Printed Matter, Inc. WHOLESALE CATALOG

NEW FOR JUNE 2021 | Exclusive distribution of A Joe Brainard Show in a

RECENTLY DEPRECIATING PRINTED MATTER PUBLISHED ASSETS PUBLICATIONS AVAILABLE Jessica Vaughn AT A 40% DISCOUNT NO NEW THEORIES Kameelah Janan Rasheed

Printed Matter Program Opening a Wholesale Account

Founded in 1976, Printed Matter, Inc. is the world’s leading To place wholesale orders with Printed Matter, please email non-profit dedicated to the promotion and distribution of artists’ [email protected] with your resale certificate (or equivalent , with nearly 15,000 titles available in our Chelsea document.) Once approved, you can create a User Account at storefront and East Village satellite location. printedmatter.org and place orders through the site directly. A wholesale discount will be automatically applied. The Printed Matter imprint regularly commissions ambitious new book projects from emerging and established artists, Note that prepayment (including shipping) is required for all and also offers a backlist of classic works dating to the orders, and that we cannot accept returns. organization's founding. ARTBOOK | D.A.P. Distribution Contact [email protected] Note that select Printed Matter titles are distributed through with any questions. ARTBOOK | D.A.P. Visit artbook.com to set up an account and order directly. Exclusive Distribution

A JOE BRAINARD SHOW IN A BOOK

by Joe Brainard; edited by M/M (Paris) with Ron Padgett and Éric Troncy (Contributors)

From LOEWE, a sumptuous 200-page hardbound devoted to the graphic works and artists’ publications of artist and writer Joe Brainard.

About the Publication

Printed Matter is collaborating with LOEWE to offer A Joe Brainard Show in a Book for exclusive distribution, now available to bookstores. The recently published volume is devoted to the graphic works and artists’ publications of artist and writer Joe Brainard (1942–1994). Prefaced by Brainard’s close friend and poet Ron Padgett, and accompanied by an essay from art critic Éric Troncy, the publication reproduces at real scale rarely seen zines, comics, printed matter, ephemera and artworks created by Brainard during the 1960s and 70s.

Edited and designed by M/M (Paris), A Joe Brainard Show in a Book is housed in a giant fold-out cloth reproducing Brainard’s Untitled (Bow), a colorful collage from 1967, and is released in a limited of 500 commercially available copies. Sales of the book will benefit the nonprofits Printed Matter and Visual AIDS, an organization which utilizes art to fight HIV/ AIDS by provoking dialogue, supporting artists living with HIV, and preserving a legacy, because AIDS is not over.

Publication Details • Paris: LOEWE. 2021 RETAIL $100.00 • Hardback WHOLESALE $60.00 • Color, Offset Printed • Fold-out cloth dust jacket • 28.5 x 35.5 cm • Limited edition of 500

ID #119942 Recent Release

DEPRECIATING ASSETS

by Jessica Vaughn with Magdalyn Asimakis (Contributor)

An artists’ book investigating labor, diversity politics, and the material environment of the American workplace.

About the Publication

Depreciating Assets, a new artists’ book by Jessica Vaughn, considers the ways in which affirmative action and office equity measures intersect with corporate infrastructure and physical office space, proposing that minimalist design gestures of the modern office cannot exist outside the conditions of race, class and labor. Across four interwoven sections and related appendices, Vaughn assembles her photographs and critical writings alongside xeroxed images, diversity training video stills, and manipulated open source documents of the US Government. The project distills the symptoms of late 20th and 21st century work culture produced by open office plans and modular architecture’s promise of malleability, compliance, and universality—provisions that bid for increased efficiency and productivity at the expense of visibility for Black workers and workers of color.

Using a familiar copyshop color palette on standardized paper stock, Depreciating Assets replicates the style, materials, and colors outlined by the US Government Publishing Office—standards set to ensure design efficiency and the economical production of internal documents. The publication concludes with an afterword by the author contextualizing the project’s themes within the contemporary reality of global pandemic, economic precarity, and protests against racist state violence.

Publication Details • New York: Printed Matter, Inc. 2021 RETAIL $25.00 • WHOLESALE $15.00 • Color & Black and White • Tape Bound, 4-color spot on 6 varied stocks • 22 x 28 cm • Edition of 600

ID #119507 Recent Release

NO NEW THEORIES

by Kameelah Janan Rasheed

An experimental artists’ book of xerox abstractions, found photography, and poetic text fragments to explore processes of learning and unlearning.

About the Publication

No New Theories is a new artists’ book by Kameelah Janan Rasheed. Building on Rasheed’s associative installation work, the project freely assembles the artist's own writing, autocorrect algorithms, and Oulipian poems (short texts generated with the help of imposed constraints) alongside visuals drawn from her personal image archive, pop culture, zoological journals, quranic verses, and more. The work gathers these threads with an emphasis on the processes of revision and improvisation as she considers the potential of meaning in place of fixed definitions.

At the heart of No New Theories is an interview between Rasheed and Jessica Lynne, co-founder of the art criticism journal ARTS.BLACK, that attempts to document their intellectual partnership through a layering process by which the original exchange is reworked and expanded with annotations, citations, and excerpted texts. Rasheed and Lynne take on questions of epistemology and pedagogy, knowledge-acquisition, as well as patience and fatigue. To build on the notion of the ‘organic archive’—both as a fictional organizing framework and as a score for possible experiences—the two consider various historical, socio- logical, and cultural facets of Americana, proposing a multi-directional discourse around the wide permutations of Black experience. The book’s title locates Blackness as a multivalent and porous experience that can't be neatly theorized.

Publication Details • New York: Printed Matter, Inc. 2019 RETAIL $30.00 • Hardback • Black and White WHOLESALE $18.00 • High gloss silkscreen cover, edge- printing, suede ink • 23 x 15 cm • Edition of 1000

ID #112735 Featured Title

ART-RITE

edited by Joshua Cohn, Edit DeAk, Walter Robinson

A facsimile edition of the trailblazing periodical Art-Rite, collecting the full run of all twenty issues of the underground arts magazine in a single 678-page volume, co-published with Primary Information.

About the Publication

This facsimile edition collects the full run of the iconic arts periodical Art-Rite, co-published with Primary Information. Edited and published by Joshua Cohn, Edit DeAk, and Walter Robinson between 1973 and 1978 (Cohn would leave after Issue 7), Art-Rite moved easily through the expansive community of post- conceptual, post-minimalist, performance, and video artists that made up New York’s vibrant downtown arts scene. With a sharp editorial vision, fanzine ethos, and proto-punk aesthetic, the magazine presented up-close coverage of the art world that was at once critical, humorous, and deeply knowledgeable, avoiding the formal tone and self-seriousness that characterized other art publications of the time.

Over its five year run,Art-Rite would publish hundreds of interviews, exhibition and performance reviews, statements, and projects “by, with, and about” a generation of artists who felt accessible in these pages, even as many of them were, or would soon become, the defining voices of the era. Featured artists include: Vito Acconci, Kathy Acker, Bas Jan Ader, Laurie Anderson, John Baldessari, Gregory Battcock, Lynda Benglis, Mel Bochner, Marcel Broodthaers, Trisha Brown, Chris Burden, Scott Burton, Ulises Carrión, Judy Chicago, Lucinda Childs, Christo, Diego Cortez, Hanne Darboven, and more.

Publication Details • New York: Printed Matter, Inc. RETAIL $40.00 and Primary Information 2019 • Paperback • Color & Black and White This title distributed • Offset Printed by ARTBOOK | D.A.P. • 16 x 27.5 cm • Edition of 2000

ID #116587 Featured Title

FOUR BASIC KINDS OF LINES & COLOUR

by Sol LeWitt

A facsimile edition of the iconic LeWitt publication that investigates the possibilities of elemental graphic combinations and the effects of sequence, color, and geometric form, co-published with Primary Information.

About the Publication

This facsimile edition of Sol LeWitt’s iconic Four Basic Kinds of Lines & Colour is co-published with Primary Information. Originally released in 1977, the publication stands as an enduring example of LeWitt’s rigorous process-driven practice which utilizes simple conceptual parameters to generate complex and formally-diverse visual works.

Four Basic Kinds of Lines & Colour is a composite of two earlier publications— Four Basic Kinds of Straight Lines (1969) and Four Basic Colours and Their Combinations (1971). Each left-hand page offers a black and white study of four types of lines (vertical, horizontal, right-facing diagonal, left-facing diagonal) executed in all possible combinations, while right-hand pages present a combinatory system of lines in four colors (yellow, black, red, blue). The book opens with a two-page ‘key’ overviewing all permutations that follow.

Publication Details • New York: Printed Matter, Inc. RETAIL $16.00 and Primary Information 2019 • Paperback • Color This title distributed • Staple Bound by ARTBOOK | D.A.P. • 20 x 20 cm • Edition of 3500

ID #115677 Featured Title

AND YET MY MASK IS POWERFUL

by Basel Abbas & Ruanne Abou-Rahme

A visual project of found and original imagery exploring the intersections of performativity and ritual, body and artifact, thingness and virtuality.

About the Publication

And Yet My Mask is Powerful is a publication by Palestinian artist-duo Basel Abbas and Ruanne Abou-Rahme. The work is an encompassing visual poem that develops the artists’ ongoing project of the same name, exploring the intersections of performativity and ritual, body and artifact, thingness and virtuality.

Comprised of several narrative threads, And Yet My Mask is Powerful is a reflection on violence and crisis as it filters down through history, mythology, and into the complexities of our present moment. The book takes Adrienne Rich’s poem Diving Into the Wreck (1973) as its starting point and allegorical framework, with portions of the text running through the book in English and Arabic side-by-side.

The project is built up through the layering of original and found imagery, providing both a formal and conceptual structure for thinking about people and place within a living fabric that has been compromised. Archival photos, stills of video/media files, and performance documentation are shuffled and overlapped until unscripted connections start to emerge.

Publication Details • New York: Printed Matter, Inc. 2017 RETAIL $18.00 • Paperback • Color WHOLESALE $10.80 • Offset Printed with Spot Color • Sewn Bound • 24 x 20.5 cm • Edition of 1000

ID #110157 Featured Title

NAME, THING, THING: A PRIMER IN PARALLEL TYPOGRAPHIES

by Gerardo Madera

An ambitious project using text, found images and citations to explore typographic intervention and the decolonization of design and typography.

About the Publication

Name, Thing, Thing is a compilation of thoughts, quotations, and fragments on and around typographic intervention as an act of resistance to the colonial embeds of typographic tradition—a pursuit analogous to long-used strategies of survival by people of color to subvert and reclaim defined historical narratives. Cultural remapping, hybrid form-making, and discursive histories are tactics explained in Name, Thing, Thing to locate potential channels of articulation in typography's decolonization.

Part One (Letters Are Things) is a performative text drawing from numerous theoretical sources across design criticism and cultural thought. Progressing through numbered and lettered sections, the essay attempts to cobble together what a methodology that actively combats typography’s inherent homogenization of language and form might look like. Part Two (Things) borrows images from various books, artifacts, and artworks to locate an expressive language, often incorporating physical gesture—posture, gesticulation, facial expression—in the space around language, symbol and relic. Part Three (Things Cited) attributes the images and text.

Publication Details • New York: Printed Matter, Inc. 2018 RETAIL $15.00 • Hardback • Black and White WHOLESALE $9.00 • Sewn Bound • 15.5 x 10 cm • Edition of 1000

ID #112029 Featured Title

A MISTAKE IS A BEAUTIFUL THING

by Devin Troy Strother & Yuri Ogita

The first publication from LA-based Coloured Publishing, presenting an offhanded and humorous glimpse into their daily lives as artists and publishers.

About the Publication

The loosely organized of images—taken both by and of Coloured Publishing's Devin Troy Strother and Yuri Ogita—offers an offhand perspective into the duo’s daily life as artists and publishers.

Accompanied by short and often humorous captions, the photographs (sometimes overlapping) are comprised of glimpses into studio life (collages-in- progress, unhung paintings, spilled paint) as well as other encountered objects (book covers, plants, and many dime bags). The work moves indiscriminately through its recurring motifs to build on a dialog that is irreverent but assured, examining art and its references, cultural phenomena, and the experience of being a person of color in the US.

A Mistake Is A Beautiful Thing is published by Printed Matter in collaboration with LA-based Coloured Publishing. The new hardcover work is the latest from designer Yuri Ogita and artist Devin Troy Strother, and follows a companion installation by Coloured Publishing at Printed Matter in 2018.

Publication Details • New York: Printed Matter, Inc. 2018 RETAIL $25.00 • Hardback • Color WHOLESALE $15.00 • Sewn Bound • 23 x 15.5 cm • Edition of 500

ID #113316 Featured Title

PRINTER PROSTHETIC: FUTURA

by Federico Pérez Villoro & Christopher Hamamoto

An experimental reprint of the seminal Futura pamphlet series by way of a custom 3D-printed prosthetic.

About the Publication

Printer Prosthetic: Futura is conceived as an “experimental reprint” of artist, publisher, and printer Hansjörg Mayer’s seminal Futura (1965–1968), a series of twenty-six artworks published as folded, single-page pamphlets. Using this collection of Concrete and Fluxus works as a starting point, Printer Prosthetic: Futura reinterprets the poems by means of mechanical mediation, outputting the originals through a set of controlled and chance operations.

Working with an industrial designer, the artists produced a custom 3D-printed “prosthetic” device to manipulate the encoder strip of a desktop printer. As the individual poems of the Futura pamphlets ran through a HP DeskJet 1112, the artists interfered with the rhythm of the printhead by adjusting the track on which it moves. The resulting work is a set of new, altered text pieces that are conceptually distinct from the original while still bearing a formal similarity.

The book's first section is comprised of an instructional manual for both recreating the prosthetic and modding a desktop printer. An essay by Roxana Fabius offers a history of Mayer’s series, positioned in relationship to this new project. The second section presents the outcomes of the reprinting process.

Publication Details • New York: Printed Matter, Inc. 2017 RETAIL $15.00 • Paperback • Color & Black and White WHOLESALE $9.00 • Perfect Bound • 23 x 15 cm • Edition of 1000

ID #110009 Backlist

QUEER ZINES, VOL. 1 AN ARRANGED AFFAIR Philip Aarons and AA Bronson, editors Sally Alatalo Queer Zines collects the varied An Arranged Affair was published practices of gay zine makers, past on the occasion of Chicago-based and present, from North America artist Sally Alatalo’s exhibition and Europe. This collection includes Sally Alatalo: Narrative in Revision comprehensive , at Printed Matter in 2017. Using sinful synopses, excerpted standard format paperback novels illustrations and writing, reprints, a as source material, An Arranged directory of articles on queer zines, Affair is the latest installment of and important zine archives around Alatalo’s Pulp series, initiated the world. through her own imprint, Sara Ranchouse Publishing. The series New York: Printed Matter, Inc. 2008 & 2014 operates within the conventions of Softcover Duotone mass-market publishing, reusing Glue Bound the tropes of genre fiction to lay 27 x 19 cm out, among other things, a critique Edition of 2000 Retail $25.00 of various social and political Wholesale $15.00 constructions. ID #94945 New York: Printed Matter, Inc. 2017 Paperback Black and White Offset-Printed QUEER ZINES, VOL. 2 Perfect Bound Philip Aarons and AA Bronson, editors 17.7 x 17 cm Edition of 500 Queer Zines 2 includes new essays Retail $15.00 Wholesale $9.00 that reflect the editors’ deep belief ID #109081 in the urgency and vitality of the zine as individual and collective forum, offering both personal and critical assessments of independent A FIELD GUIDE TO WEEDS queer publishing as an important (3RD EDITION) agent in shaping identity, Kim Beck establishing community, and altering the course of culture. A Field Guide to Weeds masquerades as a 19th century New York: Printed Matter, Inc. 2014 pocket guide. The physical form of Softcover the book is used as a metaphor for a Duotone Glue Bound crack in the city sidewalk, where the 27 x 19 cm unruly plants creep out of the gutter Edition of 2000 and overrun the page spread. Retail $25.00 Wholesale $15.00 ID #96370 New York: Printed Matter, Inc. 2008 Cloth Cover Color Sewn Bound QUEER ZINES BOX SET, 17.5 x 11.8 cm VOLUMES 1 & 2 Edition of 1500 Retail: $25.00 Philip Aarons and AA Bronson, editors Wholesale: $15.00 ID #97149 This special edition of Queer Zines contains Volumes 1 and 2 in a screenprinted slipcase. This set also includes an updated and abridged DARK PROSPECTS second printing of the original Charles Beronio Queer Zines. In Dark Prospects, Beronio takes New York: Printed Matter, Inc. 2014 his source material from issues of Softcover People, Time, Newsweek, and U.S. Duotone News, dismantling the language Screenprinted Slipcase Glue Bound of the medium by blacking out all 27 x 19 cm references to corporate branding Retail: $45.00 and faces of featured stars and Wholesale: $27.00 ID #96371 political figures.

New York: Printed Matter, Inc. 2008 Softcover Black and White Staple Bound 28 x 21.5 cm Retail: $10.00 Wholesale: $6.00 ID #82681 Backlist

IMAGINARY CONCERTS NOTES FROM THE HISTORY Peter Coffin OF ED- Anne Callahan Co-published by Printed Matter, Inc. and Anthology Editions, Imaginary Notes from the History of Ed- Concerts is a collaborative project provides an historico-exemplary organized by Coffin, featuring the account of and/or THE contributions of more than 75 EDITOR as a profession, activity and artists, curators, and musicians. term. What happened (is happening) Each contributor submitted a to the editor? (that sensitive fictitious concert lineup they would visionary literary-journalistic figure wish to see. These billings were then of the last century). And, come to typeset in the iconic style of the think of it, where did the editor Colby Poster Printing co. come from? This book traces the act of EDITING from Liu Xiang to New York: Anthology Editions and Printed Matter, Inc. 2017 Miranda Priestly with found texts Hardback and visuals. Color Offset Printed New York: Printed Matter, Inc. 2015 Sewn Bound Paperback 31 x 23 cm Black and White Edition of 1000 Perfect Bound Retail $29.95 19.8 x 12.7 cm Wholesale $17.97 Edition of 350 ID #108231 Retail $10.00 Wholesale $6.00 ID #101801 OCEANS OF LOVE: THE THE BAADER-MEINHOF UNCONTAINABLE GREGORY AFFAIR BATTCOCK Erin Cosgrove Joseph Grigely With The Baader-Meinhof Affair, Oceans of Love: The Uncontainable Erin Cosgrove writes a send-up Gregory Battcock, edited with of the romance genre, filled with an introduction by Joseph the ghosts of the Baader-Meinhof Grigely, is the first book to bring gang of 1970s Germany. Dangerous together a collection of Gregory passions and politics intersect as Battcock’s prefaces and essays the author interjects historical cliff- (from Minimalism, Idea Art, Why notes and commentary. Art?, and other books), as well as critical writings called “quiticism,” New York: Printed Matter, Inc. 2003 published in underground Softcover newspapers in the 1970s. The book Black and White Glue Bound follows Joseph Grigely’s exhibition 17 x 10.5 cm The Gregory Battcock Archive, which Edition of 3000 was first exhibited in 2009. Retail: $14.95 Wholesale: $8.97 ID #73914 London, Graz, Hamburg and New York: Koenig Books, Grazer Kunstverein, Kunstverein in Hamburg and Printed Matter, Inc. 2016 Color & Black and White 10,000 FRANCS REWARD 24 × 17 cm Marcel Broodthaers Retail $28.00 Wholesale $16.80 Translated by Elizabeth Zuba ID #106671 with Maria Gilissen Broodthaers, 10,000 Francs Reward (Dix mille PROPOSALS FOR PRINTED francs de récompense) is realized MATTER, INC. as a performative self-interview Peter Liversidge in which Broodthaers’ questions and answers run together in a Proposals for Printed Matter, Inc. single fluid body of text. The work is a catalog of proposals for first appeared in connection with Printed Matter describing an array the artist’s Catalogue/Catalogus of possible projects—objects, exhibition at the Palais de Beaux- performances, and actions in the Arts, Brussels, 1974, inspired Fluxus tradition. by a conversation with art critic Irmeline Lebeer. New York: Printed Matter, Inc. 2014 Softcover Brussels and New York: Département des Black and White Aigles Brussels and Printed Matter, Inc. 2016 Staple Bound Paperback 21 x 16.5 cm 23 x 18 cm Edition of 500 Edition of 1000 Retail: $12.00 Retail $12.00 Wholesale: $7.20 Wholesale $7.20 ID #98387 ID #104454 Backlist

ALARME NEW YORK TESTAMENT Brion Gysin Dawn Kim Alarme is a publication by Gysin, New York Testament compiles an icon of the Beat Generation, images from various religious consisting of the 1977 calligraphic tracts found in the New York City poem of the same name. The work subway. The result is a “reverse- was conceived as an artist’s book engineered bible” that unifies but never received publication mostly disparate denominations during the author’s lifetime— in an unlikely testament to human consisting of gridded and repeated creativity, ambition, and diversity. words that dissolve into visual Text excerpts from each pamphlet patterns and gestural marks. are provided in an appendix in the book’s final pages. Paris and New York: Galerie de France and Printed Matter, Inc. 2010 Softcover New York: Printed Matter, Inc. 2015 Black and White Paperback Sewn Bound Color 25 x 25 cm Perfect Binding Edition of 1500 21.6 x 14 cm Retail: $18.00 Edition of 350 Wholesale: $10.80 Retail $15.00 ID #87398 Wholesale $9.00 ID #101802

ABRAHAM LINCOLN PICTURES FOR LOOKING AT Rachel Harrison & EQUIVALENTS Abraham Lincoln surveys various Jason Evans depictions of this ubiquitous Pictures for Looking at & visage as it appears in the Equivalents features a series of collective consciousness. Aimed to intricate still lives by the artist encapsulate the obscurities of our paired with diagonally-divided digital age, the book is comprised rectangles. With no interpretive text, entirely of Googled images of the work “asks for just a keen pair our sixteenth president, shown of eyes happy to wander and sequentially turning his celebrated wonder” [Evans]—setting up a kind profile from right to left in a of equivalence between the two parade of absurd representations forms. (a Lincoln toe ring, a Lincoln cake, a Lincoln egg, and a Lincoln New York: Printed Matter, Inc. 2014 coffee mug), attesting to the over- Softcover commodification of American Color Staple Bound history. 29 x 24.5 cm Edition of 500 New York: Printed Matter, Inc. 2011 Retail: $15.00 Softcover Wholesale: $9.00 Color ID #97174 Gluebound 25.5 x 20.5 cm Edition of 1000 Retail: $34.00 WES MILLS Wholesale: $20.40 Wes Mills, Hipólito Rafael Chacón, ID #88657 and Ann Wilson Lloyd FUTUREWAYS Wes Mills is a monograph featuring Rita McBride and Glen Rubsamen, forty-eight drawings made by the editors artist between 1994 and 2003. Along Futureways is the story of an art with a complete index, essays by exhibition in the year 2304. Part Hipólito Rafael Chacón and Ann collaborative novel, exhibition, and Wilson Lloyd discuss the aesthetic catalogue, this book utilizes the and art historical significance of conventions of the science fiction Mills’ work. genre, with stories about space, New York: Printed Matter, Inc. 2004 time travel, alien contact, and Cloth Cover robots. Color Sewn Bound 31 x 23.5 cm Vancouver and New York: Arsenal Pulp Press, Edition of 1500 Whitney Museum of American Art and Printed Retail: $35.00 Matter, Inc. 2004 Wholesale: $21.00 Softcover ID #76515 Black and White Glue Bound 18 x 11 cm Retail: $14.95 Wholesale: $8.97 ID #77826 Backlist

LA: A GEOGRAPHY OF THE SIGNING MODERN ART Josh Smith Aleksandra Mir The Signing is a facsimile Aleksandra Mir’s oversized booklet reproduction of the gallery sign- is a modern West Coast take on in book from the artist’s 2007 Harold Rosenberg’s “Tenth Street: exhibition Abstraction at Luhring A Geography of Modern Art” Augustine Gallery. Hardbound in published in Art News Annual by black cloth, the book consists of the the Art Foundation Press in 1959. signatures and notes left by visitors Mir’s version reads like an art both famous and unknown. school brochure, designed to give New York: Printed Matter, Inc. 2008 prospective students a glimpse Cloth Cover into what “residential life” is like Black and White in the Southern Californian art Sewn Bound 28.5 x 22 cm scene. Photographs by Justin Edition of 400 Beal document the bar scene, Retail: $35.00 dinners, lectures, dance workshops, Wholesale: $21.00 ID #17938 openings, and events, where art appears as background scenery to the mingling of an international group of artists and students. VERSIONS Max Stolkin New York: Printed Matter, Inc. 2007 Paperback Color Published as part of the Emerging Staple Bound Artists Publication Series, Versions 33.5 x 25.5 cm offers a concise treatment of infinite Edition of 1000 Retail: $5.00 regress, bringing together Hubble Wholesale: $3.00 telescope deep-field imagery, found ID #83962 images of modernist stacking tables, and several versions of the same THE FALL story. Michelle Stuart New York: Printed Matter, Inc. 2014 The Fall is composed of Softcover Color stereopticon photos of southern Gluebound California waterfalls juxtaposed 22 x 15.5 cm against a text that combines real Edition of 350 Retail: $10.00 and imagined history, geological Wholesale: $6.00 phenomena, and a paradise ID #98209 inhabited only by women.

New York: Printed Matter, Inc. 1976 Softcover Offset-Printed URANUS #1 Staple Bound Carlo Quispe, Mike Diana and Shane 20 x 23 cm Uht Retail $6.00 Wholesale: $3.60 Within the pages of their ID #1793 collaborative “Gay Love Comix,” Carlo Quispe, Mike Diana, and Shane Uht let their desires and THE ANN SCALES fantasies roam free in these POSTCARDS: MARCH 14, quickly-executed ink drawings 1973–MARCH 14, 1975 that explore explicit sex acts and Ann Chapman Scales candid affection. The Ann Scales Postcards records a New York: Printed Matter, Inc. 2010 two-year mail art project, edited into Softcover book format. Handwritten postcards Black and White that discuss Scales’ life as an artist Glue Bound 32 x 24 cm and the nature of art itself are Retail: $15.00 interspersed with literary fragments Wholesale: $9.00 and citations from various texts on ID #87734 the habits of birds.

New York: Printed Matter, Inc. 1976 Paperback Black and White Staple Bound 13.5 x 20.5 cm Retail: $5.00 Wholesale: $3.00 ID #627 Backlist Artist Audio

PERSISTENT HUTS DOUBLE SEXTET Derek Sullivan Destroy All Monsters While the form of this accordion Lost for 35 years after its recording fold-out book is based on Ed in Ann Arbor in 1975, this LP from Ruscha’s famous Every Building Destroy All Monsters features the on the Sunset Strip, the photos underground sound of the sextet inside depict structures build from group (including Mike Kelley, Jim copies of another famous artist’s Shaw, Cary Loren, Jeff Fields, Kalle book—Psychobuildings by Martin Nemvalts, and John Reed). Cover Kippenburger. art by Mike Kelley and Cary Loren.

New York: Printed Matter, Inc. 2008 New York: Printed Matter, Inc. 2009 Paperback Audio Vinyl Black and White 31 x 31 cm Accordion Edition of 1000 18 x 14 cm Retail: $18.00 Edition of 500 Wholesale: $10.80 Retail: $15.00 ID #8519 Wholesale: $9.00 ID #83588

RAIN SONG 7" Sun Foot, Stefan Marx To celebrate their appearance at the 2012 NY Art Book Fair Preview, Printed Matter presented this limited edition 7” picture disc of Sun Foot’s “Rain Song”. The San Francisco- based group consists of artist Chris Johanson, multi-instrumentalist Brian Mumford, and drummer Ron Burns. Cover art and album design provided by illustrator Stefan Marx.

New York: Printed Matter, Inc. 2012 Audio Vinyl 31 x 31 cm Edition of 500 Retail: $20.00 Wholesale: $5.40 ID #92058