Image credits Find out more Visit us Help us Keep Heather Jansch Bronze and Driftwood To learn more about any of the artworks Plan your visit at: Eden Growing Horse, photo credit: Ben Foster; or artists on-site at Eden visit: edenproject.com/visit Join us as a Member to El Anatsui El Anatsui Aziza Gate, photo edenproject.com/art discover more about credit: Ben Westoby. Don Francisco Contact us Eden and support Montes Shuna and Yolanda Panduro Opportunities For general enquiries our charitable work. Baneo Vegetalistas Paintings, photo We are thrilled to open our incredible please call In return we offer a credit: Steve Tanner. Tim Shaw The Rite resources to artists, writers, and creative   generous range of of Dionysus, photo credit: Ben Westoby. practitioners, to support artistic projects or email benefi ts for you to enjoy, Ryan Gander To employ the mistress… that engage with topics of social or [email protected] whether you’re able to It’s a French toff thing, photo credit: Ben environmental relevance. To submit a visit us regularly or are Foster, Julian Opie Crowd. ., photo credit: proposal for an exhibition or residency visit: Stay in touch wanting to get involved Ben Westoby. Studio Swine  Blue (Infi nity edenproject.com/open-residencies Sign up online for with Eden from further Blue), photo credit: Ben Westoby. Peter edenproject.com/open-exhibitions our Arts e-newsletter: afi eld. Find out more at: Randall Page Seed, photo credit: Ben edenproject.com/ edenproject.com/ Foster. Tim Shaw The Drummer, photo To fi nd out more about becoming involved e-newsletter membership credit: Ben Westoby. Jenny Kendler Birds in our art programme, visit: Watching, photo credit: Ben Westoby. edenproject.com/volunteer Follow us for the Support us latest updates on: The art programme All other images copyright The Events at Eden relies on the Facebook Eden Project and The Artists. Gain deeper insight into the artists’ generous support of our work through our programme of creative Twitter funding partners and All rights reserved. No part of this workshops, talks and tours for all ages. philanthropic friends. Instagram publication may be reproduced, stored edenproject.com/whats-on By supporting Eden in a retrieval system, or transmitted, in YouTube today, you’ll help us any form or by any means, electronic, Accessibility to continue to deliver mechanical, photocopying, recording, For up to date accessibility guidance transformational or otherwise, without the prior please visit: projects which can make permission of the publishers. edenproject.com/access a real difference to people’s lives and to the © The Eden Project and the Artists. planet we call home. edenproject.com/ Design by Two your-support Art Guide twodesign.co.uk and Map The Eden Project connects us with each other and the living world, edenproject.com/art exploring how we can work towards a better future.

Registered charity number  (The Eden Trust). Eden Project, , edenproject.com/art edenproject.com , PL SG The Eden Project, an educational Eden Art Map charity, connects us with each other and the living world, exploring how we We recommend allowing h–h to can work towards a better future. complete the full trail. There are rest- stops as well as food and drink outlets Eden is a world-class destination along the route. Toilets can be found for culture. We believe that artists in the Visitor Centre, Link and Core can challenge received wisdom to buildings. Our art trail is fully accessible provoke, captivate and inspire. except for Chris Drury’s Cloud Chamber. 

We create opportunities for artists, Heather Jansch  Tim Shaw scientists and others to collaborate, Bronze and The Rite of Dionysus, Rainforest Biome engage with and refl ect upon topics of Driftwood – social and environmental importance. Horse↑ ., Heather Jansch  Bronze and Driftwood  HorseRobert,  Bradford Works from a diversity of grass-  JennyDriftwood, Beavan bronze Bombus the Giant root and world-renowned national CoresThese,  two foals, which appearBee, similar at and international artists can be a fi rst glance, are made from completely discovered across the Eden Project’s  Chrisdifferent Drury materials. One is Ryanmade Gander from -acre site in the Outdoor Gardens, Cloudcarefully Chamber chosen, pieces of Todriftwood employ thefound  Biomes and Outer Estate. on the beach, the other is mistress…a bronze cast. It’s a French toff These broad-ranging installations  David Kemp thing,  Mediterranean Biome are inspired by social and Industrial environmental narratives such Plant,   Julian Opie   as climate change, biodiversity and Crowd. .,  ← 2. Jenny Beavan the vital relationship between global Peter and Sue Hill  Cores,  communities and natural resources. Eve,  Studio Swine   Clay, glaze Core Infi nity Blue,  At the gateway to  El Anatsui   Wild Cornwall, clay  Aziza Gate,  Peter Randall-Page  totems punctuate Seed,  the landscape. From Don Francisco  afar they resemble  Montes Shuna Tim Shaw  the bright trunks and Yolanda The Drummer,   of silver birches. Panduro Baneo Located in the Created by local Vegetalistas Banana car park ceramic artist Jenny Visitor Centre Paintings,  Beavan, they’re made  Jenny Kendler  from a mix of clays, Heather Jansch Birds Watching,  turning from dark Crane and - to light at their tips, Pigs,  Located on the Cover image: and are impressed entrance road  and  are located in Ryan Gander, To employ the with seeds, unfurling the Banana car park and mistress… It’s a French toff thing. Interaction with some artworks is currentlyferns and fl owers on the entrance road Photo credit: Ben Foster restricted due to Covid- regulations. collected from Eden.

 The Eden Project, an educational Eden Art Map 5. Peter → charity, connects us with each other and Sue Hill and the living world, exploring how we We recommend allowing h–h to Eve,  can work towards a better future. complete the full trail. There are rest- Mud, mirror, stops as well as food and drink outlets steel, plants Eden is a world-class destination along the route. Toilets can be found Growing out of the for culture. We believe that artists in the Visitor Centre, Link and Core landscape of Eden’s can challenge received wisdom to buildings. Our art trail is fully accessible Myth and Folklore provoke, captivate and inspire. except for Chris Drury’s Cloud Chamber. exhibit, this living  sculpture is made We create opportunities for artists, Heather Jansch Tim Shaw of Eden clay, mirrors  scientists and others to collaborate, Bronze and The Rite of Dionysus, Rainforest Biome and planted with engage with and refl ect upon topics of Driftwood – Stipa tenuissima. social and environmental importance. Horse,   Robert Bradford ↑ 3. Chris Drury  Works from a diversity of grass- Jenny Beavan Bombus the Giant Cloud Chamber,   ↓ 4. David Kemproot and world-renowned national Cores,  Bee,  Granite, slate Industrial Plantand,  international artists can be ↓ 6. El Anatsui This still, silent and meditative Bricks, metal,discovered objects across the Eden Project’s ChrisEl Anatsui Drury Aziza Gate, Ryan Gander space is made within, and  David Kemp’s-acre site in the Outdoor Gardens, CloudGreenheart Chamber wood, To employ the from, the surrounding  sculpture takesBiomes a and Outer Estate. These totems were carved mistress…from West It’s landscape in the tradition of look at fossil fuels African tropical hardwood.a The French wood toff was the land and environmental which provideThese over broad-ranging installations Davidre-purposed Kemp from charred thingtimbers,  rescued art movements originating in  Mediterranean Biome  of the world’sare inspired by social and Industrialfrom a section of the nearby Falmouth Docks, s America. The beehive energy. This sculptureenvironmental narratives such Plantbuilt,  in , which had beenJulian destroyed Opie by  chamber, built by local dry-   considers plantsas climate change, biodiversity and fi re. Anatsui draws connectionsCrowd. between .,  stone hedgers, was constructed as fuel. Aroundthe it vital relationship between global Peterconsumption, and Sue Hill waste and human impact from nearly  tonnes of  Eden have plantedcommunities and natural resources. Eveon,  the environment, while Studiohinting Swine at the  Cornish granite and slate.  Core examples of crops broader narratives of the colonialInfi nity Blueand ,post-   which are burnt in  El Anatsuicolonial economic and cultural exchange   some power stations Azizabetween Gate, Africa and the  WesternPeter Randall-Pageworld. as biomass, such Seed,  as willow, poplar  Don Francisco  and miscanthus. Montes Shuna  Tim Shaw and Yolanda The Drummer,   Panduro Baneo Located in the Vegetalistas Banana car park Visitor Centre Paintings,   Jenny Kendler   Heather Jansch Birds Watching, Crane and - Pigs,  Located on the Cover image: entrance road  and  are located in Ryan Gander, To employ the the Banana car park and mistress… It’s a French toff thing. Interaction with some artworks is currently on the entrance road Photo credit: Ben Foster restricted due to Covid- regulations.

  The Eden Project, an educational ←Eden 7. Don Art Francisco Map Montes Shuna and charity, connects us with each other Yolanda Panduro Baneo and the living world, exploring how we VegetalistasWe Paintings recommend,  allowing h–h to can work towards a better future. Acrylic paintcomplete the full trail. There are rest- These muralsstops in Eden’s as well Rainforest as food Biomeand drink were outletspainted Eden is a world-class destination by traditionalalong Peruvian the route. herbalists Toilets Don can Francisco be found Montes for culture. We believe that artists Shuna andin Yolanda the Visitor Panduro Centre, Baneo. Link The and paintings Core show can challenge received wisdom to their visionsbuildings. of the spirits Our ofart the trail plants is fully they accessiblehave worked provoke, captivate and inspire. with medicinallyexcept and for a Chris spiritual Drury’s connection Cloud betweenChamber .  plants and people. We create opportunities for artists, Heather Jansch  Tim Shaw scientists and others to collaborate, Bronze and The Rite of Dionysus, Rainforest Biome engage with and refl ect upon topics of Driftwood – social and environmental8. Heather importance. Jansch → Horse,   Crane and Pigs,   Robert Bradford Works from a diversity Corkof grass-  Jenny Beavan Bombus the Giant root and world-renownedIn the national wild, cork Cores,  Bee,  ↓ 9. Tim Shaw and international artistsoak can wood be pastures The Rite of Dionysus, - discovered across the Edenprovide Project’s a home for Chris Drury Ryan Gander Bronze  -acre site in the OutdoorIberian Gardens, pigs and Cloud Chamber, To employ the The sculptures depict the myth of  Biomes and Outer Estate.a variety of bird  mistress… It’s Dionysus, Greek god of the vines, species. Heather a French toff and his followers, the Maenads, These broad-ranging installationsJansch decided David Kemp thing,  who dance and writhe through the  Mediterranean Biome are inspired by social andto create life-size Industrial vines beating drums and sounding environmental narrativessculptures such of these Plant,  Julian Opie  trumpets. The Dionysian myths   as climate change, biodiversitycreatures andout of Crowd. .,  are amongst the oldest stories the vital relationship betweenthe very corkglobal that Peter and Sue Hill linking mankind with nature. They  communities and naturalsustains resources. them in Eve,  Studio Swine  serve as an insight into ancient  Core the real world. Infi nity Blue,  civilisations, articulating truths  El Anatsui  of human nature that resonate 10. Robert Bradford→  Aziza Gate,  Peter Randall-Page with veracity to this day. Bombus the  Seed,  Giant Bee,  Don Francisco Steel, plywood, cedar  Montes Shuna Tim Shaw Set amongst Eden’s  and Yolanda The Drummer,   fl owerbeds next to Panduro Baneo Located in the the Biomes, Bombus Vegetalistas Banana car park the Giant Bee Visitor Centre Paintings,  focuses upon the  Jenny Kendler central signifi cance  Heather Jansch Birds Watching, of pollination in Crane and - the ecology of plant Pigs,  Located on the Cover image: life: the mutual entrance road  and  are located in Ryan Gander, To employ the dependency between the Banana car park and mistress… It’s a French toff thing. plantsInteraction and withtheir some artworks is currently on the entrance road Photo credit: Ben Foster insectrestricted pollinators. due to Covid- regulations.

  The Eden Project, an educational Eden Art Map ← 13. Studio Swine charity, connects us with each other Blue (Infi nity and the living world, exploring how we We recommend allowing h–hBlue),  to can work towards a better future. complete the full trail. ThereCeramic, are rest-robotics, stops as well as food and waterdrink vapour outlets Eden is a world-class destination along the route. Toilets canA huge be found ceramic for culture. We believe that artists in the Visitor Centre, Link ‘breathing’and Core sculpture can challenge received wisdom to buildings. Our art trail is fullypays homageaccessible to provoke, captivate and inspire. except for Chris Drury’s Cloudone of Chamber the world’s.  smallest but We create opportunities for artists, Heather Jansch  mostTim Shaw important scientists and others to collaborate, Bronze and organisms:The Rite of Dionysusthe , Rainforest Biome engage with and refl ect upon topics of Driftwood cyanobacteria.– Artist social and environmental importance. Horse,  duo Studio Swine  ↑ 11. Ryan Gander  wantedRobert toBradford build a Works from Toa diversityemploy the of mistress… grass-  Jenny Beavan monumentBombus the to Giant these root and world-renownedIt’s a French toff thingnational,  Cores,  vitalBee, but invisible ↓ 12. Julian Opieand internationalMarble artists can be unsung heroes, in Crowd. ., discovered acrossWater courses the Eden through Project’s our  Chris Drury theRyan same Gander way as LED Double- -acre sitebodies, in the ourOutdoor society Gardens, and our Cloud Chamber, notableTo employ people the are  sided MonolithBiomes andplanet. Outer ItEstate. is our lifeblood, yet  commemoratedmistress… It’s Julian Opie explores is often taken for granted. witha French statues. toff cutting edge andThese broad-ranging installations  David Kemp thing,  Mediterranean Biome ancient techniquesare inspired This by socialdrinking and fountain is Industrial to reinterpretenvironmental the fabricated narratives as the such artist’s wife Plant,   Julian Opie   vocabulary ofas climate change,Rebecca, biodiversity leaning in for and a kiss, Crowd. .,  everyday life.the In this vital relationshipand playfully between spitting globalwater. The Peter and Sue Hill   new work, createdcommunities for sculpture and natural references resources. fountains Eve,   Studio Swine Core the Eden Project, a in classical gardens, where Infi nity Blue,   small group of people mythological divinities and other  El Anatsui   walk together but strange creatures are turned Aziza Gate,   Peter Randall-Page remain independent – into whimsical ‘natural’ springs. Seed,  creating a monument  Don Francisco  of a crowd or a fl ock. Montes Shuna  Tim Shaw and Yolanda The Drummer,   ↑ 14. Peter Randall-Page Panduro Baneo Located in the Seed,  Vegetalistas Banana car park Visitor Centre Granite Paintings,  Made from a single piece of Cornish  Jenny Kendler granite, Seed is based  on the geometric Heather Jansch Birds Watching,  principles underlying plant growth, as is the Crane and - structure of the Core building itself. This Pigs,  Located on the Cover image: pattern relates to the Fibonacci sequence entrance road  and  are located in Ryan Gander, To employ the and the golden proportion and can be the Banana car park and mistress… It’s a French toff thing. Interaction withseen some in artworkspinecones is currentlyand sunfl ower heads on the entrance road Photo credit: Ben Foster restricted dueamongst to Covid- many regulations. other botanical examples.

  The Eden Project, an educational Location: Eden Art Map charity, connects us with each otherBanana car park and the living world, exploring how← we 15. Tim Shaw We recommend allowing h–h to can work towards a better future. The Drummer,  complete the full trail. There are rest- Bronze stops as well as food and drink outlets Eden is a world-class destinationInspired by the spirit along the route. Toilets can be found for culture. We believe thatof steely artists resilience in the Visitor Centre, Link and Core can challenge received ofwisdom Cornwall’s to people, buildings. Our art trail is fully accessible provoke, captivate and Theinspire. Drummer except for Chris Drury’s Cloud Chamber.  celebrates as it forces We create opportunitiesa mightyfor artists, blow upon Heather Jansch  Tim Shaw scientists and others tothe collaborate, drum. Originally Bronze and The Rite of Dionysus, Rainforest Biome engage with and refl ectcommissioned upon topics byof Driftwood –– social and environmentalCornwall importance. Council, the Horse,   sculpture is exhibited  Robert Bradford Works from a diversity atof thegrass- Eden Project  Jenny Beavan Bombus the Giant root and world-renownedwhile national the Hall for Cores,  Bee,  and international artistsCornwall can be in Truro is discovered across the Edenbeing Project’s refurbished.  Chris Drury Ryan Gander -acre-acre site in the Outdoor Gardens, Cloud Chamber, To employ the  Biomes and Outer Estate.  mistress… It’s Location: Entrance road a French toff ↓ 16. Jenny Kendler These broad-ranging installations David Kemp thing,  Birds Watching, -  Mediterranean Biome are inspired by social and Industrial Refl ective fi lm, aluminium, steel frame environmental narratives such Plant,  Julian Opie  Birds Watching is a -foot-long sculpture   as climate change, biodiversity and Crowd. .,  composed of a ‘fl ock’ of one hundred refl ective the vital relationship between global Peter and Sue Hill birds’ eyes mounted on aluminium. The  communities and natural resources. Eve,  Studio Swine  colourful eyes glow – or gaze – back when  Core Infi nity Blue,  hit with light, such as a camera fl ash. Each  El Anatsui  eye belongs to a species of bird considered   Aziza Gate,  Peter Randall-Page endangered by climate change, creating a  Seed,  potent portrait of what we stand to lose.  Don Francisco  Montes Shuna  Tim Shaw and Yolanda The Drummer,   Panduro Baneo Located in the Vegetalistas Banana car park Visitor Centre Paintings,   Jenny Kendler   Heather Jansch Birds Watching, Crane and -- Pigs,  Located on the Cover image: entrance road  and  are located in Ryan Gander, To employ the the Banana car park and mistress… It’s a French toff thing. Interaction with some artworks is currently on the entrance road Photo credit: Ben Foster restricted due to Covid-Covid- regulations.

 Image credits Find out more Visit us Help us Keep Heather Jansch Bronze and Driftwood To learn more about any of the artworks Plan your visit at: Eden Growing Horse, photo credit: Ben Foster; or artists on-site at Eden visit: edenproject.com/visit Join us as a Member to El Anatsui El Anatsui Aziza Gate, photo edenproject.com/art discover more about credit: Ben Westoby. Don Francisco Contact us Eden and support Montes Shuna and Yolanda Panduro Opportunities For general enquiries our charitable work. Baneo Vegetalistas Paintings, photo We are thrilled to open our incredible please call In return we offer a credit: Steve Tanner. Tim Shaw The Rite resources to artists, writers, and creative   generous range of of Dionysus, photo credit: Ben Westoby. practitioners, to support artistic projects or email benefi ts for you to enjoy, Ryan Gander To employ the mistress… that engage with topics of social or [email protected] whether you’re able to It’s a French toff thing, photo credit: Ben environmental relevance. To submit a visit us regularly or are Foster, Julian Opie Crowd. ., photo credit: proposal for an exhibition or residency visit: Stay in touch wanting to get involved Ben Westoby. Studio Swine  Blue (Infi nity edenproject.com/open-residencies Sign up online for with Eden from further Blue), photo credit: Ben Westoby. Peter edenproject.com/open-exhibitions our Arts e-newsletter: afi eld. Find out more at: Randall Page Seed, photo credit: Ben edenproject.com/ edenproject.com/ Foster. Tim Shaw The Drummer, photo To fi nd out more about becoming involved e-newsletter membership credit: Ben Westoby. Jenny Kendler Birds in our art programme, visit: Watching, photo credit: Ben Westoby. edenproject.com/volunteer Follow us for the Support us latest updates on: The art programme All other images copyright The Events at Eden relies on the Facebook Eden Project and The Artists. Gain deeper insight into the artists’ generous support of our work through our programme of creative Twitter funding partners and All rights reserved. No part of this workshops, talks and tours for all ages. philanthropic friends. Instagram publication may be reproduced, stored edenproject.com/whats-on By supporting Eden in a retrieval system, or transmitted, in YouTube today, you’ll help us any form or by any means, electronic, Accessibility to continue to deliver mechanical, photocopying, recording, For up to date accessibility guidance transformational or otherwise, without the prior please visit: projects which can make permission of the publishers. edenproject.com/access a real difference to people’s lives and to the © The Eden Project and the Artists. planet we call home. edenproject.com/ Design by Two your-support Art Guide twodesign.co.uk and Map The Eden Project connects us with each other and the living world, edenproject.com/art exploring how we can work towards a better future.

Registered charity number  (The Eden Trust). Eden Project, Bodelva, edenproject.com/art edenproject.com St Austell, Cornwall PL SG