Chameleon pdf

Continue ChameleonInstrumental Herbie Hancock from The Head HuntersReleased1973 (1973)RecordedSeptember 1973GenreJazz funkLength15:41LabelColumbiaComposer (s) Herbie Hancock Paul Jackson Harvey Bennny Mason Maupin Producer (s) Herbie Hancock David Rubinson Chameleon Is a Jazz Standard, composed by Herbie Hancock in collaboration with Benny Paul Jackson and Harvey Mason, all of whom also performed the original full-length version 15:44 on the 1973 album with solo songs by Hancock and Mopin. 9:41 edit omits out-of-set segment, features a new bass line added at about 6:40 and new instruments added to the post-production. The song has a distinctive bass line and is tuned to funk beats. For the most part, it is built entirely on two vampire chords: I-IV in B♭ Dorian (B♭m7 and E♭7). The signature 12-note bass line was played by Hancock on ARP Odyssey, as was one of the keyboard solos. Another keyboard solo was played on the Fender/Rhodes piano. The play is one of the most widely recognized jazz standards and has become a standard repertoire in many small jazz ensembles. It has been performed by artists such as Maceo Parker, Buddy Rich, Stanley Jordan, Big Sam's Funky Nation, Maynard Ferguson, Eddie Jefferson, Gov't Mule, Jazz Warriors, Monty Alexander with Sly Dunbar and Robbie Shakespeare, Michal Urbanyak, The String Cheese Incident, Umphrey's McGee, James Morrison and many others. Inquiries : James David Vazquez Bass Lines: Herbie Hancock - Chameleon vs. Watermelon Man - Bass Musician magazine, face of bass. bassmusicianmagazine.com. Received 2018-08-13. The deconstruction of the bass line in Herbie Hancock's Chameleon. Blog by Ethan Hayne. 2017-02-17. Received 2018-08-13. - synthesizer (2015-04-21). Famous synthesis sounds: Chameleon Bassline Herbie Hancock. Synthtopia. Received 2018-08-13. Art synth Soloing: Mr Hands Himself, Herbie Hancock. KeyboardMag. Received 2018-08-13. Received from (composition) oldid'977047123 For other purposes, see Headhunter (disambiguation). 1973 studio album Herbie Hancock HuntersSTudio album Herbie HancockReOctober 26, 1973 (1973-10-26)RecordedSepmberte 1973StudioWally Heider StudiosDifferent Fur Trading Co., CaliforniaGenre Jazz-funk , Jazz Fusion (2) Length41:52LabelColumbiaProducer Herbie Hancock David Rubinson Herbie Hancock Chronology Sextant (1973) Bounty Hunters (1973) Dedication (1974) Professional RatingsEditingLyat Jazzwise is the twelfth studio album by American pianist and composer Herbie Hancock, the twelfth studio album by American pianist and composer Herbie Hancock, released on October 26, 1973, at Columbia The album was recorded in the evening at Studios and Different Fur Trading Co. in San Francisco, California. The structure and release of Head Hunters followed a series of experimental sextut albums by Hancock: , Crossings and Sextant, released between 1971 and 1973, when Hancock was looking for a new direction in which to take his music: I began to feel that I was spending so much time studying the upper atmospheres of music and the more ethereal kind of distant cosmic things. Now there was this need to take some more ground and feel a little more attached; connection to the land. ... I started to feel like we (sextet) were playing this heavy music and I was tired of all the heavy. I wanted to play something easier.- Hancock Sleeve notes: 1997 CD reissue for a new album, Hancock assembled a new band, Headhunters, of which only Benny Maupin was a member of sextet. Hancock handled all parts of the synth himself (previously shared these duties with Patrick Gleeson), and he decided against using guitar altogether, in favor instead of clavinet, one of the defining sounds on the album. The new band featured a dense rhythm-and-blues-oriented rhythm section consisting of Paul Jackson (bass) and Harvey Mason (drums), and the album has a relaxed, funky groove that gave the album an appeal to a much wider audience. Perhaps the defining moment of the jazz fusion movement (or perhaps even the edge of jazz-funk in fusion style) the album made jazz listeners from fans of rhythm and blues, and vice versa. The album mixes funk rhythms such as busy high hats in 16 notes on the first track Chameleon, with the jazz form of AABA and extended solos. Of the four tracks on the album, Watermelon Man was the only one not written for the album. Hit out of Hancock Hard Bop Days, originally appearing on his first album Takin' Off, it was reworked by Hancock and Mason and instantly recognizable intro featuring Bill Summers blowing in a bottle of beer, a imitation of hindewho, a tool of Mbuti Pigmayev of Northeast Saire. The track is distinguished by the heavy use of African percussion. Sly was dedicated to the pioneering funk musician Sly Stone, leader of Sly and the Family Stone. Chameleon (opening track) is another track with an instantly recognizable intro, the opening line played on the synthesizer ARP Odyssey. Vein Melter is a slow burner, predominantly featuring Hancock and Maupin, with Hancock mostly playing Fender Rhodes electric piano, but sometimes bringing in some heavily effected synth parts. Heavily edited versions of Chameleon and Vein Melter were released as a 45 rpm single. Columbia released his LP entry in Matrix S and on an 8-track tape. The quad-core blends have elements not heard in the stereo version, including an additional 2-second keyboard melody at the beginning of Sly. The quad-core version was digitally redesigned in 1999 in Super Audio CD (Columbia/Legacy CS 65123). These editions are now out of print. Prior to George Benson's Breezin (1976), it was the best-selling jazz album of all time, the band The Headhunters (with Mike Clarke replacing Harvey Mason) worked with Hancock on a number of other albums, including Thrust (1974), Man-Child (1975) and Flood (1975), the latter of which was recorded live in Japan. Subsequent albums Secrets (1976) and Sunlight (1977) had widely diverging staff. Headhunters, with Hancock featured as a guest soloist, produced a series of funk albums, Survival Fittest (1975) and Straight Out of the Gate (1978), the first of which was produced by Hancock and included the big hit God Makes Me Funky. The image on the cover of the album, developed by Victor Moscoso, is based on the African mask kple kple of the Baule tribe of Ivory Coast. The image is also based on tape recorders used on drum-to-drum recording equipment during this recording. Legacy Head Hunters became the first jazz album to sell more than a million copies. In 2005, the album was ranked 498th on rolling Stone magazine's list of the 500 greatest albums of all at the time. Head Hunters was a key release in Hancock's career and a defining moment in the jazz genre, and was an inspiration not only for jazz musicians, but also for funk, soul music, jazz funk and hip-hop artists. The Library of Congress added it to the National Recording Registry, which collects culturally, historically or aesthetically important recordings from the 20th century. Track listing Side oneNo.TitleWriter (s)Length1. ChameleonHankok, Jackson, Mason, Maupin15:412. Watermelon ManHancock; organized by Mason6:29 Party twoNo.TitleWriter (s)Length3 . SlyHancock10:154. Vein MelterHancock9:09 Single Chameleon (2:50)/Vein Melter (4:00) - Columbia 4-46002 (USA); Released in 1974, the single Chameleon was released in 2008 in Playlist: The Very Best of Herbie Hancock. Staffing musicians Herbie Hancock - Fender Rhodes, clavinet, synthesizer ARP Odyssey, ARP lead singer Benny Maupin - tenor saxophone, soprano saxophone, saxophone, bass clarinet, al-flute Paul Jackson - bass guitar, guitar, Marimboula Harvey Mason - drums Bill Summers - agogo, balafon, bottle of beer, kabasa, congas, gankogui, hindewhu, log drum, shaker, marmo, tambourine produced by Herbie Hancock - producer David Rubinson - producer Fred Catero - engineer Jeremy Zatkin - Engineer Danecher - engineer John Vieira Review. Forks. Received on April 5, 2020. A b c Erlavin, Stephen Thomas. Review: Bounty Hunters. AllMusic. Received on January 7, 2010. Columnist. Review: Head Hunters Archive 2009-06-04 on Wayback Machine. Down Beat: January 17, 1974. Herbie Hancock - Hedhunters ★★★★★. Jazweis. July 22, 2019. Penguin Jazz Guide: 4-star report in 8th edition. Tom Hull. Received on July 9, 2020. The question: London: 100. February 2000.CS1 maint: untitled periodic (link) - Treasure, Christian (ed.) Review: Bounty Hunters. Rolling Stone. 2 November 2004. Swenson, J., ed. (1985). USA: Random House / Rolling Stone. page 94. ISBN 0-394-72643-X. Tom Hull: Score List: Herbie Hancock. Tom Hull. Received on August 12, 2020. Review: Bounty Hunters. The zagat review. 2003 - through superseventies.com. Herbie Hancock: Too good to be true. Independent. 2006-10-29. Received 2020-10-08. Bounty hunters have found a new direction in jazz. NPR.org. received on March 10, 2020. Playlist: The best of Herbie Hancock. Discogs.com. External Links Head Hunters to Discogs Crossover Artist, which feels none worse for the trip - Billboard 101 Albums that changed popular music: Head Hunters extracted from chameleon herbie hancock bass tab. chameleon herbie hancock chords. chameleon herbie hancock sheet music. chameleon herbie hancock bass. chameleon herbie hancock tab. chameleon herbie hancock sample. chameleon herbie hancock lyrics. chameleon herbie hancock instruments

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