5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy

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ArPublication:t Market Artsy Advertisement Date: May 7, 2020 Author:e 10 Alina BCohenest Booths at Frieze New York Online Art Market

Alina Ceo h10en M Bay 7e, 2s02t0 1B2:24opmoths at Frieze New York Online

Alina Cohen May 7, 2020 12:24pm

5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy

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Oliver Herring, Nick, 2019. Courtesy of the artist and BANK.

More than 200 galleries from around the world are participating in the Frieze Art Fair’s inaugural online viewing rooms, which opened to VIPs on Wednesday, will open to the general public on Friday, and will be Oliver Herring, Nick, 2019. Courtesy of the artist and BANK. https://wwwacce.artsyssible.net/article/artsy-editorial-10-best-booths-frieze-new-york-online through May 15th. ey’re an alternative to the British fair’s 1/28 annual New York edition on Randall’s Island, which was canceled this year due to COVID-19. Unusual presentations and special sections enliven the platform, including October Gallery’s selection of spooky

https://wwwspray.artsy pai.net/article/artsy-editorial-10-best-booths-frieze-new-york-onlinentings (and a door riddled with bullet holes) by famed writer 1/28 and ne’er-do-well William S. Burroughs, and a “Chicago Tribute” sector featuring work by female artists from Chicago—including Gertrude Abercrombie, Evelyn Statsinger, and Molly Zuckerman-Hartung, to name a few.

While some repeat fair visitors will miss the water taxi ride and the sight of the mighty Frieze tent, others will �nd solace browsing the rich offerings from the comfort of their home, wearing pajamas and slippers instead of their art-world uniforms. Here are our favorites from the fair’s virtual booths.

Donald Ellis Gallery

With works by indigenous cultures of the Great Plains

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 2/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy

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More than 200 galleries from around the world are participating in the Frieze Art Fair’s inaugural online viewing rooms, which opened to VIPs on Wednesday, will open to the general public on Friday, and will be accessible through May 15th. ey’re an alternative to the British fair’s Artsy, p.2 annual New York edition on Randall’s Island, which was canceled this year due to COVID-19. Unusual presentations and special sections enliven the platform, including October Gallery’s selection of spooky spray paintings (and a door riddled with bullet holes) by famed writer and ne’er-do-well William S. Burroughs, and a “Chicago Tribute” sector featuring work by female artists from Chicago—including Gertrude Abercrombie, Evelyn Statsinger, and Molly Zuckerman-Hartung, to name a few.

While some repeat fair visitors will miss the water taxi ride and the sight of the mighty Frieze tent, others will �nd solace browsing the rich offerings from the comfort of their home, wearing pajamas and slippers instead of their art-world uniforms. Here are our favorites from the fair’s virtual booths.

Donald Ellis Gallery

With works by indigenous cultures of the Great Plains

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 2/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy

Search Artsy

More than 200 galleries from around the world are participating in the Frieze Art Fair’s inaugural online viewing rooms, which opened to VIPs on Wednesday, will open to the general public on Friday, and will be accessible through May 15th. ey’re an alternative to the British fair’s annual New York edition on Randall’s Island, which was canceled this year due to COVID-19. Unusual presentations and special sections enliven the platform, including October Gallery’s selection of spooky spray paintings (and a door riddled with bullet holes) by famed writer and ne’er-do-well William S. Burroughs, and a “Chicago Tribute” sector featuring work by female artists from Chicago—including Gertrude Abercrombie, Evelyn Statsinger, and Molly Zuckerman-Hartung, to name a few.

While some repeat fair visitors will miss the water taxi ride and the sight of the mighty Frieze tent, others will �nd solace browsing the rich offerings from the comfort of their home, wearing pajamas and slippers instead of their art-world uniforms. Here are our favorites from the fair’s virtual booths.

Artsy, p.3

Donald Ellis Gallery

5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy 5/11/2020With works by indigenous cultures of the GrTheeat 10 P lBestain sBooths at Frieze New York Online 2020 - Artsy Search Artsy Search Artsy

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Attributed to Nokkoist (aka Bear's Heart), Southern Cheyenne, Central Plains, ca. 1875-78. Courtesy of Attributed to Nokkoist (aka Bear's Heart), Southern Cheyenne, Central Plains, ca. 1875-78. Courtesy of Donald Ellis Gallery, New York. Donald Ellis Gallery, New York.

NNeeww Y Yoorrkk’s’s DDoonnaalldd EElllliiss GGaalllleerryy iiss sshhowing some of the faiir’’s oollddeesstt oobjbjeeccttss:: 19t19thh--cceennttuurryy wwoorrkkss oonn ppaappeerr ((and one on muslin) bby ininddiiggeennoouuss ppeeoopplleess ffrroomm tthhee GGrreeaatt PPllaiins. e displayed “Ledggeerr ddrraawwiinnggss”” hheellppeedd ppeeooppllee ooff tthhee LLaakkootta,, CCrow, Arapaho, and CChheeyyeennnnee ttrribeibess rreeccoorrdd hhiissttoorryy,, ssiinnccee tthheeyy hhaadd nno wwritten language. e ccoommppoossiittiioonnss ffeeaattuurree wwaarrrriioorrss oonn hhoorrsseback, a patchwork traiinn rrooaarriinngg aaccrroossss aa vveerrddaanntt ppllaaiinn,, babannddss ooff mmaarrcchhiing gures, and a quiiett

https://wwwhttps://www.artsy.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 33/28/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy

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Attributed to Nokkoist (aka Bear's Heart), Southern Cheyenne, Central Plains, ca. 1875-78. Courtesy of Donald Ellis Gallery, New York.

Artsy, p.4

5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy New York’s Donald Ellis Gallery is showing some of the fair’s oldest handshake between two teepees. To the contemporary viewer, the works objSeacrtcsh: A19trtsyh-century works on paper (and one on muslin) by offer insights into the styles, con�icts, and communities of another era. indigenous peoples from the Great Plains. e displayed “Ledger drawings” helped people of the Lakota, Crow, Arapaho, and Cheyenne tribes record history, sinceD othnaelyd Ehlalisd G naolle wryritten language. e

compositions feature warrViieowr Ssl idoensho hwors5e Imbaagcesk, a patchwork train roaring across a verdant plain, bands of marching gures, and a quiet https://wwwhandshake.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online between two teepees. To the contemporary viewer, the works 3/28 offer insights into the styles, conflicts, and communities of another era.

“Ledger drawings chronicle a tumultuous and important chapter of the history of this country from an indigenous point of view,” said Donald Ellis, who’s selling the drawings for �gures between $5,500 and $250,000 (for the work on muslin). Paper only became available to the Great Plains tribes in the 19th century, through trade. “ese extraordinary works of art capture time and place in a way that is immediate and honest and quite unlike anything else I have encountered,” Ellis said. “It has been my intention to give them the audience they deserve.” e gallery will donate 20 percent of all sales to the Center for American Indian Health, the NYC COVID-19 Emergency Relief Fund, or City Meals on Wheels, depending on the purchaser’s preference.

Richard Saltoun

With works by Olga de Amaral, Jagoda Buić, Shelagh Wakely, Peter Collingwood, Gustavo Pérez Monzón, Bice Lazzari, and Ulay

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 4/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy handshake between two teepees. To the contemporary viewer, the works Search Artsy offer insights into the styles, con�icts, and communities of another era.

Donald Ellis Gallery

View Slideshow 5 Images

“Ledger drawings chronicle a tumultuous and important chapter of the history of this country from an indigenous point of view,” said Donald Ellis, who’s selling the drawings for �gures between $5,500 and $250,000 (for the work on muslin). Paper only became available to the Great Plains tribes in the 19th century, through trade. “ese extraordinary works of art capture time and place in a way that is immediate and honest and quite unlike anything else I have encountered,” Ellis said. “It has been my intention to give them the audience they deserve.” e gallery will donate 20 percent of all sales to the Center for American Indian Health, the NYC COVID-19 Emergency Relief Fund, or City Meals on Wheels, depending on the purchaser’s preference.

5/11/2020Artsy, p.5 The 10 Best Booths at Frieze New York Online 2020 - Artsy

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Richard Saltoun

5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy With works by Olga de Amaral, Jagoda Buić, Shelagh Wakely, Peter Collingwood, Gustavo PérezS eMarochn zAórtns,y Bice Lazzari, and Ulay

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 4/28

Olga de Amaral Riscos y oro 2 [Crags and gold 2], 1985 Richard Saltoun

To honor the 50th anniversary of “Wall Hangings,” a groundbreaking textile exhibition at the Museum of Modern Art, London’s Richard OSlaglat doeu Anm aisra sl howRiisncogs wy ooror k2 [sC trahgast a nrde agoffildr 2m], 1 9t8h5e potency of the medium. One Richard Saltoun highlight, Olga de Amaral’s monumental Riscos y Oro 2[Crags and Gold 2] (1985), is a fabulous gilded curtain that extends from �oor to ceiling: loToos eh foanbroric t hloeo 50tps wh raanpn airvoeursnadry v oerf t“icWala boll Hltsa nogf i�nbegs,r”; ah agirroyu tnudftbrs emakeirngge frtoemxti lvea reixohuisbi ntoioonk sa,t etnhhe aMncuinsegu am s hoaf gMgyo sdeenrsni biAlritt,y .L Joangdoodna ’sB Ruićc’hsard

https://wwwS.artsyalto.net/article/artsy-editorial-10-best-booths-frieze-new-york-onlineun is showing works that reaffirm the potency of the medium. One 5/28 highlight, Olga de Amaral’s monumental Riscos y Oro 2[Crags and Gold 2] (1985), is a fabulous gilded curtain that extends from �oor to ceiling: loose fabric loops wrap around vertical bolts of �ber; hairy tufts emerge from various nooks, enhancing a shaggy sensibility. Jagoda Buić’s

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Artsy, p.6 Olga de Amaral Riscos y oro 2 [Crags and gold 2], 1985 Richard Saltoun

5/11/2020To honor the 50th anniversary of “WTheal 10l H Bestan Boothsging ats ,Frieze” a g Newrou Ynorkd brOnlineeak 2020ing - Artsy moody patterns and Peter Collingwood’s spare designs offer very texSteialrec he Axrhtsiybition at the Museum of Modern Art, London’s Richard 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy dSaiffeltoruen ti sv isehwoiwnign pg lweaosurkrse st.h Aatl troegaeffithremr, tthhee pporetesennctya toifo nth seu mggeedsitus mth.e One moody patterns and Peter Collingwood’s spare designs offer very 5/11/2020dhisgSpheaalrircgahh tAetr,,t seOynldglae sdse p Aosmsiabiralilt’si ems ofn uthmreTheeand t10.al Best Ri sBoothscos y atO Friezero 2[ NewCr Yorkags Onlineand 2020Gol -d Artsy different viewing pleasures. Altogether, the presentation suggests the 2] (1985), is a fabulous gilded curtain that extends from �oor to ceiling: disSearchpara tArtsye, endless possibilities of thread. loose fabrRicic lohaordp Ss awltoraupn around vertical bolts of �ber; hairy tufts emerge from various nooks, enhancing a shaggy sensibility. Jagoda Buić’s View Slideshow 5 Images https://wwwmoody.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online patternsRichard Sandalto uPetern Collingwood’s spare designs offer very 5/28

different viewingView Slidesho pleasures.w 5 Images Altogether, the presentation suggests the “disparate,Like Chr iendlesssto and possibilitiesJeanne-Cla uofd ethread., these artists took on nature and their own cultures—replicating the traditional landscape of their homelands “thLriokue gChh trhiset ow oanvedn J ethanrenaed-,C” lsaauidd eg,a tlhleersye saarlteiss tdis troecotko ro nN niaamtuhr eC aongdh ltahne.ir own cultures—replicating the traditional landscape of their homelands “LikeUnusu Christoal mate randials, Jeanne-Claudeincluding hors,e thesehair, sartistsisal, g otookld le aonf, anaturend me andtalli ctheir through the woven thread,” said gallery sales director Niamh Coghlan. townhrea cultures—replicatingd, enhance these artw theork straditional’ mystique .landscape By Wedn eofsd theiray af thomelandsernoon, the Unusual materials, including horsehair, sisal, gold leaf, and metallic gthroughallery h athed s owovenld wo rthread,”ks by de said Am agalleryral, G usalesstav odirector Pérez M Niamhonzón ,Coghlan. thread, enhance these artworks’ mystique. By Wednesday afternoon, the BUnusualice Lazz materials,ari, and B uincludingić to priv ahorsehair,te collect isisal,ons i ngold the leaf,Uni tanded S metallictates. gallery had sold works by de Amaral, Gustavo Pérez Monzón, thread, enhance these artworks’ mystique. By Wednesday afternoon, the Bice Lazzari, and Buić to private collections in the United States. gallery had sold works by de Amaral, Gustavo Pérez Monzón, Bice Lazzari, and Buić to private collections in the United States. Marc Straus MWithar worcks Sby tRronaua Posndick

MarcWith works Strausby Rona Pondick

With works by Rona Pondick

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https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 6/28 https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 6/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy Artsy, p.7 5/11/2020Search Artsy The 10 Best Booths at Frieze New York Online 2020 - Artsy

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RonRao nPao Pnodnicdkick CChahiarimrmaann, ,1 1999922 MMaracr cS Strtarauuss

RoRnoan aP oPnonddicikck’s’ ss sccuullppttuurrees exammiinnee ffeemmininininitiyt yw withit hh uhmuomr oarn dan ad h ae ahveyavy dodsoes oe fo tfh teh eg grorotetessququee.. HHeer matteerriiaallss i ninccluludde eba babyb-ybo-bottltet lnei pnpipleps,l ebas, llbaetllet slisplippepresr,s a, nandd t itgighhttss,, ccoommbibined aanndd ccoonntotortretded in itnot ost rsatnragne gsec uslcputluprteusres and installations. Pondick’s aesthetics and themes place her in an and installations. Pondick’s aesthetics and themes place her in an stylistic lineage that includes Louise Bourgeois, Eva Hesse, and stylistic lineage that includes Louise Bourgeois, Eva Hesse, and Sarah Lucas—yet her name isn’t nearly as well known in collecting Sarah Lucas—yet her name isn’t nearly as well known in collecting circles. “We hope to begin to correct that,” said New York–based dealer circles. “We hope to begin to correct that,” said New York–based dealer Marc Straus, who’s exhibiting works priced between $10,000 and M$20,000arc Stra u(sfo, rw ah poa’si re oxfh baibibtyin bgo twtloers knse pstrleicde idn bebatlwleet esnlip $10,000pers) to be antwdeen $20,000$100,000 (fo arn ad p$250,000air of ba b(yfo br oa tmtleasjo nr eisntslteadll ainti oban)l.let slippers) to between $100,000 and $250,000 (for a major installation).

Marc Straus

MVaierwc S Slidterashousw 4 Images

View Slideshow 4 Images

While Pondick has had dozens of solo museum shows throughout her Wchairleee rP, ohnerd mickar hkeats hhiastdo rdyo izse mnso roef cshoelock mereuds.e uBmefo srhe oSwtrsa uths rbeougagnhout her showing her work, she showed with Sonnabend Gallery (which didn’t career, her market history is more checkered. Before Straus began participate in art fairs) and Galerie addaeus Ropac. Pondick’s work showing her work, she showed with Sonnabend Gallery (which didn’t

https://wwwpart.artsyicip.net/article/artsy-editorial-10-best-booths-frieze-new-york-onlineate in art fairs) and Galerie addaeus Ropac. Pondick’s work 7/28 https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 7/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy

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Rona Pondick Chairman, 1992 Marc Straus

Rona Pondick’s sculptures examine femininity with humor and a heavy dose of the grotesque. Her materials include baby-bottle nipples, ballet slippers, and tights, combined and contorted into strange sculptures and installations. Pondick’s aesthetics and themes place her in an stylistic lineage that includes Louise Bourgeois, Eva Hesse, and Sarah Lucas—yet her name isn’t nearly as well known in collecting circles. “We hope to begin to correct that,” said New York–based dealer Marc Straus, who’s exhibiting works priced between $10,000 and $20,000 (for a pair of baby bottles nestled in ballet slippers) to between $100,000 and $250,000 (for a major installation).

Marc Straus Artsy, p.8

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While Pondick has had dozens of solo museum shows throughout her 5/11/2020career, her market history is more cThehe c10k Bestere dBooths. Be atfo Friezere S Newtra uYorks be Onlinegan 2020 - Artsy showing her work, she showed with Sonnabend Gallery (which didn’t participate in art fairs) and Galerie addaeus Ropac. Pondick’s work rarely goes to auction, and she can take years to resolve a new body of https://wwwwork..artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online Yet Straus himself has supported Pondick for three decades—he 7/28 said he purchased the rst major work Pondick ever sold: an installation titled Little Bathers (1990), made up of 500 small pink balls embedded with fake teeth. “We’ve been good friends since,” said the gallerist.

Hauser & Wirth

With works by Lorna Simpson, Larry Bell, Anj Smith, Paul McCarthy, Mika Rottenberg, Rita Ackermann, Nicolas Party, Henry Taylor, Simone Leigh, Jenny Holzer, George Condo, Rashid Johnson, Mary Heilmann, Tasekada Matsutani, Bharti Kher, Avery Singer, Matthew Day Jackson, Luchita Hurtado, Phyllida Barlow, Jakub Julian Ziolkowski, and Stefan Brugemann

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 8/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy Artsy, p.9

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Stefan Brüggemann Red (Hyper-Poem Lockdown), 2020 Hauser & Wirth

Stefan Brüggemann Red (Hyper-Poem Lockdown), 2020 Hauser & Wirth

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Matthew Day Jackson Solipsist XIX, 2020 Hauser & Wirth

Matthe w Day Jackson Solipsist XIX, 2020 Matthew Day Jackson Solipsist XIX, 2020 Hauser & Wirth Hauser & Wirth

Within three hours of the Frieze Viewing Room preview opening on

Within three hours ofHauser the & Wirth Frieze Viewing Room preview opening on Wednesday, Hauser & Wirth had already announced nearly $5 million in sales. George Condo’s Distanced Figures 3 (2020), a zany painting in Wednesday, Hauser &View SlideshowWirth5 Images had already announced nearly $5 million Within three hours of the Frieze Viewing Room preview opening on in sales. George Condo’s Distanced Figures 3 (2020), a zany painting in made the work while in isolation due to the spread of COVID-19, Artists including Paul McCarthy, Henry Taylor, Lorna Simpson, Wednesday, Hauser & Wirth had already announced nearly $5the million artist’s signature post-Cubist style, sold for $2 million alone. Condo indicatingthe a quick style,turnaround for such a signi cant pro t, and raising Mika Rottenberg, and Rashid Johnson also contributed recent work to artist’s sold the signatuquestion: What happened to Distanced Figures 1 and 2? in sales. George Condo’s Distanced Figures 3 (2020), a zany paintingmade the in workhttps://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online while in isolation due to the spread of COVID-19, 10/28 for $2 re post- millio the artist’s signature post-Cubist style, sold for $2 million alone.indicating Condo a quick turnaround for such a signicant prot, and raising Cubist n alone. made the work while in isolation due to the spread of COVID-19,the question: What happened to Distanced Figures 1 and 2? Cond indicating a quick turnaround for such a signicant prot, and raising o 10/28 the question: What happened to Distanced Figures 1 and 2?

Hauser & Wirth

View Slideshow 5 Images

Artists including Paul McCarthy, Henry Taylor, Lorna Simpson, Mika Rottenberg, and Rashid Johnson also contributed recent work to https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 10/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy

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Matthew Day Jackson Solipsist XIX, 2020 Hauser & Wirth

Matthew Day Jackson Solipsist XIX, 2020 Hauser & Wirth

Within three hours of the Frieze Viewing Room preview opening on Wednesday, Hauser & Wirth had already announced nearly $5 million in sales. George Condo’s Distanced Figures 3 (2020), a zany painting in the artist’s signature post-Cubist style, sold for $2 million alone. Condo made the work while in isolation due to the spread of COVID-19, Withinindicati nthreeg a qu hoursick t uofrn thearo uFriezend fo Viewingr such a sRoomignic apreviewnt pro topening, and ra ionsing Artsy, p.11 Wednesday,the question :Hauser What h&ap Wirthpened hadto D alreadyistance dannounced Figures 1 a nearlynd 2? $5 million in sales. George Condo’s Distanced Figures 3 (2020), a zany painting in

5/11/2020the artist’sH signatureauser & Wi rpost-th Cubist style,The sold10 Best for Booths $2 at millionFrieze New alone.York Online Condo 2020 - Artsy made the work while in isolation due to the spread of COVID-19, Search ArtsyView Slideshow 5 Images indicating a quick turnaround for such a signicant prot, and raising 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy tthehe question:gallery’s v iWhatrtual bohappenedoth. No tto al lDistanced of it com Figuresments di1 randectl y2 o?n our ArSteiasrtcsh i Anrctslyuding Paul McCarthy, Henry Taylor, Lorna Simpson, current crisis, but Rottenberg’s exuberant, symbol-laden drawings 10/28 5/11/2020sMugikgae sRt othttaetn tbeher gv,i daenod aRrtaisht,i du nJoablehns Thetoon m10al aBestskoe cBooths �onlmtr sati bu wFriezehteild eNew rine Yc corkeon ntOnline �wnoe r2020mk et on- Artsyt, https://wwwth.artsye g.net/article/artsy-editorial-10-best-booths-frieze-new-york-onlineallery’s virtual booth. Not all of it comments directly on our 10/28 htheaSs egallery’staurcrhn Aerdts yh virtualer quir kbooth.s and eNotnerg ally t oof t hite comments page. Man directlyy of Ha uonse rour & Wccurrenturirtehn’st accrisis,rtiswiso, rbubutk pt hRRottenberg’sootottse napbeprega’rs teexuberant,ox ucbeomraen stt,r assymbol-ladenyigmhbot frlo-lmad aernt iddrawinstrsa’w stiundggssio s—a pssuggestuagingte-sstp thattlhatatte thetrhede videovtaidbleeo, artist,aermtipstt,y unableu snhaeblelve stot,o a nmakem oaklde r�lms�aldmiast owhilewrh, ialne dinin a nconco anr�nement,�tinste m( ent, hhasTask etturnedusardnae dM herhaetrs uquirksqutainrik)s gaandanzdin eenergygn aetr gay f ottoor- tsthehalee ppage.paagine.t iMManynga nluyr koof fi nHHauser tahueser & baWWirthcirktghr’so aartworkurntwd oorfk t hphotospeh opthoost oappearapgpraepahr stot oa ncomecdo mgiev estraights tcrhaiagrhatc tfromferro man daartists’r ctihsatsr’m sstudios—t utod itohse—aa ppaint-splatteredgalilnetr-ys’ps lvaitrtteuraeld p ttable,raeblesen, teemptyamtiopnty. sshelves,helves, aann ooldld rradiator,adiator, aandnd aann aartistrtist ( T( Takakesadaesada M Matsutaniatsutani) )g agazingzing a tat a afo for-saler-sale p apaintinginting lu lurkrk in in th thee babackgroundckground ooff tthehe pphotographshotographs aandnd ggiveive ccharacterharacter aandnd ccharmharm ttoo thhee According to Hauser & Wirth president Marc Payot, the gallery ggallery’sallery’s vvirtualirtual ppresentation.resentation. embraced such lo-� photos and videos to re�ect the challenges and possibilities of the moment. “It’s a unique opportunity to invite viewers AAccordinginctcoo trhdein pgr ittovoa tHHausere awuoserlrd &s o WWirthf tihreth a rppresidenttriestssi—aden tv MMarcerya rscp PPayot,ecaiyaol te, x tthepheer iggalleryeanllceer yat this eembracedtimmbre—aacendd suchs usochm lo-�loet-h�in photospgh tohtaots candaannd o videosvnidlye obes totdoo re�ectrnee� einct d ttheihgeit cchallengesahl afollremngaet,s” ahnnded s aid. ppossibilitiesossibilities ofof thethe moment.moment. “It’s“It’s a uuniquenique oopportunitypportunity ttoo iinvitenvite vviewersiewers iintonto tthehe privateprivate wworldsorlds ooff tthehe aartists—artists—a veryvery specialspecial experiencexperience atat thisthis ttime—andime—and somethingsomething thatthat cancan onlyonly be donedone inin digitaldigital format,”format,” hehe said.said.

With works by Iman Raad Dastan’s Basement

With works by Iman Raad DasDastan’stan’s BasementBasement

With works by Iman Raad

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 11/28

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 11/28

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 11/28 Artsy, p.12

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Iman Raad, Pensive Bird in the Dusk, 2020. © Iman Raad. Courtesy of Dastan’s Basement.

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Iman Raad. Centifolia, Melancholia, 2020. © Iman Raad. Courtesy of Dastan’s Basement.

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Iman Raad’s bold, lush paintings are a balm for a rainy day. Fruits, knives, owers, and ames in sunny yellows and pinks pop against his unprimed canvases, glass, plywood, and copper plates. Raad embraces a https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 15/28 Artsy, p.14

5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy

ImanSearch Raad, Centifolia,Artsy Melancholia, 2020. © Iman Raad. Courtesy of Dastan’s Basement.

5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy diversity of media, Tehran-based gallery Dastan’s Basement noted, in Search Artsy order to further welcome the viewer into his world. His “over-the-top

Iman Raad, Bittersweet, 2020. © Iman Raad. Courtesy of Dastan’s Basement.

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Dastan’s Basement

View Slideshow 4 Images

She noted that while Raad is interested in digital glitch imagery (inspired by screens gone wonky), the Iranian-born, New York–based artist wants to remain “completely authentic and loyal to his heritage and background.” e digital and the ancient comingle comfortably in his compositions, which are priced between $2,500 for a print and $12,500 for paintings.

Cavalo

With works by Marina Weort

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 16/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy diversity of media, Tehran-based gallery Dastan’s Basement noted, in Search Artsy order to further welcome the viewer into his world. His “over-the-top

Iman Raad, Bittersweet, 2020. © Iman Raad. Courtesy of Dastan’s Basement.

Dastan’s Basement

View Slideshow 4 Images

She noted that while Raad is interested in digital glitch imagery (inspired by screens gone wonky), the Iranian-born, New York–based artist wants to remain “completely authentic and loyal to his heritage and background.” e digital and the ancient comingle comfortably in his compositions, which are priced between $2,500 for a print and $12,500 for paintings.

Cavalo Artsy, p.15 With works by Marina Weort 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy diversity of media, Tehran-based gallery Dastan’s Basement noted, in Search Artsy orderIman toRaad further’s bold, welcome lush paintings the viewer are intoa balm his forworld. a rainy His day.“over-the-top Fruits, Imanknives, Raad, Bittersweet owers, and, 2020. ©ames Iman Raad.in sunny Courtesy yellows of Dastan’s and Basement. pinks pop against his unprimed canvases, glass, plywood, and copper plates. Raad embraces a diversity of media, Tehran-based gallery Dastan’s Basement noted, in ornamentation” helps create “an immersive experience,” said gallery order to furtherDastan’s welcome Basement the viewer into his world. His “over-the-top representative Sheida Ellini. ornamentation” helps create “an immersive experience,” said gallery View Slideshow 4 Images representative Sheida Ellini.

She noted that while Raad is interested in digital glitch imagery (inspired by screens gone wonky), the Iranian-born, New York–based artist wants to remain “completely authentic and loyal to his heritage and background.” e digital and the ancient comingle comfortably in his compositions, which are priced between $2,500 for a print and $12,500 for paintings.

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 16/28

Cavalo

With works by Marina Weort

Iman Raad’s bold, lush paintings are a balm for a rainy day. Fruits, knives, owers, and ames in sunny yellows and pinks pop against his unprimed canvases, glass, plywood, and copper plates. Raad embraces a

ornamentation” helps create “an immersive experience,” said gallery representative Sheida Ellini.

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 16/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy diversity of media, Tehran-based gallery Dastan’s Basement noted, in Search Artsy order to further welcome the viewer into his world. His “over-the-top

Iman Raad, Bittersweet, 2020. © Iman Raad. Courtesy of Dastan’s Basement.

Dastan’s Basement

View Slideshow 4 Images

She noted that while Raad is interested in digital glitch imagery (inspired by screens gone wonky), the Iranian-born, New York–based artist wants to remain “completely authentic and loyal to his heritage and background.” e digital and the ancient comingle comfortably in his compositions, which are priced between $2,500 for a print and $12,500 for paintings.

Artsy, p.16

Cavalo

5/11/20205/11/2020With works by Marina Weort TheThe 10 10 Best Best Booths Booths at at Frieze Frieze New New York York Online Online 2020 2020 - -Artsy Artsy

SearchSearch Artsy Artsy Iman Raad’s bold, lush paintings are a balm for a rainy day. Fruits, knives, owers, and ames in sunny yellows and pinks pop against his unprimed canvases, glass, plywood, and copper plates. Raad embraces a

ornamentation” helps create “an immersive experience,” said gallery representative Sheida Ellini.

Marina Weffort’s unusual process involves removing threads from MarinaMarin aWe We ort,or Untitledt, Untitle, fromd, fro m“Tecidos” “Tecido sseries,” serie 2017s, 20.1 7. Courtesy of Cavalo. pastel-hued, tight-knit weavings. e results are delicate textiles that https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-onlineprivilege lightness and negative space over heft and presence. Weffort 16/28 Marinapins th eWeffortm an in’sc unusualh from t hprocesse wall, involvesso they cremovingan ripple ithreadsn the a ifromr but also pastel-hued,retain their gtight-kniteneral sh aweavings.pes—mo set fea resultsture re caretan delicategular bo textilesrders w ithatth g rids privilegeor triang lightnessles withi nand.  negativee works espacevoke overthe qu heftiet ,and me dpritesence.ative co Wmeffortpositi ons pinsof A themgnes Mana rinchtin. fromey’ rthee o nwall, offe rso in they Rio cande Jrippleaneiro in ga theller yair C butaval oalso’s retainvirtua theirl boo generalth for p rshapes—mostices ranging f rfeatureom $3,300 rectangular to $10,900. borders with grids or triangles within. e works evoke the quiet, meditative compositions

of Agnes MartinCavalo . ey’re on offer in Rio de Janeiro gallery Cavalo’s virtual booth for prices ranging from $3,300 to $10,900. View Slideshow 5 Images

GalleryGallery manager manage rAnita Anita Pastonesi Pastones idescribed described W Wefforteffor’ts’ stextiles textile sas as ““monochromes”monochromes” inspired inspired by by the the landscape landscape of o fher he rnative native Brazil. Brazil .She She notednoted that tha ttheir thei rshapes shape sand and patterns pattern sevoke evoke the the tradition tradition of o fgeometric geometric abstractionabstraction unique unique to to Latin Latin America, America ,while while “each “each unique unique work work is i svery very muchmuch present presen tin in its it sown own time” time” as a sit i treacts react sto to the the external externa lenvironment. environment . “e“e lighting, lighting ,wind, wind ,shadows, shadows ,and and re�ections re�ection ssubstantially substantially alter alte rthe the piecespiece sin in its it s�nal �na lpresentation, presentation ,making making the the interaction interaction of o fthese these factors factor s herhe rmain main subject,” subject,” she she added. added.

https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-onlinehttps://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 17/2817/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy

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Marina We ort, Untitled, from “Tecidos” series, 2017.

Artsy, p.17 Marina We ort, Untitled, from “Tecidos” series, 2017.

Marina Weffort’s unusual process involves removing threads from pastel-hued, tight-knit weavings. e results are delicate textiles that Marina Weffort’s unusual process involves removing threads from privilege lightness and negative space over heft and presence. Weffort pastel-hued, tight-knit weavings. e results are delicate textiles that pins them an inch from the wall, so they can ripple in the air but also privilege lightness and negative space over heft and presence. Weffort retain their general shapes—most feature rectangular borders with grids pins them an inch from the wall, so they can ripple in the air but also or triangles within. e works evoke the quiet, meditative compositions retain their general shapes—most feature rectangular borders with grids of Agnes Martin. ey’re on offer in Rio de Janeiro gallery Cavalo’s or triangles within. e works evoke the quiet, meditative compositions virtual booth for prices ranging from $3,300 to $10,900. of Agnes Martin. ey’re on offer in Rio de Janeiro gallery Cavalo’s virtual booth for prices ranging from $3,300 to $10,900.

Gallery manager Anita Pastonesi described Weffort’s textiles as “monochromes” inspired by the landscape of her native Brazil. She Gallery manager Anita Pastonesi described Weffort’s textiles as noted that their shapes and patterns evoke the tradition of geometric “monochromes” inspired by the landscape of her native Brazil. She abstraction unique to Latin America, while “each unique work is very noted that their shapes and patterns evoke the tradition of geometric much present in its own time” as it reacts to the external environment. abstraction unique to Latin America, while “each unique work is very “e lighting, wind, shadows, and re�ections substantially alter the 5/11/2020much present in its own time” as Theit reacts10 Best Booths to the at Frieze external New York Onlineenvironment. 2020 - Artsy pieces in its �nal presentation, making the interaction of these factors “e lighting, wind, shadows, and re�ections substantially alter the herSe amainrch Art ssubject,”y she added. pieces in its �nal presentation, making the interaction of these factors https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-onlineher main subject,” she added. 17/28 Bank https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 17/28 With works by Oliver Herring

Oliver Herring, David W. (2), 2020. Courtesy of the artist and BANK.

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Bank Artsy,B ankp.18 With works by Oliver Herring With works by Oliver Herring

Oliver Herring, David W. (2), 2020. Courtesy of the artist and BANK. Oliver Herring, David W. (2), 2020. Courtesy of the artist and BANK.

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Artsy, p.19

Oliver Herring, Mike P., 2019. Courtesy of the artist and BANK. Oliver Herring, Mike P., 2019. Courtesy of the artist and BANK.

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e intimacy of Oliver Herring’s vibrant, loosely sketched, colored-

Artsy,penc p.20il-on-paper portraits belies the relationship between artist and muse: e German artist solicited most of his subjects on Craigslist. Priced between $10,000 and $20,000, the drawings feature nude men draped in curtains, lying in a �ower bed, reclining against patterned e intimacy of Oliver Herring’s vibrant, loosely sketched, colored- pillows, or situated against a variety of other romantic, colorful pencil-on-paper portraits belies the relationship between artist and backdrops. Yet as they twiddle with a Rubik’s Cube or hold up an muse: e German artist solicited most of his subjects on Craigslist. iPhone to take a sel�e, they betray themselves to be thoroughly Priced between $10,000 and $20,000, the drawings feature nude men contemporary. draped in curtains, lying in a �ower bed, reclining against patterned pillows, or situated against a variety of other romantic, colorful backdrops. Yet Baasn tkhey twiddle with a Rubik’s Cube or hold up an

iPhone to take Vaie swe Sll�idees,ho twhey3 Ibmeagtersay themselves to be thoroughly contemporary.

If the artistic process starts as a relationship between strangers, that quickly changeBs.a n“kHerring engages [his] volunteers in lengthy drawing

sessions that exVpielwo Srleid ehshoisw sitt3e Imr’asg essensibilities, idiosyncrasies, [and] fantasies, as well as the relationship that is formed between artist and muse, speaker and listener,” the gallery noted. Artmaking becomes a If the artistic process starts as a relationship between strangers, that way to quickly get close to others. quickly changes. “Herring engages [his] volunteers in lengthy drawing sessions that explore his sitter’s sensibilities, idiosyncrasies, [and] fantasies, as well as the relationship that is formed between artist and muse, speaker and listener,” the gallery noted. Artmaking becomes a way to quickly get close to others. https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 20/28

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CapSearchs Aurtslye Shanghai

5/11/2020With works by Gao Yuan The 10 Best Booths at Frieze New York Online 2020 - Artsy

CapSearchs Aurtslye Shanghai

With works by Gao Yuan

Gao Yuan (⾼源), Wukang Road (武康路), 2020. Courtesy of the artist and Capsule Shanghai.

Gao Yuan (⾼源), Wukang Road (武康路), 2020. Courtesy of the artist and Capsule Shanghai.

It’s an excellent time for escapism, which Gao Yuan’s surreal short �lm ClIot’us dan o fe xtcheel lUenntk tnimowe nfo (r2019) escapi—psm, rwicheicdh a Gt a$11,000o Yuan’s saunrdre alv ashiloarblet � limn an edCitlioound off tsheev Uenn kwniotwhn t w(2019)o arti—pst prrioceodf sa—det $11,000livers ainnd h aevaapilsa.ble It fiena atnures a edition of seven with two artist proofs—delivers in heaps. It features a haunting soundtrack, �ying spoons, a quiet shipping yard, empty haunting soundtrack, �ying spoons, a quiet shipping yard, empty streets, and a �oating white hand that taps its way down a tree trunk streets, and a �oating white hand that taps its way down a tree trunk and guides the solitary protagonist into fantastical new realms. e and guides the solitary protagonist into fantastical new realms. e �l�mlm’s ’su unnccaannnnyy aanniimmationn ssiimmilialarlryly le leadasd tsh teh vei evwieewr einr tion ato c oal ocrofluol rnfuewl new wworolrdl.d .I fI ft hthee i immaaggeery is lolonneelyly, ,i ti’ts’ sa laslos oim imbuebued wd iwthi tah s ean sseen osfe m oaf gmica. gic.

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https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 21/28 https://www.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 21/28 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy 5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy Capsule Shanghai CapSearrchs AAurrttsslyye Shanghai With works by Gao Yuan With works by Gao Yuan

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Capsulle SShhaanngghhaaii iiss aallssoo ffeeaattuurriinngg ppaaiinnttiinnggss (($7,000$7,000 aappiieeccee)) bbyy t thhee young CChhiinneessee aarrttiisstt,, mmaannyy ooff wwhhiicchh ddiissppllaayy sseettttiinnggss ffrroomm CClloouudd o of ft thhee Unknown.. ee ootthheerrss rreepprreesseenntt iimmaaggeess ffrroomm aa ffeeaattuurree--lleennggtthh ��lmlm G Gaaoo i sis currentlly wwoorrkkiinngg oonn.. WWhheenn ppaaiinnttiinngg aanndd ��llmm wwoorrkk ttooggeetthheerr,, sshhee s saaidid in a shortt ddooccuummeennttaarryy ��llmm iinn CCaappssuullee’s’s vviieewwiinngg rroooomm,, yyoouu ““sseeee 5/11/2020somethiingg rreeaallllyy mmaarrvveelloouusThes aa 10ss Best aa r Boothsreessuu atllt Friezet..”” New York Online 2020 - Artsy Search Artsy Almeida e Dale Galeria de Arte https://www.artsy.artsy.net/article/artsy-editorial-10-best-booths-frieze-new-york-online.net/article/artsy-editorial-10-best-booths-frieze-new-york-online 2121/28/28 With works by Mestre Didi

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With works by Mestre Didi

5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy

the artistSearch and Artsy Almeida e Dale Galeria de Arte.

https://wwwMestre.artsy Didi,.net/article/artsy-editorial-10-best-booths-frieze-new-york-online Iwin Olá Ati Eye Loke—Majestic Ancestor of the Tree with a Bird on Top, 1977-78. Courtesy of 22/28

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Mestre Didi, Oparun Ninu—Scepter of Space from Beyond , n.d. Courtesy of the artist and Almeida e Dale Galeria de Arte.

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Mestre Didi, Opa Orun Ninu—Scepter of Space from Beyond, n.d. Courtesy of the artist and Almeida e Search Artsy Dale Galeria de Arte.

Mestre Didi, Opa Ope Ibiri Ati Exin Meji—Scepter of the Great Old Mother with Two Spears, n.d. Courtesy of the artist and Almeida e Dale Galeria de Arte.

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Search Artsy 5/11/2020In the Diálogos section—which featTheure 10s Bestwo rBoothsk by at L Friezeatin New Am Yorker iOnlinecan, 2020 - Artsy Latino, and Latinx artists curated by leaders from New York’s El Museo Search Artsy Idne lt Bhea rDrioiá—Slogoãso sPeacutiloon’s—w Almheiicdha fee aDtuarles G waolerkri ab yd eL Aatritne Aism sheroiwcaing, palm

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with coloVriefwu Sll idsehshoelwls, p4 Iamiangetsed leather, and straw. With titles such as Opa Orun NiAnlum—Seidac e pDtaelre oGfa Slepriaac dee f Arortme Beyond (undated) and Iwin Olá Ati

Eye Loke—MView Sliadejsehostwic A4n Imcaegsetsor of the Tree with a Bird on Top (1978), the pieec egsa clloenryju nroe tsepdi rtihtuaat lM aretsitfraec tDs tidhia’st sccounlnpetuctr euss t troan ostcheenrd r ethalems. contemporary art world and signify the bonds between Africa and Braez igla. l“leTroy tnhointekd otfh taht eM weostrrkes Dofi dMi’se stcruel psotulerleys atsr aonbjsceecntsd otfh aert would becon at emmisptAoalkrmaeerniyd saai ermt D pwalloei rGcladal teaironiand d, ”es iAsgarntiedif yt hteh eg abollenrdy.s between Africa and

Brazil. “TVioew t Shlidienskho wof t4h Imea gwesorks of Mestre solely as objects of art would be a mistaken simplication,” said the gallery.

e gallery noted that Mestre Didi’s sculptures transcend the cCasontemepyor Karyap artl wanorld and signify the bonds between Africa and Brazil. “To think of the works of Mestre solely as objects of art would With works by Kevin Beasley, Nathan Carter, Sarah Crowner, Jason Dodge, Georey FbeCasar ma emr, eLisiatyamk KGenilapl icskim, Blpranialin Jcuantgieonn, ,H”a snaniadh tLheevy g, Malaleteroy .López, Jonathan Monk, Marlo Pascual, Diego Perrone, Matthew Ronay, Simon Starling, and David Thorpe With works by Kevin Beasley, Nathan Carter, Sarah Crowner, Jason Dodge, Georey Farmer, Liam Gillick, Brian Jungen, Hannah Levy, Mateo López, Jonathan Monk, Marlo Pascual, Diego Perrone, Matthew Ronay, Simon Starling, and David Thorpe Casey Kaplan

With works by Kevin Beasley, Nathan Carter, Sarah Crowner, Jason Dodge, Georey Farmer, Liam Gillick, Brian Jungen, Hannah Levy, Mateo López, Jonathan Monk, Marlo Pascual, Diego Perrone, Matthew Ronay, Simon Starling, and David Thorpe

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5/11/2020 The 10 Best Booths at Frieze New York Online 2020 - Artsy

Kevin Beasley Untitled, 2018 Kevin Beasley Untitled, 2018 Casey Kaplan Casey Kaplan

DKevinDespiteesp Beasleyite tthehe two-dimensionaltwUntitledo-di, m2018ensiona restrictionsl restriction ofs othef t honlinee onl iviewingne view iroom,ng room, NNewew YYorkork ggalleryalCaseylery CaseyKaplanCasey Kaplan Kapla nhas ha opteds opte tod tcreateo cre aat evirtual a virt u“sculptureal “sculpture ggarden”arden” iinn iitsts FriezeFrieze booth. booth .e  epresentation presentatio featuresn featu rplayful,es play fvibrantul, vibrant wworksoDespiterks ccomposedom thepo two-dimensionalsed ofof aa vast vas tarray arr arestrictions yof o materials—metal,f mater ofial sthe—m onlineet wood,al, viewingwo odresses,d, d room,resses, ssilicone,ilNewicon eYork, mmarble,a galleryrble, shoes,s hCaseyoes ,and a Kaplannd much mu chas hmore. m optedor eKevin. Ktoe createv iBeasleyn B eaa svirtual’sle Untitledy’s U “sculpturentitled ((2018),2018)garden”, ppriced inric itsed Friezeatat $175,000,$175,000, booth. ise i smade m presentationad ofe o resin-coatedf resin features-coat eclothing,d playful, clothi ngiving vibrantg, giving hhefteworksft ttoo w worncomposedorn garmentsgarm ofen at svastwith wit arrayh histories his tofor materials—metal,ie ofs otheirf the own.ir ow Sarahn. Swood,a rCrownerah Cdresses,row’sn setser’s sets ooffsilicone, m marblearble marble,wwingsings (both( boshoes,th from f random 2020 much2020 and more.an pricedd p Kevinric eatd $25,000)aBeasleyt $25,000)’s Untitledsimilarly simil aturnrly turn aa (2018),utteringutterin pricedg formform at intoi n$175,000,to solid, solid ,earthbound eisa rmadethbo uofn art.dresin-coated a rInt. Isuchn su cways, clothing,h wa theys, tgallerygivinghe gal lisery is showcasingheft to worn works garments by artists with across histories generations of their own.and locales, Sarah Crowner teasing out’s sets showcasing works by artists across generations and locales, teasing out conceptualof marble wingsand formal (both connections. from 2020 and priced at $25,000) similarly turn conceptual and formal connections. a uttering form into solid, earthbound art. In such ways, the gallery is showcasing works by artists across generations and locales, teasing out Casey Kaplan conceptualCa andsey K formalaplan connections. View Slideshow 5 Images

View Slideshow 5 Images

Casey Kaplan

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Kevin Beasley Untitled, 2018 Casey Kaplan

Despite the two-dimensional restrictions of the online viewing room, New York gallery Casey Kaplan has opted to create a virtual “sculpture garden” in its Frieze booth. e presentation features playful, vibrant works composed of a vast array of materials—metal, wood, dresses, silicone, marble, shoes, and much more. Kevin Beasley’s Untitled Artsy, p.28 (2018), priced at $175,000, is made of resin-coated clothing, giving heft to worn garments with histories of their own. Sarah Crowner’s sets of marble wings (both from 2020 and priced at $25,000) similarly turn a uttering form into solid, earthbound art. In such ways, the gallery is showcasing works by artists across generations and locales, teasing out conceptual and formal connections.

Kaplan and his team worked on the “sculpture garden” for months. “Despite theCa challengessey Kaplan we are all facing in the transition to various online platforms, weView feltSlide sitho wwas5 importantImages to execute our original vision,” Kaplan said. “A thoughtful selection of images, descriptive texts, and booth renderings help to gently guide visitors through an imagined space of https://wwwtheir.artsy .net/article/artsy-editorial-10-best-booths-frieze-new-york-onlineown creation.” 27/28