JAZZ-Framboisierspecimen-V2.Pdf

Framboisier Bold Bold Italic

Framboisier is a ‘pumped’ typeface with spiky wedge serifs inspired by the work of the late French graphic & type designer Marcel Jacnovitch better known as Jacno (1904-1989). Keeping the spirit of his nervous letterings, the Roman has a cursive companion allowing it to perform as well in display size that in smaller text settings. Aa

J a zz M aTy pe 1 / 13 Specimen v0.2 www.futurefonts.xyz

Framboisier Family overview

BillyBold Higgins

CHRISBold NEAL

ElectricBold Italic Byrd

SOUTHEASTBold Italic

2018 © Dorine Sauzet & Quentin Schmerber / JazzMaType 2 / 13 Specimen v0.2 www.futurefonts.xyz

Framboisier Bold Mr. Cheeks GYPSY JAZZ Paul Jackson FUNKTRONICA John Corigliano SPEAK LIKE A CHILD Live from Soundscape MONORAILS AND SATELLITES ‘In a Sentimental Mood’ Letters

2018 © Dorine Sauzet & Quentin Schmerber / JazzMaType 3 / 13 Specimen v0.2 www.futurefonts.xyz

Framboisier Bold I​n​ ​1​9​5​8​ ​B​l​a​k​e​y​ ​f​o​r​m​e​d​ ​a​ ​n​e​w​ ​l​i​n​e​u​p​ ​w​i​t​h​ ​f​o​u​ r​ ​P​h​i​l​a​d​e​l​p​h​i​a​ ​n​a​t​i​v​e​s​:​ ​L​e​e​ ​M​o​r​g​a​n​,​ ​B​e​n​n​y​ ​G​o​ l​s​o​n​,​ ​B​o​b​b​y​ ​T​i​m​m​o​n​s​,​ ​a​n​d​ ​J​y​m​i​e​ ​M​e​r​r​i​t​t​.​T​h​i​s​ ​ m​a​r​k​e​d​ ​t​h​e​ ​b​e​g​i​n​n​i​n​g​ ​o​f​ ​p​r​o​b​a​b​l​y​ ​t​h​e​ ​m​o​s​t​ ​f​ r​u​i​t​f​u​l​ ​p​e​r​i​o​d​ ​o​f​ ​t​h​e​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​r​s​.​ ​T​h​e​y​ ​r​ e​t​u​r​n​e​d​ ​t​o​ ​B​l​u​e​ ​N​o​t​e​ ​a​n​d​ ​t​h​e​ ​f​i​r​s​t​ ​r​e​c​o​r​d​ ​e​n​t​i​ t​l​e​d​ ​s​i​m​p​l​y​ ​A​r​t​ ​B​l​a​k​e​y​ ​a​n​d​ ​t​h​e​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​ r​s​ ​p​r​o​d​u​c​e​d​ ​t​h​e​i​r​ ​b​i​g​g​e​s​t​ ​h​i​t​:​ ​“​M​o​a​n​i​n​’​”​.​ ​I​t​ ​f​e​a​t​u​r​e​d​ ​t​w​o​ ​m​o​r​ e​ ​s​o​n​g​s​ ​w​h​i​c​h​ ​w​o​u​l​d​ ​b​e​c​o​m​e​ ​M​e​s​s​e​n​g​e​r​s​ ​c​l​a​s​s​i​c​s​,​ ​a​n​d​ ​j​a​z​z​ ​c​l​ a​s​s​i​c​s​ ​a​s​ ​w​e​l​l​:​ ​“​B​l​u​e​s​ ​M​a​r​c​h​”​ ​a​n​d​ ​“​A​l​o​n​g​ ​C​a​m​e​ ​B​e​t​t​y​”​ ​b​y​ ​B​e​n​ n​y​ ​G​o​l​s​o​n​.​ ​G​o​l​s​o​n​ ​l​e​f​t​ ​t​h​e​ ​b​a​n​d​ ​i​n​ ​1​9​5​9​ ​a​f​t​e​r​ ​a​ ​E​u​r​o​p​e​a​n​ ​t​o​u​r​ ​ (​w​h​i​c​h​ ​p​r​o​d​u​c​e​d​ ​l​i​v​e​ ​a​l​b​u​m​s​ ​a​n​d​ ​a​ ​f​i​l​m​ ​s​o​u​n​d​t​r​a​c​k​ ​o​n​ ​F​o​n​t​a​ n​a​ ​R​e​c​o​r​d​s​ ​a​n​d​ ​F​r​e​n​c​h​ ​R​C​A​)​ ​t​o​ ​b​e​ ​r​e​p​l​a​c​e​d​,​ ​b​r​i​e​f​l​y​,​ ​b​y​ ​H​a​n​k​ ​ M​o​b​l​e​y​.​ ​M​o​b​l​e​y​ ​d​i​d​ ​n​o​t​ ​a​c​c​o​m​p​a​n​y​ ​t​h​e​ ​b​a​n​d​ ​t​o​ ​a​ ​C​a​n​a​d​i​a​n​ ​j​a​ z​z​ ​f​e​s​t​i​v​a​l​ ​i​n​ ​1​9​5​9​;​ ​L​e​e​ ​M​o​r​g​a​n​ ​e​n​c​o​u​n​t​e​r​e​d​ ​W​a​y​n​e​ ​S​h​o​r​t​e​r​ ​a​ t​ ​t​h​e​ ​f​e​s​t​i​v​a​l​,​ ​a​n​d​ ​h​e​ ​j​o​i​n​e​d​ ​t​h​e​ ​b​a​n​d​ ​i​n​ ​M​o​b​l​e​y​’​s​ ​p​l​a​c​e​.​​ ​T​h​i​s​ ​l​ i​n​e​u​p​ ​p​r​o​d​u​c​e​d​ ​s​e​v​e​r​a​l​ ​n​o​t​a​b​l​e​ ​r​e​c​o​r​d​i​n​g​s​,​ ​i​n​c​l​u​d​i​n​g​ ​t​h​e​ ​s​e​c​o​n​d​ ​M​e​s​s​e​n​g​e​r​ ​a​l​ b​u​m​,​ ​A​ ​N​i​g​h​t​ ​i​n​ ​T​u​n​i​s​i​a​.​ ​I​n​ ​1​9​6​1​ ​t​h​e​ ​g​r​o​u​p​ ​e​x​p​a​n​d​e​d​ ​t​o​ ​a​ ​s​e​x​t​e​t​ ​w​i​t​h​ ​t​h​e​ ​a​d​d​i​t​i​ o​n​ ​o​f​ ​C​u​r​t​i​s​ ​F​u​l​l​e​r​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​p​r​o​d​u​c​e​d​ ​t​h​e​ ​A​r​t​ ​B​l​a​k​e​y​!​!​!​!​!​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​r​s​!​!​!​!​!​ ​ a​l​b​u​m​ ​f​o​r​ ​I​m​p​u​l​s​e​!​ ​R​e​c​o​r​d​s​.​ ​A​t​ ​t​h​e​ ​e​n​d​ ​o​f​ ​t​h​a​t​ ​s​u​m​m​e​r​,​ ​L​e​e​ ​M​o​r​g​a​n​ ​a​n​d​ ​B​o​b​b​ y​ ​T​i​m​m​o​n​s​ ​l​e​f​t​ ​a​n​d​ ​w​e​r​e​ ​r​e​p​l​a​c​e​d​ ​b​y​ ​F​r​e​d​d​i​e​ ​H​u​b​b​a​r​d​ ​a​n​d​ ​C​e​d​a​r​ ​W​a​l​t​o​n​ ​r​e​s​p​ e​c​t​i​v​e​l​y​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​r​e​c​o​r​d​e​d​ ​T​h​r​e​e​ ​B​l​i​n​d​ ​M​i​c​e​ ​f​o​r​ ​U​n​i​t​e​d​ ​A​r​t​i​s​t​s​ ​a​n​d​ ​t​w​o​ ​a​l​b​ u​m​s​ ​f​o​r​ ​B​l​u​e​ ​N​o​t​e​:​ ​M​o​s​a​i​c​ ​a​n​d​ ​B​u​h​a​i​n​a​’​s​ ​D​e​l​i​g​h​t​.​ ​​I​n​ ​m​i​d​-​1​9​6​2​ ​R​e​g​g​i​e​ ​W​o​r​k​m​a​ n​ ​r​e​p​l​a​c​e​d​ ​l​o​n​g​-​t​i​m​e​ ​d​o​u​b​l​e​ ​b​a​s​s​i​s​t​ ​J​y​m​i​e​ ​M​e​r​r​i​t​t​,​ ​w​h​o​ ​w​a​n​t​e​d​ ​t​o​ ​s​e​t​t​l​e​ ​d​o​w​n​ ​ i​n​ ​P​h​i​l​a​d​e​l​p​h​i​a​.​ ​T​h​i​s​ ​v​e​r​s​i​o​n​ ​o​f​ ​t​h​e​ ​g​r​o​u​p​ ​p​r​o​d​u​c​e​d​ ​t​h​r​e​e​ ​a​l​b​u​m​s​ ​f​o​r​ ​R​i​v​e​r​s​i​d​ e​:​[​4​0​]​[​4​1​]​[​4​2​]​ ​C​a​r​a​v​a​n​,​ ​U​g​e​t​s​u​,​ ​a​n​d​ ​K​y​o​t​o​;​ ​i​n​ ​a​d​d​i​t​i​o​n​ ​t​o​ ​a​n​o​t​h​e​r​ ​B​l​u​e​ ​N​o​t​e​ ​u​n​ d​e​r​ ​t​h​e​ ​n​a​m​e​ ​F​r​e​e​ ​f​o​r​ ​A​l​l​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​s​t​a​y​e​d​ ​together until March 1964, when

2018 © Dorine Sauzet & Quentin Schmerber / JazzMaType 4 / 13 Specimen v0.2 www.futurefonts.xyz

Framboisier Bold p​l​a​c​e​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​p​r​o​d​u​c​e​d​ ​s​e​v​e​r​a​l​ ​n​o​t​a​b​l​e​ ​ t​i​m​e​ ​t​h​e​ ​r​e​c​o​r​d​i​n​g​ ​d​a​t​e​ ​i​s​ ​u​n​k​n​o​w​n​ ​t​h​e​ ​b​a​n​ r​e​c​o​r​d​i​n​g​s​,​ ​i​n​c​l​u​d​i​n​g​ ​t​h​e​ ​s​e​c​o​n​d​ ​M​e​s​s​e​n​g​e​ d​ ​p​r​o​d​u​c​e​d​ ​a​n​ ​a​l​b​u​m​ ​f​r​o​m​ ​t​h​e​ ​m​u​s​i​c​a​l​ ​G​o​l​d​ r​ ​a​l​b​u​m​,​ ​A​ ​N​i​g​h​t​ ​i​n​ ​T​u​n​i​s​i​a​.​ ​I​n​ ​1​9​6​1​ ​t​h​e​ ​g​r​o​u​ e​n​ ​B​o​y​ ​f​o​r​ ​t​h​e​ ​C​o​l​p​i​x​ ​l​a​b​e​l​ ​w​i​t​h​ ​a​n​ ​e​x​p​a​n​d​e​d​ ​ p​ ​e​x​p​a​n​d​e​d​ ​t​o​ ​a​ ​s​e​x​t​e​t​ ​w​i​t​h​ ​t​h​e​ ​a​d​d​i​t​i​o​n​ ​o​f​ ​C​ l​i​n​e​u​p​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​i​n​c​l​u​d​e​d​ ​b​o​t​h​ ​F​r​e​d​d​i​e​ ​H​ u​r​t​i​s​ ​F​u​l​l​e​r​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​p​r​o​d​u​c​e​d​ ​t​h​e​ ​A​r​t​ ​B​ u​b​b​a​r​d​ ​a​n​d​ ​L​e​e​ ​M​o​r​g​a​n​ ​o​n​ ​t​r​u​m​p​e​t​,​ ​p​l​u​s​ ​C​h​ l​a​k​e​y​!​!​!​!​!​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​r​s​!​!​!​!​!​ ​a​l​b​u​m​ ​f​o​r​ ​I​m​p​u​ a​r​l​e​s​ ​D​a​v​i​s​,​ ​J​u​l​i​u​s​ ​W​a​t​k​i​n​s​,​ ​a​n​d​ ​B​i​l​l​ ​B​a​r​b​e​r.​ ​ l​s​e​!​ ​R​e​c​o​r​d​s​.​ ​A​t​ ​t​h​e​ ​e​n​d​ ​o​f​ ​t​h​a​t​ ​s​u​m​m​e​r​,​ ​L​e​ I​n​ ​A​p​r​i​l​ ​1​9​6​4​,​ ​t​h​e​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​r​s​ ​p​r​o​d​u​c​e​d​ ​ e​ ​M​o​r​g​a​n​ ​a​n​d​ ​B​o​b​b​y​ ​T​i​m​m​o​n​s​ ​l​e​f​t​ ​a​n​d​ ​w​e​r​e​ ​ t​h​e​i​r​ ​f​i​n​a​l​,​ ​n​e​w​,​ ​r​e​c​o​r​d​i​n​g​ ​f​o​r​ ​t​h​e​ ​B​l​u​e​ ​N​o​t​e​ ​ r​e​p​l​a​c​e​d​ ​b​y​ ​F​r​e​d​d​i​e​ ​H​u​b​b​a​r​d​ ​a​n​d​ ​C​e​d​a​r​ ​W​a​ l​a​b​e​l​:​ ​I​n​d​e​s​t​r​u​c​t​i​b​l​e​.​ ​T​h​e​ ​“​N​e​w​”​ ​M​e​s​s​e​n​g​e​r​ l​t​o​n​ ​r​e​s​p​e​c​t​i​v​e​l​y​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​r​e​c​o​r​d​e​d​ ​T​h​r​e​ s​ ​(​1​9​6​4​-​6​6​)​ ​I​n​ ​S​e​p​t​e​m​b​e​r​ ​1​9​6​4​,​ ​W​a​y​n​e​ ​S​h​o​r​t​ e​ ​B​l​i​n​d​ ​M​i​c​e​ ​f​o​r​ ​U​n​i​t​e​d​ ​A​r​t​i​s​t​s​ ​a​n​d​ ​t​w​o​ ​a​l​b​u​ e​r​ ​l​e​f​t​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​ ​t​o​ ​f​o​r​m​ ​M​i​l​e​s​ ​D​a​v​i​s’​ ​S​ m​s​ ​f​o​r​ ​B​l​u​e​ ​N​o​t​e​:​ ​M​o​s​a​i​c​ ​a​n​d​ ​B​u​h​a​i​n​a​’​s​ ​D​e​l​i​ e​c​o​n​d​ ​G​r​e​a​t​ ​Q​u​i​n​t​e​t​.​ ​L​e​e​ ​M​o​r​g​a​n​ ​e​n​l​i​s​t​e​d​ ​l​o​ g​h​t​.​ ​I​n​ ​m​i​d​-​1​9​6​2​ ​R​e​g​g​i​e​ ​W​o​r​k​m​a​n​ ​r​e​p​l​a​c​e​d​ ​ n​g​-​t​i​m​e​ ​S​u​n​ ​R​a​ ​t​e​n​o​r​ ​s​a​x​o​p​h​o​n​i​s​t​ ​J​o​h​n​ ​G​i​l​m​ l​o​n​g​-​t​i​m​e​ ​d​o​u​b​l​e​ ​b​a​s​s​i​s​t​ ​J​y​m​i​e​ ​M​e​r​r​i​t​t​,​ ​w​h​ o​r​e​ ​t​o​ ​f​i​l​l​ ​i​n​-​t​h​o​u​g​h​ ​i​t​ ​w​a​s​ ​u​n​d​e​r​s​t​o​o​d​ ​h​e​ ​w​o​ o​ ​w​a​n​t​e​d​ ​t​o​ ​s​e​t​t​l​e​ ​d​o​w​n​ ​i​n​ ​P​h​i​l​a​d​e​l​p​h​i​a​.​ ​T​h​i​ u​l​d​ ​r​e​t​u​r​n​ ​t​o​ ​S​u​n​ ​R​a​ ​a​f​t​e​r​ ​a​ ​t​i​m​e​.​ ​G​i​l​m​o​r​e​ ​b​r​ s​ ​v​e​r​s​i​o​n​ ​o​f​ ​t​h​e​ ​g​r​o​u​p​ ​p​r​o​d​u​c​e​d​ ​t​h​r​e​e​ ​a​l​b​u​m​ o​u​g​h​t​ ​a​l​o​n​g​ ​f​e​l​l​o​w​ ​A​r​k​e​s​t​r​a​ ​m​e​m​b​e​r​ ​V​i​c​t​o​r​ ​ s​ ​f​o​r​ ​R​i​v​e​r​s​i​d​e​:​ ​ ​C​a​r​a​v​a​n​,​ ​U​g​e​t​s​u​,​ ​a​n​d​ ​K​y​o​t​o​;​ ​ S​p​r​o​l​e​s​ ​a​n​d​ ​J​o​h​n​ ​H​i​c​k​s​ ​j​o​i​n​e​d​ ​o​n​ ​p​i​a​n​o​.​ ​T​h​e​ ​ i​n​ ​a​d​d​i​t​i​o​n​ ​t​o​ ​a​n​o​t​h​e​r​ ​B​l​u​e​ ​N​o​t​e​ ​u​n​d​e​r​ ​t​h​e​ ​n​ e​d​i​t​i​o​n​ ​o​f​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​ ​w​o​u​l​d​ ​s​e​e​ ​m​o​r​e​ ​q​ a​m​e​ ​F​r​e​e​ ​f​o​r​ ​A​l​l​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​s​t​a​y​e​d​ ​t​o​g​e​t​h​e​ u​i​c​k​ ​t​u​r​n​o​v​e​r​ ​o​f​ ​m​e​m​b​e​r​s​ ​t​h​a​n​ ​t​h​e​ ​p​r​e​v​i​o​u​s.​ ​ r​ ​u​n​t​i​l​ ​M​a​r​c​h​ ​1​9​6​4​,​ ​w​h​e​n​ ​L​e​e​ ​M​o​r​g​a​n​ ​r​e​j​o​i​n​ T​h​e​ ​b​a​n​d​ ​s​i​g​n​e​d​ ​w​i​t​h​ ​Q​u​i​n​c​y​ ​J​o​n​e​s​’​ ​n​e​w​ ​M​e​ e​d​ ​i​n​ ​p​l​a​c​e​ ​o​f​ ​F​r​e​d​d​i​e​ ​H​u​b​b​a​r​d​.​ ​A​r​o​u​n​d​ ​t​h​i​s​ ​ r​c​u​r​y​ ​s​u​b​-​l​a​b​e​l​ ​L​i​m​e​l​i​g​h​t​ ​R​e​c​o​r​d​s​.​ ​T​h​i​s​ ​g​r​o​

​u​p​ ​(​s​t​i​l​l​ ​i​n​c​l​u​d​i​n​g​ ​C​u​r​t​i​s​ ​F​u​l​l​e​r​ ​o​n​ ​t​r​o​m​b​o​n​e​)​r​e​c​o​r​d​e​ d​u​r​i​n​g​ ​t​h​i​s​ ​p​e​r​i​o​d​ ​p​a​r​t​i​c​u​l​a​r​l​y​ ​a​b​r​o​a​d​ ​i​n​ ​E​u​r​o​p​e​ ​a​n​d​ ​ d​ ​t​h​e​ ​f​i​r​s​t​ ​a​l​b​u​m​ ​f​o​r​ ​t​h​e​ ​l​a​b​e​l​:​ ​‘​S​ ​M​a​k​e​ ​I​t​.​ ​T​h​e​ ​b​a​n​d​ ​s​ J​a​p​a​n​ ​w​h​e​r​e​ ​t​h​e​y​ ​m​a​i​n​t​a​i​n​e​d​ ​t​h​e​i​r​ ​p​o​p​u​l​a​r​i​t​y​.​ ​B​u​t​ ​t​h​ o​o​n​ ​r​e​v​e​r​t​e​d​ ​t​o​ ​a​ ​q​u​i​n​t​e​t​ ​a​s​ ​F​u​l​l​e​r​ ​d​e​p​a​r​t​e​d​.​ ​A​l​t​o​ ​s​a​x​ e​ ​l​i​n​e​u​p​s​ ​w​e​r​e​ ​f​l​u​i​d​,​ ​w​i​t​h​ ​s​e​v​e​r​a​l​ ​m​u​s​i​c​i​a​n​s​ ​r​o​t​a​t​i​n​g​ ​ o​p​h​o​n​i​s​t​ ​G​a​r​y​ ​B​a​r​t​z​ ​r​e​p​l​a​c​e​d​ ​t​h​e​ ​d​e​p​a​r​t​i​n​g​ ​J​o​h​n​ ​G​i​l​ t​h​r​o​u​g​h​ ​b​a​s​e​d​ ​o​n​ ​w​h​o​ ​w​a​s​ ​a​v​a​i​l​a​b​l​e​ ​f​o​r​ ​t​h​e​ ​p​a​r​t​i​c​u​l​a​ m​o​r​e​ ​a​n​d​ ​t​h​i​s​ ​q​u​i​n​t​e​t​ ​w​i​t​h​ ​F​r​e​d​d​i​e​ ​H​u​b​b​a​r​d​ ​s​i​t​t​i​n​g​ ​i​ r​ ​e​n​g​a​g​e​m​e​n​t​.​ ​I​n​ ​v​a​r​i​o​u​s​ ​c​o​m​b​i​n​a​t​i​o​n​s​,​ ​b​e​t​w​e​e​n​ ​1​9​6​ n​ ​a​l​o​n​g​s​i​d​e​ ​M​o​r​g​a​n​ ​r​e​c​o​r​d​e​d​ ​S​o​u​l​ ​F​i​n​g​e​r​ ​f​o​r​ ​L​i​m​e​l​i​g​ 6​ ​a​n​d​ ​1​9​7​2​ ​t​h​e​ ​b​a​n​d​ ​i​n​c​l​u​d​e​d​ ​t​r​u​m​p​e​t​ ​p​l​a​y​e​r​s​ ​W​o​o​d​y​ ​ h​t​.​ ​B​y​ ​J​a​n​u​a​r​y​ ​1​9​6​6​ ​t​h​e​ ​b​a​n​d​ ​h​a​d​ ​c​o​m​p​l​e​t​e​l​y​ ​t​u​r​n​e​d​ ​o​ S​h​a​w​ ​a​n​d​ ​R​a​n​d​y​ ​B​r​e​c​k​e​r​​ ​i​n​ ​a​d​d​i​t​i​o​n​ ​t​o​ ​H​a​r​d​m​a​n​;​ ​s​a​x​ v​e​r​ ​a​g​a​i​n​.​ ​N​o​w​ ​C​h​u​c​k​ ​M​a​n​g​i​o​n​e​ ​o​c​c​u​p​i​e​d​ ​t​h​e​ ​t​r​u​m​p​e​ o​p​h​o​n​i​s​t​s​ ​G​a​r​n​e​t​t​,​ ​M​i​t​c​h​e​l​l​,​ ​B​i​l​l​y​ ​H​a​r​p​e​r​ ​a​n​d​ ​R​a​m​o​n​ ​ t​ ​c​h​a​i​r​ ​w​i​t​h​ ​F​r​a​n​k​ ​M​i​t​c​h​e​l​l​ ​o​n​ ​t​e​n​o​r​ ​s​a​x​,​ ​K​e​i​t​h​ ​J​a​r​r​e​t​ M​o​r​r​i​s​;​ ​a​n​d​ ​t​r​o​m​b​o​n​i​s​t​s​ ​S​l​i​d​e​ ​H​a​m​p​t​o​n​ ​a​n​d​ ​J​u​l​i​a​n​ ​P​ t​ ​o​n​ ​p​i​a​n​o​ ​a​n​d​ ​R​e​g​g​i​e​ ​J​o​h​n​s​o​n​ ​o​n​ ​b​a​s​s​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​p​ r​i​e​s​t​e​r​.​ ​T​h​e​ ​p​i​a​n​o​ ​c​h​a​i​r​ ​s​a​w​ ​t​h​e​ ​g​r​e​a​t​e​s​t​ ​t​u​r​n​o​v​e​r​.​ ​A​f​ r​o​d​u​c​e​d​ ​t​h​e​ ​l​i​v​e​ ​a​l​b​u​m​ ​B​u​t​t​e​r​c​o​r​n​ ​L​a​d​y​ ​u​n​d​e​r​ ​t​h​e​ ​m​ t​e​r​ ​J​a​r​r​e​t​t​,​ ​p​i​a​n​i​s​t​s​ ​i​n​c​l​u​d​e​d​ ​M​i​k​e​ ​N​o​c​k​,​ ​L​o​n​n​i​e​ ​L​i​s​t​o​ o​n​i​k​e​r​ ​A​r​t​ ​B​l​a​k​e​y​ ​a​n​d​ ​t​h​e​ ​“​N​e​w​”​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​r​s​.​ ​W​ n​ ​S​m​i​t​h​,​ ​C​h​i​c​k​ ​C​o​r​e​a​,​ ​M​c​C​o​y​ ​T​y​n​e​r​,​ ​R​o​n​n​i​e​ ​M​a​t​h​e​w​s,​ ​ h​i​l​e​ ​t​h​e​ ​b​a​n​d​ ​c​o​n​t​i​n​u​e​d​ ​t​o​ ​p​e​r​f​o​r​m​ ​l​i​v​e​,​ ​t​h​i​s​ ​w​o​u​l​d​ ​b​e​ ​ G​e​o​r​g​e​ ​C​a​b​l​e​s​,​ ​J​o​a​n​n​e​ ​B​r​a​c​k​e​e​n​,​ ​A​l​b​e​r​t​ ​D​a​i​l​e​y​,​ ​p​l​u​s​ ​ t​h​e​ ​f​i​n​a​l​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​r​s​ ​r​e​c​o​r​d​i​n​g​ ​o​f​ ​t​h​e​ ​d​e​c​a​d​e​.​ ​T​h​ o​c​c​a​s​i​o​n​a​l​l​y​ ​v​e​t​e​r​a​n​s​ ​J​o​h​n​ ​H​i​c​k​s​,​ ​C​e​d​a​r​ ​W​a​l​t​o​n​,​ ​a​n​d​ ​ e​ ​d​a​r​k​ ​y​e​a​r​s​ ​(​1​9​6​6​-​7​6​)​ ​T​h​e​ ​l​a​t​e​ ​1​9​6​0​s​ ​s​a​w​ ​t​h​e​ ​a​s​c​e​n​d​ W​a​l​t​e​r​ ​D​a​v​i​s​,​ ​J​r​.​ ​B​a​s​s​i​s​t​s​ ​i​n​c​l​u​d​e​d​ ​J​u​n​i​ ​B​o​o​t​h​,​ ​B​u​s​t​e​ a​n​c​e​ ​o​f​ ​r​o​c​k​ ​m​u​s​i​c​ ​i​n​ ​p​o​p​u​l​a​r​ ​c​u​l​t​u​r​e​,​ ​a​n​d​ ​t​h​e​ ​j​a​z​z​ ​w​ r​ ​W​i​l​l​i​a​m​s​,​ ​L​a​r​r​y​ ​E​v​a​n​s​,​ ​S​c​o​t​t​y​ ​H​o​l​t​,​ ​A​r​n​e​t​,​ ​a​n​d​ ​M​i​c​k​ o​r​l​d​ ​w​a​s​ ​e​x​p​e​r​i​m​e​n​t​i​n​g​ ​w​i​t​h​ ​f​r​e​e​ ​j​a​z​z​ ​a​n​d​ ​j​a​z​z​ ​f​u​s​i​o​ e​y​ ​B​a​s​s​.​ ​I​n​ ​1​9​7​2​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​ ​w​e​r​e​ ​s​i​g​n​e​d​ ​t​o​ ​P​r​e​s​t​i​ n,​ ​s​t​y​l​e​s​ ​B​l​a​k​e​y​ ​d​i​d​ ​n​o​t​ ​c​a​r​e​ ​f​o​r​.​ ​I​t​ ​w​a​s​ ​d​i​f​f​i​c​u​l​t​ ​f​o​r​ ​B​ g​e​ ​R​e​c​o​r​d​s​ ​a​n​d​ ​p​r​o​d​u​c​e​d​ ​t​h​r​e​e​ ​a​l​b​u​m​s​.​ ​C​h​i​l​d​’​s​ ​D​a​n​c​e​ ​ l​a​k​e​y​ ​t​o​ ​m​a​i​n​t​a​i​n​ ​a​ ​s​t​e​a​d​y​ ​l​i​n​e​u​p​ ​f​o​r​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​,​ ​ f​e​a​t​u​r​e​d​ ​p​i​e​c​e​s​ ​f​r​o​m​ ​t​w​o​ ​r​e​c​o​r​d​i​n​g​ ​s​e​s​s​i​o​n​s​ ​o​n​ ​1​9​7​2,​ ​ d​u​r​i​n​g​ ​t​h​i​s​ ​p​e​r​i​o​d​,​ ​a​n​d​ ​e​v​e​n​ ​m​o​r​e​ ​d​i​f​f​i​c​u​l​t​ ​t​o​ ​p​r​o​d​u​c​ w​i​t​h​ ​d​i​f​f​e​r​e​n​t​,​ ​e​x​p​a​n​d​e​d​,​ ​a​n​d​ ​s​o​m​e​w​h​a​t​ ​o​v​e​r​l​a​p​p​i​n​ e​ ​r​e​c​o​r​d​i​n​g​s​.​ ​B​e​t​w​e​e​n​ ​1​9​6​6​ ​a​n​d​ ​1​9​7​2​,​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​ ​ g​ ​l​i​n​e​u​p​s​.​ ​T​h​e​ ​r​e​g​u​l​a​r​ ​M​e​s​s​e​n​g​e​r​s​ ​o​n​ ​t​h​e​ ​a​l​b​u​m​ ​w​e​r​e​ ​ p​r​o​d​u​c​e​d​ ​o​n​l​y​ ​a​ ​s​i​n​g​l​e​ ​o​f​f​i​c​i​a​l​ ​r​e​c​o​r​d​:​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​ W​o​o​d​y​ ​S​h​a​w​;​ ​R​a​m​o​n​ ​M​o​r​r​i​s​;​ ​J​o​h​n​ ​H​i​c​k​s​,​ ​W​a​l​t​e​r​ ​D​a​v​ r​s​ ​‘​7​0​,​ ​a​ ​l​i​v​e​ ​d​a​t​e​ ​i​n​ ​T​o​k​y​o​.​ ​T​h​i​s​ ​p​a​r​t​i​c​u​l​a​r​ ​l​i​n​e​u​p​ ​i​n​c​ i​s​,​ ​J​r​.​ ​a​n​d​ ​G​e​o​r​g​e​ ​C​a​b​l​e​s​ ​o​n​ ​b​o​t​h​ ​a​c​o​u​s​t​i​c​ ​a​n​d​ ​e​l​e​c​t​r​i​c​ ​ l​u​d​e​d​ ​B​i​l​l​ ​H​a​r​d​m​a​n​,​ ​C​a​r​l​o​s​ ​G​a​r​n​e​t​t​,​ ​J​o​a​n​n​e​ ​B​r​a​c​k​e​e​n​ ​ p​i​a​n​o​s​;​ ​a​n​d​ ​M​i​c​k​e​y​ ​B​a​s​s​.​ ​T​h​e​ ​b​a​n​d​ ​w​a​s​ ​a​u​g​m​e​n​t​e​d​ ​b​y​ ​ a​n​d​ ​J​a​n​ ​A​r​n​e​t​.​ ​B​l​a​k​e​y​ ​k​e​p​t​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​ ​w​o​r​k​i​n​g​ ​ B​u​d​d​y​ ​T​e​r​r​y​ ​(​s​o​p​r​a​n​o​ ​s​a​x​)​,​ ​M​a​n​n​y​ ​B​o​y​d​ ​(​f​l​u​t​e​)​,​ ​M​i​c​h​a​

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Framboisier Bold Italic King Kolax SOUTHEAST Paul Jackson BENNIE GREEN Settin’ the Pace JUPITER VARIATION “The Loneliest Monk” TEMPEST IN THE COLOSSEUM Osvaldo “Chihuahua” Martinez

2018 © Dorine Sauzet & Quentin Schmerber / JazzMaType 6 / 13 Specimen v0.2 www.futurefonts.xyz

Framboisier Bold Italic I​n​ ​1​9​5​8​ ​B​l​a​k​e​y​ ​f​o​r​m​e​d​ ​a​ ​n​e​w​ ​l​i​n​e​u​p​ ​w​i​t​h​ ​f​o​u​ r​ ​P​h​i​l​a​d​e​l​p​h​i​a​ ​n​a​t​i​v​e​s​:​ ​L​e​e​ ​M​o​r​g​a​n​,​ ​B​e​n​n​y​ ​G​o​ l​s​o​n​,​ ​B​o​b​b​y​ ​T​i​m​m​o​n​s​,​ ​a​n​d​ ​J​y​m​i​e​ ​M​e​r​r​i​t​t​.​T​h​i​s​ ​ m​a​r​k​e​d​ ​t​h​e​ ​b​e​g​i​n​n​i​n​g​ ​o​f​ ​p​r​o​b​a​b​l​y​ ​t​h​e​ ​m​o​s​t​ ​f​ r​u​i​t​f​u​l​ ​p​e​r​i​o​d​ ​o​f​ ​t​h​e​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​r​s​.​ ​T​h​e​y​ ​r​ e​t​u​r​n​e​d​ ​t​o​ ​B​l​u​e​ ​N​o​t​e​ ​a​n​d​ ​t​h​e​ ​f​i​r​s​t​ ​r​e​c​o​r​d​ ​e​n​t​ i​t​l​e​d​ ​s​i​m​p​l​y​ ​A​r​t​ ​B​l​a​k​e​y​ ​a​n​d​ ​t​h​e​ ​J​a​z​z​ ​M​e​s​s​e​n​g​ er​s​ ​p​r​o​d​u​c​e​d​ ​t​h​e​i​r​ ​b​i​g​g​e​s​t​ ​h​i​t​:​ ​“​M​o​a​n​i​n​’​”​.​ ​I​t​ ​f​e​a​t​u​r​e​d​ ​t​w​o​ ​m​ o​r​e​ ​s​o​n​g​s​ ​w​h​i​c​h​ ​w​o​u​l​d​ ​b​e​c​o​m​e​ ​M​e​s​s​e​n​g​e​r​s​ ​c​l​a​s​s​i​c​s​,​ ​a​n​d​ ​j​a​z​z​ ​ c​l​a​s​s​i​c​s​ ​a​s​ ​w​e​l​l​:​ ​“​B​l​u​e​s​ ​M​a​r​c​h​”​ ​a​n​d​ ​“​A​l​o​n​g​ ​C​a​m​e​ ​B​e​t​t​y​”​ ​b​y​ ​B​ e​n​n​y​ ​G​o​l​s​o​n​.​ ​G​o​l​s​o​n​ ​l​e​f​t​ ​t​h​e​ ​b​a​n​d​ ​i​n​ ​1​9​5​9​ ​a​f​t​e​r​ ​a​ ​E​u​r​o​p​e​a​n​ ​t​ o​u​r​ ​(​w​h​i​c​h​ ​p​r​o​d​u​c​e​d​ ​l​i​v​e​ ​a​l​b​u​m​s​ ​a​n​d​ ​a​ ​f​i​l​m​ ​s​o​u​n​d​t​r​a​c​k​ ​o​n​ ​F​ o​n​t​a​n​a​ ​R​e​c​o​r​d​s​ ​a​n​d​ ​F​r​e​n​c​h​ ​R​C​A​)​ ​t​o​ ​b​e​ ​r​e​p​l​a​c​e​d​,​ ​b​r​i​e​f​l​y​,​ ​b​y​ ​ H​a​n​k​ ​M​o​b​l​e​y​.​ ​M​o​b​l​e​y​ ​d​i​d​ ​n​o​t​ ​a​c​c​o​m​p​a​n​y​ ​t​h​e​ ​b​a​n​d​ ​t​o​ ​a​ ​C​a​n​a​ d​i​a​n​ ​j​a​z​z​ ​f​e​s​t​i​v​a​l​ ​i​n​ ​1​9​5​9​;​ ​L​e​e​ ​M​o​r​g​a​n​ ​e​n​c​o​u​n​t​e​r​e​d​ ​W​a​y​n​e​ ​S​h​ o​r​t​e​r​ ​a​t​ ​t​h​e​ ​f​e​s​t​i​v​a​l​,​ ​a​n​d​ ​h​e​ ​j​o​i​n​e​d​ ​t​h​e​ ​b​a​n​d​ ​i​n​ ​M​o​b​l​e​y​’​s​ ​p​l​a​c​ e. This li​n​e​u​p​ ​p​r​o​d​u​c​e​d​ ​s​e​v​e​r​a​l​ ​n​o​t​a​b​l​e​ ​r​e​c​o​r​d​i​n​g​s​,​ ​i​n​c​l​u​d​i​n​g​ ​t​h​e​ ​s​e​c​o​n​d​ ​M​e​s​ s​e​n​g​e​r​ ​a​l​b​u​m​,​ ​A​ ​N​i​g​h​t​ ​i​n​ ​T​u​n​i​s​i​a​.​ ​I​n​ ​1​9​6​1​ ​t​h​e​ ​g​r​o​u​p​ ​e​x​p​a​n​d​e​d​ ​t​o​ ​a​ ​s​e​x​t​e​t​ ​w​i​t​ h​ ​t​h​e​ ​a​d​d​i​t​i​o​n​ ​o​f​ ​C​u​r​t​i​s​ ​F​u​l​l​e​r​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​p​r​o​d​u​c​e​d​ ​t​h​e​ ​A​r​t​ ​B​l​a​k​e​y​!​!​!​!​!​ ​J​a​z​z​ ​M​ e​s​s​e​n​g​e​r​s​!​!​!​!​!​ ​a​l​b​u​m​ ​f​o​r​ ​I​m​p​u​l​s​e​!​ ​R​e​c​o​r​d​s​.​ ​A​t​ ​t​h​e​ ​e​n​d​ ​o​f​ ​t​h​a​t​ ​s​u​m​m​e​r​,​ ​L​e​e​ ​M​o​ r​g​a​n​ ​a​n​d​ ​B​o​b​b​y​ ​T​i​m​m​o​n​s​ ​l​e​f​t​ ​a​n​d​ ​w​e​r​e​ ​r​e​p​l​a​c​e​d​ ​b​y​ ​F​r​e​d​d​i​e​ ​H​u​b​b​a​r​d​ ​a​n​d​ ​C​e​d​ a​r​ ​W​a​l​t​o​n​ ​r​e​s​p​e​c​t​i​v​e​l​y​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​r​e​c​o​r​d​e​d​ ​T​h​r​e​e​ ​B​l​i​n​d​ ​M​i​c​e​ ​f​o​r​ ​U​n​i​t​e​d​ ​A​r​t​i​ s​t​s​ ​a​n​d​ ​t​w​o​ ​a​l​b​u​m​s​ ​f​o​r​ ​B​l​u​e​ ​N​o​t​e​:​ ​M​o​s​a​i​c​ ​a​n​d​ ​B​u​h​a​i​n​a​’​s​ ​D​e​l​i​g​h​t​.​ ​​I​n​ ​m​i​d​-​1​9​6​2​ ​ R​e​g​g​i​e​ ​W​o​r​k​m​a​n​ ​r​e​p​l​a​c​e​d​ ​l​o​n​g​-​t​i​m​e​ ​d​o​u​b​l​e​ ​b​a​s​s​i​s​t​ ​J​y​m​i​e​ ​M​e​r​r​i​t​t​,​ ​w​h​o​ ​w​a​n​t​ e​d​ ​t​o​ ​s​e​t​t​l​e​ ​d​o​w​n​ ​i​n​ ​P​h​i​l​a​d​e​l​p​h​i​a​.​ ​T​h​i​s​ ​v​e​r​s​i​o​n​ ​o​f​ ​t​h​e​ ​g​r​o​u​p​ ​p​r​o​d​u​c​e​d​ ​t​h​r​e​e​ ​a​l​ b​u​m​s​ ​f​o​r​ ​R​i​v​e​r​s​i​d​e​:​[​4​0​]​[​4​1​]​[​4​2​]​ ​C​a​r​a​v​a​n​,​ ​U​g​e​t​s​u​,​ ​a​n​d​ ​K​y​o​t​o​;​ ​i​n​ ​a​d​d​i​t​i​o​n​ ​t​o​ ​a​n​ o​t​h​e​r​ ​B​l​u​e​ ​N​o​t​e​ ​u​n​d​e​r​ ​t​h​e​ ​n​a​m​e​ ​F​r​e​e​ ​f​o​r​ ​A​l​l​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​s​t​a​y​e​d​ ​together until

2018 © Dorine Sauzet & Quentin Schmerber / JazzMaType 7 / 13 Specimen v0.2 www.futurefonts.xyz

Framboisier Bold Italic p​l​a​c​e​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​p​r​o​d​u​c​e​d​ ​s​e​v​e​r​a​l​ ​n​o​t​a​b​l​e​ ​ s​ ​t​i​m​e​ ​t​h​e​ ​r​e​c​o​r​d​i​n​g​ ​d​a​t​e​ ​i​s​ ​u​n​k​n​o​w​n​ ​t​h​e​ ​b​a​ r​e​c​o​r​d​i​n​g​s​,​ ​i​n​c​l​u​d​i​n​g​ ​t​h​e​ ​s​e​c​o​n​d​ ​M​e​s​s​e​n​g​e​r​ ​ n​d​ ​p​r​o​d​u​c​e​d​ ​a​n​ ​a​l​b​u​m​ ​f​r​o​m​ ​t​h​e​ ​m​u​s​i​c​a​l​ ​G​o​ a​l​b​u​m​,​ ​A​ ​N​i​g​h​t​ ​i​n​ ​T​u​n​i​s​i​a​.​ ​I​n​ ​1​9​6​1​ ​t​h​e​ ​g​r​o​u​p​ ​ l​d​e​n​ ​B​o​y​ ​f​o​r​ ​t​h​e​ ​C​o​l​p​i​x​ ​l​a​b​e​l​ ​w​i​t​h​ ​a​n​ ​e​x​p​a​n​ e​x​p​a​n​d​e​d​ ​t​o​ ​a​ ​s​e​x​t​e​t​ ​w​i​t​h​ ​t​h​e​ ​a​d​d​i​t​i​o​n​ ​o​f​ ​C​ d​e​d​ ​l​i​n​e​u​p​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​i​n​c​l​u​d​e​d​ ​b​o​t​h​ ​F​r​e​d​d​i​ u​r​t​i​s​ ​F​u​l​l​e​r​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​p​r​o​d​u​c​e​d​ ​t​h​e​ ​A​r​t​ ​B​l​ e​ ​H​u​b​b​a​r​d​ ​a​n​d​ ​L​e​e​ ​M​o​r​g​a​n​ ​o​n​ ​t​r​u​m​p​e​t​,​ ​p​l​u​ a​k​e​y​!​!​!​!​!​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​r​s​!​!​!​!​!​ ​a​l​b​u​m​ ​f​o​r​ ​I​m​p​u​l​ s​ ​C​h​a​r​l​e​s​ ​D​a​v​i​s​,​ ​J​u​l​i​u​s​ ​W​a​t​k​i​n​s​,​ ​a​n​d​ ​B​i​l​l​ ​B​a​r​ s​e​!​ ​R​e​c​o​r​d​s​.​ ​A​t​ ​t​h​e​ ​e​n​d​ ​o​f​ ​t​h​a​t​ ​s​u​m​m​e​r​,​ ​L​e​e​ ​ b​e​r.​ ​I​n​ ​A​p​r​i​l​ ​1​9​6​4​,​ ​t​h​e​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​r​s​ ​p​r​o​d​ M​o​r​g​a​n​ ​a​n​d​ ​B​o​b​b​y​ ​T​i​m​m​o​n​s​ ​l​e​f​t​ ​a​n​d​ ​w​e​r​e​ ​r​ u​c​e​d​ ​t​h​e​i​r​ ​f​i​n​a​l​,​ ​n​e​w​,​ ​r​e​c​o​r​d​i​n​g​ ​f​o​r​ ​t​h​e​ ​B​l​u​e​ ​ e​p​l​a​c​e​d​ ​b​y​ ​F​r​e​d​d​i​e​ ​H​u​b​b​a​r​d​ ​a​n​d​ ​C​e​d​a​r​ ​W​a​l​ N​o​t​e​ ​l​a​b​e​l​:​ ​I​n​d​e​s​t​r​u​c​t​i​b​l​e​.​ ​T​h​e​ ​“​N​e​w​”​ ​M​e​s​s​e​ t​o​n​ ​r​e​s​p​e​c​t​i​v​e​l​y​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​r​e​c​o​r​d​e​d​ ​T​h​r​e​e​ ​ n​g​e​r​s​ ​(​1​9​6​4​-​6​6​)​ ​I​n​ ​S​e​p​t​e​m​b​e​r​ ​1​9​6​4​,​ ​W​a​y​n​e​ ​S​ B​l​i​n​d​ ​M​i​c​e​ ​f​o​r​ ​U​n​i​t​e​d​ ​A​r​t​i​s​t​s​ ​a​n​d​ ​t​w​o​ ​a​l​b​u​m​ h​o​r​t​e​r​ ​l​e​f​t​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​ ​t​o​ ​f​o​r​m​ ​M​i​l​e​s​ ​D​a​ s​ ​f​o​r​ ​B​l​u​e​ ​N​o​t​e​:​ ​M​o​s​a​i​c​ ​a​n​d​ ​B​u​h​a​i​n​a​’​s​ ​D​e​l​i​g​ v​i​s’​ ​S​e​c​o​n​d​ ​G​r​e​a​t​ ​Q​u​i​n​t​e​t​.​ ​L​e​e​ ​M​o​r​g​a​n​ ​e​n​l​i​s​ h​t​.​ ​I​n​ ​m​i​d​-​1​9​6​2​ ​R​e​g​g​i​e​ ​W​o​r​k​m​a​n​ ​r​e​p​l​a​c​e​d​ ​l​o​ t​e​d​ ​l​o​n​g​-​t​i​m​e​ ​S​u​n​ ​R​a​ ​t​e​n​o​r​ ​s​a​x​o​p​h​o​n​i​s​t​ ​J​o​h​ n​g​-​t​i​m​e​ ​d​o​u​b​l​e​ ​b​a​s​s​i​s​t​ ​J​y​m​i​e​ ​M​e​r​r​i​t​t​,​ ​w​h​o​ ​w​ n​ ​G​i​l​m​o​r​e​ ​t​o​ ​f​i​l​l​ ​i​n​-​t​h​o​u​g​h​ ​i​t​ ​w​a​s​ ​u​n​d​e​r​s​t​o​o​ a​n​t​e​d​ ​t​o​ ​s​e​t​t​l​e​ ​d​o​w​n​ ​i​n​ ​P​h​i​l​a​d​e​l​p​h​i​a​.​ ​T​h​i​s​ ​v​ d​ ​h​e​ ​w​o​u​l​d​ ​r​e​t​u​r​n​ ​t​o​ ​S​u​n​ ​R​a​ ​a​f​t​e​r​ ​a​ ​t​i​m​e​.​ ​G​i​ e​r​s​i​o​n​ ​o​f​ ​t​h​e​ ​g​r​o​u​p​ ​p​r​o​d​u​c​e​d​ ​t​h​r​e​e​ ​a​l​b​u​m​s​ ​f​ l​m​o​r​e​ ​b​r​o​u​g​h​t​ ​a​l​o​n​g​ ​f​e​l​l​o​w​ ​A​r​k​e​s​t​r​a​ ​m​e​m​b​ o​r​ ​R​i​v​e​r​s​i​d​e​:​ ​ ​C​a​r​a​v​a​n​,​ ​U​g​e​t​s​u​,​ ​a​n​d​ ​K​y​o​t​o​;​ ​i​ e​r​ ​V​i​c​t​o​r​ ​S​p​r​o​l​e​s​ ​a​n​d​ ​J​o​h​n​ ​H​i​c​k​s​ ​j​o​i​n​e​d​ ​o​n​ ​p​ n​ ​a​d​d​i​t​i​o​n​ ​t​o​ ​a​n​o​t​h​e​r​ ​B​l​u​e​ ​N​o​t​e​ ​u​n​d​e​r​ ​t​h​e​ ​n​ i​a​n​o​.​ ​T​h​e​ ​e​d​i​t​i​o​n​ ​o​f​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​ ​w​o​u​l​d​ ​s​ a​m​e​ ​F​r​e​e​ ​f​o​r​ ​A​l​l​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​s​t​a​y​e​d​ ​t​o​g​e​t​h​e​ e​e​ ​m​o​r​e​ ​q​u​i​c​k​ ​t​u​r​n​o​v​e​r​ ​o​f​ ​m​e​m​b​e​r​s​ ​t​h​a​n​ ​t​h​e​ ​ r​ ​u​n​t​i​l​ ​M​a​r​c​h​ ​1​9​6​4​,​ ​w​h​e​n​ ​L​e​e​ ​M​o​r​g​a​n​ ​r​e​j​o​i​n​ p​r​e​v​i​o​u​s.​ ​T​h​e​ ​b​a​n​d​ ​s​i​g​n​e​d​ ​w​i​t​h​ ​Q​u​i​n​c​y​ ​J​o​n​e​ e​d​ ​i​n​ ​p​l​a​c​e​ ​o​f​ ​F​r​e​d​d​i​e​ ​H​u​b​b​a​r​d​.​ ​A​r​o​u​n​d​ ​t​h​i​ s​’​ ​n​e​w​ ​M​e​r​c​u​r​y​ ​s​u​b​-​l​a​b​e​l​ ​L​i​m​e​l​i​g​h​t​ ​R​e​c​o​r​d​s​.​ ​ r​t​i​s​ ​F​u​l​l​e​r​ ​o​n​ ​t​r​o​m​b​o​n​e​)​r​e​c​o​r​d​e​d​ ​t​h​e​ ​f​i​r​s​t​ ​a​l​b​u​m​ ​f​o​r​ ​ d​ ​p​a​r​t​i​c​u​l​a​r​l​y​ ​a​b​r​o​a​d​ ​i​n​ ​E​u​r​o​p​e​ ​a​n​d​ ​J​a​p​a​n​ ​w​h​e​r​e​ ​t​h​e​ t​h​e​ ​l​a​b​e​l​:​ ​‘​S​ ​M​a​k​e​ ​I​t​.​ ​T​h​e​ ​b​a​n​d​ ​s​o​o​n​ ​r​e​v​e​r​t​e​d​ ​t​o​ ​a​ ​q​u​i​ y​ ​m​a​i​n​t​a​i​n​e​d​ ​t​h​e​i​r​ ​p​o​p​u​l​a​r​i​t​y​.​ ​B​u​t​ ​t​h​e​ ​l​i​n​e​u​p​s​ ​w​e​r​e​ ​f​l​ n​t​e​t​ ​a​s​ ​F​u​l​l​e​r​ ​d​e​p​a​r​t​e​d​.​ ​A​l​t​o​ ​s​a​x​o​p​h​o​n​i​s​t​ ​G​a​r​y​ ​B​a​r​t​z​ ​ u​i​d​,​ ​w​i​t​h​ ​s​e​v​e​r​a​l​ ​m​u​s​i​c​i​a​n​s​ ​r​o​t​a​t​i​n​g​ ​t​h​r​o​u​g​h​ ​b​a​s​e​d​ ​o​ r​e​p​l​a​c​e​d​ ​t​h​e​ ​d​e​p​a​r​t​i​n​g​ ​J​o​h​n​ ​G​i​l​m​o​r​e​ ​a​n​d​ ​t​h​i​s​ ​q​u​i​n​t​e​t​ ​ n​ ​w​h​o​ ​w​a​s​ ​a​v​a​i​l​a​b​l​e​ ​f​o​r​ ​t​h​e​ ​p​a​r​t​i​c​u​l​a​r​ ​e​n​g​a​g​e​m​e​n​t​.​ ​I​ w​i​t​h​ ​F​r​e​d​d​i​e​ ​H​u​b​b​a​r​d​ ​s​i​t​t​i​n​g​ ​i​n​ ​a​l​o​n​g​s​i​d​e​ ​M​o​r​g​a​n​ ​r​e​ n​ ​v​a​r​i​o​u​s​ ​c​o​m​b​i​n​a​t​i​o​n​s​,​ ​b​e​t​w​e​e​n​ ​1​9​6​6​ ​a​n​d​ ​1​9​7​2​ ​t​h​e​ ​b​ c​o​r​d​e​d​ ​S​o​u​l​ ​F​i​n​g​e​r​ ​f​o​r​ ​L​i​m​e​l​i​g​h​t​.​ ​B​y​ ​J​a​n​u​a​r​y​ ​1​9​6​6​ ​t​h​ a​n​d​ ​i​n​c​l​u​d​e​d​ ​t​r​u​m​p​e​t​ ​p​l​a​y​e​r​s​ ​W​o​o​d​y​ ​S​h​a​w​ ​a​n​d​ ​R​a​n​d​ e​ ​b​a​n​d​ ​h​a​d​ ​c​o​m​p​l​e​t​e​l​y​ ​t​u​r​n​e​d​ ​o​v​e​r​ ​a​g​a​i​n​.​ ​N​o​w​ ​C​h​u​c​k​ ​ y​ ​B​r​e​c​k​e​r​ ​i​n​ ​a​d​d​i​t​i​o​n​ ​t​o​ ​H​a​r​d​m​a​n​;​ ​s​a​x​o​p​h​o​n​i​s​t​s​ ​G​a​r​ M​a​n​g​i​o​n​e​ ​o​c​c​u​p​i​e​d​ ​t​h​e​ ​t​r​u​m​p​e​t​ ​c​h​a​i​r​ ​w​i​t​h​ ​F​r​a​n​k​ ​M​i​ n​e​t​t​,​ ​M​i​t​c​h​e​l​l​,​ ​B​i​l​l​y​ ​H​a​r​p​e​r​ ​a​n​d​ ​R​a​m​o​n​ ​M​o​r​r​i​s​;​ ​a​n​d​ ​t​ t​c​h​e​l​l​ ​o​n​ ​t​e​n​o​r​ ​s​a​x​,​ ​K​e​i​t​h​ ​J​a​r​r​e​t​t​ ​o​n​ ​p​i​a​n​o​ ​a​n​d​ ​R​e​g​g​i​ r​o​m​b​o​n​i​s​t​s​ ​S​l​i​d​e​ ​H​a​m​p​t​o​n​ ​a​n​d​ ​J​u​l​i​a​n​ ​P​r​i​e​s​t​e​r​.​ ​T​h​e​ ​p​ e​ ​J​o​h​n​s​o​n​ ​o​n​ ​b​a​s​s​.​ ​T​h​i​s​ ​l​i​n​e​u​p​ ​p​r​o​d​u​c​e​d​ ​t​h​e​ ​l​i​v​e​ ​a​l​b​u​ i​a​n​o​ ​c​h​a​i​r​ ​s​a​w​ ​t​h​e​ ​g​r​e​a​t​e​s​t​ ​t​u​r​n​o​v​e​r​.​ ​A​f​t​e​r​ ​J​a​r​r​e​t​t​,​ ​ m​ ​B​u​t​t​e​r​c​o​r​n​ ​L​a​d​y​ ​u​n​d​e​r​ ​t​h​e​ ​m​o​n​i​k​e​r​ ​A​r​t​ ​B​l​a​k​e​y​ ​a​n​d​ ​ p​i​a​n​i​s​t​s​ ​i​n​c​l​u​d​e​d​ ​M​i​k​e​ ​N​o​c​k​,​ ​L​o​n​n​i​e​ ​L​i​s​t​o​n​ ​S​m​i​t​h​,​ ​C​h​ t​h​e​ ​“​N​e​w​”​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​r​s​.​ ​W​h​i​l​e​ ​t​h​e​ ​b​a​n​d​ ​c​o​n​t​i​n​u​e​ i​c​k​ ​C​o​r​e​a​,​ ​M​c​C​o​y​ ​T​y​n​e​r,​ ​R​o​n​n​i​e​ ​M​a​t​h​e​w​s,​ ​G​e​o​r​g​e​ ​C​a​ d​ ​t​o​ ​p​e​r​f​o​r​m​ ​l​i​v​e​,​ ​t​h​i​s​ ​w​o​u​l​d​ ​b​e​ ​t​h​e​ ​f​i​n​a​l​ ​J​a​z​z​ ​M​e​s​s​e​n​ b​l​e​s​,​ ​J​o​a​n​n​e​ ​B​r​a​c​k​e​e​n,​ ​A​l​b​e​r​t​ ​D​a​i​l​e​y​,​ ​p​l​u​s​ ​o​c​c​a​s​i​o​n​a​l​l​ g​e​r​s​ ​r​e​c​o​r​d​i​n​g​ ​o​f​ ​t​h​e​ ​d​e​c​a​d​e​.​ ​T​h​e​ ​d​a​r​k​ ​y​e​a​r​s​ ​(​1​9​6​6​-​7​ y​ ​v​e​t​e​r​a​n​s​ ​J​o​h​n​ ​H​i​c​k​s​,​ ​C​e​d​a​r​ ​W​a​l​t​o​n​,​ ​a​n​d​ ​W​a​l​t​e​r​ ​D​a​ 6​)​ ​T​h​e​ ​l​a​t​e​ ​1​9​6​0​s​ ​s​a​w​ ​t​h​e​ ​a​s​c​e​n​d​a​n​c​e​ ​o​f​ ​r​o​c​k​ ​m​u​s​i​c​ ​i​ v​i​s​,​ ​J​r​.​ ​B​a​s​s​i​s​t​s​ ​i​n​c​l​u​d​e​d​ ​J​u​n​i​ ​B​o​o​t​h​,​ ​B​u​s​t​e​r​ ​W​i​l​l​i​a​m​s​,​ ​ n​ ​p​o​p​u​l​a​r​ ​c​u​l​t​u​r​e​,​ ​a​n​d​ ​t​h​e​ ​j​a​z​z​ ​w​o​r​l​d​ ​w​a​s​ ​e​x​p​e​r​i​m​e​n​t​ L​a​r​r​y​ ​E​v​a​n​s​,​ ​S​c​o​t​t​y​ ​H​o​l​t​,​ ​A​r​n​e​t​,​ ​a​n​d​ ​M​i​c​k​e​y​ ​B​a​s​s​.​ ​I​n​ ​ i​n​g​ ​w​i​t​h​ ​f​r​e​e​ ​j​a​z​z​ ​a​n​d​ ​j​a​z​z​ ​f​u​s​i​o​n,​ ​s​t​y​l​e​s​ ​B​l​a​k​e​y​ ​d​i​d​ ​n​ 1​9​7​2​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​ ​w​e​r​e​ ​s​i​g​n​e​d​ ​t​o​ ​P​r​e​s​t​i​g​e​ ​R​e​c​o​r​d​s​ ​ o​t​ ​c​a​r​e​ ​f​o​r​.​ ​I​t​ ​w​a​s​ ​d​i​f​f​i​c​u​l​t​ ​f​o​r​ ​B​l​a​k​e​y​ ​t​o​ ​m​a​i​n​t​a​i​n​ ​a​ ​ a​n​d​ ​p​r​o​d​u​c​e​d​ ​t​h​r​e​e​ ​a​l​b​u​m​s​.​ ​C​h​i​l​d​’​s​ ​D​a​n​c​e​ ​f​e​a​t​u​r​e​d​ ​p​ s​t​e​a​d​y​ ​l​i​n​e​u​p​ ​f​o​r​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​,​ ​d​u​r​i​n​g​ ​t​h​i​s​ ​p​e​r​i​o​d​ i​e​c​e​s​ ​f​r​o​m​ ​t​w​o​ ​r​e​c​o​r​d​i​n​g​ ​s​e​s​s​i​o​n​s​ ​o​n​ ​1​9​7​2,​ ​w​i​t​h​ ​d​i​f​f​e​ ,​ ​a​n​d​ ​e​v​e​n​ ​m​o​r​e​ ​d​i​f​f​i​c​u​l​t​ ​t​o​ ​p​r​o​d​u​c​e​ ​r​e​c​o​r​d​i​n​g​s​.​ ​B​e​t​w​ r​e​n​t​,​ ​e​x​p​a​n​d​e​d​,​ ​a​n​d​ ​s​o​m​e​w​h​a​t​ ​o​v​e​r​l​a​p​p​i​n​g​ ​l​i​n​e​u​p​s​.​ ​T​ e​e​n​ ​1​9​6​6​ ​a​n​d​ ​1​9​7​2​,​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​ ​p​r​o​d​u​c​e​d​ ​o​n​l​y​ ​a​ ​s​i​ h​e​ ​r​e​g​u​l​a​r​ ​M​e​s​s​e​n​g​e​r​s​ ​o​n​ ​t​h​e​ ​a​l​b​u​m​ ​w​e​r​e​ ​W​o​o​d​y​ ​S​h​a​ n​g​l​e​ ​o​f​f​i​c​i​a​l​ ​r​e​c​o​r​d​:​ ​J​a​z​z​ ​M​e​s​s​e​n​g​e​r​s​ ​‘​7​0​,​ ​a​ ​l​i​v​e​ ​d​a​t​e​ ​i​ w​;​ ​R​a​m​o​n​ ​M​o​r​r​i​s​;​ ​J​o​h​n​ ​H​i​c​k​s​,​ ​W​a​l​t​e​r​ ​D​a​v​i​s​,​ ​J​r​.​ ​a​n​d​ ​G​ n​ ​T​o​k​y​o​.​ ​T​h​i​s​ ​p​a​r​t​i​c​u​l​a​r​ ​l​i​n​e​u​p​ ​i​n​c​l​u​d​e​d​ ​B​i​l​l​ ​H​a​r​d​m​a​ e​o​r​g​e​ ​C​a​b​l​e​s​ ​o​n​ ​b​o​t​h​ ​a​c​o​u​s​t​i​c​ ​a​n​d​ ​e​l​e​c​t​r​i​c​ ​p​i​a​n​o​s​;​ ​a​n​ n​,​ ​C​a​r​l​o​s​ ​G​a​r​n​e​t​t​,​ ​J​o​a​n​n​e​ ​B​r​a​c​k​e​e​n​ ​a​n​d​ ​J​a​n​ ​A​r​n​e​t​.​ ​B​ d​ ​M​i​c​k​e​y​ ​B​a​s​s​.​ ​T​h​e​ ​b​a​n​d​ ​w​a​s​ ​a​u​g​m​e​n​t​e​d​ ​b​y​ ​B​u​d​d​y​ ​T​ l​a​k​e​y​ ​k​e​p​t​ ​t​h​e​ ​M​e​s​s​e​n​g​e​r​s​ ​w​o​r​k​i​n​g​ ​d​u​r​i​n​g​ ​t​h​i​s​ ​p​e​r​i​o​ e​r​r​y​ ​(​s​o​p​r​a​n​o​ ​s​a​x​)​,​ ​M​a​n​n​y​ ​B​o​y​d​ ​(​f​l​u​t​e​)​,​ ​M​i​c​h​a​e​l​ ​H​o​w​

2018 © Dorine Sauzet & Quentin Schmerber / JazzMaType 8 / 13 Specimen v0.2 www.futurefonts.xyz

Framboisier Bold Character set

BASIC ALPHABET ABCDEFGHIJKLMN OPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz 1234567890

DIACRITICS MATHEMATICAL SYMBOLS & FRACTIONS � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � SUPERIORS � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � LIGATURES � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � STYLISTIC ALTERNATES PUNCTUATION AND SYMBOLS � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � CIRCLED NUMBERS � � � � � � � � � � � � � � � � � � � � � � FIGURES � � � � � � � � � � � � � � � � � � � � ARROWS � � � � � � � � �

2018 © Dorine Sauzet & Quentin Schmerber / JazzMaType 9 / 13 Specimen v0.2 www.futurefonts.xyz

Framboisier Bold Italic Character set

BASIC ALPHABET ABCDEFGHIJKLMN OPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz 1234567890

DIACRITICS MATHEMATICAL SYMBOLS & FRACTIONS � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � LIGATURES � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � STYLISTIC ALTERNATES � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � CONTEXTUAL ALTERNATES

PUNCTUATION AND SYMBOLS � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

ARROWS FIGURES � � � � � � � � � � � � � � � � � � �

2018 © Dorine Sauzet & Quentin Schmerber / JazzMaType 10 / 13 Specimen v0.2 www.futurefonts.xyz

OpenType features

Framboisier Bold OFF ON

[Case sensitive] ¡h! ¿h? [CASE SENSITIVE] ¡H! ¿H? [ C A S E ] Case-sensitive punctuaction h-h•h (h) [h] {h} ‹h› «h» H-H•H (H) [H] {H} ‹H› «H»

[ L I G A ] Ligatures Infinity Reflections Infnity Refections

[ D L I G ] Discretionary ligatures <- -> -^ ^- ^\ \^ ^/ /^ < - - ^ ^ \ ^ /

[ Z E R O ] Slashed zero 0123456789 0123456789

[ S U P S ] Superscript/Superior H0123456789 H0123456789

[ O R D N ] Ordinals 1a 2o No N° no n° 1a 2o N N n n

[ S S 0 1 ] Stylistic set 1: Alternate a JazzMaType JazzMaType

[ S S 0 2 ] Stylistic set 2: Alternate g Monk Higgins Monk Higgins

[ S S 0 4 ] Stylistic set 3: Alternate G George Gershwin George Gershwin

[ S S 0 5 ] Stylistic set 4: Alternate Q Quincy Jones Quincy Jones

[ S S 0 6 & S S 0 7 ] 012345678910 01234567891 Stylistic sets 6 & 7: Circled numbers 012345678910 01234567891

2018 © Dorine Sauzet & Quentin Schmerber / JazzMaType 11 / 13 Specimen v0.2 www.futurefonts.xyz

OpenType features

Framboisier Bold Italic OFF ON

[Case sensitive] ¡h! ¿h? [CASE SENSITIVE] ¡H! ¿H? [ C A S E ] Case-sensitive punctuaction h-h•h (h) [h] {h} ‹h› «h» H-H•H (H) [H] {H} ‹H› «H»

[ L I G A ] Ligatures Infinity Reflections Infnity Refections

[ C A L T ] Contextual alternates Vision, St. Louis & Buddy Vision, St. Louis & Buddy

[ I N I T ] Initial forms New wave on the void New wave on the void

[ S S 0 3 ] Stylistic set 3: Alternate p Spiritual pioneer Spiritual pioneer

[ S S 0 8 ] Stylistic set 8: Unconnected Miles Ahead Whiting Miles Ahead Whiting italic

2018 © Dorine Sauzet & Quentin Schmerber / JazzMaType 12 / 13 JazzMaType Specimen © 2018 Typeface Framboisier

Available now at www.futurefonts.xyz Styles 2

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