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1592213370-Monetize.Pdf
Table of Contents 1. Online Monetization: How to Turn Your Following into Cash 1.1 What is monetization? 1.2 How to monetize your website, blog, or social media channel 1.3 Does a monetization formula exist? Chapter 1 Takeaways 2. How to Monetize Your Blog The Right Way 2.1 Why should you start monetizing with your blog? 2.2 How to earn money from blogging 2.3 How to transform your blog visitors into loyal fans 2.4 Blog monetization tools you should know about Chapter 2 Takeaways 3. Facebook Monetization: The What, Why, Where, and How 3.1 How Facebook monetization works 3.2 Facebook monetization strategies Chapter 3 Takeaways 4. How to monetize your Instagram following 4.1 Before you go chasing that Instagram money... 4.2 The four main ways you can earn money on Instagram 4.3 Instagram monetization tools 4.4 Ideas to make money on Instagram Chapter 4 Takeaways 5. Monetizing a YouTube Brand Without Ads 5.1 How to monetize Youtube videos without Adsense 5.2 Essential Youtube monetization tools 5.3 Factors that determine your channel’s long-term success Chapter 5 Takeaways 1. Online Monetization: How to Turn Your Following into Cash 5 Stop me if you’ve heard this one before. Jenn, a customer service agent at a car leasing company, is fed up with her job. Her pay’s lousy, she’s on edge with customers yelling at her over the phone all day (they actually treat her worse in person), and her boss ignores all her suggestions, even though she knows he could make her job a lot less stressful. -
Ebook Download This Is Grime Ebook, Epub
THIS IS GRIME PDF, EPUB, EBOOK Hattie Collins | 320 pages | 04 Apr 2017 | HODDER & STOUGHTON | 9781473639270 | English | London, United Kingdom This Is Grime PDF Book The grime scene has been rapidly expanding over the last couple of years having emerged in the early s in London, with current grime artists racking up millions of views for their quick-witted and contentious tracks online and filling out shows across the country. Sign up to our weekly e- newsletter Email address Sign up. The "Daily" is a reference to the fact that the outlet originally intended to release grime related content every single day. Norway adjusts Covid vaccine advice for doctors after admitting they 'cannot rule out' side effects from the Most Popular. The awkward case of 'his or her'. Definition of grime. This site uses cookies. It's all fun and games until someone beats your h Views Read Edit View history. During the hearing, David Purnell, defending, described Mondo as a talented musician and sportsman who had been capped 10 times representing his country in six-a-side football. Fernie, aka Golden Mirror Fortunes, is a gay Latinx Catholic brujx witch — a combo that is sure to resonate…. Scalise calls for House to hail Capitol Police officers. Drill music, with its slower trap beats, is having a moment. Accessed 16 Jan. This Is Grime. From Wikipedia, the free encyclopedia. More On: penn station. Police are scrambling to recover , pieces of information which were WIPED from records in blunder An unwillingness to be chained to mass-produced labels and an unwavering honesty mean that grime is starting a new movement of backlash to the oppressive systems of contemporary society through home-made beats and backing tracks and enraged lyrics. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers. -
Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves. -
Paul Weller with the BBC Symphony Orchestra and Jules Buckley
For immediate release Paul Weller with the BBC Symphony Orchestra and Jules Buckley concert date added to ‘Live from the Barbican’ line-up in spring 2021 Barbican Hall, Saturday 6 February 2021, 8pm The Barbican and Barbican Associate Orchestra, the BBC Symphony Orchestra are excited to announce that the orchestra and its Creative Artist in Association Jules Buckley, will be joined by legendary singer songwriter Paul Weller on Saturday 6 February for a concert reimagining Weller’s work in stunning orchestral settings as part of Live from the Barbican in 2021. In Weller’s first live performance for two years, songs spanning the broad spectrum of his career from The Jam to as yet unheard new material will delight fans and newcomers alike. Classic songs including ‘You Do Something to Me’, ‘English Rose’ and ‘Wild Wood’ along with tracks from Weller’s latest number 1 album ‘On Sunset’ will be heard as never before in brand new orchestral arrangements by Buckley. Weller, who takes cultural authenticity to the top of the charts, reunites with Steve Cradock for this one-off performance. Part of the acclaimed Live from the Barbican series which returns to the Centre in the spring, the concert will have a reduced, socially distanced live audience in the Barbican Hall, and it will also be available to watch globally via a livestream on the Barbican website. Whilst the concert will reflect on some of Weller’s back catalogue, as is typical of his constantly evolving career, it will look to the future with performances of songs from an album not released until May 2021, as well as welcoming guest artists to illustrate his work and the music that influenced him. -
Stefflon Don, Annie Mac, Holy Goof, Hybrid Minds, Solardo
NASS ANNOUNCES OVER 40 MORE ARTISTS FOR 2020 STEFFLON DON, ANNIE MAC, HOLY GOOF, HYBRID MINDS, SOLARDO, KURUPT FM, JAY1, ROYCE DA 5’9” AND EASY LIFE JOIN HEADLINERS CHASE & STATUS RTRN II JUNGLE DJ SET AND THE STREETS ALSO JUST ANNOUNCED: ALIX PEREZ (140 SET), ARLO PARKS, BARELY LEGAL, CARASEL, CRISIS MC, DARKZY & WINDOW KID, D DOUBLE E, DIMENSION, DIZRAELI, DREAD MC, EKSMAN, EMERALD B2B JAGUAR B2B ALEXISTRY, EVIL B, FELON, FRICTION, GENTLEMAN’S DUB CLUB, GOLDIE LOOKIN’ CHAIN, HEARTLESS CREW, HOLLIE COOK, HOUSE OF PHARAOHS, IC3, INJA, JAGUAR, JOSSY MITSU, JUBEI, KANINE, KOVEN, LINGUISTICS, MUNGO’S HIFI WITH EVA LAZARUS, NADIA ROSE, NATHAN DAWE, PHIBES, ROSKA, RUDE KID, SAMMY VIRJI, STARZ & DEEZA, THE BAREFOOT BANDIT, TIFFANY CALVER AND ZED BIAS. TICKETS ON SALE NOW Thursday 9 – Sunday 12 July 2020 | Shepton Mallet, Nr. Bristol Deposit scheme £30 | Camping tickets from £130 | VIP Camping from £189 www.nassfestival.com | #NASS2020 | FB:@NASSFestival IG:@NASSfestival T:@NASSfestival NASS, the UK's biggest celebration of music, street art, skate and BMX, has announced a fresh drop of over 40 artists for this year’s festival, alongside headliners Chase & Status RTRN II Jungle DJ Set (Friday) and The Streets (Saturday). These exciting new additions include Stefflon Don, Annie Mac, Holy Goof, Hybrid Minds, Solardo, Kurupt FM, Jay1, Royce da 5’9” and Easy Life. NASS returns to Shepton Mallet on Thursday 9 – Sunday 12 July 2020. Tickets are on sale NOW from nassfestival.com After an unforgettable performance in 2018, Stefflon Don returns to NASS’ mainstage. Her confident stage presence and electric wordplay is not to be missed. -
The Kano Durbar: Political Aesthetics in the Bowel of the Elephant
Original Article The Kano Durbar: Political aesthetics in the bowel of the elephant Wendy Griswolda,* and Muhammed Bhadmusb aDepartment of Sociology, Northwestern University, 1810 Chicago Avenue, Evanston, Illinois 60208, USA. E-mail: [email protected] bDepartment of Theatre and Drama, Bayero University Kano, Kano, Nigeria. E-mail: [email protected] *Corresponding author. Abstract Political aesthetics deploy theatrical techniques to unite performers and audience into a cultural community, thereby distracting from conflicts. The Kano Durbar in northern Nigeria demonstrates how the aesthetics of power can promote a place-based political culture. Although power in Kano rests on a wobbly three-legged stool of traditional, constitutional and religious authority, the status quo celebrated by the Durbar holds back ideological challengers like Boko Haram even as it perpetuates distance from the unified nation-state. The Durbar works as a social drama that helps sustain a Kano-based collective solidarity against the threats of ethnic/religious tensions and Salafist extremism. A cultural-sociological and dramaturgical analysis of the Durbar demonstrates how weak sources of power can support one another when bound together in an aesthetically compelling ritual. American Journal of Cultural Sociology (2013) 1, 125–151. doi:10.1057/ajcs.2012.8 Keywords: political aesthetics; place; social drama; Kano; Nigeria; Durbar Introduction While political rituals are expressions of power, what is less often noticed is that they are expressions of place. Bringing this insight to bear on the analysis of these rituals can reveal how they work, what exactly they accomplish, thereby resolving some of the puzzles they present. This article examines the case of the Kano Durbar, a Nigerian ritual that presents a social drama of and for Kano residents, a drama that helps sustain a sense of r 2013 Macmillan Publishers Ltd. -
Top-50 Crossover Chart 5/16/2015 TW LW ARTIST TITLE
Top-50 Crossover Chart 5/16/2015 Starfleet Music Pool - Top 50 Crossover TW LW ARTIST TITLE LABEL 1 8 Side FX and Kim Cameron Carnival Of Baggage (Club Mix) Side FX Partners 2 4 Kelly Clarkson Heartbeat Song (Remixes) RCA Records 3 10 A Luv feat J Hussa Certified (Clean House Extended Mix) W2W Entertainment 4 14 Giorgio Moroder feat. Kylie Minogue Right Here, Right Now (Remixes) RCA 5 NE Natalie La Rose ft. Jeremih Somebody (Remixes) IMG/Republic Records 6 32 Chic feat. Nile Rodgers I'll Be There (Remixes) WBR 7 24 Charli XCX ft. Rita Ora Doing It (Remixes) Atlantic Records 8 21 Deborah Cox Kinda Miss You (Remixes) Deco/Primary Wave/BMG 9 17 Monaye Love In The Club Place (Album Mix) Reo Deo Label 10 1 Aaron Paul I Don't Care (Remixes) AP Music-Sobel Promotions 11 12 Nick Jonas Chains (Remixes) Island/Republic Records 12 15 Sia Elastic Heart (Remixes) RCA Records 13 3 Taylor Swift Style (Mixshow Edit) Big Machine/Republic Records 14 36 Side FX and Kim Cameron Blind Love (Remixes) Side FX Partners 15 2 Iggy Azalea feat Jennifer Hudson Trouble (Mixshow Edit) (Clean) Def Jam Records 16 26 Stanley Jeter Rock The City (Original Mix) White Label 17 NE Rihanna Bitch Better Have My Money (Remixes) Def Jam Records 18 35 Alison Wonderland feat. Wayne Coyne U Dont Know (Remixes) Astralwerks 19 7 Veronica Brown feat. DJ John I Don't Wanna Be A Sinner (Dance Club Remix) Psalms Group 20 27 Marcus Allen You Know (DJ Mix) J G Entertainment 21 43 Madonna Ghosttown (Remixes) Live Nation/Interscope Records 22 13 Tove Lo Talking Body (Remixes) Island/Republic Records 23 18 Sak Noel, Dj Kuba & Neitan feat. -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
Semantic Web Good News Quiz
Semantic Web Good News Quiz ForFor everybodyeverybody whowho getsgets tiredtired ofof questionsquestions likelike “when“when isis thethe SemanticSemantic WebWeb actuallyactually goinggoing toto happen”,happen”, oror anyany otherother suggestionsuggestion thatthat thethe SemanticSemantic WebWeb programmeprogramme isis “only“only vision,vision, nono progress”.progress”. JustJust pointpoint themthem toto thethe followingfollowing itemsitems onon real-real- worldworld adoptionadoption ofof SemanticSemantic WebWeb technologiestechnologies byby thethe NewNew YorkYork Times,Times, thethe BBC,BBC, ThompsonThompson Reuters,Reuters, thethe USUS andand UKUK governments,governments, etc.etc. InIn whatwhat follows,follows, II justjust provideprovide somesome pointerspointers toto thethe stories,stories, you’reyou’re betterbetter ofof readingreading thethe sourcessources themselves.themselves. http://googlewebmastercentral.blogspot.com/2009/05/introducing-rich-snippets.html http://www.readwriteweb.com/archives/calais_4_linked_data.php http://blog.larkc.eu/?tag=microsoft-office-word-2007 http://www.zemanta.com/ toxic releases consumer expenditure recent earthquakes consumer price index crime statistics tornado reports assaults on police trade statistics social benefits river elevations unemployment rates energy consumption http://www.silicon.com/publicsector/0,3800010403,39440349,00.htm http://www.computing.co.uk/computing/news/2244720/tim-berners-l http://hibbins.wordpress.com/2009/02/18/i-found-out/ http://blogs.talis.com/nodalities/2009/01/building-coherence-at- -
Brother Leo Bio Where Does Ola End and Brother Leo Begin? “It's A
Brother Leo Bio Where does Ola end and Brother Leo begin? “It's a question that's been rattling around in the constantly whirring mind of the Grammy nominated Swedish artist for a while, and like all good pop mysteries, may never be solved. “Brother Leo means freedom. The name comes from a reoccurring dream I had as a kid. In the dream I had a twin brother, he was a free spirit, brave, confident and always had the answers to everything. He had superpowers and his name was Leo”. A highly respected songwriter and producer in his own right, Ola Svensson has been reborn, ready to take on the world with an impressive array of songs and emotions, as Brother Leo. “The whole idea behind creating the alias was to provide an honest and creative place that forced me outside of my comfort zone. As Brother Leo I’m able to challenge and push myself as a artist and songwriter. In a way, I can be more me”. Fuelled by his winding musical journey so far, and spurred on to dig deeper into his creative expression, Ola, channelling Brother Leo, has crafted a suite of songs that are unafraid to alchemise his emotions and experiences into bold, unabashed pop anthems. These are songs for the masses, communicating universal emotions. Be they playful like the sleek ode to love, Naked, or be they heartbreaking like the redemptive hymn, Hallelujah, or the zeitgeist critical new single, Strangers on an Island; a gold-plated banger produced by British dance music legend Fatboy Slim.