GCC Education Department on this Youth Music culminated in a series of – As part of the October ’05 to Glasgow to visit Scottish Youth Initiative Lottery-funded project. promenade performances at the school break arts activities in Theatre as research for a pilot This process-based performance Arches Theatre, Glasgow. Robert Smillie Primary School, youth theatre group they hope to project will give 80 young Lanark, Scottish Youth Theatre establish in County Durham. people and teachers from delivered two workshops for secondary schools all over the “It was a really good Integrated Children’s Services, city regardless of ability, skill or experience for all of South Lanarkshire. Both sessions Strathclyde University level the opportunity to develop explored a variety of drama and Lifelong Learning us to have the chance a new piece of musical theatre theatre skills, particularly focussing Session to perform in such an that explores the issues on storytelling, group work and – in November ’05, Scottish surrounding ‘sectarianism’. The unusual venue for communication. Youth Theatre staff led a talk such a big event and about the youth theatre’s work process will involve 3 twilight skills workshops before a one to have so many focusing on the company’s new City of Leicester facility in Merchant City and what week intensive residential young people from College workshop developments it will make in an culminating in the presentation of a unique devised musical to diverse groups – On 14th December 2005, a already thriving arts be performed at the Fruit working towards the group of 30 young people from neighbourhood. Market in September ’06. The City of Leicester College, aged 15 same end was pretty project was developed in the to 18 and studying A Level powerful!” year ‘05/’06 Drama, visited Glasgow to work Strathclyde University Pamela Dwyer, 17 Participant and Community Arts Session member of Scottish Youth Theatre with various educational organisations and see some – 3rd year BA Community Arts MA (Arts in Social theatre. Scottish Youth Theatre students participated in a practical Contexts) delivered a workshop in our workshop led by Associate – Work has continued in Aberdeen Storytelling ‘house style’ that explored both Director Karen McGrady, which developing the above course in and Theatre Festival ensemble work and the Scots looked at successful exercises and partnership with RSAMD and – In February/March 2006, in language. A variety of Edwin techniques to use when using National Theatre of Scotland. collaboration with Arts Education Morgan texts were developed drama with 3 to 5 year olds. The course is in three tiers, with Team at Aberdeen City Council, within a 3 hour session and the three exit points. This means Scottish Youth Theatre delivered group also received a tour of the 1yr for a PG Cert, 2yrs for a PG drama workshops as part of the new building. Milngavie drama Aberdeen Storytelling and project Dip and 3yrs for an MA. The Theatre Festival. Two of SYT’s – in November ’05, Over 3 days, course has been developed to experienced drama tutors visited One Night Of 7 workshops were led in Milngavie enable practitioners to develop several schools in the area over Shakespeare Primary School working with their skills while still carrying on two weeks, delivering tailor-made Cast Workshops nursery up to p.7. Each class with their own youth theatre commitments. The express workshops for both Primary and – Scottish Youth Theatre worked chose a different topic to creatively purpose is to improve the Secondary pupils. The theme of in partnership with the Shakespeare explore and within the 1 or 2 quality of provision in the sector. each workshop was chosen by in Schools Festival to facilitate this hour session had a chance to each school. Titles included; inaugural event. This UK project experience the Scottish Youth characterisation, cultural diversity, involved the National Youth Theatre house style. Themes Macbeth, Dying for It – sexual Theatre Companies in each of the included Storytelling, Improvisational Annual Report 2005/06 INTERNATIONAL PROJECTS & VISITS 21 international projects and visits “Scottish Youth Theatre is fast becoming Scotland’s ‘international’ youth theatre.” Alan Cumming – Patron

Midnite YT – this youth theatre is based at Christchurch School, Perth, Western Australia. It is open to young people from across Western Australia. In August 2005, Midnite YT hosted Midas @ His Maj, an international festival of youth theatre featuring groups from the UK, Singapore and the rest of Australia. David Cosgrove, playwright and Mary McCluskey, artistic director, attended the event through generous funding from the Scottish Arts Council. David & Mary led workshops based on the script Students at the New Jersey’s High School of Performing and Visual Arts take part in a Geordie workshop. development process employed for Dying For It. Meetings New York ‘reach for the stars’ and ‘there’s were also held with local and Geordie Workshop no place like home’. Groups national health groups with Programme visited during the week were as view to touring a joint Week One follows: production of the play – during the final week of March “The tutors infused throughout Western Australia in ’06, as a prelude to Tartan Week Workshops – NYC their culture with 2008. It is intended that SYT 2006, members of the Scottish ❙ Monday 27th March Productions will work with the language of Youth Theatre artistic Team lead New Jersey, High School of Midnite YT to produce this tour. theater to create a workshops involving young Performing and Visual Arts people from the metropolitan rich learning Scottish Youth Theatre New York area. Groups were ❙ Tuesday 28th March environment” welcomed members of Midnite ranging in ability from prep Nathan Strauss Prep School, NYC YT to Glasgow in January 2006. Chris Beekstron, 35, NYU school to university students. All ❙ Wednesday 29th March The group performed at enjoyed the chance to have fun Hunter College High School, NYC Kelvinside Academy. Members “It was different from with the Scottish language, of SYT Productions joined the experience the Scottish Youth ❙ Thursday 30th March anything I’ve ever group for a Civic Reception at Theatre house style and even TADA! (Youth Theatre) NYC heard of. There was Glasgow’s City Chambers. This move to some favourite ceilidh ❙ Friday 31st March Launch of was followed by a meet and also a lot of freedom. tunes. Workshops explored the The Scottish Village – Grand greet at the Old Sheriff Court. Dig the accents!!” power of the ensemble and gave Central Station, NYC Jared Cardenas, 14, Youth Onstage opportunity for young people to celebrate themes from Geordie

such as ‘the underdog wins’, ▲ Annual Report 2005/06 22 INTERNATIONAL PROJECTS & VISITS TRAINING

Staff training is one of the key elements to the quality of Scottish Youth Theatre’s provision training

The company believes that In February ’06, the Old Sheriff every activity it does involves Court was the venue for the first training to a greater or lesser annual ‘Skill Up’ event. Scottish degree. The provision of quality Youth Theatre worked as a training is at the heart of Scottish partner in this event organised Youth Theatre’s programme of by Promote-YT and supported by activities. Young people, Core National Theatre of Scotland. Staff, and Tutors all deserve The event took place over 2 days training of an excellent standard. (10th/11th Feb) & was well Scottish Youth Theatre will attended by those working in continue to strive to keep training the sector. Guest practitioners standards high. The in-house included, , tutors’ apprenticeship scheme and Gerry Mulgrew, Paddy Cuneen Other young pupils from the Nathan Strauss Prep School have fun in a Geordie workshop. tutor mentoring scheme, delivered and Visible Fictions. “It was absolutely awesome! The children by the Associate Directors, offered totally enjoyed the activities and learned excellent advice and training. Throughout the year, once again, These schemes provide quality working alongside RSAMD and new Scottish words and dances!! Very assurance and ensure that the National Theatre of Scotland appropriate.” workshop tutors employed by the youth theatre has progressed Eileen Copeda, Student teacher, Nathan Strauss Prep School the youth theatre are of an the development of a youth acceptable standard. theatre leaders’ formal qualification.

▲ Australian Theatre Toronto Youth Theatre A ‘consultative forum’ was for Young People – in 2005, this relatively new In 2005/06, Scottish Youth Theatre established in March ’06. This – in August ’05, artistic director, youth theatre serving the worked in partnership with three group, working alongside Tony Mary McCluskey, visited ATYP at metropolitan Toronto area had other national organisations to Goode, will look at the curriculum their home in Sydney. The aspirations to follow the Scottish further develop training for youth content, the various entry and exit company operates in a similar way Youth Theatre model of theatre leaders. Scottish Youth points, the course delivery and to Scottish Youth Theatre. The operations. Members of their Theatre has been a long-time the course assessment. It is meeting was worthwhile, artistic team met with members of advocate for quality training in hoped that the first cohort of comparing and contrasting the Scottish Youth Theatre team the sector. The company has been student will commence the MA modes of operations for classes, in NYC to exchange ideas. It is at the forefront in the promotion (Arts in a Social Context) after courses and productions. Scottish hoped this partnership will grow of ‘best practice’ and quality Easter ’07. Youth Theatre looks forward to in future years with members of control. The children and young working with this sister Toronto YT shadowing Scottish people of Scotland deserve the organisation in future. Youth Theatre staff on Summer best delivery of skills. Festival ’06. Scottish Youth Dublin Young Theatre looks forward to Fringe Festival mentoring this ambitious new – SYT Productions was invited to youth theatre. perform Dying For It at this prestigious festival. The production ran for three nights at Trinity College. Participants were also able to attend other festival events. They also shared a workshop with local youth theatres.

“What I disliked about the workshop was that it may only be a one in a lifetime experience!” Randa Ramirez, 14, VPA SYT staff at ‘Skill Up’ Training Event 2006 Annual Report 2005/06 PATRONS, BOARD & STAFF 23

Scottish Youth Theatre is indebted to the continued support of the Company’s friends. Participants and staff with Patricia Ward Kelly, late wife of the late Gene Kelly. patrons board and staff

Scottish Youth Theatre would widow of Hollywood Icon, Gene “Glasgow was such a Theatre wishes them well in all not be in the position of Kelly, who visited SYT Productions magical experience, future endeavours. In March ’06, strength it is in today without in January ’06; Carter Ferguson, Eleanor Murphy joined the company the dedication and support of Annmarie Fulton & John Paul and my visit with the as Business Development Manager. its Patrons, Board of Directors McGilvray – members of the cast students at Scottish The youth theatre welcomes her on and Staff. These people work of River City who helped to launch Youth Theatre was a board the team and looks forward tirelessly to allow the company our wristband campaign; John large part of that. I to working alongside Eleanor in the to give children and young Michie and other members of development of use of the new people the opportunities its the Taggart team who continue to was very impressed building. programme of activities offers. support the youth theatre; Gerald with how quickly – Butler (The Phantom Of The Opera and astutely – they The artistic team of Artistic Director Scottish Youth Theatre is extremely & Dear Frankie), Laura Fraser (A picked up on so many & two Associate Directors was proud of our group of prestigious Knight’s Tale & Casanova), Jack expanded to include the new post Patrons. It is difficult to quantify Tarlton (Dr. Who), James Anthony aspects of Gene's of Assistant Director. This expansion the importance of the support of Pearson of Kidnapped and Jeopardy work on film.” of the team was in direct response these folk to the youth theatre. & Kellyanne Farquar of Monarch Patricia Ward Kelly to the demand for Special Projects. They are an inspiration to of The Glen – rising stars who All of the artistic team except the participants and are also of great remember their roots at Scottish Congratulations are in order for Artistic Director continue to work value in spreading the word and Youth Theatre. Harry Warnock, Chair of the Board, for the company on a freelance raising the profile of Scottish who received a special award for part-time basis. Thus, ensuring a Youth Theatre – we thank them Scottish Youth Theatre’s Board of his work for Children & Young healthy exchange of ideas and for giving freely of their time. At Directors give freely of their time People from Arts & Business at their ways of operating. the end of March ’06, Scottish to the company. The company annual awards. Well done, too, Youth theatre was pleased to appreciates their time and effort, to Ralph Leishman, Vice-chair of In March of 2006, the Company welcome Alan Cumming to our particularly at this exciting time of the Board for his nomination as Review Committee of the Board was group of Patrons. great change. Scottish Youth ‘Volunteer Of the Year’ for the re-convened to look at developing Theatre would not be able to second year running at the Arts a new staff structure to include Not only do our Patrons serve the complete its programme of & Business awards. operations in the building. This youth theatre but the company activities without the dedication committee was also re-structured has an extensive list of friends and commitment of the Core Scottish Youth Theatre would be as follows – Chair, Vice Chair, Chairs who also offer their support. Staff, the Associate Artists and unable to operate without the of Board Committees (Artistic, These include: the BBLoons – a the Freelance Staff. The company hard work and loyalty of its staff, Finance & Gen Purposes and PR & group of fans of Billy Boyd who thanks them for their hard work both core and freelance. The Fundraising), Artistic Director, have raised over £2000 for the throughout the year. company appreciates their Administrative Director, Associate youth theatre: Gerry’s Gals – a unending commitment to the Directors, Marketing Manager and group of fans of Gerald Butler In 2005/06, a member of the youth theatre’s mission, aims and Business Development Manger. The (past-participant) who have Board stepped down, Alison objectives. During ‘05/’06, Laura committee discussed and devised a raised almost $1500 for Scottish Newton. Scottish Youth Theatre Finnan and Tony Kerr moved on new staffing structure to be Youth Theatre; Patricia Kelly – thanks her for contribution. to pastures new, Scottish Youth implemented in 2006/07. Annual Report 2005/06 24 PATRONS, BOARD & STAFF

“It is wonderful that the exchange of cultures and ideas is being encouraged through their trip to New York and their interactions with local teenagers. Please wish them a glorious trip” PATRONS Tom Hanks, Actor

Marilyn Bannen Colin McCredie Billy Boyd David Rintoul

“Scottish Youth Theatre undoubtedly nurtures talent, Brian Cox Elaine C Smith Blythe Duff Emma Thompson just what that talent is not the main concern. What matters is that confidence is developed, a confidence that will enhance the Phyllida Law Richard Wilson Alan Cumming life if an individual in whatever path BOARD OF DIRECTORS STAFF CONSULTANTS they choose to Building Project Consultant Harry Warnock CHAIR Artistic Director (CHIEF EXECUTIVE) follow.” Mary McCluskey Malcolm Crofts Ralph Leishman VICE CHAIR Billy Boyd, Patron Administrative Director Theatre Consultant Anne-Marie Austin Caroline Cosgrove Ross Gerry Alan M Black Associate Directors Interior Design Consultant Julie Austin Kaye Cullinan Bobby Hain Karen McGrady “Tartan week is a IT and Communications Consultant Margaret Hearne Assistant Director Sandy Pratt fine showcase of Kenny McGlashan Hugh Hodgart Strategic Planning Consultant Finella Devitt culture, talent and Building Manager Euan McLeod Tony Kerr Marketing Consultant tradition, a Anne McCluskey Carole Mackie Business Develoment Manager condensed version Richard Muir Eleanor Murphy PR Consultant Mary Jo Devlin of Scotland at its Marketing Manager Ronald Singleton Mark Irwin Fundraising Consultant finest. It is Lesley Boyd Press and Marketing Assistant extremely fitting Meg Watson that Scottish Youth Administrators John Austin Theatre will be ASSOCIATE ARTISTS Laura Finnan there to represent Claire Stewart Cath Baxter Anthony O’Donnell David Carter the nation’s Dale Corlett Administration and Rebecca Kilbey young people” Finance Manager Finlay McLay Sally McGill Brian Cox, Patron Sharon Miller Receptionist Neil Packham Niamh Millar Pam Wardell Robin Wilson Caretaker Max Davidson Alexander Martin Annual Report 2005/06 THANKS 25

thank you...

“We are only too happy to be able to help, especially for an organisation such as Scottish Youth Theatre. To be able to meet those young people who will benefit from our donation is terrific!” Susan Payette, a member of Geraldbutlersgals.com MSP Patricia Ferguson,MSP, Patrons, participants past and present at the official launch October.

Scottish Youth Theatre is Scottish Youth Theatre is grateful Yellow brick road support: Reach for the Stars: appreciative of the continued for the continued financial ❙ FraserMacLeod ❙ Ewan McGregor financial support it receives from support all other funders, ❙ Fergus Nimmo ❙ Michelle Gomez the Scottish Arts Council and sponsors and contributing trust ❙ Lyndsey O’Donnell Glasgow City Council. funds. ❙ Vicki Thomson Support in kind: The Company could not operate ❙ Lynn Stewart ❙ Emma Thompson In the year 2005/06, the without their generosity. ❙ Laura Elizabeth Aird ❙ Marylin Bannen company was delighted to once ❙ David Alexander Campbell ❙ Paul Young again work in partnership with ❙ Scottish Local Authorities ❙ John Northcote ❙ Jack Tarlton NHS Health Scotland who – project funds and support for ❙ Rebecca Mair ❙ Gerard Kelly funded the 2nd national tour of participants ❙ Neil Slider ❙ Ardanaseig Hotel Dying For It. ❙ Foundation for Sport & Arts ❙ Natalie Reid ❙ Paul Austin – support for participants ❙ James Hope Scottish Youth Theatre was ❙ Scottish Arts Council Capital ❙ Barry Carson pleased to welcome Sir Tom and Lottery Fund ❙ Cheryl Clark Lady Anne Farmer as supporters – financial support for computer ❙ George Lyall of the young people involved in network system ❙ Sarah Ellen MacDonald SYT Productions Tartan Week ❙ Prince’s Trust ❙ Diana Harrigan Project. – support for participants ❙ Pamela Dwyer ❙ Gordon Fraser Trust ❙ Annmarie Fulton Scottish Youth Theatre – support for activities ❙ Kelly Anne Farquhar feels indebted to all who ❙ Mr. Doig ❙ Dr Anne M Z Walker contributed to the development – support for participants ❙ John McGlynn and fit-out of the Old Sheriff ❙ Laura Frazer Court. They are listed in the ❙ Lindsay Duncan Building section of this report. ❙ Kirsty Young ❙ Phyllida Law ❙ Annual Report 2005/06 26 CONCLUSION

“But there is something about standing here today, which reminds me of my days as ‘Mayor of The Munchkin City’ in SYTs production of The Wizard of Oz. Maybe it’s the Yellow Brick Road in the courtyard…or Craig Steele address guest at the official opening of Scottish Youth Theatre’s new headquarters maybe its because, as I stand here in the flagship Scottish conclusion Youth Theatre building…I know ‘There’s no place like In 2005/06, Scottish Youth whenever they were on holiday thinking, cultured and self-reliant Theatre continued to from school. We’ve only been citizens for Scotland. home…There’s no consolidate its position as an working in the Old Sheriff Court place like home. integral part of Scotland’s since August 2005 and already Everything the youth theatre There’s no place cultural community – training it looks as if the same will achieves in any one year is directly like home’.” future creative industries’ happen here. related to giving young people in Craig Steele 17yrs Glasgow employees; creating audiences Scotland the opportunity to for the future; producing quality Scottish Youth Theatre is proud access youth theatre arts of the theatre performances; providing of the work it does in providing highest quality. Young people support to teachers and youth the young people of Scotland are at the centre of everything theatre leaders; developing with the opportunity to develop Scottish Youth Theatre does. It future plans for our new centre self-confidence and self-esteem is our belief that every young for excellence in youth theatre through theatre arts activities. person in Scotland has a great arts; and helping participants, Now approaching our 30th deal to offer, it is our job to give INSIDE BACK COVER: aged between 3 years and 25 Birthday year, the company is them the chance to shine in their TOP LEFT: HRH the Earl of Wessex speaks to some of the young people who years, to find their voice through seeking to find new ways of own special way through the performed at the Royal Opening. participation in theatre arts. delivering these opportunities to youth theatre process. The TOP LEFT: Young participants enjoy young folk throughout Scotland. annual programme of work and weekly classes The new building will allow – the Old Sheriff Court will the new building will allow SECOND TOP LEFT: Pupils of the Nathan participants to grow is so many provide a safe and secure base Scottish Youth Theatre to do just Strauss Prep School, NYC ways – creatively, educationally for these developments. As the that - shine! SECOND TOP RIGHT: Participants taking part in a workshop in the new building. and socially. Staff and Board national youth theatre for

SECOND BOTTOM LEFT: The Ugly Duckling, look forward to welcoming Scotland, Scottish Youth Theatre Summer Festival 05 thousands of young people is aware of the responsibility it SECOND BOTTOM RIGHT: Members of Gerrys through the doors of this – their holds in developing creative Gals present Scottish Youth Theatre with their generous donation building. Participants had a great sense of ownership of the BOTTOM: Into The Light: Match Girl 2005 – 3 Cities. Old Athenaeum – meeting there Mary McCluskey ARTISTIC DIRECTOR / CHIEF EXECUTIVE

Design and production: Wag Design Print: TPS Photography: Anthony Brannan, Drew Farrell, Mark Hamilton, Martin Hunter, Peter Sandground, Alan Wylie

Scotland’s National Theatre ‘For & By’ Young People

Scottish Youth Theatre The Old Sheriff Court, 105 Brunswick Street, Glasgow G1 1TF

Tel: 0141 552 3988 Fax: 0141 552 7615 email: [email protected] website: www.scottishyouththeatre.org