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Home , Always Let Me Go, Gary Peacock, Jack DeJohnette, John Scofield, Solo Concert, Standards Live

CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS

Saturday, October 29, 2011, 8pm eith jarr ett a nd first The trio’s video releases include: Standards I Zellerbach Hall K played together in 1966–1968 as members (1985), Standards II (1986), Live at Open Theatre of the Charles Lloyd Quartet, then for one year East (1993) and Tokyo Concert ’96—all featuring in 1970 with . All three musicians full concert performances. In fall 2008, ECM first played together in 1977, when Mr. Jarrett re-released all four concert video on two special , and Mr. DeJohnette played on ’s two-DVD sets. piano first ECM Records recording, . In the past 25 years, the trio has been nomi- They came together as a permanent trio in nated for many international awards, including Gary Peacock, bass Janaury 1983, when Mr. Jarrett invited the other five American Grammy nominations, plus doz- two to join him in , for a recording ens of “Record of the Year” awards and critics’ Jack DeJohnette, drums session dedicated to playing “standards”—the prizes from the U.S., European and Japanese rich body of American popular songs from the music press, including the Gold Disc Award 1930s, ’40s and ’50s. At the time it was consid- (2000, 2003) from Swing Journal (Japan) and ered passé for top players to concentrate on play- the Choc des Chocs Award (2000, 2001, 2003) ing standards, instead of original material, but from Jazzman magazine (France) for “Best Mr. Jarrett thought it was important to show Album of the Year.” In 1991, their Tribute re- that “music wasn’t about material, but what the cording was awarded the Prix du Président de player brings to the material.” la République from the Charles Cros Academy, The January 1983 sessions produced the France’s award for the “Best Recording of the trio’s first three ECM Records releases Standards Year.” The trio was voted “Best Acoustic Jazz Vols. 1 and 2, and Changes. These recordings Group” in the DownBeat Readers Polls (1998, from the original New York trio session were 1999) and DownBeat Critics Poll (2008), and the re-released by ECM as a special three-CD box JazzTimes Reader’s Poll (2009). set in January 2008 in celebration of the trio’s 25th anniversary. Over the past 40+ years, Keith Jarrett has come Fifteen “live” concert recordings have fol- to be recognized as one of the most creative and lowed on ECM, each recorded in a different uncompromising musicians of our times—uni- international city: (Paris, 1985), versally acclaimed as an improviser of unsur- Still Live (Munich, 1986), Changeless (U.S. passed genius; a master of jazz piano; a classical tour, 1987), Tribute (Cologne, 1989), Standards pianist of great depth; and as a composer who in Norway (Oslo, 1989), The Cure (New York, has written hundreds of pieces for his various 1990), Keith Jarrett at the Blue Note: The Complete jazz groups, plus extended works for orchestra, Recordings (New York, 1994; six-CD box set), soloist and chamber ensemble. (Left to right) Keith Jarrett, Jack DeJohnette, Gary Peacock Tokyo ’96 (Tokyo, 1996), Whisper Not (Paris, Born in May 1945 in Allentown, Pennsylvania, 1999), The Out-of-Towners (Munich, 2001), Up Mr. Jarrett began playing piano at age three and for It (Juan-Les-Pins, France, 2002), My Foolish classical studies at age seven, then undertook Heart: Live in Montreux (Switzerland, 2001) and formal composition studies at age 15. In the PROGRAM Yesterdays (Tokyo, 2001). early 1960s, while still a teenager, he began play- Other ECM trio releases include Inside Out ing jazz, and was soon touring with Art Blakey, (London, 2000) and (Tokyo, then for three years with Charles Lloyd, and fi- Tonight‘s performance will be announced from the stage 2001), which feature the trio performing totally nally with Miles Davis. By the late ’60s, he was and comprise two sets with one intermission. improvised free music, rather than standards, leading his own trio with bassist live in concert. and drummer (soon to be a quartet In October 1991, exactly two weeks after the with saxophonist ) and record- death of Miles Davis, the trio went into New ing as a leader for the Atlantic, Columbia and York’s Power Station studio and recorded Bye Impulse! labels. Bye Blackbird, their deeply felt tribute to the In 1971, he began an exclusive recording Cal Performances’ 2011–2012 season is sponsored by Wells Fargo. jazz giant that all three had played with in their collaboration with ECM Records, the vision- early years. ary German label headed by producer Manfred

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Eicher. This collaboration has produced a cata- timekeeping and harmonic accompaniment. along with John McLaughlin, and logue of nearly 60 recordings to date, unparal- His ability to bring melodic and rhythmic free- . leled in their diversity and scope, including 17 dom into any musical setting has been his trade- After several years with Mr. Davis, trio recordings (on 26 CDs) with Mr. Peacock mark for 45 years in jazz. Mr. DeJohnette moved on and began recording and Mr. DeJohnette; nine classical record- Born in 1935 in Idaho, Mr. Peacock first with many of the finest players in jazz, as well as ings of music by Bach, Handel, Mozart and played in Los Angeles in the late 1950s with leading his own groups. In the 1970s, he formed Shostakovich, and Mr. Jarrett’s groundbreaking , , Hampton Hawes New Directions featuring John Abercrombie, solo piano recordings such as The Köln Concert and . By the early 1960s, he was in Eddie Gomez and , followed by and La Scala, which have helped to redefine the New York playing with , Miles Davis, Special Edition, and then the Gateway Trio piano in contemporary music. The most recent , , and with Mr. Holland and Mr. Abercrombie, which solo releases include Radiance recorded live others. He moved to Japan for several years in is still active today. in concert in Japan in 2002 and The Carnegie the late 1960s to study Oriental philosophy Mr. DeJohnette has also been featured in Hall Concert recorded in New York in 2005. In and medicine, before returning to the United past years on high-profile CD releases by Herbie October 2011, ECM will release Rio, a new live States in the early 1970s to resume active music- Hancock, , Sonny Rollins, Joe solo concert recording made in Rio de Janeiro making and to teach at the Cornish Institute in Henderson, , in April 2011. Seattle. Over the years, he has also worked with and , as well as on sessions with The Melody at Night, With You, an intimate Sarah Vaughn, Chick Corea, , young emerging players that he feels are deserv- studio solo piano recording of songs released in , Michel Petrucciani, , ing of greater attention. 1999, has become one of the best selling jazz and , to name a few. In 1972, he began a 35+ year recording col- CDs of the past decade, winning many awards In recent years, Mr. Peacock’s other major laboration with ECM Records, where he has worldwide including “Best of the Year” awards collaborations, besides the trio with Mr. Jarrett played on over 40 recordings with varied groups in Japan, France and the United States. and Mr. DeJohnette, have included dates and as a leader and sideman, as well in the trio with Mr. Jarrett has garnered many other awards, recordings with pianists , Paul Mr. Jarrett and Mr. Peacock. including eight Grammy Award nominations Bley and , in either duo set- Current touring projects include Trio and several French Grand Prix du Disque and tings or in trio with drummers Paul Motian and Beyond with guitarist John Scofield and or- Deutsche Schallplattenpries awards. In 1989, . ganist ; a new trio with pianist the French Ministry of Culture elected him an In the past 30 years, Mr. Peacock has played and bassist ; ongo- Officer of the Order of Arts and Letters, one of on over 25 ECM Records recordings. ing duo and group collaborations with British the highest honors the French nation can bestow saxophonist ; and the Jack Johnson upon an artist. In 1996, he was elected a member Jack DeJohnette is one of the finest drummers Project, a concert re-creation of the music fea- of the Royal Swedish Academy of Music, join- in jazz. His approach to the drums is that of a tured on the classic Miles Davis fusion record- ing Duke Ellington as only the second foreign complete musician, exploring the varied colors ing Jack Johnson, on which Mr. DeJohnette jazz artist to be so honored. He has been voted and timbres of his varied percussion instru- originally performed. “Pianist of the Year” in the DownBeat Readers ments, rather than simple timekeeping. Mr. DeJohnette has garnered many awards, Polls (1994, 1996, 1997, 1999–2006) and in the Born in 1942 in , Mr. DeJohnette including France’s prestigious Grand Prix du DownBeat Critics Poll (1996, 2000–2008). studied classical music and piano for ten years Disque (1979) and “Album of the Year” awards In December 2008, Mr. Jarrett was inducted in his youth. In the mid-1960s, he joined Muhal in the 1984 DownBeat Readers Poll, the 1989 into the DownBeat Hall of Fame. He was award- Richard Abrams and as a mem- DownBeat Critics Poll and Swing Journal ed the 2003 Polar Music Prize, one of the world’s ber of AACM, Chicago’s pioneering avant-garde (Japan). He has the distinction of having most prestigious music awards, presented by the collective ensemble of musicians. In 1966, he been voted “Best Drummer” in the DownBeat King of Sweden in a special televised ceremony headed to New York, playing first with Jackie Readers Poll for an unprecedented 13 straight in Stockholm. In July 2004, he was awarded McLean, Betty Carter and , be- years from 1980 to 1992, as well as several more the prestigious Leonie Sonning Music Prize in fore joining the Charles Lloyd Quartet along- times in recent years. In 1991, Boston’s Berklee Copenhagen and the Miles Davis Prize at the side the young Keith Jarrett. By 1967, he was College of Music awarded him an Honorary 25th anniversary of the Montreal Jazz Festival. playing with many of the period’s greatest im- Doctorate of Music. In 1997, he appeared on the provisers, including Bill Evans, , Grammy Awards telecast with , Gary Peacock has served as an inspiration for and , before join- and Natalie Cole in a tribute to several generations of jazz bass players, not con- ing Miles Davis in 1968 to record the quintes- Ella Fitzgerald, and was also a featured musician tent with the traditional bassist’s role of simple sential jazz/rock fusion record, , in the film Brothers 2000.

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