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THE GOOD GERMAN Wettbewerb the GOOD GERMAN the GOOD GERMAN – L’AMI ALLEMAND Regie: Steven Soderbergh
Berlinale 2007 THE GOOD GERMAN Wettbewerb THE GOOD GERMAN THE GOOD GERMAN – L’AMI ALLEMAND Regie: Steven Soderbergh USA 2006 Darsteller Jake Geismar George Clooney Länge 108 Min. Lena Brandt Cate Blanchett Format 35 mm, 1:1.85 Corporal Tully Tobey Maguire Farbe und Colonel Muller Beau Bridges Schwarzweiß Levi Dominic Comperatore Stabliste Lieutenant Schaeffer Dave Power Buch Paul Attanasio, Danny Tony Curran nach dem Roman Kongress- von Joseph Kanon abgeordneter Jack Thompson Kamera Peter Andrews General John Roeder Kameraführung Cris Lombardi General Sikorsky Ravil Isyanov Kameraassistenz Steven Meizler Gunther Behn Don Pugsley Schnitt Mary Ann Bernard Bernie Teitel Leland Orser Ton Paul Ledford Hannelore Robin Weigert Mischung Larry Blake Pressesprecher J. Paul Boehmer Musik Thomas Newman Interviewer Tom Cummins Production Design Philip Messina Angestellter Brandon Keener Art Director Doug Meerdink Requisite Robin L. Miller Tobey Maguire, George Clooney, Cate Blanchett Kostüm Louise Frogley Maske Julie Hewett Michelle Vittone- THE GOOD GERMAN McNeil Berlin 1945. Der amerikanische Kriegskorrespondent Jake Geismer soll über Regieassistenz Gregory Jacobs die bevorstehende Konferenz von Potsdam berichten. Jake kennt Berlin – Casting Debra Zane einst hat er hier ein Nachrichtenbüro geleitet. Und er hat sich hier verliebt. Herstellungsltg. Das scheint aber Ewigkeiten her zu sein, als er jetzt mit dem Jeep die Produktionsltg. Frederic W. Brost Aufnahmeleitung Ken Lavet Berliner Ruinenlandschaft durchquert. Quentin Halliday Jakes Fahrer, Corporal Tully, ist auf dem Schwarzmarkt aktiv – er handelt mit Produzenten Ben Cosgrove allem und jedem und spielt alle Seiten gegeneinander aus, um den besten Gregory Jacobs Preis zu erzielen. Doch das ist durchaus nicht ungewöhnlich. Im Berlin die- Executive Producers Benjamin Waisbren ser Tage verfolgt jeder eigene Strategien, um seine Bedürfnisse zu befriedi- Frederic W. -
Bord Scannán Na Héireann/ Irish Film Board Strategic Plan 2016 — 2020 — Building on Success 1 Contents —
Bord Scannán na hÉireann/ Irish Film Board Strategic Plan 2016 — 2020 — Building on Success 1 Contents — Executive Summary 03 Foreword from the Chairperson 04 Introduction and Message from the Chief Executive 05 Who We Are and What We Do 07 Strategic Context 09 Listening to our Stakeholders 11 Mission 12 Vision and Values 13 Key Challenges 14 Strategic Objectives 15 Measuring Our Success 34 Making it Happen 35 2 01 Executive Summary — Welcome to the Bord Scannán na hÉireann / Key Challenges Strategic Objectives Irish Film Board (IFB) Five-Year Strategy, 8 Academy Award covering the period 2016 to 2020. We — Positioning the sector as a strategically As part of this strategy, we have identified prepared this strategy after extensive important contributor to the cultural core strategic objectives which, when taken consultation with stakeholders in Irish film and economic life of the country as a whole, will strengthen the IFB and help and the screen content production sector as us build on the industry’s success: Nominations for well as detailed contributions from our staff. — Identifying, nurturing and developing It sets out our mission statement and vision, creative talent and building a film Vision for 2020 as well as emphasising the core values culture in Ireland 1. Vision and Leadership which we hold strongly. 2. Gender Equality and Diversity IFB-Supported Films — Embracing diversity and gender 3. Building Audiences Building on Success equality in all its forms and ensuring the participation and representation of the Building on our Core Strengths In 2015 and 2016, we witnessed the most full range of diverse voices in Ireland 4. -
Here We Are in 2015 38 Announcements
ACADEMY AWARD® NOMINEE Over 20,000 “The Best Animated Film props made Of 2014. A Total Delight.” NIGEL SMITH / indieWIRE ANNIE AWARD NOMINATIONS 13 INCLUDING NOMINATED FOR THE CINEMA AUDIO SOCIETY AWARD FOR OUTSTANDING ACHIEVEMENT IN SOUND MIXING IN A MOTION PICTURE ANIMATED Carlos Sotolongo, Tom Myers, Ren Klyce, Nathan Nance, Nick Wollage, Mary Jo Lang, CAS For more on this extraordinary film, go to www.FocusGuilds2014.com THE BOXTROLLS - CAS QUARTERLY - Final WINTER ISSUE - FULL PAGE 4C STREET: 1/23/15 B DUE: 1/16/15 PAGE 1 OF 1 BLEED: 8.625" X 11.125" • TRIM: 8.375" X 10.875" • SAFETY: 7.875" X 10.375" January 16, 2015 6:50 PM PST BT_CAS_1_23_4C_3_Fnl FEATURES 51st CAS Award Noms .......................... 16 Technical Achievement Awards ................... 20 Production & post-production nominees CAS Student Recognition Award Finalists ........... 21 CAS Career Achievement ........................ 22 An interview with recipient David Macmillan 16 Building “Soundtopia” .......................... 34 Sound for a reality show on steroids Auro-3D ...................................... 38 All about this immersive sound format The Value of Mentorship: Part One ................ 44 How to write about sound ....................... 48 34 DEPARTMENTS President’s Letter ............................... 4 Welcome to Awards Season From the Editors ................................ 6 Here we are in 2015 38 Announcements ................................ 10 Important deadlines & MemberClicks Technically Speaking ........................... 12 iZotope RX4 Advanced Been There Done That ........................... 51 CAS members check in The Lighter Side ............................... 54 44 Cover: David Macmillan, CAS CAS QUARTERLY WINTER 2015 3 Welcome to our winter edition, as we are in the thick of our Awards Season! These are exciting times! I wish each and every one of our nominees good luck, and I will see you all at the CAS Awards on February 14, 2015. -
TBP Presskit Venice
THE BURNING PLAIN Charlize Theron Kim Basinger a film written and directed by Guillermo Arriaga 2929 International Shebnem Askin 9100 Wilshire Blvd 5th Floor West Beverly Hills, CA 90212 Ph: 310 309 5705 [email protected] 1 THE BURNING PLAIN From Guillermo Arriaga, the internationally acclaimed writer of Babel, 21 Grams and Amores Perros, comes THE BURNING PLAIN, a romantic mystery about a woman on the edge who takes an emotional journey back to the defining moment of her life. Oscar-winner Charlize Theron plays Sylvia, a beautiful restaurant manager whose cool, professional demeanor masks the sexually charged storm within. When a stranger from Mexico confronts her with her mysterious past, Sylvia is launched into a journey through space and time that inextricably connects her to these disparate characters, all of whom are grappling with their own romantic destinies. In Mexico, a young motherless girl, Maria (Tessa Ia), lives happily with her father and his best friend until a tragic accident changes it all. In the New Mexico border town of Las Cruces, two teenagers, Mariana (Jennifer Lawrence) and Santiago (JD Pardo), find love in the aftermath of their parents’ sudden deaths. In an abandoned trailer, a housewife, Gina (Oscar-winner Kim Basinger), embarks on a passionate affair that will put Sylvia and the others on a collision course with the explosive power of forbidden love. THE BURNING PLAIN is the directorial debut of Oscar-nominated screenwriter Guillermo Arriaga. From 2929 Productions (Good Night and Good Luck, We Own the Night), the film was produced by Walter Parkes and Laurie Macdonald (Catch Me If You Can, Sweeney Todd) and executive produced by Todd Wagner, Mark Cuban, Marc Butan, and Ray Angelic. -
The Father Production Notes 30 October 2020 *Amended*
THE FATHER PRODUCTION NOTES 30 OCTOBER 2020 *AMENDED* INTRODUCTION THE FATHER is drawn from the stage play of the same name, which was written by Florian Zeller and launched in Paris in 2012, winning a Moliere Award for Best Play, before hitting Broadway and London’s West End, where it won both Tony and Olivier Awards for Best Actor (for Frank Langella and Kenneth Cranham respectively). Zeller directed the film adaptation - his feature debut - filmed in London, from a screenplay he co-wrote with Christopher Hampton (ATONEMENT, DANGEROUS LIAISONS). Alongside Oscar®-winners Anthony Hopkins and Olivia Colman, rounding out the film’s cast are Mark Gatiss (THE FAVOURITE, TV’s Sherlock), Imogen Poots (GREEN ROOM, A LONG WAY DOWN), Rufus Sewell (JUDY, TV’s The Man in the High Castle) and Olivia Williams (VICTORIA & ABDUL, AN EDUCATION). In THE FATHER, Hopkins plays the eponymous role of a mischievous and highly independent man who, as he ages, refuses all assistance from his daughter Anne (Olivia Colman). Yet, such help has become essential following Anne’s decision to move to Paris with her partner. As Anne’s father tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality. THE FATHER is a Trademark Films, F Comme Film, Ciné-@, and Les Films du Cru co-production, produced by David Parfitt (MY WEEK WITH MARILYN, SHAKESPEARE IN LOVE), Jean-Louis Livi (READ MY LIPS, UN COEUR EN HIVER) and Philippe Carcassonne (COCO BEFORE CHANEL, RIDICULE). Also producing are financier Christophe Spadone for Les Films du Cru and the stage play’s London producer Simon Friend for SFE. -
DP a LE COMPLEXE.Indd 1 18/04/11 17:01:47 the Beaver
DP A LE COMPLEXE.indd 1 18/04/11 17:01:47 THE BEAVER SUMMIT INTERNATIONAL PUBLICITY CONTACTS: DP A LE COMPLEXE.indd 2 18/04/11 17:01:47 Summit Entertainment and Participant Media Present in Association with Imagenation Abu Dhabi An Anonymous Content Production THE BEAVER French title : LE COMPLEXE DU CASTOR Starring MEL GIBSON JODIE FOSTER ANTON YELCHIN JENNIFER LAWRENCE, CHERRY JONES Written by KYLE KILLEN Directed by JODIE FOSTER Produced by STEVE GOLIN KEITH REDMON ANN RUARK Executive Producers JEFF SKOLL MOHAMMED MUBARAK AL MAZROUEI PAUL GREEN JONATHAN KING SUMMIT ENTERTAINMENT 1630 Stewart St. - Ste. 120 - Santa Monica, CA 90404 Tel: +1 310 309 8400 - Fax: +1 310 828 4132 - Website: http://www.summit-ent.com SUMMIT INTERNATIONAL PUBLICITY CONTACTS: JILL JONES: e: [email protected] - Tel: 310.309.8435 MELISSA MARTINEZ: e: [email protected] - Tel: 310.309.8436 ASMEETA NARAYAN: e: [email protected] - Tel: 310.309.8453 DP A LE COMPLEXE.indd 3 18/04/11 17:01:48 SYNOPSIS 3 DP A LE COMPLEXE.indd 4 18/04/11 17:01:48 SYNOPSIS Two-time Academy Award® winner Jodie Foster directs and co-stars with two- time Academy Award® winner Mel Gibson in The Beaver – an emotional story about a man on a journey to re-discover his family and re-start his life. Plagued by his own demons, Walter Black was once a successful toy executive and family man who now suffers from depression. No matter what he tries, Walter can’t seem to get himself back on track…until a beaver hand puppet enters his life. -
Nella Detroit Degli Anni ’60 Una Bella Performance Veniva Certamente Apprezzata, Ma Non Era Sufficiente Per Sfondare Nel Mondo Della Musica
Nella Detroit degli anni ’60 una bella performance veniva certamente apprezzata, ma non era sufficiente per sfondare nel mondo della musica. Ma ecco che all’improvviso nacque un nuovo tipo di sound, profondamente radicato nell’anima stessa di Detroit, con canzoni piene di forza, che esprimevano un sogno comune. Curtis Taylor, Jr. (Jamie Foxx) è un venditore di automobili che aspira a lasciare un segno nell’industria musicale, creando la propria etichetta discografica e sperando di riuscire ad ascoltare la sua musica alla radio, in un periodo storico in cui i diritti civili sono ancora solo sussurrati per le strade. Curtis ha bisogno di trovare qualcuno che abbia talento, di un giusto prodotto da vendere. Durante una serata che presenta talenti locali, The Dreamettes – Deena Jones (Beyoncé Knowles), Lorrell Robinson (Anika Noni Rose) e la cantante leader del gruppo, Effie White (Jennifer Hudson) – si presentano con le loro parrucche economiche e i vestiti cuciti in casa, esibendosi con i brani scritti dal fratello di Effie, C.C. (Keith Robinson), nella speranza che il talento e la determinazione che le caratterizzano, riescano a condurle lontano da una vita squallida, la sola che gente come loro sembra destinata a poter avere. Sono giovani. Sono belle. Sono proprio quello che Curtis sta cercando. Devono solo fidarsi di lui. James “Thunder” Early (Eddie Murphy) è un pioniere del nuovo sound di Detroit, che incanta il pubblico del “Chitlin’ Circuit” con la sua elettrizzante fusione di soul e rock ‘n’ roll. Curtis piazza le Dreamettes come gruppo di supporto di Early, e improvvisamente, per tutte loro, la possibilità di diventare ciò che desiderano, si fa più concreta. -
SHOOT Digital PDF Version, December 2015, Volume 56
Photo courtesy Focus Features courtesyPhoto Focus courtesyPhoto Open Road Films Photo by Jaap Buitendijk Photo by Jaap Buitendijk Courtesy of Disney/DreamWorks II Distribution Co. Courtesy Paramount Pictures The Road To Oscar Agency of the Year Best Work of the Year Year in Perspective Music & Sound VFX & Animation The Best of 2015 Chat Room www.SHOOTonline.com December 2015 Photos by Parrish Lewis Courtesy of Roadside Attractions and Amazon Studios SCREEN ACTORS GUILD NOMINATION OUTSTANDING PERF ORMANCE BY A CAST IN A MOTION PICTURE WINNER WINNER NATIONAL BOARD OF REVIEW HOLLYWOOD FILM AWARDS BEST ENSEMBLE CAST BREAKTHROUGH DIRECTOR © 2015 Paramount Pictures. All Rights Reserved. Perspectives The Leading Publication For Commercial, Branded Content & Entertainment Production December 2015 By Robert Goldrich Volume 56 • Number 6 spot.com.mentary www.SHOOTonline.com EDITORIAL Publisher & Editorial Director Crossing Over Roberta Griefer 203.227.1699 ext. 13 [email protected] Editor Many moons ago a fea- In this week’s “Road To Oscar” we consumer audience to actually feel strong Robert Goldrich 323.445.6818 [email protected] ture director working interview Tom McCarthy who directed emotions in that amount of time is even in commercials was Spotlight. Via Park Pictures, McCarthy harder. Add onto that the fact that there ADVERTISING Digital & Print Rates & Information frowned upon in some recently directed his first commercial, are clients sitting there and it can be a [email protected] circles. That was due to the prevalent no- Duracell’s “Teddy Bear” for Anomaly NY. daunting task for some feature directors, 203.227.1699 ext. 13 www.shootonline.com/go/advertise tion that only a filmmaker with extensive Seth Jacobs, group CD at Anomaly, but Tom navigated it with ease and de- Advertising Production ad experience would have the proper cre- said, “Tom is a master storyteller, and livered a beautiful, emotionally resonant Gerald Giannone [email protected] ative and political sensibilities for spots. -
View Fact Sheet
AT-A-GLANCE FACT SHEET ADDRESS: 9876 Wilshire Boulevard Beverly Hills, California 90210 LOCATION: Situated on the crossroads of Santa Monica and Wilshire Boulevards, The Beverly Hilton is nestled in the heart of all that is Los Angeles: where the entertainment industry meets fashion; Beverly Hills meets Hollywood. The Beverly Hilton is within walking distance from the pulse of Century City and Rodeo Drive. Downtown Los Angeles, the Pacific Ocean, the Hollywood Bowl and the Los Angeles International Airport also lie nearby. TELEPHONE: 310.274.7777 ONLINE: www.beverlyhilton.com Facebook: www.facebook.com/thebeverlyhilton Twitter: www.twitter.com/beverlyhilton Instagram: Instagram.com/beverlyhilton Pinterest: Pinterest.com/beverlyhilton ORIGINAL OPENING: August 12, 1955 OWNERSHIP HISTORY: After scouting the ideal plot of land in 1943, distinguished hotelier Conrad Hilton hired Del E. Webb in 1953 to build his flagship hotel on the West Coast. The official opening was August 12, 1955. Owned by Merv Griffin from 1987 to 2003, Beny Alagem and Oasis West Realty LLC purchased the 569-room hotel in 2003 and immediately embarked on a spectacular $80 million renovation, which was completed in 2008. Since then, an additional $19 million in refresh updates have been made. In May 2019, the hotel began it's transformation journey to ensure it lives on for years to come with a $30 million hotel refresh which will include guestrooms, CIRCA 55 Restaurant, and the Lobby. The Beverly Hilton has hosted United States Presidents and royalty from John F. Kennedy and Ronald Reagan to the Duke and Duchess of Cambridge. The hotel has welcomed heads of state, international business leaders and renowned Hollywood celebrities. -
Kong: Skull Island – Pressbook Italiano
Kong: Skull Island – pressbook italiano 1 Kong: Skull Island – pressbook italiano WARNER BROS. PICTURES / LEGENDARY PICTURES e TENCENT PICTURES Presentano Una produzione LEGENDARY PICTURES Un film di JORDAN VOGT-ROBERTS TOM HIDDLESTON SAMUEL L. JACKSON JOHN GOODMAN BRIE LARSON JING TIAN TOBY KEBBELL JOHN ORTIZ COREY HAWKINS JASON MITCHELL SHEA WHIGHAM THOMAS MANN con TERRY NOTARY e JOHN C. REILLY Casting di SARAH HALLEY FINN, CSA Costumi di MARY VOGT Musica di HENRY JACKMAN Montaggio di RICHARD PEARSON, ACE Scenografie di STEFAN DECHANT Direttore della fotografia LARRY FONG, ASC Coproduttore TOM PEITZMAN Produttori esecutivi ERIC MCLEOD, EDWARD CHENG Prodotto da THOMAS TULL, p.g.a. MARY PARENT, p.g.a. JON JASHNI, p.g.a. ALEX GARCIA, p.g.a. Storia di JOHN GATINS Sceneggiatura di DAN GILROY e MAX BORENSTEIN e DEREK CONNOLLY 2 Kong: Skull Island – pressbook italiano Durata del film: 1h58 Uscita italiana: 9 Marzo 2017 in 2D, 3D ed IMAX nei cinema selezionati Distribuzione WARNER BROS. PICTURES www.warnerbros.it/kongskullisland www.facebook.com/KongSkullIslandIT twitter.com #KongSkullIslandIT Per informazioni stampa di carattere generale siete pregati di visitare il sito mediapass.warnerbros.com Ufficio Stampa Warner Bros. Pictures Italia Riccardo Tinnirello [email protected] Emanuela Semeraro [email protected] Cinzia Fabiani [email protected] Francesco Petrucci [email protected] 3 Kong: Skull Island – pressbook italiano I produttori di "Godzilla", in "Kong: Skull Island" della Warner Bros. Pictures, Legendary Pictures e Tencent Pictures, hanno re-inventato le origini di una delle più grandi leggende di mostri, in un’avvincente ed originale avventura firmata dal regista Jordan Vogt-Roberts ("The Kings of Summer"). -
Art Directors Guild Advertising & Marketing Media Kit
ART DIRECTORS GUILD ADVERTISING & MARKETING MEDIA KIT FORD V FERRARI–FRANÇOIS AUDOUY, PRODUCTION DESIGNER | 2021 ART DIRECTORS GUILD The Art Directors Guild (ADG), IATSE Local 800, is a labor union representing the membership who work throughout the world as Production Designers, Art Directors, Scenic, Title and Graphic Artists; Set Designers and Model Makers; Illustrators, Matte Artists, and Previs Artists. IATSE LOCAL 800 PRODUCTION DESIGNERS ART DIRECTORS SCENIC, TITLE AND GRAPHIC ARTISTS SET DESIGNERS MODEL MAKERS ILLUSTRATORS MATTE ARTISTS PREVIS ARTISTS SNOWPIERCER–BARRY ROBISON, PRODUCTION DESIGNER–GERHARD MOZSI, CONCEPT ARTIST HOW YOU CAN ENGAGE AWARDS SEASON THE ADG membership contains 100% of the voters for the annual Art Directors Guild Awards, and the majority of the Production Design branch voters for other industry awards like the Academy Awards and Emmy Awards. ‘For Your Consideration’ advertising in their official member-only media provides the most direct, effective method of influencing the vote for your contenders during awards season balloting. YEAR ROUND FILM & TELEVISION PRODUCTION The members of the ADG are entirely responsible for all decisions under the Art Department on a film or television production. Tens of thousands of purchase and rental decisions are made by this membership year round, for thousands of productions worldwide. Their choices on screen also influence millions of consumers around the globe. SEE LINKS BELOW ADVERTISING > EVENTS > THE TWO POPES–MARK TILDESLEY, PRODUCTION DESIGNER HOW THEY SPEND TV Focusing on scripted shows: ½ hour and 1 hour on networks, TV movies, cable and streaming originals and TV pilots. • Art Department Materials per Season | $500K – $3.4M* • Overall Average Art Dept. -
P40 Layout 1
Russian punk group thank Amnesty for support SUNDAY, NOVEMBER 16, 2014 39 Jean-Marc Vallee, center, winner of the Hollywood breakthrough director award, Laura Dern, left, and Reese Witherspoon pose in the press room at the Hollywood Film Awards at the Palladium yesterday, in Los Angeles. — AP ritain’s Benedict Cumberbatch and A-list veteran Julianne Moore took top honors yesterday at the BHollywood Film Awards, billed as the official start of Tinseltown’s annual prizes season. The best film award went to thriller “Gone Girl” star- ring Ben Affleck as a husband accused of murdering his wife, played by Rosamund Pike. Other British stars also had a good night, with those picking up prizes includ- ing Keira Knightley, Jack O’Connell and Eddie Redmayne, for his portrayal of paralyzed physicist Stephen Hawking. Cumberbatch was named best actor for his role as World War II Nazi code-breaker Alan Turing in “The Imitation Game,” with costar Knightley also earning best supporting actress. “Oh my, oh my, oh my,” said the heartthrob “Sherlock” actor, accepting his prize at the Palladium theatre in downtown Hollywood, adding backstage that “this is just the beginning, so who knows?” when asked about the looming awards season. Moore, a three-time Oscar nominee for previous films, was named best actress for “Still Alice,” a heart- Actors Channing Tatum (L) and rending film about a linguistics professor stricken with Actor Benedict Jenna Dewan-Tatum arrive for Alzheimer’s Disease. Cumberbatch, winner of the 18th Annual Hollywood Best supporting actor went to Robert Duvall for his Hollywood Actor for ‘The Film Awards.