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(Minneapolis). Dog
♦♦SPECIAL "A Whole Shiny New Year to Mess Up" January 1994 Issue of EINBLATT^ DEC 31 (Fri): Minn-STF New Year's Eve Party. 7 pm until early 1994, at home of Susan Ryan / 2958 Sheridan Ave. N. (Minneapolis). Dog. Smoking permitted. "Somewhat childproof— kids welcome." FFI: 529-9480. 31 (Fri): Flash Girls and Cats Laughing, among others, play New Year's gig at the Irish Well (University and Prior in St. Paul). $6 admission. Gallowglass at 8:00; Flash Girls at 9:05; Cats Laughing at 10:15; Bedlam Boys at 11:30. 31 (Fri): Conadian (Winnipeg Worldcon) attending rates goes up tomorrow (today, $95). JAN 1 (Sat): SHOCKWAVE, with DavE Romm, moves to a new time today: 6 to 6:30 Saturdays, still on KFAI-FM (90.3). It's followed at 6:30 pm by debut of a new show, SOUND AFFECTS, hosted by Jerry Stearns. TOM SWIFT AND HIS FANNISH RADIO-ACTIVITY, anyone? 8 (Sat): Minn-STF Meeting. 1:30 pm on, at home of Bill Bader and Ann Totusek / 2726 Knox Ave. N. (Mpls). FFI: 522-0545. 8 (Sat): Minneapa 297 collation. 2 pm, at the Meeting. Copy count 30. FFI: 827-1775. 10 (Mon): Diversicon II attending rates go up tomorrow from $20 to $25. 11 (Tue): Diversicon meeting. 7 pm, at home of Greg Johnson / 1801 Elliot Ave. S.— #11 (Mpls). Topic: Programming. FFI: Greg at 872-6926 or Eric at 825-9353. 14 (Fri): North Country Gaylaxians meeting. 7 pm, at 4141 11th Ave. S. FFI: 870-0168. 15 (Sat): World Building Society meets at 1 pm at Boomer's Saloon and Deli / 312 Central Ave. -
The Dilution of Culture and the Law of Trademarks
File: Assaf_Dec2_2.doc Created on: 12/2/2008 10:28:00 PM Last Printed: 12/2/2008 11:15:00 PM 1 THE DILUTION OF CULTURE AND THE LAW OF TRADEMARKS KATYA ASSAF* ABSTRACT The cultural meaning of a trademark is built up by creating associative links between the mark and various positive cultural signs such as freedom, youth and happiness. This article argues that these links are reciprocal. That is, while the trademark begins to carry some of the meaning of the cultural signs it has been linked to, these cultural signs also absorb some of the meaning of the mark. This article develops a semiotic model, which helps to analyze the flow of meaning from non-commercial cultural signs into trademarks and from trademarks into other contexts. It argues that, by protecting the cultural mean- ing of trademarks, the legal system encourages the commercialization of culture and reinforces the dominance of consumer culture in our society. * Lecturer, Faculty of Law, the Hebrew University of Jerusalem. I would like to thank Yoav Dotan, David Enoch, Rinat Kitai-Sangero, Annette Kur, Marshall Allin Leaffer, Mark Lem- ley, Daphna Lewinsohn-Zamir, Ira Pinto, Michal Shur-Ofry, Rebecca Tushnet, Katja Weckström, Steven Wilf, Julia Zakharov, Helena Zakowska-Henzler and Eyal Zamir for their helpful comments, insights and suggestions. Volume 49—Number 1 File: Assaf_Dec2_2.doc Created on: 12/2/2008 10:28:00 PM Last Printed: 12/2/2008 11:15:00 PM 2 IDEA—The Intellectual Property Law Review INTRODUCTION ................................................................................................... 2 I. AN ANALYTICAL SEMIOTIC MODEL .................................................... 6 II. THE DILUTION OF CULTURE.............................................................. -
Reddy Kilowatt STEAM Activity
Reddy Kilowatt STEAM Activity History – The flash of inspiration for Reddy Kilowatt literally came from a bolt of lightning. Ashton B. Collins, Sr. of Alabama Power created Reddy in 1926 after seeing a bolt of lightning that resembled a little man. Dan Clinton, Collins co-worker, was the first to sketch the character with a lightning bolt body, a round head with outlets for ears and a lightbulb nose and wearing safety gloves and boots. The use of electricity in the mid-1920s was still considered a novelty, especially in rural areas so Reddy was used to promote the use of electricity, focusing on its safety and reliability. Later his focus shifted to powerline safety (kids flying kites), education and conserving energy. Reddy was licensed to electric companies and his image would be used in print advertising and on promotional items. He appeared on a variety of objects including: buttons, figurines, lighters, ashtrays, kitchenware, recipe books, pens and pencils, charms and lapel pins, coloring books and comic books. He also adorned power company vehicles and businesses. At his height, he was licensed to an estimated 300 power companies globally. In 1946, Reddy made his debut on the big screen in a movie short called “Reddy Made Magic.” The animation was provided by cartoonist Walter Lantz, whom is best known for his Woody Woodpecker character. The following link: https://www.youtube.com/watch?v=nLcAzYCueAY gives an example of the Reddy Kilowatt theme song. By the 1970s, Reddy was on the decline and only a handful of power companies still use the sparky little mascot today. -
American Newsreels of the 1930S
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 American Newsreels of the 1930s Dennis Marklin Gephardt College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Film and Media Studies Commons, Journalism Studies Commons, and the United States History Commons Recommended Citation Gephardt, Dennis Marklin, "American Newsreels of the 1930s" (1998). Dissertations, Theses, and Masters Projects. Paper 1539626183. https://dx.doi.org/doi:10.21220/s2-ta3x-4w17 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. AMERICAN NEWSREELS OF THE 193OS A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Dennis Gephardt 1998 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Art Approved, May 1998 Phi<Lip/J. Funigrello /\/\A^Pr^c Melvin P. Ely ^ H. Cam Walker TABLE OF CONTENTS Page ACKNOWLEDGMENTS iv ABSTRACT v INTRODUCTION 2 CHAPTER I. NEWSREELS OF THE 193OS 7 CHAPTER II. THE INDUSTRY WHICH PRODUCED THEM 37 CHAPTER III. CULTURAL DEPICTIONS OF NEWSREELS 53 CONCLUSION 70 BIBLIOGRAPHY 75 iii ACKNOWLEDGMENT S The writer wishes to express his appreciation to Professor Philip J. Funigiello, who helped guide this project, for his constructive suggestions, patience and insight. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Knightlife Dec 2020 Vol 59 No 2
14 Focus December 18, 2020 December 18, 2020 Focus 15 A Resurgence of the Past ALLYSON GRAYLIN Reporter Although the currently popular video games may appear vastly different from the classic retro games, they share many aspects that contribute to their success as a video game. Being among the first video games, these retro games are like the Shakespeare of video games. Most of the ideas and tactics have already been tried and are now being placed in a new context. For example, the multi-player Retro Resurgence? fighting style of Sega’s Heavyweight Champ from 1976 is similar to the objectives of Nintendo’s Super Smash Bros. from 2018. Retro games have mapped out the path and created a blueprint for other games to follow. A major charm of classic retro games is the simplicity. These straightforward objectives allow for mindless gameplay and appeal to a wide variety of audiences. Wyatt Steere (12) pointed out that the “simplicity of these games is entertaining, and the repetition is fun to try and master.” By having a seemingly easy task, it is not difficult to imagine an hour passing by while trying to achieve a Pixels: the Monet of Gaming? new high score. ANNIE MCDONALD A common link between retro games and current video games is their highly addictive nature. Amelia Chiu (10) noticed that Reporter retro games tend to be “very easy to learn but pretty hard to be good at.” A successful video game immerses players in the game Newport Students are no amateurs when it comes to video games. -
Zum 100. Geburtstag Von Orson Welles N O D N O L
Zum 100. Geburtstag von Orson Welles n o D n o l ’ S e l l e W n o S R o u z n e t i e b r a h e r D n e d i e b r a d o K a j o d n u s e l l e W n o s r o Die verborgenen Seiten im Werk Dimension. Das war der Moment, wo ich entweder von Orson Welles Selbstmord begehen, mein Scheitern eingestehen oder Als ich im Jahr von Orson Welles’ 100. Geburtstag (am einfach unbekümmert weitermachen konnte, und ich 6. Mai) und seinem 30. Todestag (am 10. Oktober) zu - wählte Letzteres, getreu der berühmten Replik des See - sagte, seine Biografie für meinen französischen Verle - manns in THE LADy FROM SHANGHAI: »When I start ger Éditions Bernard de Fallois zu schreiben, wurde out to make a fool of myself, there’s very little can stop meine Welles-Bewunderung nur noch von meiner Un - me.« s e l bekümmertheit übertroffen. Eine starke Erinnerung an Ich reiste nach Kroatien, um dort Orson Welles’ letzte l e seine Radiosendung »Krieg der Welten« und die fol - Lebensgefährtin und Mitarbeiterin zu treffen: Oja Kodar. W n gende Panik (die völlig anders ablief, als es heute er - Schon begann die getrocknete Blume des Herbariums o s r zählt wird), einige verloren geglaubte, wiedergefundene einen zarten Duft abzugeben, der meine Nase er - O Filme (wie das Material von TOO MUCH JOHNSON, das reichte. Der Mensch Orson Welles nahm langsam kon - 74 die Retrospektive eröffnet), selbstverständlich die Ehr - krete Konturen an: Ich war am Meer, das er betrachtet furcht vor CITIZEN KANE, den ich zu meiner Über - hatte, sah an den Wänden der Villa seine Zeichnungen raschung nur ungefähr im Gedächtnis hatte, und einige und sprach mit der Frau, die er geliebt hatte. -
|||GET||| Citizen Kane 2Nd Edition
CITIZEN KANE 2ND EDITION DOWNLOAD FREE Laura Mulvey | 9781844574971 | | | | | Citizen Kane Holding a snow globehe utters a word, "Rosebud", and dies; the globe slips from his hand and smashes on the floor. When critics hailed the re- release of Sam Peckinpah's masterpiece, The Wild Bunch, it was a recognition of Paul Seydor's earlier claim that this was a milestone in American film, perhaps the most important since Citizen Kane. Norton Company, Retrieved March 11, He also had many movie theaters ban it, and many did not show it through fear of being socially exposed by his massive newspaper empire. Citizen Kane 2nd edition from the original on March 11, One extremely low angle is used to photograph the encounter between Kane and Leland after Kane loses the election. Welles signed his contract with RKO on August 21, which stipulated that Welles would act in, direct, produce and write two films. New York World-Telegram. Classified Ads. Sort: Best Match. Retrieved October 30, Skip to main content. Archived from the original on March 15, Schaefer brought Welles to New York City for a private screening of the film with the New York corporate heads of the studios and their lawyers. Read an excerpt of this book! Retrieved March 6, McBride is the first author to provide a comprehensive examination of the films of Welles's artistically rich yet little-known later period in the United States —when McBride knew and worked with him. Authenticity Guarantee. Archived from the original on November 29, Citizen Kane 2nd edition We Citizen Kane 2nd edition every camera setup and everything else—did enormous research in aboriginal, Stone Age cultures in order to reproduce what the story called for. -
Read Ebook {PDF EPUB} Graveyard Special by James Lileks Lileks: an Early Fair? It's Against the Laws of Nature
Read Ebook {PDF EPUB} Graveyard Special by James Lileks Lileks: An early fair? It's against the laws of nature. No, hold on. I'm not the only who feels this way, I'm certain. Suddenly it's a looming issue. The State Fair, the Great Minnesota Get-Together, has announced a "mini-fair" on Memorial Day Weekend, and for many it's tempting. Except for the whole "Get Together" part. First, what's a Mini Fair? Does that mean everything is half-scale? That would be amusing. Instead of big lumbering cows, there would be very small cows (or as those farm kids say with their special country lingo, "calves"). The big swing ride on the midway goes up only 7 feet, which is great if it gets stuck. In normal times when it ceases to operate and everyone's dangling, you don't have the "hop off" option. Well, you do, but it's not advised. What else would a resized fair have? Half-sized neon-hued yardsticks, which would work as walking sticks only if you went around on your knees — which perhaps also would be mandatory under the miniaturized theme. Fairchild, the mascot gopher, would be replaced by an actual gopher, manipulated with marionette strings to make it walk erect. (Note to the person who has to put on its clothes: Make sure you're up on all your shots, and we just don't mean COVID.) I know what you're thinking: what of Mini Donuts? In a Mini Fair, would they just cut the number in half, or reduce the size of the doughnuts? Is it even possible to reduce the size of Mini Donuts? At some point the center aperture no longer will be visible, and then people will think they're doughnut holes. -
Library of Congress Motion Picture Conservation Center Quarterly Production Reports, 2000 – 2005
Description of document: The Library of Congress Motion Picture Conservation Center quarterly production reports, 2000 – 2005 Requested date: 20-February-2006 Released date: 22-June-2006 Posted date: 11-January-2008 Title of Document Quarterly Production Report [various periods] Production Report [various periods] Date/date range of document: 16-May-2000 – 13-July-2005 Source of document: The Library of Congress Office Systems Services 101 Independence Avenue, S.E. Washington, D.C. 20540-9440 The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. THE LIBRARY OF CONGRESS 101 INDEPENDENCE AVENUE, S.E. WASIDNGTON, D.C. 20540-9440 OFFICE SYSTEMS SERVICES June 22, 2006 We acknowledge receipt ofcheck number in the amount of$58.50 for information requested in your letter ofFebruary 20,2006. Enclosed are 83 pages of 1st Quarter 2000 through 2nd Quarter 2005 Motion Picture Conservation Center quarterly production reports. Note that only an annual report was compiled for the time period July 2001 - July 2002 and is included with the quarterly reports requested. -
Regenerating Dixie: Electric Energy and the Making of the Modern South
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History 8-12-2016 Regenerating Dixie: Electric Energy and the Making of the Modern South Casey P. Cater Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Cater, Casey P., "Regenerating Dixie: Electric Energy and the Making of the Modern South." Dissertation, Georgia State University, 2016. https://scholarworks.gsu.edu/history_diss/52 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. REGENERATING DIXIE: ELECTRIC ENERGY AND THE MAKING OF THE MODERN SOUTH by CASEY P. CATER Under the Direction of Michelle Brattain, PhD and Joe Perry, PhD ABSTRACT The emergence and spread of electricity profoundly shaped the “long New South.” This dissertation traces the electrification of the US South from the 1880s to the 1970s. Focusing primarily on the Atlanta-based Georgia Power Company, it emphasizes that electricity’s rise was not simply the result of technological innovation. It was a multifaceted process that deeply influenced, and was influenced by, environmental alterations, political machinations, business practices, and social and cultural matters. Although it hewed to national and global patterns in many respects, southern electrification charted a distinctive and instructive path. Its story speaks to the ways the South’s experiences with electrification shaped larger American models of energy transitions and economic development, but also the ways it wrought dramatic changes in the fabric of everyday life. -
Double Features References
DOUBLE FEATURES BIG IDEAS IN FILM Reference List DOUBLE FEATURES BIG IDEAS IN FILM Reference List Yossarian Is Alive and Well in the Mexican Desert 4 Nora Ephron Countercultural Architecture and Dramatic Structure 6 David Mamet Shooting to Kill (selection) 7 Christine Vachon Laugh, Cry, Believe: Spielbergization and Its Discontents 10 J. Hoberman In the Blink of an Eye (selection) 15 Walter Murch “One Hang, We All Hang”: High Plains Drifter 16 Richard Hutson Lynch on Lynch (selection) 18 Chris Rodley, interview with David Lynch John Wayne: A Love Song 19 Joan Didion Nonstop Action: Why Hollywood’s Aging Heroes Won’t Give Up the Gun 20 Adam Mars-Jones Willing 23 Lorrie Moore The contents of this packet include proprietary trademarks and copyrighted materials, and may be used or quoted only with permission and appropriate credit to the Great Books Foundation. DOUBLE FEATURES Furiosa: The Virago of Mad Max: Fury Road 24 Jess Zimmerman Scary Movies 25 Kim Addonizio Skyshot 26 Manuel Muñoz Edward Hopper’s New York Movie 27 Joseph Stanton Why We Crave Horror Movies 28 Stephen King Matinée 32 Robert Coover The Last Movie 33 Rachel Hadas Some Months After My Father’s Death 34 Sheryl St. Germain The Birds (selection) 35 Camille Paglia Your Childhood Entertainment Is Not Sacred 37 Nathan Rabin Pygmalion’s Ghost: Female AI and Technological Dream Girls 38 Angelica Jade Bastién The Solace of Preparing Fried Foods and Other Quaint Remembrances from 1960s Mississippi: Thoughts on The Help 39 Roxane Gay Better Living Through Criticism: How to Think About Art, Pleasure, Beauty, and Truth (selection) 40 A.