H.E.R. – H.E.R. (2017) torrent download H.E.R. – H.E.R. (2017) torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67db7b490959848c • Your IP : 188.246.226.140 • Performance & security by Cloudflare. H.E.R. – H.E.R. (2017) torrent download. 1) Select a file to send by clicking the "Browse" button. You can then select photos, audio, video, documents or anything else you want to send. The maximum file size is 500 MB. 2) Click the "Start Upload" button to start uploading the file. You will see the progress of the file transfer. Please don't close your browser window while uploading or it will cancel the upload. 3) After a succesfull upload you'll receive a unique link to the download site, which you can place anywhere: on your homepage, blog, forum or send it via IM or e-mail to your friends. H.E.R. Vol. 2 - The B Sides. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £3.99. H.E.R. Vol. 2 - The B Sides. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Download this album for unlimited listening. H.E.R., Associated Performer, Composer, Lyricist, Main Artist, Producer - MNEK, Producer - Uzoechi Emenike, Composer, Lyricist - Miki Tsutsumi, Mixing Engineer. (P) 2017 RCA Records, a division of Sony Music Entertainment. H.E.R., Associated Performer, Composer, Lyricist, Main Artist, Producer - Darhyl "Hey DJ" Camper Jr, Producer - Darhyl Camper Jr, Composer, Lyricist - Elijah Diaz, Composer, Lyricist - Miki Tsutsumi, Engineer, Mixing Engineer - Ayanna Depas, Assistant Engineer. (P) 2017 RCA Records, a division of Sony Music Entertainment. H.E.R., Associated Performer, Composer, Lyricist, Main Artist - Knox Brown, Composer, Engineer, Lyricist, Producer - Miki Tsutsumi, Mixing Engineer. (P) 2017 RCA Records, a division of Sony Music Entertainment. H.E.R., Associated Performer, Composer, Lyricist, Main Artist, Producer - Daniel Caesar, Associated Performer, Featured Artist, Producer - H.E.R. feat. Daniel Caesar, Associated Performer - Ashton Simmonds, Composer, Lyricist - Matthew Burnett, Composer, Lyricist - Jeremy Nichols, Engineer - Jordan Evans, Composer, Lyricist - Riley Bell, Composer, Engineer, Lyricist, Mixing Engineer. (P) 2017 Golden Child Recordings. H.E.R., Associated Performer, Composer, Lyricist, Main Artist - David "Swagg R'Celious" Harris, Composer, Lyricist, Producer - Ant808, Producer - Elijah Diaz, Composer, Lyricist - Anthony Bryant, Composer, Lyricist - Miki Tsutsumi, Engineer, Mixing Engineer - Ayanna Depas, Assistant Engineer. (P) 2017 RCA Records, a division of Sony Music Entertainment. H.E.R., Associated Performer, Composer, Lyricist, Main Artist, Producer - David "Swagg R'Celious" Harris, Composer, Lyricist, Producer - Alju Jackson, Composer, Lyricist - Bassman Foster - Miki Tsutsumi, Engineer, Mixing Engineer - Ayanna Depas, Assistant Engineer - Keithen Foster, Composer, Lyricist - Robert "LB" Dorsey, Engineer. (P) 2017 RCA Records, a division of Sony Music Entertainment. About the album. 1 disc(s) - 6 track(s) Total length: 00:21:05. (P) 2017 RCA Records, a division of Sony Music Entertainment. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Legend – The Best Of Bob Marley & The Wailers. Bob Marley & The Wailers. Crime Of The Century [2014 - HD Remaster] Songs From The Big Chair. Tears For Fears. Back of My Mind. I Used To Know Her. The Time (Expanded Edition) Collapsed In Sunbeams (Deluxe Edition) After Hours (Explicit) Collapsed In Sunbeams. Eight years after Random Access Memories transcended the artistic concept that had begun with Homework eighteen years earlier, Daft Punk have brought things to a halt. It is as if to say that no further reinvention was possible after their last album, which was the culmination of a career that paid tribute to the pop culture of the 1970s and 1980s. With "Thriller” in 1982, the best-selling album of all time, Michael Jackson broke down the boundaries between styles, races and audiences. However, most of all, it was an album that completely shook up the pop music industry of the 20th century. In the midst of the 90s when hip-hop was going through its golden age, a revolution within soul music was also underway. With Erykah Badu, D’angelo, Jill Scott and many others, the genre found again its class: an echo of the simplicity and refinement that brought to life the albums of Marvin Gaye, Curtis Mayfield and Roberta Flack. After years in the shadow of the reigning ultra-commercial and soft R&B, the noticeably more underground Neo Soul, or Nu Soul, relit the flame of soul music and returned it to its roots in terms of both composition and lyricism. A brief but highly influential movement. H.E.R. Steps Into the Spotlight on “Back of My Mind” The mystery of the unknown has always been a draw in music, but few performers have wielded its temptations and protections like H.E.R. The R. & B. singer popped up, seemingly fully formed, in 2016, as an incognito major-label artist, benefitting from both the thrills of uncertainty and the infrastructure of the industry apparatus. The gambit paid off almost instantly. “So who is she?” one Los Angeles Times headline read. The only thing anyone knew for sure was that she wrote and produced the music, and that it was being passed around with the hush-hush secrecy of a sensitive dossier. The question was still being posed in 2019, when H.E.R. went from being a secret to a “surprise” Grammy nominee, for awards including Best New Artist. Until recently, she found comfort in the invisibility. “I wanted to be anonymous,” she told the Guardian . “Living my truth was very hard—I felt vulnerable.” Despite all the obfuscation, the H.E.R. origin story is one of child stardom. Born Gabriella Wilson in Vallejo, California, the precocious singer was discovered at nine when she performed at the Apollo, singing Aretha Franklin. She did a mini-tour of morning shows in 2007 and 2008—“Today,” “Maury,” “Good Morning America,” and “The View.” At twelve, she started working with Alicia Keys’s management company, and she signed to RCA Records as a teen. After a few quiet years, Wilson reëmerged as H.E.R.—which, in a light irony, stands for Having Everything Revealed. She was an R. & B. spectre, camera-averse with an enigmatic persona and a frictionless, atmospheric sound. It didn’t take long for the artist to become an A-list darling (Rihanna playing a H.E.R. song on Instagram) and an awards-show fixture, despite having a marginal cultural impact. H.E.R. scored as many nominations at the 2019 Grammys as Cardi B and Childish Gambino (the alias of Donald Glover)—artists with a much higher profile. In 2020, she performed the “In Memoriam” segment at the Emmys, and she took part in the pregame ceremony at Super Bowl LV, in February. In some ways, these appearances feel like a prestige ouroboros—the governing bodies and producers of the same types of events cyclically patting one another on the back. This year, H.E.R. ascended to rare air, winning both the Grammy for Song of the Year and an Oscar for Best Original Song, a few weeks apart. Her sustained presence on red carpets seems somewhat at odds with her output. Though it would be disingenuous to suggest that H.E.R.’s music doesn’t resonate with listeners, it does feel optimized for industry gatekeepers—a class still figuring out what to do with so-called “urban” music. There is a growing divide between the kind of music embraced by voting committees and the music deemed important by the social Internet (a discrepancy that has, no doubt, contributed to a rapidly declining viewership of the ceremonies), and H.E.R. seems to land in that gap. Still, it means something to win these awards, and some of that lustre surrounds her new album, “Back of My Mind.” Bizarrely, it’s being pegged as a début. There is a long history of artists releasing their “major-label début” after an independent release, a move that implies an upgrade in setup. There is also a shorter history of artists releasing début albums following a string of studio-quality mixtapes, with no discernible differences between the two formats beyond intention. In 2016, Chance the Rapper won the Best Rap Album Grammy for his mixtape “Coloring Book,” before releasing his début album, “The Big Day,” in 2019. The mixtape, in its earliest iterations, in a music ecosystem that wasn’t redefined by streaming, was self- produced, independently released, given away for free, and often full of samples and beats that couldn’t be sourced legally. Mixtapes built momentum so that performers could draw in labels as suitors or generate buzz for a “proper” release. The idea, in both of these trajectories, was that the début album marked an evolutionary step up for the artist. I Used to Know Her. Released three months apart in 2018, the two I Used to Know Her EPs, combined here into a full-length, signaled where the R&B singer/multi- instrumentalist was at and pointed to where she’s going. She unveils a new skill, rapping, on “Lost Souls,” a tribute to Lauryn Hill’s classic “Lost Ones,” while “Against Me” and “Feel a Way” revert back to the sensual alt-quiet storm of her self-titled 2017 project. “Could’ve Been,” with Bryson Tiller, scans like a sad follow-up to her joyful duet with Daniel Caesar, “Best Part.” With “Carried Away,” you can hear the then-21-year- old pushing her sound in brand-new, unexpected directions. Her earlier projects’ after-hours, filtered-down synth pads are replaced with the rough, more human edges of acoustic guitar and piano, played by the artist herself. “Hard Place” is the new, livelier sound’s high point, with its mix of low-register verse confessionals and high-flying hook harmonies over a rim-shot-and-shaker beat. On the other end of the spectrum is “Lord Is Coming,” which starts with a spoken-word screed decrying materialism and racism (including immigrant family separations) before building into a haunting classic spiritual, complete with acoustic bass, humming choir, and Revelations-inspired lyrics. Bonus tracks include two collaborations with YBN Cordae (“Racks” and an update of “Love Is Coming”) and a sumptuous live version of “Uninvited,” recorded in London for Apple Music’s Up Next series.