1991 Festival of Contemporary Music

Sunday, August 4, at 10 a.m. Theatre-Concert Hall, Tanglewood

FELLOWS OF THE TANGLEWOOD MUSIC CENTER

HANS WERNER HENZE Cherubino, Three Miniatures for piano (1980-81 (b.1926) Andante cantabile Sostenuto Conallegrezza

REIKOUCHIDA, piano

ANDREW IMBRIE Dandelion Wine (1967) (b.1921) LEAH ROSEMAN, MARION ARTHUR, oboe ROBERTJ.CHIU, violin ROBERT OLIVIA, clarinet RALPH FARRIS, MARC RYSER, piano SOPHIE WILLER, cello

Faber Music Ltd,, London and

A fascinating catalogue of music for instrumental ff and choral ensembles^ opera companies and soloists

"Although the diversity of musical resources and audiences available to a young

today is cause for happiness and creative freedom, it is especially important that the individual maker of music listens to his or her own inner voice(s), resisting seductive pressures from the world of yuppiedom in the name of 'marketability', and writes what he or she must, regardless of 'career', staying faithful to whatever made him or her want to compose in the first place." — OLIVER KNUSSEN, Coordinator of Contemporary Music Activities, TMC

"I can think of very few major twentieth century figures I haven't learned from, and I can't understand why - with such a wealth of music as an example - any should want to restrict themselves to any kind of orthodoxy." — COLIN MATTHEWS

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That's what's exciting about it. But if that's done by extending and building on what you know then it tends to take you with it. " — JONATHAN HARVEY

"The fact that music is basically about singing and dancing is something we mustn't lose sight of. Music has got to be able to sing. You've got to write melodic material which can be perceived immediately and is memorable and significant." — NICHOLAS MAW

"I respond to my own environment (Australia). Music must be of its country. If it is good enough it will transcend its boundary. Music must have a sense of place in the beginning and leap up from there." — PETER SCULTHORPE

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