ATHARI-THESIS-2017.Pdf (2.192Mb)
RETELLING THE GLOBAL CONTEMPORARY A CASE STUDY: SHE WHO TELLS A STORY WOMEN PHOTOGRAPHERS FROM IRAN AND THE ARAB WORLD MUSEUM OF FINE ARTS, BOSTON, AUGUST 27, 2013–JANUARY 12, 2014 NATIONAL MUSEUM OF WOMEN IN THE ARTS, WASHINGTON, D.C., APRIL 08–JULY 31, 2016. _______________ A Thesis Presented to The Faculty of the School of Art University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Master of Arts _______________ By Maryam Athari May 2017 i RETELLING THE GLOBAL CONTEMPORARY A CASE STUDY: SHE WHO TELLS A STORY WOMEN PHOTOGRAPHERS FROM IRAN AND THE ARAB WORLD MUSEUM OF FINE ARTS, BOSTON, AUGUST 27, 2013–JANUARY 12, 2014 NATIONAL MUSEUM OF WOMEN IN THE ARTS, WASHINGTON, D.C., APRIL 08–JULY 31, 2016. _________________________ Maryam Athari APPROVED: _________________________ Rex Koontz, Ph.D. Committee Chair _________________________ Roberto Tejada, Ph.D. _________________________ Sandra Zalman, Ph.D. _________________________ Andrew Davis, Ph.D. Dean, Kathrine G. McGovern College of the Arts ii RETELLING THE GLOBAL CONTEMPORARY A CASE STUDY: SHE WHO TELLS A STORY WOMEN PHOTOGRAPHERS FROM IRAN AND THE ARAB WORLD MUSEUM OF FINE ARTS, BOSTON, AUGUST 27, 2013–JANUARY 12, 2014 NATIONAL MUSEUM OF WOMEN IN THE ARTS, WASHINGTON, D.C., APRIL 08–JULY 31, 2016 _______________ An Abstract of a Thesis Presented to The Faculty of the Department of School of Art University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Master of Arts _______________ By Maryam Athari May, 2017 iii ABSTRACT This thesis analyzes an exhibition that is a site for discussing the global contemporary in its relation to a specific selection of photographs that aimed to define a geographic area— Iran and the Arab World.
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