Press Release Sunday 14 February 2016
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Easy Riders, Raging Bulls: How the Sex, Drugs and Rock and Roll Generation Saved Hollywood Pdf, Epub, Ebook
EASY RIDERS, RAGING BULLS: HOW THE SEX, DRUGS AND ROCK AND ROLL GENERATION SAVED HOLLYWOOD PDF, EPUB, EBOOK Peter Biskind | 512 pages | 26 Apr 1999 | SIMON & SCHUSTER | 9780684857084 | English | New York, United States Easy Riders, Raging Bulls: How the Sex, Drugs and Rock and Roll Generation Saved Hollywood PDF Book My impression of this documentary wasn't so great due to the fact of already seeing and knowing a similar themed work a few years ago called "A Decade Under the Influence" , directed by Ted Demme and Richard LaGravenese, which was a better project for numerous reasons. Why do people go see them? The book is hefty with gossip of all kinds, which is too bad because he's talking about the revolution in films in the 60's to early 80's. It is chock full of interviews and choice information about the time period 60's's in American cinema that changed everything, for a lot better and some for not. Beatty likes to fuck alot. Biskind's book disappointed me tremendously. Return to the Books Home Page. Assassinations, cultural domination, drugging, spying, provocation: Talk about taking the fight to your opponents—the American people—and crippling them for generations! But in the kind of popularized pseudohistory ''Easy Riders, Raging Bulls'' exemplifies, anecdotes are valued above all else, bitchy gossip is privileged, dysfunction is automatically more fascinating than artistic success, aggrieved former friends and former lovers are granted the license to settle scores sometimes anonymously , documentation is disdained and historical analysis must be squeezed into the narrative quickly, so as not to disrupt the dishing. -
Season 2016-2017
23 Season 2016-2017 Friday, March 17, at 7:00 Saturday, March 18, at 7:00 The Philadelphia Orchestra Sunday, March 19, at 2:00 David Newman Conductor Paramount Pictures Presents A Lucasfilm Ltd. Production A Steven Spielberg Film in Concert Starring Harrison Ford Karen Allen Paul Freeman Ronald Lacey John Rhys-Davies Denholm Elliott Music by John Williams Executive Producers George Lucas and Howard Kazanjian Screenplay by Lawrence Kasdan Story by George Lucas and Philip Kaufman Produced by Frank Marshall Directed by Steven Spielberg Raiders of the Lost Ark licensed by Lucasfilm Ltd. and Paramount Pictures. This program licensed by Lucasfilm Ltd. and Paramount Pictures. Motion picture, artwork, photos © 1981 Lucasfilm Ltd. All Rights Reserved. Music written by John Williams, Bantha Music (BMI). All rights administered by Warner-Tamerlane Publishing Corp. (BMI). All rights reserved. Used by permission. This program runs approximately 2 hours, 15 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 25 PRODUCTION CREDITS Raiders of the Lost Ark—Film with Orchestra produced by Film Concerts Live!, a joint venture of IMG Artists, LLC, and the Gorfaine/Schwartz Agency, Inc. Producers: Steven A. Linder and Jamie Richardson Production Manager: Rob Stogsdill Production Coordinator: Rebekah Wood Worldwide Representation: IMG Artists, LLC Supervising Technical Director: Mike Runice Technical Director: Luke Dennis Music composed by John Williams Music Preparation: Jo Ann Kane Music Service Film Preparation for Concert Performance: Ramiro Belgardt Technical Consultant: Laura Gibson Sound Remixing for Concert Performance: Chace Audio by Deluxe The score for Raiders of the Lost Ark has been adapted for live concert performance. -
Understanding Steven Spielberg
Understanding Steven Spielberg Understanding Steven Spielberg By Beatriz Peña-Acuña Understanding Steven Spielberg Series: New Horizon By Beatriz Peña-Acuña This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Beatriz Peña-Acuña Cover image: Nerea Hernandez Martinez All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0818-8 ISBN (13): 978-1-5275-0818-7 This text is dedicated to Steven Spielberg, who has given me so much enjoyment and made me experience so many emotions, and because he makes me believe in human beings. I also dedicate this book to my ancestors from my mother’s side, who for centuries were able to move from Spain to Mexico and loved both countries in their hearts. This lesson remains for future generations. My father, of Spanish Sephardic origin, helped me so much, encouraging me in every intellectual pursuit. I hope that contemporary researchers share their knowledge and open their minds and hearts, valuing what other researchers do whatever their language or nation, as some academics have done for me. Love and wisdom have no language, nationality, or gender. CONTENTS Introduction ................................................................................................. 1 Chapter One ................................................................................................. 3 Spielberg’s Personal Context and Executive Production Chapter Two .............................................................................................. 19 Spielberg’s Behaviour in the Process of Film Production 2.1. -
Mark Ivanir | Biography
MARK IVANIR | BIOGRAPHY Mark Ivanir has been working as a professional film and television actor in Los Angeles since 2001. His first major film role was in Steven Spielberg's 1993 Oscar winning epic SCHINDLER'S LIST. He rejoined with Spielberg twice, first for a cameo appearance in TERMINAL, then again for THE ADVENTURES OF TINTIN. A pivotal role in Robert De Niro's 2006 film, THE GOOD SHEPHERD, landed Mark a role in Barry Levinson's WHAT JUST HAPPENED, this time acting alongside De Niro. Many films followed. Mark has booked over 35 Guest Star and Guest Lead roles on television. Ivanir's road to Hollywood was circuitous at best. Born in the communist Ukraine, he immigrated to Israel with his family in 1972. After being cast by Spielberg in SCHINDLER'S LIST, Ivanir moved to London to study with Philippe Gaulier and the actors of the Theater De Complicite. During this stint, he landed roles in THE MAN WHO CRIED (with Johnny Depp) and SECRET AFFAIR which encouraged him to relocate to Hollywood. Ever since, Mark has been working on films in the US, in Europe and in Israel. In Germany he has been working with Dennis Gansel on THE FOURTH STATE and with Dominik Graf on the highly acclaimed mini-series IN THE FACE OF THE CRIME. In Europe, Mark was also working with Fernando Meirelles on his episodic feature film 360. Most recently, Mark co-starred alongside Catherine Keener, Philipp Seymour Hoffman and Christopher Walken in A LATE QUARTET. Mark currently lives in Los Angeles with his wife and two daughters. -
Raiders of the Lost Ark (B
CONCERT PROGRAM Friday, March 17, 2017 at 7:00PM Saturday, March 18, 2017 at 7:00PM Sunday, March 19, 2017 at 2:00PM LIVE AT POWELL HALL Scott Terrell, conductor PARAMOUNT PICTURES Presents A LUCASFILM LTD Production A STEVEN SPIELBERG Film JOHN WILLIAMS Raiders of the Lost Ark (b. 1932) Starring HARRISON FORD KAREN ALLEN PAUL REEMAN RONALD LACEY JOHN RHYS-DAVIES DENHOLM ELLIOTT Screenplay by LAWRENCE KASDAN Story by GEORGE LUCAS and PHILIP KAUFMAN Produced by FRANK MARSHALL Directed by STEVEN SPIELBERG Tonight’s program is a presentation of the complete filmRaiders of the Lost Ark with a live performance of the film’s entire score, including music played by the orchestra during the end credits. Out of respect for the musicians and your fellow audience members, please remain seated until the conclusion of the credits. There will be one 25-minute intermission “RAIDERS OF THE LOST ARK” Licensed by LUCASFILM LTD and PARAMOUNT PICTURES. Motion Picture, Artwork, Photos Copyright 1981 Lucasfilm Ltd. All Rights Reserved. MUSIC WRITTEN BY JOHN WILLIAMS BANTHA MUSIC (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI) ALL RIGHTS RESERVED. USED BY PERMISSION. Raiders of the Lost Ark — Film with Orchestra produced by Film Concerts Live!, a joint venture of IMG Artists, LLC, and The Gorfaine/Schwartz Agency, Inc. Producers: Steven A. Linder and Jamie Richardson Production Manager: Rob Stogsdill Production Coordinator: Rebekah Wood Worldwide Representation: IMG Artists, LLC Technical Director: Mike Runice Music Composed by John Williams Music Preparation: Jo Ann Kane Music Service Film Preparation for Concert Performance: Ramiro Belgardt Technical Consultant: Laura Gibson Sound Remixing for Concert Performance: Chace Audio by Deluxe The score for Raiders of the Lost Ark has been adapted for live concert performance. -
Save the David Lean Cinema Campaign
The David Lean Cinema Croydon Clocktower January 2019 films Thu 3 Jan at 2.30* and 7.30pm & Wed 23 Jan at 7.30pm ♦ *Subtitled for those with hearing loss WIDOWS (15) 2018 UK/USA 129 mins Director: Steve McQueen ♦ Stars: Viola Davis, Michelle Rodriguez, Elizabeth Debicki, Cynthia Erivo Tuesday 8 January at 11.00am ♦ Babes in Arms screening JULIET, NAKED (15) 2018 USA 98 mins Director: Jesse Peretz ♦ Stars: Rose Byrne, Ethan Hawke, Chris O’Dowd Tuesday 8 January at 7.30pm ANNA AND THE APOCALYPSE (15) 2017 UK/USA 97 mins Director: John McPhail ♦ Stars: Ella Hunt, Malcolm Cumming, Sarah Swire Wednesday 9 January at 7pm & Wednesday 30 January at 2.30pm PETERLOO (12A) 2018 UK 154 mins Director: Mike Leigh ♦ Stars: Rory Kinnear, Maxine Peake, Pearce Quigley Thursday 10 January at 2.30* and 7.30pm SHOPLIFTERS (15) 2018 Japan 121 mins – Japanese with subtitles Director: Koreeda Hirokazu ♦ Stars: Lily Franky, Ando Sakura, Kiki Kirin Tuesday 15 January at 7.30pm ♦ Stand-Up Film Club with Q&A SUPERBOB (15) 2015 UK 82 mins Director: Jon Drever ♦ Stars: Brett Goldstein, Catherine Tate, Natalia Tena Wednesday 16 January at 7.30pm THE PRICE OF EVERYTHING (12A) 2018 USA 99 mins Director: Nathaniel Kahn ♦ Features: Jeff Koons, Larry Poons, Njideka Akunyili Crosby Thursday 17 January at 2.30 and 7.30pm DISOBEDIENCE (15) 2017 UK/Ireland/USA 114 mins Director: Sebastián Lelio ♦ Stars: Rachel Weisz, Rachel McAdams, Alessandro Nivola Tuesday 22 January at 7.30pm SORRY TO BOTHER YOU (15) 2018 USA 111 mins Director: Boots Riley ♦ Stars: Lakeith Stanfield, Tessa -
Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Eight Fingers
Kathryn Bernheimer. The 50 Greatest Jewish Movies: A Critic's Ranking of the Very Best. Secaucus, N.J.: Carol Publishing Group, 1998. xi + 212 pp. $21.95, paper, ISBN 978-1-55972-457-9. Reviewed by Solomon Davidoff Published on H-Film (April, 1999) I have often wondered, if we had only eight "For the purposes of this book," says Bern‐ fingers instead of ten, would we be producing lists heimer, "I define (a Jewish movie) as a flm that of the Thirty-Two Greatest (fill in subject here) of examines an aspect of the Jewish experience and all time? I ask the question, because while Bern‐ features at least one clearly defned Jewish central heimer attempts to categorize Jewish oriented character" (p. ix). This definition--an excellent film into the ffty greatest of all time, she notes the starting point--explains the presence and absence difficulty that the restriction places upon her, and of a variety of titles of import. Previous similar how she has to sneak in other worthy titles among lists have focused on seminal historical events of her reviews, mentioning The Frisco Kid when dis‐ import to the Jewish community, such as the Holo‐ cussing Blazing Saddles for instance. caust, but Bernheimer does not limit herself (be‐ Bernheimer provides commentary for each of yond this definition) in any way. A key aspect of the ffty flms that begins with the standard infor‐ this, is that she includes pictures by both Jewish mation (title, studio, year of release, primary cast, directors (such as Sidney Lumet, Woody Allen, director, length and rating) and a description of Otto Preminger and Steven Spielberg), plus flms the entire photoplay, but goes into both positive by non-Jews (such as Edward Dmytryk, Hugh and negative commentary. -
Woody Allen: David Lean Lecture Transcript
British Academy of Film and Television Arts The 2005 David Lean Lecture given by Woody Allen TranscriptT Introduction Transcript Princess Anne Theatre Mark Kermode: Good evening ladies and gentlemen. of minutes just lavishing praise on the British film I’m going to talk to Mr Allen for about 40 minutes, and industry and how good it is. 195 Piccadilly, London then he has very kindly agreed to take 20 minutes of questions from the audience. Let’s start by talking about Woody Allen: Well, I can. I was trepidatious 17 December 2005 Match Point. It’s your first film in the UK, in London. when I first came here because I made all my What brought you here? How much was London an movies in New York. The sudden thought of influence on the story? living in a different environment for an extended period of time and not being in my own bed and Woody Allen: I shot it in England because that’s having all my little habits within arm’s reach was who gave me the money, that’s really the story. frightening to me. I had no idea what it would In the United States they are perfectly willing be like working with English crews but I found to bankroll my films but they want to participate. it to be a delightful experience. Everyone was The studios like to participate. They don’t like wonderful; there is a great pool of enormously to be thought of as “just bankers,” that’s their gifted actors and actresses. In Match Point, every phrase. -
The American Film Institute and TV Land Announce the Benefit Committee for AFI Life Achievement Award: a Tribute to Morgan Freeman
The American Film Institute and TV Land Announce the Benefit Committee for AFI Life Achievement Award: A Tribute to Morgan Freeman Gala To Be Held On The Historic Sony Lot In Culver City On June 9, 2011 Show Premieres On TV Land On Sunday, June 26, 2011 At 8:00 p.m. ET/PT LOS ANGELES, April 26, 2011 /PRNewswire via COMTEX/ -- American film's finest have confirmed their participation on the American Film Institute (AFI) Gala Benefit Committee honoring 39th Life Achievement Award recipient, Morgan Freeman. Members of this year's benefit committee are Ben Affleck, Jim Carrey, Clint Eastwood, Tom Hanks, Ashley Judd, Helen Mirren, Mike Nichols, Jack Nicholson, Brad Pitt, Sidney Poitier, Robert Redford, Tim Robbins, Steven Spielberg, Hilary Swank, Denzel Washington and Alfre Woodard. AFI will present the 39th AFI Life Achievement Award - America's highest honor for a career in film - to Freeman on June 9th. "TV Land Presents: The AFI Life Achievement Award Honoring Morgan Freeman" will air on TV Land on Sunday, June 26, 2011 at 8:00 p.m. ET/PT. The black-tie event will take place on historic Stage 15 at Sony Pictures Studios, where "The Wizard of Oz," "Grand Hotel," "Spiderman" and other classic movies were filmed. The stage will be transformed into an elegant ballroom to honor the storied career of Morgan Freeman. Proceeds from the AFI Life Achievement Award Gala directly support the Institute's national educational programs and the preservation of American film history. "Morgan Freeman has embodied characters that range from prisoner to president, from gumshoe to God," said Bob Gazzale, AFI President and CEO.