SIXTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 • 737-4215 extension 224

MASTERPIECES OF AMERICAN NAIVE PAINTING

TO OPEN AT THE

Washington, D. Co June 8, 1969. General George Washington on

White Charger (Jack); an early farming community's Flax-Scutching

Bee; and wild beasts of the jungle in The Peaceable Kingdom.

These scenes by unschooled artists typify a matchless collection of 2600 early American paintings acquired during the past quarter of a century by Edgar William and Bernice

Chrysler Garbisch. On Friday (June 13), their most celebrated acquisitions of American naive painting go on summer exhibition at the National Gallery of Art.

Of the 111 paintings selected., 34 have been given to the

National Gallery, including The Cornell Farm by Edward Hicks,

The Sargent Family by an unknown artist, and Family Portrait by

Ralph E. Wo Earl, who was artist-in-residence for Andrew Jackson.

Fourteen have been given to The Metropolitan Museum of Art, and nine are from the collection of the Museum of Art.

Reception of General Louis Kossuth at , December 24,

1850 by E. Percel is in the Museum of the City of New York.

In announcing the exhibition, John Walker, Director of the

National Gallery, said: "Everyone interested in art owes a debt - 2 - to Edgar William and Bernice Chrysler Garbisch. They have assem­ bled the most extensive and important collection of American naive paintings ever brought together. This in itself is a remarkable achievement. But of still greater significance, they have rescued numerous canvases and panels that were rapidly deteriorating and would soon have vanished completely."

After World War II, when the Garbisches began acquiring

American art for "Pokety," their summer home in Cambridge,

Maryland, it was not generally understood that the fledgling

United States had produced a style of painting of its own, one that owed little to the conventions of European art. In farmhouses, shops, and old country homes they sought paintings by American "primitives," a term that refers to the artist's naive vision, simple technique, and lack of academic training.

As the collection grew, the Garbisches lent pictures for a series of important exhibitions which have been seen in

Europe as well as on this continent. These exhibitions, and the extensive catalogues that accompany them, are chiefly responsible for increased world-wide interest in this aspect of our native art. The present gathering has been shown at the Grand Palais, Paris; Amerika House, Berlin; Palazzo

Collicola, the Festival of Two Worlds, Spoleto; Royal Academy of Arts, London; Palais des Beaux-Arts, Brussels; Cason del

Buen Ritiro, Madrid; Palacio de la Virreina, Barcelona; and the

Montreal Museum of Fine Arts.

Few groups of artists have remained as anonymous as

America's 18th- and 19th-century naive painters. Of the 111 - 3 - pictures in the exhibition almost half are by unknowns, and only brief biographical information has been discovered for most of the 29 known painters. For many of these early limners 3 painting pictures was only one of several skills. George Washington Mark s for example, who painted Dismal Swamp in the exhibition, decorated chairs, and Edward Hicks was a Quaker preacher and sign painter.

After Labor Day, "American Naive Painting of the 18th and

19th Centuries; 111 Masterpieces from the Collection of Edgar

William and Bernice Chrysler Garbisch" will travel under the sponsorship of the American Federation of Arts to the Whitney

Museum of American Art in New York City, the Museum of Fine

Arts of , and the Military Academy Library,

West Point, New York. A fully illustrated catalogue with a preface by Lloyd Goodrich accompanies the exhibition.

Black-and-white photographs, catalogues, and color transparencies on loan for purposes of publication are available from William W, Morrison, Assistant to the Director, National Gallery of Art, Washington, D. Co 20565, Area Code 202, 737-4215, ext. 225.