DEPARTMENT OF MUSIC & DANCE KURUKSHETRA UNIVERSITY KURUKSHETRA (E-lesson Plan) From: 23-2-2015 to 28-2-2015 Dated:21-2-2015
Days Classes Paper Unit Topic of Theory/Practical
Monday M.A.(P) III Practical- Raag Ahir Bhairav (Revision) II II Theory- Music in Puranas M.A.(F) V Practical- RaagBhimplasi-vilambit
Tuesday M.A.(P) III Practical- Raag Ahir Bhairav (Taan & Basics of Bhairav M.A.(F) V Ragang) MPA-IV V Practical- Raag Bhimplasi- with alap
Wednesday M.A.(P) Practical- Raag Ahir Bhairav (Revision) MPA-IV M.A.(F)
Thursday M.A.(P) III Practical- Raag Bhairav- Introduction & Practice
M.Phil. Practical- Raag Gujri Todi – Revision
Practical- Raag Bhimplasi-Drut Khayal M.A.(F) V
Friday M.A.(P) M.Phil. II Theory – Different sources of Resarch M.A.(F) V Practical- Raag Bhimplasi- Vilambit Khayal
Saturday M.A.(P) II I Theory- Revision of Shikshsa Granth mein Sangeet M.A.(F) II Practical- Raag Gujri Todi – Continue M.Phil. Theory- Secondary sources of Research
Prof. Shuchismita Days Classes Paper Unit Topic of Theory/Practical
Monday MPA (V) V i. Project work MA (F) III ii. Rag Darbari MPA (IV) V iii. Project work
Tuesday MPA (V) V i. Project work MPA (IV) V ii. Project work
Wednesday MPA (V) V i. Project work MPA (IV) V ii. Project work
Thursday MA (P) Theo-II III i. Music in Panini and Patanjali Treatise MPA (V) Theo-II IV ii. Contribution of Bharat and Dattil iii. Rag Darbari MA (F) Prac. iv. Practical Practice MA (P) Prac. II
Friday MPA (IV) Theo-II II i. Contribution of Bharat and Dattil ii. Rag Darbari MA (F) Prac. III iii. Music in Panini and Patanjali MA (P) Theo-II Treatise MA (P) Prac. iv. Practical Practice
Saturday MPA (IV) Theo-II II i. Contribution of Bharat and Dattil ii. Practical Practice MPA (V) Prac. iii. Meaning and Definition of MPA (V) Theo-II II Recording
Dr. Ashok Kumar ‘Yaman’
Sr. Class Paper Unit Topic No.
1. M.Phil Practical Taan, Toda of Rag Gujri Todi
Theory Define Ras accourding to Bharat Muni
2. M.A. (F) Practical Taan, Toda of Rag Maru Bihag MPA (V) Theory Folk Tunes explain in detail of difference States
3. MA (P) Practical Taan, Toda of Rag Bageshwari MPA (IV) Theory Detail Study different Instruments
Prof. Shakuntla Naagar
MPA 1 st Practical Raag Bhupali drut gat with toras, Practice Theory Classification of Indian Musical Instruments….. Revision
MPA 4 th Practical Sound Forge Software Practice Theory Type of Microphones and its uses…… Revision
MPA 5 th Practical Window Movie Maker Practice Theory Description of Modern Recording Studio… Revision
MA(Pre.) Practical Raag Sham Kalyan drut gat Practice
Dr. Purushotam Kumar
From 23/02/2015 To 28/02/2015 Subject- Kathak Dance Dated:- 21/02/2015 Days Classes Paper Unit Topic Monday M.P.A-IV Practical IV- A ShikharTaal (17 Matra) in Tatkar- (Thah, Viva DugunLayakaries). M.P.A-V Practical III- Ektaal (12Matra) in Tatkar- (Thah, DugunLayakaries). B Tuesday M.P.A-IV Practical IV- A ShikharTaal (17 Matra) in Tatkar- (Thah, Dugun Viva WithChauganLayakaries) Contnious.... M.P.A-V Practical III- B Ektaal (12Matra) in Tatkar- (Thah, Dugun withChauganLayakaries) Continuous.... M.P.A-I Practical- II B Jhaptaal (10Matra) in Tatkar- (Thah, DugunLayakaries). Wednesday M.P.A-IV Practical IV- A ShikharTaal (17 Matra) in Tatkar&Thaat . Viva M.P.A-V Practical III- B Ektaal (12 Matra) in Tatkar&Thaat.
Theory- II A Total Impact of the Performance.
Thursday M.P.A-I Practical- II B Jhaptaal (10 Matra) in Tatkar- (Thah, Dugun with chugunLayakaries). M.P.A-II Practical-II B Teentaal (16 Matra) in Tatkar- (Thah, DugunLayakaries) M.P.A-VI Practical IV- A ShikharTaal (17 Matra) in Tatkar, That Viva &AamadContinuous....
Theory- I A Role of Lord Shiva (Natraja) in Dance
M.P.A-V Practical-III B Ektaal (12 Matra) in Tatkar- That &Aamad. Theory- II A(a) Total Impact of the Performance. Friday M.P.A-I Practical- II B Jhaptaal (10Matra) in Tatkar- (Thah, Dugun withChauganLayakaries) Continuous&That. M.P.A-II Practical-II B Teentaal (16Matra) in Tatkar- (Thah, Dugun withChauganLayakaries). M.P.A-III Practical-II A Ashtmangal (11 Matra) in Tatkar- (Thah, DugunLayakaries). M.P.A-IV Practical-III Ektaal (12 Matra) in Tatkar, That &Aamad. Theory- I B Role of Lord Shiva (Natraja) in Dance Continuous. (A) M.P.A-V Theory- II A(a) Total Impact of the Performance Continuous.. Saturday M.P.A-I Theory-I C(B) Survey and assential characteristics of BharatNatyam.
M.P.A-II Theory- I C Study of NayakBheda.
M.P.A-III Practical- II A Ashtmangal (11Matra) in Tatkar- (Thah, Dugun withChauganLayakaries). M.P.A-IV Theory-I A TandavaNritya of natraajShiva. M.P.A-V Theory- V II Project Work-II Composition of kathak Dance in Teentaal.
Mr. Santosh Kumar
From 23/02/2015 To 28/02/2015 Subject- Tabla Dated:- 21/02/2015 Days Classes Paper Unit Topic Monday M.P.A-III Practical H Tukara inEktaal. M.P.A-V III B Kayada in 9 Beats. M.P.A-I Theory B Simble of Bhatkhandetaal system. M.P.A.-V V - Introduction of recording studio. Tuesday M.P.A-III Theory Sec Contribution of ustd. Habibudden khan in music. B(c) M.P.A-V III B Palta of kayada in 9 beats. M.P.A-I Practical B Description of Rupaktaal. M.P.A-V I B(b) Development of karnataktaalcontinious.... M.P.A-V V - Importance of recoeding in music. Wednesday M.P.A-V III B Palta of Kayada in 9 beats M.P.A-III Practical H Tukara in Adachartaal. M.P.A-V I B(b) Five jati in karnataktaal. M.P.A-V V - Copy of recordings in c.d. Thursday M.P.A-V III B Tukara in 9 beats. M.P.A-III Practical (i) Vilambittheka of Ektaal. Friday M.P.A-V IV B Kayada in Teen taal. M.P.A-I Practical B Kayada in Teentaal. Saturday M.P.A-V IV b Palta of kayada in teental.
M.A.Prev. Hobby - Demonstration of vilambitEktaal. class
Dr.Vivek kumar Jain
(E-lesson Plan) From 23/02/2015 To 28/02/2015 Dated : 20/02/2015
Days Classes Paper Unit Topic of Theory/Practical
Monday MA (P) IIIrd 1 Practice of Raga Begeshwari Dhrupad Laykaries
MA (F) IIInd 1 Practice of Raga Miyan ki Malhar Dhrupad Laykaries
M.Phil Opt. 1 Practice of Raga Sur Malhar
Tuesday MA(P) IInd 2 Revision of Talas
MA(P) IIIrd 1 Practice of Raga Begeshwari Practical Dhrupad Laykaries
MA(F) IIIrd 1 Practice of Raga Miyan ki Malhar Dhrupad Laykaries
Wednesday MA(P) IIIrd 1 Practice of Raga Rageswari
MA(P) IInd 2 Test of Talas Theory
MA(F) Vth 1 Practice of Raga Puria Dhanashri
Thursday MA(P) 1 Practice of Raga Rageswari IIIrd MA(F) 1 Revision of Topic Unit-1 Theory IInd
M.Phil Practice of Raga Sur Malhar Opt. 1
Friday MA(P) 1 Practice of Raga Kafi Vth MA(F) 1 Practice of Raga Puria Dhanashri & Vth Megh Malhar
M.Phil Practice of Raga Bhatiar Opt. 1 Saturday MA(F) 1 Practice of Raga Megh Malhar IIIrd MA(F) 1 Revision of Topic Unit-1 Theory IInd
Dr. Aarti Sheokand
(E-lesson Plan) From 23/02/2015 To 28/02/2015 Dated : 20/02/2015 Days Classes Paper Unit Topic of Theory/Practical
Monday (On Leave)
Tuesday (On Leave)
Wednesday MPA(1st) Practical Practice of Raga Kafi Drut Khayal MPA(5th) Theory Defination of Tala Tivra
MPA(2 nd ) Thursday Practical Practice of Raga Khamaj MPA(5th) Theory Defination of Tala Chautal
MPA(2 nd ) Friday Practical Practice of Raga Bhairav MPA(4 th ) Theory Compartive study of Raga Shudh Sarang & Vrindavani Sarang
MPA(2 nd ) Saturday Practical Practice of Raga Khamaj MPA(4 th ) Theory Compartive study of Raga Shudh Sarang & Vrindavani Sarang MPA(5th) Theory Practice of Tala Tivra & Chautal
Dr. Shalu Rani
Days Classes Paper Unit Topic of Theory/Practical
Monday MPA (IV) Practical I Raag Bhairav MA (P) Practical I Raag Puriya MPA (V) Theory IV Tunning-Sarangi, Swarmandal MA (F) Practical I Raag Aabogi Kanra MPA (II) Theory I Taal-Deepchandi, Tilwara
Tuesday MPA (IV) Theory I Raag Bhairav MA (P) Practical I Raag Puriya MPA (V) Practical IV Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra MPA (II) Practical I Raag Khmaj M.PHIL. Practical I Raag Bhatiyar
Wednesday MPA (IV) Practical I Raag Bhairav MA (P) Practical I Raag Puriya MPA (V) Practical I Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra MPA (II) Practical I Raag Khmaj
Thursday MPA (IV) Practical I Raag Bhairav MA (P) Practical I Raag Puriya MPA (V) Theory IV Tunning-Mridang MA (F) Practical I Raag Aabogi Kanra M.PHIL. Practical I Raag Bhatiyar
Friday MPA (IV) Practical I Raag Bhairav MA (P) Practical I Raag Puriya MPA (V) Practical I Raag Aabogi Kanra MA (F) Practical I Raag Aabogi Kanra M.PHIL. Practical I Raag Khmaj Raag Bhatiyar
Saturday MA (P) Practical I Raag Puriya MPA (IV) Theory I Raag Bhairav Introduction
Dr. Sanjeev Kumar Sharma
From 23.2.15 To 28.2.15 Date : 20.2.2015 Subject : Dance (Kathak)
Days Classes Paper Unit Topic I II A Chakkardar Paran II II A Simple Paran Monday III II A Shiv Paran IV II D Relationship between performance & accompanying Artist V IV A Chakkardar Toda I I E Taal Parichay of Dadra & Kehrwa II II A Practice of simple paran Tuesday III II A Practice of Shiv Paran IV III - Thumri in Abhinaya Paksh V I D Study of Folk Dance of India-Bihu I II A Practice of Chakkardar Paran II I E Notation of the following-Arh-3/2, Kuarh 5/4 Wednesday II II A Practice of Shiv Paran IV III - Practice of Thumri in Abhinaya Paksha V IV D Study of Garba Folk dance III I E Introduction of Chautaal & Raas Taal. IV III - Practice of Thumri in Abhinaya Paksha V - Composition of Kathak Nriya in Teentaal Thursday II D Relation between performance & accompanying artist. V IV A Practice of Chakkardar Toda I D Study of Bihu Folk Dance IV III - Practice of Stage performance V - Composition of Kathak Nritya in Teentaal Friday II D Selection and role of accompanying artist V II A Anaghat Tukda. I D Study of Lavani Folk Dance. IV III - Practice of stage performance. V - Composition of Kathak Nritya. Saturday II D Selection and role of accompanying artist V IV A Practice of Chakkardar Toda I D Study of Lavni Folk Dance
Amarjeet Kaur
From 23.2.15 To 28.2.15 Date: 21.02.2015 Music: Instrumental Days Classes Paper Unit Topic of Theory/Practical
Monday M.PHIL II I Practical- Raag Jogkauns with Todas MA (F) III V Practical- Raag Chandrakauns with Todas MPA (V) III I Practical- Raag Chandrakauns with Todas Sitar Tuesday MA(F) II IV Theory-Western Musical Scales MA(F) III V Practical- Raag Chandrakauns with Todas MA(P) III I-ii b Practical- Raag Yamni Bilawal with Todas MPA(V) III I Practical- Raag Chandrakauns with Todas Sitar
Wednesday M.PHIL II I Practical- Raag Jogkauns with Todas MA (F) III V Practical- Raag Chandrakauns with Jhala MA (F) II IV Theory-Western Musical Scales MPA (V) I IV-ii Theory-Principle of Orchestration Sitar MPA (IV) -- -- Accompaniment with dance
Thursday MA(F) III V Practical- Raag Chandrakauns with Jhala MA(P) III I-ii b Practical- Raag Yamni Bilawal with Jhala MPA(V) III I Practical- Raag Chandrakauns with Jhala Sitar Friday M.PHIL II I Practical- Raag Jogkauns with Jhala MA (P) III I-ii b Practical- Raag Yamni Bilawal with Jhala MPA (IV) I IV Theory-Contribution to Indian Music of Sitar Bharat and Dattil MPA (IV) III I Practical- Raag Yamni Bilawal with Jhala MPA (V) -- -- Accompaniment with dance
Saturday MPA (V) I IV-ii Theory-Principle of Orchestration Sitar MPA (IV) I IV Theory-Contribution to Indian Music of Sitar Bharat and Dattil MPA (IV) III I Practical- Raag Yamni Bilawal with Jhala Sitar
Dr. Lalit Kumar Kaushal
From 23.2.15 To 28.2.15 Date: 21.02.2015 Music: Instrumental Days Classes Paper Unit Topic of Theory/Practical
Monday MA (F) III III-a Practical- Raag Bilaskhani Todi MA(P) III I-v B Practical- Raag Madhumadsarang MPA(V) III I Practical- Raag Bilaskhani Todi MPA(IV) III I Practical- Raag Vrindavanisarang
Tuesday MA(F) III III-a Practical- Raag Bilaskhani Todi MA(P) III I-v b Practical- Raag Madhumadsarang MPA(V) III I Practical- Raag Bilaskhani Todi MPA(IV) III I Practical- Raag Vrindavanisarang MPA(IV) -- -- Accompaniment with dance
Wednesday MA(F) III III-a Practical- Raag Bilaskhani Todi MA(P) III I-v b Practical- Raag Madhumadsarang MPA(V) III I Practical- Raag Bilaskhani Todi MPA(IV) III I Practical- Raag Vrindavanisarang
Thursday MA(P) III I-v b Practical- Raag Kafi with Todas MPA(IV) III I Practical- Raag Vrindavanisarang MPA(III) III Prac. Sec-a Practical- Raag Bahar MPA(V) -- Accompaniment with dance
Friday MPA (III) Practical Sec.A Practical- Raag Bahar with Todas MA (P) III Prac. I-v b Practical- Raag Kafi with Todas
Saturday MA(F) III Pract. III-a Practical- Raag Bilaskhani Todi MPA(V) III Pract. I Practical- Raag Bilaskhani Todi MPA(III) Pract. Sec.A Practical- Raag Bahar with Todas
Dr. Saloni Kaushal
E Lesson Plan From 23 feb to 28 Feb 2015 Days Classes Paper Unit Topic Mon M.A. Pract. 1 Practical revision of raga shuddha sarang vilambit (P)& khyal M.P.A IV Pract. I M.A.(F)& Raga sawroop of raga chanderkauns &valambit khyal M.P.A. V
Tue M.P.A. Pract. secA General introduction of raga basant III M.A.(P)& Pract. unit I Practical revision of raga shuddha sarang vilambit M.P.A. khyal with alaps IV
Wed M.P.A. Pract. Unit I Practical revision of raag vriandawani sagang valambit IV khyal with alap Pract. I Raag chanderkauns vilambit khyal with alaps M.A.(F)& M.P.A. V Thu M.P.A. I TH. SEC B Definations of followings sangeet swar saptak M.P.A. PRACT. SEC A Raag basant drut khyal stayi III TH. II General study of raga maru bihag M.P.A. V Fri M.P.A. I PRACT. SEC A Raga yaman vilambit khyal in 12 beats M.P.A.III PRACT. SEC A Sthayi of raga basant M.A. (P) PRACT. I Raga shuddha sarang vilambit khyal , alaps and antra M.P.A.IV PRACT. SEC A Raga vrindawani sarang vilambit khyal sthayi and M.P.A V TH. II alaps Introduction of raga nat bihag
Sat M.P.A. TH. SEC A Introduction of time theory III PRACT. SEC A Revision of raga yaman vilambit khyal sthayi alaps M.P.A. I and antra
Dr. Sushil Kumar
E-Lesson Plan, 23 Feb to 28 Feb, 2015
DAYS CLASSES PAPE UNIT TOPIC MON S R SEC A RAGA MIYAN KI MALHAR VILAMBIT KHYAL MPA III III THEOR LECTURE ON PLACEMENTS OF SWARAS ON MPA II SEC Y SHRUTIES ACCORDING TO BHARAT B RAGA NATKI KANHARA DRUT BANDISH MPA V I RAGA MADHUMAD SARANG M.A. (P) IV TUE III RAGA JAIJAIWANTI INTROIDUCTION MPA II SEC. A WED IV MIYAN KI MALHAR ALAP AND TAAN MPA III SEC .A RAGA NAYAKI KANHARA ALAP AND TAAN MPA V III I RAGA MADHUMAD SARANG REVISION M.A(P) IV RAGA JAIJAIWANTI ALAP AND TAAN MPA II III SEC A THU IV LECTURE ON IMPORTANCE OF RADIO IN MPA IV III POPULARISING INDAIN MUISIC II RAGA MARWA DRUT BANDISH MPA IV & I M.A. (P) III RAGA NAYKAKI KANHARA BANDISH MPA V I FRI IV RAGA MADHUMAD SARANG ALAP TAAN M.A.(P)& MPA IV III NAYAKI KANHARA REVISION MPA V I IV SAT MPA V & RAGA NAYAKI KANHARA RAGA VISTAR M.A. (F) I COMPARITIVE STUDY OF RAGA NAYAKI KANHARA M.A.(F) V I IMPORTANCE OF TELEVISION IN POPULARISING MPA IV V III INDAIN MUSIC. II
Dr. Deepak Sharma
E-Lesson Plan, 23 Feb to 28 Feb, 2015 Day Class Paper Unit Topic Monday MA (p) Practical 1st Raag Yaman only Aalap MPA 4 th MPA 3 rd Theory Sec. C Harmony Melody …………….Test
MPA 5 th Theory 4th A study of following, Alapti, Sthaya etc. P-1 MPA 2 nd Practical Sec A Raag Bhairvi only Aalap
Tuesday MPA 5 th Theory 4th A study of following, Kutup, Gamak etc. P-1 MPA 3 rd Practical Sec A Raag Kamod only Aalap
MA (F) Practical 1st Raag Miyan ki Malhar only Aalap
Wednesday MA (p) Practical 1st Raag Yaman only Aalap MPA 4 th MPA 4 th Theory 5th A historical knowledge of the following P-1 instruments like Veena, Sitar etc. MPA 3 rd Practical Sec A Raag Kamod only Aalap
Thursday MPA 1 st Practical Sec A Raag Alahaiya Bilawal only Aalap
MA (F) Practical Dhun Pahadi MPA 5 th MPA 4 th Theory 5th A historical knowledge of the following P-1 instruments MPA 2 nd Practical Sec A Raag Bhairavi only Aalap
Friday MPA 1 st Practical Sec A Raag Alahaiya Bilawal only Aalap
MA (F) Practical Dhun Pahadi MPA 5 th MPA 2 nd Practical Sec A Raag Bhairavi only Aalap
Saturday MPA 1 st Theory Sec B Definition of the following Nad, Gat etc.
MA (F) Practical 1st Raag Miyan ki Malhar only Aalap
MPA 2 nd Theory Sec B Swambhu Nad Class test
Dr. Ashu Gautam
E-Lesson Plan, 23 Feb to 28 Feb, 2015 Days CLASSES Paper UNIT TOPIC
MPA v 4 SEC A ONE KAYADA IN 13 BEATS MON MPA II 1 SEC A KAYADA IN JHAP TAAL AND ITS NIKAS M.A.(F) THEKA IN TEEN TAAL
MPA V 4 SEC A PRACTICE OF KAYDA IN 13 BEATS TUE MPA II 1 SEC A PRAQCTICE OF KAYDA IN JHAP TAAL
MPA V 4 SEC A INTRODUCTION ABOUT PESHKAR IN 13 BEATS WED MPA II 1 LIFE SKTCH OF PANDIT KISHAN MAHARAJ
MPA III 1 PRACT TUKRA PLAYING IN TEEN TAAL THU MPA V IV . ONE GAT IN TEEN TAAL AND ITS PLAYING STYLE MPA II 1 PRACT PLAYING TECNIQUE OF SOOL TAAL .
MPA III THE. INTRODUCTION OF LACKNOW GHARANA FRI MPA V THE A LECTURE ON TEEN TAAL SYSTEM IN NORTH MPA V THE. INDIAN MUSIC MPA V PRAC A LECTURE ON MARGI TAAL SYSTEM M.A.(F) T A TUKRA IN TEEN TAAL AND ITS NIKAS PLAYING OF THEKA IN VILAMBIT JHAP TAAL MPA III SAT MPA V PRAC A TUKRA IN EKTAAL AND ITS RIYAZ MPA V T A LECTURE ON ELEMENTS OF MARGI TAAL MPA V THE. SYSTEM THE. KNOWLEDGE OF KRIYA IN MARGI TAAL SYSTEM PRAC A PARAN IN 13 BEATS T
Dr. Gyan Sagar Singh
FROM : 23-02-2015 TO 28-02-2015 Dated : 20-02-2015 Days Classes Paper Unit Topic of Theory/Practical Monday M.P.A Vth I A Practical-Playing Pashkar in 17 beats Tal
M.P.A –I I A Theory-lecture of Kutap Practical Playing Teen Tal Durgan Tuesday M.P.A Vth I A Practical Playing Plta in Pashar in 17 beats Tal Wednesday M.P.A. Vth I Theory Lecture of Kaku M.P.A. Ist I A Practical Playing Uthan in teen tal Thursday M.P.A. Vth II C Practical-Playing Kayda in 18 beats tal M.P.A. IInd II B Practical playing pashkar M.P.A. Ist C Theory – lecture on Mohra Friday M.P.A. Vth II B Practical Playing Ford in Teen Tal M.P.A. IInd Practical Playing Rela in Rupak Tal Saturday M.P.A. Vth II B Practical Playing Kayda in 17 beats Taal M.P.A. II I C Practical-Playing Rela in Rupak Tal M.P.A. Ist I C Practical – Playing Turka in Teen Tal
Dr. Seema Johri (E-Lesson Plan) FROM : 23-02-15 TO 28-02-2015 Days Classes Paper Unit Topic of Theory/Practical M.A(F) II Ist Raag Madhukauns (vilambit Khyal) M.P.A.(V) I Ist Raag Madhukauns-(Vilambit Khyal) M.Phil. Raag Bairagee - (Vilambit Khyal) Monday M.A. (Pre.) I Ist Raag Puria Kalyan –(Vilambit Khyal) Tuesday M.A.(F) II Ist Raag Madhukauns – (vilambit Khyal) M.A.(F) II Ist Raag Madhukauns (Vilambit Khyal) M.A.(P) I Ist Raag Puria Kalyan (Vilambit Khyal) Wednesday M.P.A(V) Project Work Thursday M.P.A. (IV) I Ist Raag Puria Kalyan – (Vilambit Khyal) + Project Work M.Phil. Raag Bairagee – (Vilambit Khyal) M.P.A(V) Project Work Friday M.P.A.(IV) Project Work M.P.A.(V) Project Work Saturday M.P.A.(IV) Project Work
Dr. Munish Kumar