Inside: Raleigh on Film; Bethune on Theatre; Behrens on Music; Profile: Betsy Jacaruso; Griffith ‘Speaks Out’ on ‘Death of Newspapers’; th Seckel on the Cultural Scene; Trevens on Dance; Year! New Art Books; Short Fiction & Poetry; Our 25 Extensive Calendar of Events…and more! ART TIMES Vol. 25 No. 9 May 2009 “Truth” & Other Nonsense in Musical Analysis--1 By FRANK BEHRENS To me, this is what George at the end of the first sentence. semantically fuzzy noun is an Gershwin’s “Second Prelude” is all However, I have read and heard abstract quality like “peace” about. A lonely man is sitting de- too many analyses where the only or “beauty” or (heaven help spondent in a seedy hotel room. mode is the declarative one and us) “truth.” When John Keats Outside the window, the marquee the analyst presents no alternative wrote, “Beauty is truth, truth is blinking in rhythm to the bass perspectives on the piece. beauty,” he not only gave “a notes, while the slightly less reg- i now turn ashen with rage at profound truth” to millions of ular patter of light rain hits the a certain expression that seems English majors to discuss in panes. This reflects the deep feel- to crop up in musical analyses: class and about which to write ing of isolation that Gershwin felt “a profound truth.” How the dick- essays but a phrase that has at the time he composed this short ens a piece of music can be true or no meaning whatsoever in masterpiece. But more than that, false—profoundly or otherwise—is any objective sense. Yes, we it reflects the loneliness of modern a matter for philosophers and se- “sort of” know what he meant; man in general and therefore ex- manticists: the former of which but is that kind of knowledge enough to start a war or estab- presses a profound truth. use words with little or no actual Quince And if you buy that, I have a meaning and the latter of which lish a cult or even engage in a bridge in Brooklyn I can sell you point out why they have little or no debate about its “meaning”? Profile: cheap! meaning. The first time I ran up The key words in that “analysis” For example, the words “Empire against a narrator solemnly Betsy Jacaruso are the first two: “To me.” I have State Building” or “Arch of Tri- stating that a single chord (See Center) brought to my writing all the bag- umph” will conjure up in the mind in some modern bit of music gage of my past life. I am seldom a very specific object that occupies (which I found grating at best) in a hotel room—more motels than space and can be perceived by at expressed “a profound truth,” I re- i will go into more detail about hotels on my budget—and I never least three of the five senses. The member groaning and nearly giv- this recording in my next essay. really enjoy being in one. Nothing word “dog” might conjure up a spe- ing up on the entire 7-DVD series In the meanwhile, I must admit to in it is mine; it is impersonal. Usu- cific dog or a sort of fuzzy image of that was titled “Leaving Home: Or- feeling a little better about my con- ally, I am with my wife, but in the a four-footed mammal with canine chestral Music in the 20th Centu- cept of the Gershwin work. Maybe past I have spent some time alone characteristics. Seeing a specific ry.”* It was more than a groan that it does express a truth, shallow or in such rooms and feeling lonely is dog will conjure up the word “dog,” greeted that same phrase on a CD profound, that is yet to be deter- easy to do unless one has the re- “chien,” “Hund,” or whatever, de- in which a well known personality mined. sources (and personality) to find pending on the language that is first conducts and then analyzes a No matter what, it should be a some congenial company. wired into one’s brain. 69-minute symphony. During the lot of fun de-punditing the pundits so it should not be surprising A politician uses “country” with analysis, he claims towards the end in these essays about musical anal- that the opening notes in the bass an even fuzzier referent. “He is of the disc that the entire work has ysis. of the “Second Prelude” (which are serving his country” is a good ex- expressed “a profound truth” about *The narrator is conductor Si- a homage to Chopin, by the way) ample. Is the “country” the moun- man’s despair and eventual salva- mon Rattle. The set is on ArtHaus should conjure up those particular tains and the prairies between the tion. DVDs. images. Couple that with what I oceans white with foam on the east ef know about Gershwin being a city and west, and Mexico and Cana- person, never married, loving to da on the north and south? Does play in front of large crowds, but it include the animal life in those CSS Publications, Inc. Support the Arts; PO Box 730 renting hotel rooms--while a party diverse ecologies? Is the “country” Enrich your Life was still in progress in his brother the people living in it? Is it the gov- Mt. Marion, NY 12456-0730 Ira’s apartments--in order to con- ernment (another fuzzy word) or www.arttimesjournal.com 845-246-6944 centrate on his work—and we have the desires of the top brass in that a believable scenario for the piece. government? Is it any or all of the Now any honest writer should above? And so on. have written “might be all about” The next horrible example of a Subscribe to ART TIMES
ART-LITERATURE-DANCE-MUSIC-EXHIBITIONS-THEATRE-FILM-ART-LITERATURE-DANCE-MUSIC May 2009 ART TIMES page 2 Peeks and Piques! ART TIMES OF THE MANY rewards that come tioned ‘nonsense’ as defined by those and backgrounds, I also tried to pay Commentary and Resource for the Fine & Performing Arts with being an artwriter, not the least in my past. After a fourteen-year stint homage to those ‘decent’, ‘hard-work- ART TIMES (ISSN 0891-9070) is published monthly by CSS Publications, Inc. with 28,000 is the number of extraordinary people as a teacher at the junior high, high ing’, ‘patriotic’, and ‘sensible’ men and copies distributed along the Northeast Corridor I have met during that time. Not that school, and community college levels, women in the same book. The Moun- primarily throughout the Metropolitan and Hudson Valley Regions, Connecticut, Massachusetts and I hadn't met interesting people in my I turned to art — and artists — mostly tain’s main character, Jacob (“Jake”) New Jersey each month. Copies are also avail- earlier life — what I usually call my because I had the notion that it was Forscher, is himself a working man, a able by mail to subscribers and arts organizations ‘hard hat’ years, during my first 30+ a path toward a higher sense of self carpenter who ‘follows the rules’, also throughout the US and abroad. Copyright © 2009, CSS Publications, Inc. years when I worked as a laborer, and a deeper sense of humanity. I an offspring of hard-working immi- Publisher: Cornelia Seckel truck driver and barge captain among couldn’t have strayed farther from grants (like just about everyone else Editor: Raymond J. Steiner other non-collegiate-type jobs from my roots — and yet it was just such in America) — yet a man who aspires Contributing Writers: Florida’s Everglades to Canada’s straying that opened the door to those to find more in life, a man who aspires Henry P. Raleigh Robert W. Bethune Ina Cole Dawn Lille Hudson Bay in the Arctic — but these ‘extraordinary’ people I mention in to be an artist. No, Jake’s story is Frank Behrens Francine L. Trevens were, by and large, people of and in my opening sentence. For the past not my story — (though parallels, of Ginger Lee Hendler the world, practical sorts that worked thirty years or so — and especially course exist — when Flaubert was Subscription Rates: USA: $18 /1 year $34 /2years hard and had no time for what many during the last twenty-five years asked who Madame Bovary was, he Foreign: $35 /1 year $45 /2 years of them called ‘nonsense’. Back then, after our founding of ART TIMES answered, “C’est moi!” —so, of course Contact for Print and Online Advertising Rates: I had grown up in a world with no — I’ve met so many exceptional per- there’s some of me in the book) he, CSS Publications, Inc., PO Box 730, Mt. Marion, books, no visits to museums, no sense sonalities that have opened my eyes like most of the characters in The NY, 12456. Phone or Fax (845) 246-6944; email: [email protected] of ‘culture’ beyond the ethnic culture and enriched my soul that I feel more Mountain, is an amalgamation of the Web site: www.arttimesjournal.com common to my people and station in than just privileged — I feel blessed. many, many workmen and artists Deadline for Advertising is the 15th of the month life. A second-generation descendant I cannot catalogue here the well over that I have met over the years, albeit preceding inclusion. of Germanic ancestors, my family 500 American, European and Asian just one of the many who were lucky Items for inclusion in the Calendar and Oppor- tunities section must be emailed, mailed or faxed to life was one of rules, no frills, simple artists — painters, vocalists, sculp- enough to discover that they were the ART TIMES office by the 12th of the preceding foods, no heavy emphasis on learning tors, musicians, actors, composers, more than mere creatures meant to month. Email for guidelines. for its own sake, but much on learn- dancers — I’ve reviewed, profiled, or simply survive their life-spans. Yet, ART TIMES solicits short fiction and poetry — see our listing in Writer’s Market, Fiction Writer’s ing a trade and becoming ‘useful’ to critiqued over the years*, but they here’s the kicker — just nearing my Market, Poet’s Market and other trade magazines society. The people I grew up with all continue to feed my soul, inform 76th birthday, I finally realize that or send a legal-sized Self Addressed Stamped Envelope (SASE) for Guidelines. Guest articles on and worked alongside of were usually my mind, expand my horizons. I at- just about everyone I’ve met during the arts are also considered but must be preceded called ‘decent’, ‘hard-working’, ‘patri- tempted to pay them homage in my my life deserves the description of by a written Query. Our “Speak Out” section is a otic’, ‘sensible’. It was more than mere recently-published novel The Moun- ‘extraordinary’ — it just takes some forum for reader’s relevant opinions on art-related matters; viewpoints expressed in the “Speak Out” ‘culture-shock’ then, when I opted to tain — an attempt to bring to life the of us a bit longer to stumble onto that section are not to be construed as positions held enter college after five years of active evolution of a creative mind in a world truth. by the publisher, editor or staff of this publication. Queries, Mss. without SASE included will not be service in the US Army, discovered that often could care less — and can *You can meet — and read about acknowledged. We do not accept electronic submis- the world of books, and decided to only hope that I have done justice to — these extraordinary people by visit- sions. Sample copy: 9x12 SASE. focus on literature, art, writing, and the many who helped to write that ing either www.arttimesjournal.com or ART TIMES welcomes your letters and comments. philosophy — a world that pretty well book. And, since so many have them- www.raymondjsteiner.com. Nothing in this publication may be reproduced without written permission of the publisher. covered the whole gamut of aforemen- selves come from ‘hard-hat’ families Raymond J. Steiner ef
Letters A traditionalist with a “twist”, Mr. To the Publisher: Rein’s thoughtful renderings of the Let me thank you again for the won- human figure have been admired and derful opportunity to place an ad in studied by the many artists and stu- ART TIMES [April 2009]. It looked dents who have frequented the BAC good, and I’ve already seen a slight Open Session classes that Sam moni- bump in visits to my web site. tored for many years. Sam’s positive artist community and online gallery You’re doing a wonderful job with influence on his fellow artists in the ART TIMES. I hope it continues to Hudson Valley is immeasurable and Calling All Artists… have a long, productive life — in spite it’s been an honor to have his unique www.soleyne.com of our current hard times. work included in many BAC exhi- Best wishes. bitions. Sam’s vibrant palette and Susan Moberg | 516-477-6432 | [email protected] | www.soleyne.com Beth Kurtz, NYC, NY thoughtful subject matter of serene The Soleyne Gallery has been modeled after the finest art and high figure studies, simple still-life and craft galleries. Within this one venue, world class artisans will be To the Publisher: tranquil landscapes create works showcased from across every medium from the classic to the cutting Almighty knew what he was doing that are simultaneously subtle and edge. when he called you to the creation colorfully magnificent at the same of ART TIMES. In 25 years, you not time. only succeeded in producing a great Your article expressed your ad- We are working diligently to create an online venue composed of ex- paper to read but also a source of miration of this accomplished artist ceptional, hand-chosen artists whose works one would expect to find valuable information, exchange, beautifully. We thank you for your in a respected brick and mortar gallery. By establishing ourselves and insights into the creative pro- insightful depiction of the man, and as the premier online art destination, patrons will come to know cess. Above it all, ART TIMES is a his works. Soleyne as being unparalleled in the current market place. “home” for diverse artists where they Respectfully, Laurie Clark Strange can communicate, know each other, Soleyne is an invitation-only venue with a defined membership cap. not necessarily in person, but rather BAC Exhibition Director via the rich cultural “milieu” you are Barrett Art Center We are a strictly juried site that asks of the posting artists a distinct providing in every publication. Great Poughkeepsie, NY level of attention to participate. Soleyne also has very high standards achievement for one person. So, con- regarding the quality and presentation of the artworks, as well as the gratulations to the Silver Anniversa- To the Editor: professionalism of the selling artists. ry and “Long Live ART TIMES. What a thrill and great honor to see Olga Spencer, PhD my poem in print in the January/ Soleyne, by definition means, “…a rare find, a treasure.” If you Southport, CT February 2009 issue. Thank you so believe that your artistry meets this standard, we welcome you to view much… our website, www.Soleyne.com, and submit your Artist’s Application. To the Editor: it’s always wonderful to read about Thank you so much for your wonder- various local exhibitions, artists and We look forward to seeing your work. ful cover story featuring “Life”, artist writers. I especially liked the article Sam Rein’s Solo Exhibition at Pough- about Clive Barnes [“Memories of Finally… an exclusive, upscale marketplace for the professional art- keepsie’s Barrett Art Center, which Clive Barnes” by Francine Trevens]. ist. Hobbyists need not apply. appeared in the January/February Thank you again for the confidence [2009] issue of ART TIMES. Your and thanks for your consideration. favorable description of Mr. Rein’s Gilda Kreuter (516) 543-5068 • [email protected] • www.Soleyne.com unique talent and versatility was ab- Brick, NJ solutely “right on”. Continued on Page 18 May 2009 ART TIMES page 3 Speak Out Reports of newspapers’ death By JOSEPH P. GRIFFITH As someone who was recently laid off, for the second time in less are not exaggerated than a decade, from a company in curacy. Piling onto the media is a wrongdoing, unjust wars and evil take the place of every profession. a dying industry (newspapers), I’ve popular bloodsport; it’s kill-the-mes- presidencies. Would that we had had Looking over her slinky gown and al- been extremely worried about three senger time. Whatever happened to their like to stand up to government most indecent figure, Dressler says, things: 1) my personal situation, 2) reasoned discourse, polite disagree- for the last eight years, and it’s ter- “Oh, my dear, that’s something you the industry and 3) the nation. ment, debate aimed at reaching a rifying to contemplate a future where need never worry about.” My situation, as a 50-plus worker solution or at least a consensus, that legacy has vanished. “Ignorance For newspaper workers, the threat in a culture and society that adore instead of diatribe and personal at- is strength,” wrote George Orwell. is not automation, but outsourcing. youth and pride themselves on kick- tacks for their own sake and to gain In a recent interview with Brit- Just as the U.S. manufacturing base ing older citizens to the curb, is only laughs at the expense of others? ain’s Guardian newspaper, writer has disappeared, with workers in one of millions of sad stories, so for- All those bloggers chortling with David Simon, a former crime report- Third-World countries performing get me. Newspapers are closing, lay- schadenfreude over the perhaps pre- er for the Baltimore Sun and creator tasks that used to be done here, local ing off staff and abandoning print maturely reported death of newspa- of the TV show “The Wire,” expressed news is being outsourced to places for the Web. Much has been made pers don’t understand the eventual fear for the future of newspapers and like India. The Pasadena Now Web of the industry’s woes, some of them cost to society. Profit drives the- in honest government. site has pioneered outsourced jour- self-created, but newspapers will dustry, and only the strong will sur- “Oh, to be a state or local official nalism, webcamming video of mu- sort them out somehow. They have vive. With fewer newspapers, the in America over the next 10 to 15 nicipal meetings and other local to, because as Stephen Colbert has survivors will be free to report the years, before somebody figures out news to India, where reporters write said, if newspapers die, where will truth, or whatever they want – or not. the business model,” said Simon, “To the stories and upload them to the they print the obituary? Journalism today often resembles a gambol freely across the wastelands website. They get paid $10 per 1,000 It’s really the country I’m most circus sideshow, but people seem to of an American city, as a local politi- words, which is basically a raise for concerned about. forget that John Peter Zenger, Alex- cian! It’s got to be one of the great them. Design and other functions The so-called democratization of ander Hamilton, Sinclair Lewis, H.L. dreams in the history of American are also outsourced, and it’s catch- media, fueled by the Internet, has Mencken, Jacob Riis, Edward R. Mur- corruption.” ing on with some papers around the engendered “citizen journalism.” The row, Woodward and Bernstein and Automation has long been a threat country. There are 8 million stories newspaper, a mainstay of communi- others like them not only informed for many American workers. I’m re- in the Naked City, and they’re now cation for a couple of hundred years, and enlightened but also, on many minded of Marie Dressler’s smirking being reported by people in another is rapidly giving way to the Internet occasions, saved the republic. They remark to Jean Harlow at the end of country. This is the future, and the and the blog, in which opinion and reported on, and sometimes helped “Dinner At Eight,” after Harlow has future is now. Or, as USC journalism hearsay replace research and ac- stop, governmental and corporate said that machinery will someday professor Bryce Nelson told the As- 7.375" sociated Press: “Nobody in their right mind would trust the reporting of people Pierro Gallery of South Orange and 1978 Maplewood Art Center Present who not only don’t know the institu- tions but aren’t even there to witness the events and nuances … this is a truly sad picture of what American journalism could become.” South Orange & Maplewood So what is to be done? Time is run- ning out, if it hasn’t already. While newspapers figure out the right busi-
ness" model to stay or become profit- 5 7 3 able. – indeed, to stay alive at all – 3 readers will have to understand that the consequences of losing them far Artists Studio Tour outweigh personal biases. Readers Visit studios and exhibition spaces of over 70 Maplewood & South Orange New Jersey artists. will have to make some effort to sup- Meet them, see their work, and celebrate our vibrant arts community. port newspapers, which may require that the papers become more respon- sive to criticism and more inclusive. The alternative – the death of news- SUNDAY, JUNE 7, 2009 11-5pm www.studiotoursoma.org papers – is unthinkable. (Joseph P. Griffith is a freelance writer in New York). ef
Art …………………10 Art Book Review………4 Calendar of Events……4 Classifieds ……………18 Art Times ad for print and web Culturally Speaking …14 Dance……………………5 Editorial ………………2, 3 ONLINE Fiction …………………17 NewYorkArtists.net Film ……………………9 Letters……………………2 The Number One Music ……………………1 Website for New York Artists Opportunities …………16 Top Rankings on all Major Contents Peeks & Piques! …………2 Search Engines Poets’ Niche …………16, 17 Artists: List Your Website for Only $25.00 Profile …………………10 6 month promotional (limited time) offer Speak Out…………………3 Contact: Gloria Rabinowitz Theatre …………………13 718-465-5111 [email protected] May 2009 ART TIMES page 4 Because our Calendar of Events is prepared a month in advance dates, times and events are subject to change. Please call ahead New Art UNIVERSITY PRESS OF FLORI- Calendar to insure accuracy. The county (and state if not NYS) where the event takes place is noted in bold at the end of each listing. DA: The Highwaymen Murals: Al Ongoing: Books Black’s Concrete Dreams by Gary Saturdays 6-9pm, DINNER CONCERTS / Sundays 11am-2pm BRUNCH CON- PHAIDON PRESS: Art and Elec- Monroe. 160 pp.; 10 x 8; 98 Illus., 95 CERTS Cafe Mezzaluna, 626 Route 212, Saugerties, NY (845) 246-5306 Ulster in Color. $39.95 Hardcover. *** Thru-Jun 14 FUNNY GIRL Westchester Broadway Theatre, 1 Broadway Plaza, Elms- tronic Media by Edward A. Shank- ford (914) 592-2222 charge Westchester en. 304 pp.; 11 3/8 x 9 7/8; 300 Illus., May 1, 6-9pm; May 2, 10-4pm SPRING OPEN STUDIOS & GALLERIES Farming- 250 in Color; Artists’ Biographies; UNIVERSITY OF WASHINGTON ton Valley Arts Center, 25 Arts Center Lane, Avon, CT 860-678-1867 CT Author’s Biographies; Bibliography; PRESS: Expanding the Boundar- May 1-10 Fr & Sa 8pm; Su 3pm “OH VIRGIL! A THEATRICAL PORTRAIT” Index. $75.00 Hardcover. ***** ies: Selected Drawings from the Woodstock Fringe, Judson Memorial Church, 55 Washington Sq. S. NYC 845-810-0123 Yvonne and Gabriel P. Weisberg charge NYC May 1-17 “BOSTON MARRIAGE” Capital Repertory Theatre, 111 N. Pearl St., Al- YALE UNIVERSITY PRESS: Da- Collection by Lisa Dickinson Mich- bany, NY (518) 445-SHOW charge Albany da’s Women by Ruth Hemus. 256 aux w/ Gabriel P. Weisberg. 96 pp.; May 1-17 Fr & Sa 8pm; Sun 3pm “THE SHAWL” and “WILDWOOD PARK” Nyack pp.; 8 x 10 3/8; 80 Illus., 20 in Color; 9 x 12; 75 Color Illus.; Checklist of Village Theatre, 94 Main St., Nyack, NY (845) 367-1423 charge Rockland Notes; Bibliography; Index. $60.00 Exhibition. $29.95 Softcover. ***** May 1-3, 8-10, 15-17 Fri & Sat 8pm; Sun 3pm “HOTEL BALTIMORE” Albany Civic Theater, 235 2nd Ave., Albany, NY (518) 462-1297 charge Albany Hardcover. *** The Pictures Gen- OXFORD UNIVERSITY PRESS: May 1-3 “SOLAS AN LAE” May 8-17 “PSYCHO BEACH PARTY” May 22-24 MYS- eration, 1974-1984 by Douglas TERIOUS FORCES; may 29-30 “THE FANTASTICKS” Center for Performing Arts Eklund. 352 pp.; 8 5/8 x 10 3/8; 333 The Art of Art History: A Critical at Rhinebeck, 661 Route 308, Rhinebeck, NY (845) 876-6470 www.centerforperformin- Illus., 286 in Color; Notes; Exhibition Anthology by Donald Preziosi. 624 garts.org Dutchess Checklist; Selected Bibliography; In- pp.; 6 5/8 x 9 3/8; B/W & Color Illus.; May 1-3 SPRING CRAFTS AT LYNDHURST Artrider, Lyndhurst Estate, Route 9, Notes; Lists of Texts; List of Illustra- Tarrytown, NY (914) 631-4481 10am-5pm; Sat 10-6pm; Sun 10-5pm charge www.craft- dex. $60.00 Hardcover. **** Nation- satlyndhurst.com Westchester al Gallery Technical Bulletin, tions; Biographical Notes; Glossary; May 1,2,8,9 8pm; May 3, 3pm “BROKEN GLASS” Valatie Community Theatre, 3031 Volume 29 (Ed.) Ashok Roy. 80 pp.’ Index. $27.95 Softcover. ***** Dic- Main St., Valatie NY 866-811-4111 Columbia 8 ¼ x 11 ¾; 124 Illus., 107 in Color. tionary of American Art and Art- May 9, 10, 16,17 11am-5pm ELEPHANT’S EYE BUCKS COUNTY ARTISTS STU- ists by Ann Lee Morgan. 537 pp.; 5 x DIO TOUR Various Galleries in Bucks County, PA (215) 340-0964 www.elephantseye- $40.00 Softcover. ***** tour.org 7 ¾. $17.95 Softcover. ***** PA May 14-Jun 7 “DINNER WITH FRIENDS” The Schoolhouse Theater, 3 Owens Road, NORTHWESTERN UNIVERSITY Croton Falls, NY (914) 277-8477 www.schoolhousegalleries.com Westchester PRESS: A Force for Change: Af- PRESTEL: Erotic Sketchbook: May 16 & 17 24th ANNUAL FLEMINGTON SPRING CRAFTS FESTIVAL Craft- rican American Art and the Ju- Salvador Dali by Norbert Wolf. 64 producers, Hunterdon County Fairgrounds, Rte 179, Ringoes NJ Hunterdon, NJ lius Rosenwald Fund (Ed.) Daniel pp.; 6 ½ x 8 ¾; 35 B/W & Color Il- MAY 23-25 SPRING CRAFT AND FINE ART FAIR Nassau County Museum of Art, One lus.; List of Works Illustrated. $25.00 Museum Drive, Roslyn Harbor, NY (516) 484-9337 charge Nassau Shulman. 192 pp.; 8 ¼ x 11; B/W & May 29-June 14, Fri-Sat at 8pm; sun at 3pm “THE EFFECT OF GAMMA RAYS Color Illus.; Exhibition Checklist; Hardcover. ***** ON MAN-IN-THE-MOON MAROGILDS” Cocoon Theatre, 6384 Mill St. (Rt. 9), Appendix. $39.95 Softcover. **** Compiled by Raymond J. Steiner Rhinebeck, NY (845) 876-6470 charge www.cocoontheatre.org Dutchess ef May 30 & 31 28th ANNUAL FADIRONDACK ARTS AND CRAFTS FAIR Craftpro- ducers, Washington County Fairgrounds, Rte 29, Greenwich, NY Saratoga Springs Continued on Page 6
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