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Jodhaa Akbar
JODHAA AKBAR ein Film von Ashutosh Gowariker Indien 2008 ▪ 213 Min. ▪ 35mm ▪ Farbe ▪ OmU KINO START: 22. Mai 2008 www.jodhaaakbar.com polyfilm Verleih Margaretenstrasse 78 1050 Wien Tel.:+43-1-581 39 00-20 www:polyfilm.at [email protected] Pressebetreuung: Allesandra Thiele Tel.:+43-1-581 39 00-14 oder0676-3983813 Credits ...................................................2 Kurzinhalt...............................................3 Pressenotiz ............................................3 Historischer Hintergrund ........................3 Regisseur Ashutosh Gowariker..............4 Komponist A.R. Rahman .......................5 Darsteller ...............................................6 Pressestimmen ......................................9 .......................................................................................Credits JODHAA AKBAR Originaltitel: JODHAA AKBAR Indien 2008 · 213 Minuten · OmU · 35mm · FSK ab 12 beantragt Offizielle Homepage: www.jodhaaakbar.com Regie ................................................Ashutosh Gowariker Drehbuch..........................................Ashutosh Gowariker, Haidar Ali Produzenten .....................................Ronnie Screwvala and Ashutosh Gowariker Musik ................................................A. R. Rahman Lyrics ................................................Javed Akhtar Kamera.............................................Kiiran Deohans Ausführende Produzentin.................Sunita Gowariker Koproduzenten .................................Zarina Mehta, Deven Khote -
UTV Acquires the Feature Film Rights of Ashwin Sanghi's
UTV acquires the Feature Film rights of Ashwin Sanghi’s ‘Chanakya’s Chant’ ~ A film based on the #1 National Bestseller to go on floors soon ~ Mumbai, Wednesday, June 15th, 2011: UTV Motion Pictures has acquired rights to Ashwin Sanghi’s national bestseller - Chanakya’s Chant, published by Westland. The interesting fast-paced story based on politics in two radically different eras will now be adapted into a film by the studio. Chanakya's Chant, a historical political thriller, released by Westland in January 2011, shot into the Top-5 Bestsellers of India within 2 weeks of its launch, proving that Chanakya’s neetis are as relevant today as they were in ancient times. The book narrates two parallel political tales, one in Chanakya’s puranic Bharat 2300 years ago and the other in post-independence contemporary India. While the ancient story is largely historical, based upon Chanakya’s rise to power and the clever tactics applied by him towards installing Chandragupta Maurya on the throne, the modern story is mostly fictional and tells the tale of Kanpur’s Pandit Gangasagar Mishra who draws inspiration from the master strategist Chanakya and employs his strategies in a modern context to get his protégée Chandini Gupta appointed to the highest office in India. On announcing the film, Siddharth Roy Kapur, CEO, UTV Motion Pictures, said "Chanakya’s Chant is one of those rare books with a storyline that has the potential to be translated into a superbly cinematic and immensely entertaining screenplay. The tale is about the underbelly of national politics which the book superbly exposes, where strategies developed by Chanakya 2300 years ago are still as valid in the modern day political scenario. -
MOVIE NAME SONG NAME Naina's Theme (Instrumental) Oye Hichki
MOVIE NAME SONG NAME War Ghungroo Nawab Ft. Gima Ashi (Album) Tattoo Bohemia Ft. Sidhu Moosewala (Album) Same Beef Manzoor-e-Khuda Thugs Of Hindostan Vashmalle Suraiyya Chaav Laaga Khatar Patar Sui Dhaaga Tu Hi Aham Title Track Sab Badiya Hai Naina's Theme (Instrumental) Oye Hichki Madamji Go Easy Hichki Khol De Par Teri Dastaan Phir Kya Hai Gham Soul of Hichki Tiger Zinda Hai Theme Swag Se Swagat Dil Diyan Gallan Tiger Zinda Hai Zinda Hai Daata Tu Tera Noor Tiger Zinda Hai - Trailer Soundtrack I Am India Hulchul Phir Nayi Junooni Qaidi Band Udanchoo Jag Mag Poshampa Phir Wohi I Am India (Escape) Hum Hain Bank Chor Bank Chor Tashreef Maana ke hum yaar nahin Haareya Ye Jawani Teri Meri Pyari Bindu Iss Tarah Khol De Baahein Afeemi Meri Pyaari Bindu (2017) Labon Ka Karobaar Nashe Si Chadh Gayi Ude Dil Befikre Befikre Je T'aime You And Me Khulke Dulke Love Is A Dare Sultan Trailer Baby Ko Bass Pasand Hai Jag Ghoomeya 440 Volt Sultan Sachi Muchi Bulleya Tuk Tuk Sultan Jag Ghoomeya (Female) Rise of Sultan Baby Nu Bass Pasand Hai - Salman Khan Version Jag Ghoomeya - Salman Khan Version 440 Volt - Salman Khan Version Sultan - Salman Khan Version Sultan Mashup Baby Ko Bass Pasand Hai - Remix Jabra Fan Byapok Fan - Bengali Version Jabardast Fan - Bhojpuri Version Jabro Fan - Gujarati Version Jabraa Fan - Marathi Version Ghaint Fan - Punjabi Version Fan Takkara Fan - Tamil Version Veera Fan - Telugu Version Jabar Fan - Odia Version Jabara Fan - Arabic Version Lokuma Fan - Sinhala Version Fan Theme Jabra Fan Mashup Calcutta Kiss Bach Ke Bakshy Byomkesh -
Aspirational Movie List
SL Title Year Type Rating Ratings 1 3 Idiots 2009 Feature 8.5 155,763 2 Like Stars on Earth 2007 Feature 8.5 71,581 3 Rang De Basanti 2006 Feature 8.4 57,061 4 Gangs of Wasseypur 2012 Feature 8.4 32,853 5 Lagaan: Once Upon a Time in India 2001 Feature 8.2 54,714 6 Mughal-E-Azam 1960 Feature 8.4 3,425 7 A Wednesday 2008 Feature 8.4 30,560 8 Udaan 2010 Feature 8.4 23,017 9 Swades 2004 Feature 8.4 47,326 10 Dil Chahta Hai 2001 Feature 8.3 38,159 11 Pyaasa 1957 Feature 8.4 2,677 12 Black Friday 2004 Feature 8.6 6,126 13 Sholay 1975 Feature 8.6 21,695 14 Anand 1971 Feature 8.9 7,826 15 Special 26 2013 Feature 7.9 22,078 16 Queen 2014 Feature 8.5 28,304 17 Andaz Apna Apna 1994 Feature 8.8 22,766 18 Haider 2014 Feature 8.5 28,728 19 Guru 2007 Feature 7.8 10,337 20 Dev D 2009 Feature 8.1 16,553 21 Paan Singh Tomar 2012 Feature 8.3 16,849 22 Chakde! India 2007 Feature 8.4 34,024 23 Sarfarosh 1999 Feature 8.1 11,870 24 Mother India 1957 Feature 8 3,882 25 Bhaag Milkha Bhaag 2013 Feature 8.4 30,313 26 Barfi! 2012 Feature 8.3 43,308 27 Zindagi Na Milegi Dobara 2011 Feature 8.1 34,374 28 PK 2014 Feature 8.4 55,878 29 Baby 2015 Feature 8.4 20,504 30 My Name Is Khan 2010 Feature 8 56,169 31 The Legend of Bhagat Singh 2002 Feature 8.1 5,481 32 Munna Bhai M.B.B.S. -
Bio Dillywood 21Pd
164 WEST 25TH ST. SUITE 4F, NEW YORK, NY 10001 USA [email protected] • TEL +1.646.202.9478 • FAX +1.815.550.2861 Dillywood, Inc. is a motion picture production company based in New York that develops and produces film and media projects with a distinctly international focus. Founded in 2004 by producers Anadil Hossain and Driss Benyaklef, the company has been built on their hybrid cultural backgrounds and breadth of experience in film, media, advertising, web content, and large-scale corporate event production. Since then, the company has worked on a gamut of productions in over 25 countries on five continents, establishing long-standing networks in places such as India, U.K., Jordan, Morocco, Kenya, and Hong Kong. The company also has a wide range of experience and know-how working across the US and North America. Dillywood has worked with directors such as Mira Nair (The Namesake, The Reluctant Fundamentalist), Doug Liman (Fair Game), and Wes Anderson (The Darjeeling Limited). Most recently, Dillywood worked on the international segment of Jobs, the biopic of Steve Jobs, starring Ashton Kutcher, and directed by Joshua Stern. The company serves as a creative and logistical bridge between filmmakers and settings, crews, and governments where the films are shot. Dillywood pioneered how large-scale Indian films are shot in the US by producing the US segment of Kal Ho Naa Ho, the first major Indian film to shoot almost entirely in the US. Subsequently, Dillywood worked on the productions of acclaimed directors Karan Johar (Kabhie Alvida Naa Kehna), Rakeysh Mehra (Delhi 6), and with the director of Oscar-nominated Lagaan, Ashutosh Gowariker (Swades, What’s Your Raashee). -
Magazine1-4Final.Qxd (Page 3)
SUNDAY, AUGUST 14, 2016 (PAGE 4) BOLLYWOOD-BUZZ BEAUTY TIPS "There is no competition between actors in the film industry" He was present throughout with us during picturisation, bytes, songs and also in the selection of costumes. You are playing a Parsi character in the film, so did you research on Parsi rituals? The film is not based on Paris religion so I didn't have to learn Paris' language. I just played the character in the film. My best friend and manager are also Parsi, so from them I learned about Parsi. From 'Airlift' to 'Rustom', the time gap between one film to the other is very less, how do you manage time in a year as you are doing so many films back to back? See a film needs only forty Shahnaz Husain Dusky / Olive: (Slightly dark) to forty five days for shoot- Dusky, or olive complexions, look better with brown- ing. I do four films now every Raksha Bandhan is one of the important festivals, ish beige shades for Foundation. It should be a colour that year though earlier I used to when brothers and sisters celebrate the loving bond will add some glow to the skin. For blushers, avoid mauves do six films. After doing four between them. Like all festive occasions, girls love to dress and light pink. Go with darker pink, or even some brown films also, I get around hun- up and look their best. However, make-up is all about shades. A highlighting powder will help to add glow. Try dred days to spend with fam- choosing the right shades of colour cosmetics. -
Arial 28 Bold
Prime Focus Limited Q3FY17 Investor Presentation February 2017 Safe Harbor Certain statements in this document may be forward-looking statements. Such forward- looking statements are subject to certain risks and uncertainties like regulatory changes, local political or economic developments, and many other factors that could cause our actual results to differ materially from those contemplated by the relevant forward-looking statements. Prime Focus will not be in any way responsible for any action taken based on such statements and undertakes no obligation to publicly update these forward-looking statements to reflect subsequent events or circumstances. Investor Update Q3 FY17 Contents Page Q3 & 9M FY17 Performance 04-15 About Prime Focus 16-21 Annexure 22-25 Financials 22-24 Shareholding pattern 25 Q3 & 9M FY17 Performance Delivering Profitable growth: EBITDA up 71% YoY, well ahead of target Segmental Highlights: All businesses witness robust growth Revenue Rs 5.1 bn Creative Services Consolidated revenues up 8% YoY driven by strong • Delivered movies include Fantastic Beasts and Where to Find Them and growth across businesses Assassin's Creed • Order book at $250 mn+ with projects like Pacific Rim: Uprising, Justice League, Dunkirk, The Mummy, Wonder Woman, Fast 8, Geostorm etc. EBITDA* Rs 1.2 bn • Revenue up 13%; EBITDA Margin at 22.8% Margin @ 24.1%, up~ 884 bps with margins expanding Tech/Tech Enabled Services in all divisions; Above mid-term target of 20% • Continued to Invest in Marketing & Product Development, hired head of business development for Canada • Signed a deal with existing client Tata Sky to create exclusive PAT Rs 227 mn subscriber communications for their Value Added Services • Order book at c. -
Enchanting Tales of Jodha-Akbar
REVIEW The Enchantress of Florence: A Novel. Rushdie, Salman. 2008. London: Jonathan Cape. ISBN 978 0224 06163 6 Jodhaa Akbar. Ashutosh Gowarikar Productions. 2008. Mumbai: India. UTV Motion Pictures. Enchanting tales of Jodha-Akbar Rituparna Roy and seductresses of all kinds, but the relation to Akbar, in the same way as he most interesting of them all is the imagi- thinks of his in relation to God. And in a Jodhaa Akbar is a lavish period drama on nary Jodha – a being created by Akbar’s way, they echo each other’s thoughts: celluloid; The Enchantress of Florence is an all-powerful fancy, khayal. Making her “The question of her independent existence, ‘East meets West’ novel, highlighting not character imaginary serves two purposes of whether she had one, insisted on being so much a clash of civilisations as their in the novel. In The Enchantress of Florence, asked, over and over, whether she willed it commonality. At the heart of both is Jalal Rushdie celebrates, among other things, a or not. If God turned his face away from his ud-din Muhammad Akbar (1542-1605), the time when “the real and the unreal were creation, Man, would Man simply cease to greatest Mughal Emperor of India, who, [not] segregated forever and doomed to be? That was the large-scale version of the though illiterate, was gifted with a unique live apart under different monarchs and question, but it was the selfish, small-scale syncretic vision which he tried concretis- separate legal systems” – and the best versions that bothered her. Was her will free ing in his own lifetime, by creating a new attestation of that fact in the novel is the of the man who had willed her into being? religion of man (Din-i-Ilahi or the ‘Divine character of Jodha Bai, Akbar’s fantasy Did she exist only because of his suspension Faith’) that sought to bring people of all come alive. -
First Addendum to the Agency Agreement
FIRST ADDENDUM TO THE AGENCY AGREEMENT This First Addendum Agreement ("First Addendum") is entered on this 1ih day of January, 2018 ("Effective Date") and is the addendum to the Agency Agreement dated 2ih day of April 2016 ("Principal Agreement") executed BYAND BETWEEN BETWEEN:- (1) Yash Raj Films Pvt. Ltd., a company incorporated under the provisions of the Companies Act 1956, having CIN U92110MH1973PTC016788 / PAN No. AAACY1176Eand its registered Office 5, Shah Industrial Estate, Veera Desai Road, Andheri (W), Mumbai - 400053 and (hereinafter referred to as "YRF") which expression shall, unless repugnant to the context or meaning thereof be deemed to include its successors and assigns) of the First Part; AND (2) Novex Communications Private Limited, a company incorporated under the provisions of the Companies Act 1956, having its registered office at B-301, Remi Bizcourt, 9 Shah industrial Estate, Andheri (W), Mumbai - 400 053 (hereinafter referred to as "Novex") which expression shall unless repugnant to the context or meaning thereof be deemed to include its successors-in-interest and permitted assigns, of the Other Part YRF and Novex are hereinafter referred to as "Party" individually and as "Parties" collectively. WH EREAS: (A) The Parties had entered into the Principal Agreement dated 27th April 2016, effective till 30th June, 2018 whereby YRF had hereby appointed Novex as its Agent, for identifying opportunities for the exploitation of the Ground License Rights and usage of sound recordings and underlying works in any public avenues with respect to the Song(s) to enable YRF to enter into Third Party Agreements throughout the Territory in accordance with the terms and conditions. -
Disney Announces ABCD 2 Post the Success of India's First Ever 3D
Disney announces ABCD 2 Post the success of India’s first ever 3D dance movie ABCD - Any Body Can Dance, a youthful and vibrant film which became a nation-wide phenomenon garnering critical acclaim and box office, Disney India’s studio business today announced its sequel ABCD 2, directed by Remo D’Souza. The second chapter of the movie promises to be even bigger in scale with the current heartthrobs Varun Dhawan and Shraddha Kapoor in the lead along with Prabhudeva. Inspired from the true story of an Indian dance troupe that participated in the world Hip Hop Championships, this movie is slated to be shot extensively in Las Vegas, with over 10 songs and extravagant dance sequences that will add grandeur to the exciting script The film will go on floors in July. About Disney India’s Studio division Bringing together the best of both worlds, The Walt Disney Studios and UTV Motion Pictures have formed one of the leading film studios in India. The studio’s activities span across creative development, production, marketing, distribution, licensing, merchandising and syndication of films in India and worldwide. UTV Motion Pictures as a dominant player in the Indian film industry has been in the forefront of bringing Indian films to a global audience and the last decade in Indian cinema has seen UTV delivering some of the most iconic films including Swades, Rang De Basanti, Jodhaa Akbar, A Wednesday, Dev D, Khosla Ka Ghosla, The Namesake, Life in a Metro, Oye Lucky! Lucky Oye!, Fashion, Kaminey, No One Killed Jessica, Raajneeti, Udaan, Peepli Live, Delhi Belly, Ek Main Aur Ekk Tu, Paan Singh Tomar, Rowdy Rathore, Barfi!, Heroine, Race 2, AnyBody Can Dance (ABCD), Kai Po Che!, Yeh Jawaani Hai Deewani and more recently Ship of Theseus ,Chennai Express, Satyagraha, The Lunchbox, Shahid, Highway and 2 States. -
India Daily, September 13, 2017
INDIA DAILY September 13, 2017 India 12-Sep 1-day 1-mo 3-mo Sensex 32,159 0.9 3.0 3.4 Nifty 10,093 0.9 3.9 5.1 Contents Global/Regional indices Dow Jones 22,119 0.3 1.2 3.7 Special Reports Nasdaq Composite 6,454 0.3 3.2 3.8 Theme Report FTSE 7,401 (0.2) 1.2 (1.3) Nikkei 19,875 0.5 0.7 (0.1) Media: Box office trends - behemoths command BO, rest divide scraps Hang Seng 27,846 (0.4) 3.6 7.7 Key trends: Bollywood growth lopsided, regional/Hollywood strong, social KOSPI 2,368 0.1 2.1 (0.3) media impact grows Value traded – India Daily Alerts Cash (NSE+BSE) 318 297 298 Derivatives (NSE) 4,901 5,712 3,317 Company alerts Deri. open interest 3,574 3,498 3,301 Gujarat Pipavav Port: LPG the lone silver lining Pipavav well-placed to become strategic hub for LPG imports on the west Forex/money market coast Change, basis points Volatility in container trade may continue 12-Sep 1-day 1-mo 3-mo Rs/US$ 64.0 (2) (13) (39) Pricing support from improving financials of shipping lines unlikely to go to 10yr govt bond, % 6.9 1 2 2 Pipavav Net investment (US$ mn) Revise estimates to incorporate the LPG opportunity; retain REDUCE 11-Sep MTD CYTD FIIs (65) (617) 6,546 Sector alerts MFs 57 352 10,467 Energy: Weakness in industrial fuels; base affects auto fuels Top movers Petroleum demand declines 6.1% yoy in August, staying flat in 5MFY18 Change, % Best performers 12-Sep 1-day 1-mo 3-mo Subdued off-take of industrial fuels likely reflecting impact from GST JPA IN Equity 21.9 0.2 3.1 64.0 implementation RCAPT IN Equity 775.3 0.2 23.3 57.3 Auto fuels demand -
Page 01 March 30.Indd
SUNDAY 30 MARCH 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Sabotage: So CAMPUS much blood, • MES Indian School bags championship trophy at so little point Qafco flower show P | 4 P | 8-9 COMMUNITY • Cirque Elioze iD to perform for the first time in Qatar A handful of fed-up residents in one of the world’s noisiest cities, Mumbai, have taken P | 5 on a daunting challenge: persuading Indian BOOKS drivers to stop honking their car horns. • 10 best selling books • A travel through time for saving the future P | 7 HEALTH • Mild head injuries linked to risk of death years later P | 11 TECHNOLOGY • A lightning quick, five-star smartphone ‘HORN NOT OK’ P | 12 Learn Arabic • Learn commonly used Arabic words PLEASE and their meanings P | 13 2 PLUS | SUNDAY 30 MARCH 2014 COVER STORY New gadgets hope to hush Mumbai’s incessant honking handful of fed-up residents in one of the world’s noisiest cities have taken on a daunting challenge: A persuading Indian drivers to stop honking their car horns. Non-stop beeping has become the domi- nant soundtrack to Mumbai as clattering rickshaws, public buses, clapped-out taxis, weaving motorbikes and private cars fight for space on the traffic-clogged roads. Now two separate teams in the city have come up with devices aimed at instilling some peace: one by forcing overzealous horn- users to open their wallets, and another by simply attacking drivers’ consciences. “People blow their horns just for no sake,” said Jayraj Salgaonkar, who with a group of engineers has developed the ‘Oren horn usage meter’ (the name ‘Oren’ derives from local pronunciation of the word ‘horn’).