DOCSLIB.ORG

Pipe Dream Music by Richard Rodgers Book & Lyrics by Oscar Hammerstein II Based on the Novel “Sweet Thursday” by John Steinbeck

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pipe Dream Music by Richard Rodgers Book & Lyrics by Oscar Hammerstein II Based on the Novel “Sweet Thursday” by John Steinbeck BB&N Gerry’s Landing February 28, March 1, 2, 2013 Pipe Dream Music by Richard Rodgers Book & Lyrics by Oscar Hammerstein II Based on the Novel “Sweet Thursday” by John Steinbeck Cast in order of appearance Doc………………………………………………….……Nate McLeod Hazel………………………………..................Andrew Shifrin Millicent……………………………………………….Rosie Meyer Mac……………………………………………………….Jake Kuhn Suzy……………………………………………………..Eva Murray Fauna…………………………………………………..Maxine Phoenix Fern……………………………………………………..Jenna Corcoran Jim……………………………………………………...Andrew Schneider Jenny…………………………………………………..Becky Jarrell Bobbie….………………………………….………...Caroline Kuldel Ray……………………………………………………...Alex Medzorian George………………………………………………….Tynan Friend Bill…………………………………………….……..Sam Druker Red………………………………………………….…Nicko Bernier Whitey………………………………………….……Brendan Webb Alex…………………………………………………..Tajwar Ahad Dizzy………………………………………….…..Adrian Sands Eddie……………………………………………...Marc Ferrarro Agnes……………………………………………..Catherine Hanss Bubbles, Estaban…………………….……Larysa Hrabowych Sonya…………………………………………..Katie Massie Joe……………………………………………….Deven Catalano Marilyn…………………………………..…..Chloe Tinagero Becky…………………………………………..Michaela Kane Mabel………………………………………….Hannah Martin Cho, Honey, Dr, Ormandy,…….…Erica Pandey Marjorie………………………………..……Shilah Jennette Kitty…………………………………………...Sheba Wood Beulah………………………………..….…..Adria Alexander Hilda, Waitress…………………….……Sophie Attie Sumi……………………………………….Sarah Nissenbaum Harriet…………………………………….….Demetra Vernet & various characters of Cannery Row including Ryan Simpson as Pancho. Band Joseph Horning, piano, Alicia Juang, violin, Sebastien Ridore, viola Adrian Slywotsky, violin, instrumental coach, Darrith Phan, bass Melanie Passaretti, flute, Will Kim, clarinet, Ryan Simpson, soprano saxophone Tynan Friend, drums, percussion, Sam Druker, guitar. The action of the play takes place on Cannery Row, California, 1955. Act I Sc. 1 The Western Biological Laboratory “All Kinds of People”, “Tide Pool”, “Everybody’s Got a Home” Sc. 2 Cannery Row, a few weeks later Sc. 3 The Palace Flophouse, immediately following “Lopsided Bus”, “Bums’ Opera” Sc. 4 Cannery Row, a few days later on a sweet Thursday, Sc. 5 The Western Biological Lab “The Man I Used to Be”, “Sweet Thursday” Sc. 6 Cannery Row, Sc. 7 The Bear Flag Café “Suzy is a Good Thing” Sc. 8 Cannery Row Sc. 9 Honey’s Pier Restaurant “All at once You Love Her” Act II Sc. 1 The Bear Flag Café the next morning “Happiest House on the Block” Sc. 2 Cannery Row “The Party that We’re Gonna Have Tomorrow Night” Sc. 3 The Palace Flophouse the following night “Masquerade Brawl” Sc. 4 Cannery Row, the next day “Thinkin’” Sc. 5 The Bear Flag patio a few weeks later Sc. 6 Cannery Row the next evening “How Long” Sc. 7 Inside “the Pipe” “The Next Time It Happens” Sc. 8 Cannery Row the next morning Sc. 9 The Western Biological Lab “Finale” Approx. Playing Time: Act I 75 minutes 12 minute intermission Act II 55 minutes Director…………………………………………………………………………………………….…..Mark Lindberg. Music Director & Vocal Coach.................................................Josep h Horning. Scenery and Lighting Designer & Technical Director….………….Eugene D. Warner. Costume Designer & Choreographer……..……………………………..………………Louise Brown. Stage Managers……………………………………………………….Tarika Narain, Alison Saparoff, Aaron Orbey, Amanda Lifford. Costume Assistants……………….……………………………………….. Tara Talland, Lina Rebeiz, Alexandra Sanyal, Cierra Robson. Technical Crew……………………………………………………………………..Philippa Ghillany-Lehar, Jonathan Brudnick, Nicholas Langen, Katrina Francis, the cast. Special thanks to......................................................... ..........Brian Reasoner, Miklos Pogany, Letitia Milevskiy, John Santos, Noelia Santos, Thor Nagel, Karen Wyon, Aline Gery, Rory Morton, Keith Jones, Deborah Laing, Cristina Redmond, James Lindberg, Jackson Lindberg, John Norton, Paul Quain, Gillany-Lehar family, Joe Desperado Krausman, Phyllis Teal, Leigh Hogan, Leah Cataldo & the BB&N Biology Department, Leila Evans, Samantha Siegel, Kay Kane, Joe Griffin, Chris Lavoie, Duncan Pollock, Sheila Foley, Julie Lindstrom, Brian Sands, Michael Hawkins, Dmitri Orlando, George Swanson, parents of the crew and cast. Costs were partially underwritten by The Anna Minot Theater Production Fund, generously established in 2006 by Anna Minot Warren ’35. BB&N has launched our Name A Seat Initiative, a BB&N giving opportunity to name your theatre seat to honor a special person and support the BB&N Theatre program. For more information, visit www.bbns.org/theater or pick up a brochure outside the theatre. We prefer that you not take photographs. The use of flash camera is dangerous and strictly forbidden. Please turn off all electronic devices and phones Pipe Dream is produced by special arrangement with The Rodgers and Hammerstein Library 333 West 52nd Street New York, NY 10019 (212) 486-7378 .
Load more

Recommended publications
  • San José Studies, November 1975
    San Jose State University SJSU ScholarWorks San José Studies, 1970s San José Studies 11-1-1975 San José Studies, November 1975 San José State University Foundation Follow this and additional works at: https://scholarworks.sjsu.edu/sanjosestudies_70s Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation San José State University Foundation, "San José Studies, November 1975" (1975). San José Studies, 1970s. 3. https://scholarworks.sjsu.edu/sanjosestudies_70s/3 This Journal is brought to you for free and open access by the San José Studies at SJSU ScholarWorks. It has been accepted for inclusion in San José Studies, 1970s by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Portrait by Uarnaby Conrad (Courtesy of Steinbeck Research Center) John Steinbeck SAN JOSE STUDIES Volume I, Number 3 November 1975 ARTICLES Warren French 9 The "California Quality" of Steinbeck's Best Fiction Peter Lisca 21 Connery Row and the Too Teh Ching Roy S. Simmonds 29 John Steinbeck, Robert Louis Stevenson, and Edith McGillcuddy Martha Heasley Cox 41 In Search of John Steinbeck: His People and His Land Richard Astro 61 John Steinbeck and the Tragic Miracle of Consciousness Martha Heasley Cox 73 The Conclusion of The Gropes of Wroth: Steinbeck's Conception and Execution Jaclyn Caselli 83 John Steinbeck and the American Patchwork Quilt John Ditsky . 89 The Wayward Bus: Love and Time in America Robert E. Work 103 Steinbeck and the Spartan Doily INTERVIEWS Webster F. Street 109 Remembering John Steinbeck Adrian H. Goldstone 129 Book Collecting and Steinbeck BOOK REVIEWS Robert DeMott 136 Nelson Valjean.
    [Show full text]
  • A Hundred and One Natural History Books That You Should Read Before You Die
    A Hundred and One Natural History Books That You Should Read Before You Die 7. John Steinbeck’s The Log From the Sea of Cortez Stephen C. Trombulak Stephen C. Trombulak ([email protected]) is a professor in the Department of Biology and the Program for Environmental Studies at Middlebury College, Middlebury, Vermont 05753 U.S.A. Some relationships are legendary: Laurel Laboratories in Monterey, California, and Hardy, Lennon and McCartney, Ricketts’ career as a marine biologist and Stanley and Livingstone, Astaire and specimen collector was the perfect setting Rodgers, … Han and Chewbacca. While for his practice of natural history that each person individually showed an demonstrated his ability to describe with impressive level of accomplishment on honesty and accuracy the ecological bases their own, together they formed a creative, for the distribution of coastal organisms iconic couplet that transcended who they along the Pacific Coast. were by themselves. Both Steinbeck and Ricketts were core John Steinbeck and Ed Ricketts together members of a group of men and women formed such a pair. who adopted Ricketts’ lab in Monterey as their home base – almost a clubhouse – John Steinbeck is, of course, known to throughout the 1930s as they collectively most people as one of America’s leading explored topics ranging from jazz to fiction writers of the 20th century. His science to romantic relationships. explorations of the human condition, amidst the challenges of the Great The pair became fast friends, I think Depression in the 1930s – particularly The finding in each other characteristics that Grapes of Wrath and Of Mice and Men – both complemented and completed the feature prominently on any list of great other with respect to their own self- American literature.
    [Show full text]
  • Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
    SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public).
    [Show full text]
  • Oscar Hammerstein II Collection
    Oscar Hammerstein II Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2018 Contact information: http://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2014565649 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu018003 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2018 Collection Summary Title: Oscar Hammerstein II Collection Span Dates: 1847-2000 Bulk Dates: (bulk 1920-1960) Call No.: ML31.H364 Creator: Hammerstein, Oscar, II, 1895-1960 Extent: 35,051 items Extent: 160 containers Extent: 72.65 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2014565649 Summary: Oscar Hammerstein II was an American librettist, lyricist, theatrical producer and director, and grandson of the impresario Oscar Hammerstein I. The collection, which contains materials relating to Hammerstein's life and career, includes correspondence, lyric sheets and sketches, music, scripts and screenplays, production materials, speeches and writings, photographs, programs, promotional materials, printed matter, scrapbooks, clippings, memorabilia, business and financial papers, awards, and realia. Selected Search Terms The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically. People Brill, Leighton K.--Correspondence. Buck, Pearl S. (Pearl Sydenstricker), 1892-1973--Correspondence. Buck, Pearl S. (Pearl Sydenstricker), 1892-1973. Crouse, Russel, 1893-1966.
    [Show full text]
  • South Pacific
    THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods.
    [Show full text]
  • Rodgers & Hammerstein's Allegro
    Casting and creatives announced for the professional European première of Rodgers & Hammerstein’s Allegro Katie Bernstein Emily Bull David Delve Julia J Nagle Dylan Turner Susan Travers Gary Tushaw Steve Watts Full casting and creative team are announced today for the eagerly awaited professional European première of Rodgers & Hammerstein’s Allegro, which opened on Broadway in 1947, and was their third collaboration for the stage following Oklahoma! and Carousel. Rodgers & Hammerstein’s Allegro, with music by Richard Rodgers, book and lyrics by Oscar Hammerstein II, will open for a 6-week season in The Large at Southwark Playhouse from Friday 5 August and run until Saturday 10 September. Press night is Thursday 11 August at 7.30pm. It is produced by Danielle Tarento and directed by Thom Southerland, the award-winning team behind Grey Gardens, Grand Hotel, Titanic, Parade and Mack & Mabel. Southerland is working on a new adaptation of the book and the production will have brand new orchestrations. In 1905 in a small Midwestern town, the wife of a local doctor gives birth to a baby boy, Joseph Taylor Jr. Allegro chronicles nearly four decades in the life of this average Joe - through his childhood, from college dorm to marriage altar, and on to his own medical career; from the tranquility of his hometown to the hectic din of big city life and a mid-life discovery of who he is and what his life is truly about, ultimately learning the most important lessons of all - the value of family, that money isn’t everything and that home really is where the heart is.
    [Show full text]
  • THE BROADWAY PRINCESS PARTY The
    THE BROADWAY PRINCESS PARTY The princesses are throwing a ball, and you’re invited! After five sold-out engagements in New York City, The Broadway Princess Party is coming to the Segerstorm Center for the Arts! Star of Broadway’s Cinderella, two time Tony nominee, Laura Osnes will bring her radiant leading lady friends to Orange County along with music director Benjamin Rauhala for a dazzling evening of musical magic. She will be joined by Broadway’s 'Princess Jasmine' in Aladdin Courtney Reed, and Tony nominee Adrienne Warren to sing the most beloved ‘Princess’ songs of stage and screen and reminisce about their favorite fairytales and most cherished characters. So get your ballgown out of the closet, dust off that tiara and make your way to the Segerstorm Center for the Arts for a Broadway Princess Party you will never forget! The concerts are presented by LML Music and produced by Integrated Arts, LLC. Laura Osnes will return to Broadway this spring in the new musical Bandstand after creating the role of Julia Trojan in the Paper Mill Playhouse production. Her other Broadway credits include the title role in Rodgers + Hammerstein’s Cinderella (Drama Desk Award; Tony, Outer Critics Circle, Drama League and Astaire Award nominations), Bonnie in Bonnie and Clyde (Tony Award nomination), Hope Harcourt in the Tony Award winning revival of Anything Goes (Drama Desk, Outer Critics Circle, and Astaire Award nominations), Nellie Forbush in Lincoln Center Theater’s production of South Pacific, and Sandy in the most recent revival of Grease. Other New York/regional credits include The Blueprint Specials, The Threepenny Opera (Drama Desk Award nomination) at the Atlantic Theater Company; City Center Encores! productions of The Band Wagon, Randy Newman's Faust, and Pipe Dream; The Sound of Music in concert at Carnegie Hall; Carousel opposite Steven Pasquale at the Lyric Opera of Chicago, and Broadway: Three Generations at the Kennedy Center.
    [Show full text]
  • CERTAIN SOCIAL ASPECTS OF STEINBECK«S NOVELS A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY JOHNNIE MAE KENNEBBEW DEPARTMENT OF ENGLISH ATLANTA, GEORGIA AUGUST 1957 r / 5Jb PREFACE John Steinbeck was bom in Salinas, California, in 1902* He did not venture beyond the mountains of his home town until the age of nineteen, when he enrolled at Leland Stanford University» There he studied whatever 1 interested him and he never troubled to take a degree, "He was by turns, a newspaper reporter, a painter, a chemist, a caretaker on a rich man’s estate, a surveyer and a fruit picker, and these varied experiences have imparted to hiswritings a range of treatment which has made it difficult 2 to appraise his political, social or economic •views."' Most of Steinbeck's writings were done during and after the depression decade. His first published novel, Cup of Gold, came in 1929, followed by The Pastures of Heaven and To A God Unknown, both in 1932# The public's response to these works may have been discouraging, but its response to 3 Tortilla Flat in 1933 was quick and heartening. This novel dealt with the life and antics of a group of California paisanos living on the outskirts of Monterey, and it has been labeled primitivistic. In Dubious Battle ap¬ peared in 1936. It was a strike novel, in the special climate of the mid¬ thirties, and many critics were not content with what Steinbeck had given h them.
    [Show full text]
  • SINGER's MUSICAL THEATRE ANTHOLOGY Master Index, All Volumes
    THE SINGER’S MUSICAL THEATRE ANTHOLOGY SERIES GUIDE AND INDEXES FOR ALL VOLUMES • Alphabetical Song Index • Alphabetical Show Index Updated September 2016 Key Accompaniment Book Only CDs Book/Audio S1 = Soprano, Volume 1 00361071 00740227 00000483 S2 = Soprano, Volume 2 00747066 00740228 00000488 S3 = Soprano, Volume 3 00740122 00740229 00000493 S4 = Soprano, Volume 4 00000393 00000397 00000497 S5 = Soprano, Volume 5 00001151 00001157 00001162 S6 = Soprano, Volume 6 00145258 00151246 00145264 ST = Soprano, Teen's Edition 00230043 00230051 00230047 S16 = Soprano, 16-Bar Audition 00230039 NA NA M1 = Mezzo-Soprano/Belter, Volume 1 00361072 00740230 00000484 M2 = Mezzo-Soprano/Belter, Volume 2 00747031 00740231 00000489 M3 = Mezzo-Soprano/Belter, Volume 3 00740123 00740232 00000494 M4 = Mezzo-Soprano/Belter, Volume 4 00000394 00000398 00000498 M5 = Mezzo-Soprano/Belter, Volume 5 00001152 00001158 00001163 M6 = Mezzo-Soprano/Belter, Volume 6 00145259 00151247 00145265 MT = Mezzo-Soprano/Belter, Teen's Edition 00230044 00230052 00230048 M16 = Mezzo-Soprano/Belter, 16-Bar Audition 00230040 NA NA T1 = Tenor, Volume 1 00361073 00740236 00000485 T2 = Tenor, Volume 2 00747032 00740237 00000490 T3 = Tenor, Volume 3 00740124 00740238 00000495 T4 = Tenor, Volume 4 00000395 00000401 00000499 T5 = Tenor, Volume 5 00001153 00001160 00001164 T6 = Tenor, Volume 6 00145260 00151248 00145266 TT = Tenor, Teen's Edition 00230045 00230053 00230049 T16 = Tenor, 16-Bar Audition 00230041 NA NA B1 = Baritone/Bass, Volume 1 00361074 00740236 00000486 B2 = Baritone/Bass,
    [Show full text]
  • Sweet Thursday
    7LDSLYXR6Q5D » Book ^ Sweet Thursday Sweet Thursday Filesize: 3.92 MB Reviews It is great and fantastic. It can be writter in easy phrases and never hard to understand. You will not really feel monotony at at any time of your respective time (that's what catalogues are for concerning if you request me). (Michel Halvorson) DISCLAIMER | DMCA OYGNJOOPH6MV # PDF » Sweet Thursday SWEET THURSDAY To download Sweet Thursday eBook, please refer to the web link under and download the document or have accessibility to additional information which are related to SWEET THURSDAY ebook. Penguin Books Ltd. Paperback. Book Condition: new. BRAND NEW, Sweet Thursday, John Steinbeck, An elaboration on John Steinbeck's greatest theme - the common bonds of humanity and love which make goodness and happiness possible - this Penguin Modern Classics edition of Sweet Thursday marks a return to the memorable cast of characters he created in Cannery Row. In Monterey, on the California Coast, Sweet Thursday is what they call the day aer Lousy Wednesday - one of those days that's just bad from the start. But Sweet Thursday is sunny and clear, a day when anything can happen. Returning to the scene of Cannery Row, Steinbeck brilliantly creates its bawdy, high-spirited world of bums, drunks and hookers, telling the story of what happened to everyone aer the war. There are colourful characters old and new, all united by love, laughter and tears: Fauna, the latest madam at the Bear Flag brothel, Doc, still there for everyone else but feeling strangely sad himself, and Suzy, the new hustler in town who might just be the girl to save him.
    [Show full text]
  • John Steinbeck
    John Steinbeck Authors and Artists for Young Adults, 1994 Updated: July 19, 2004 Born: February 27, 1902 in Salinas, California, United States Died: December 20, 1968 in New York, New York, United States Other Names: Steinbeck, John Ernst, Jr.; Glasscock, Amnesia Nationality: American Occupation: Writer Writer. Had been variously employed as a hod carrier, fruit picker, ranch hand, apprentice painter, laboratory assistant, caretaker, surveyor, and reporter. Special writer for the United States Army during World War II. Foreign correspondent in North Africa and Italy for New York Herald Tribune, 1943; correspondent in Vietnam for Newsday, 1966-67. General Literature Gold Medal, Commonwealth Club of California, 1936, for Tortilla Flat, 1937, for novel Of Mice and Men, and 1940, for The Grapes of Wrath; New York Drama Critics Circle Award, 1938, for play Of Mice and Men; Academy Award nomination for best original story, Academy of Motion Picture Arts and Sciences, 1944, for "Lifeboat," and 1945, for "A Medal for Benny"; Nobel Prize for literature, 1962; Paperback of the Year Award, Marketing Bestsellers, 1964, for Travels with Charley: In Search of America. Addresses: Contact: McIntosh & Otis, Inc., 310 Madison Ave., New York, NY 10017. "I hold that a writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature." With this declaration, John Steinbeck accepted the Nobel Prize for Literature in 1962, becoming only the fifth American to receive one of the most prestigious awards in writing. In announcing the award, Nobel committee chair Anders Osterling, quoted in the Dictionary of Literary Biography Documentary Series, described Steinbeck as "an independent expounder of the truth with an unbiased instinct for what is genuinely American, be it good or ill." This was a reputation the author had earned in a long and distinguished career that produced some of the twentieth century's most acclaimed and popular novels.
    [Show full text]
  • Rediscovering Me and Juliet and Pipe Dream , the Forgotten Musicals of Rodgers and Hammerstein
    ABSTRACT Title of Thesis: “WHO EXPECTS A MIRACLE TO HAPPEN EVERY DAY?”: REDISCOVERING ME AND JULIET AND PIPE DREAM , THE FORGOTTEN MUSICALS OF RODGERS AND HAMMERSTEIN Bradley Clayton Mariska, Master of Arts, 2004 Thesis directed by: Assistant Professor Jennifer DeLapp Department of Musicology Me and Juliet (1953) and Pipe Dream (1955) diverged considerably from Rodgers and Hammerstein’s influential and commercially successful 1940s musical plays. Me and Juliet was the team’s first musical comedy and had an original book by Hammerstein. Pipe Dream was based on a John Steinbeck novel and featured bums and prostitutes. This paper documents the history of Me and Juliet and Pipe Dream , using correspondence, early drafts of scripts, interviews with cast members, and secondary sources. I analyze the effectiveness of plot, music, and lyrics, while considering factors in each show’s production that may have led to their respective failures. To better understand reception, emphasis is placed upon each show’s relationship to the political and cultural landscape of 1950s America. Re-examining these musicals helps document the complete history of the Rodgers and Hammerstein collaboration and provides valuable insights regarding the duo’s social values and personal philosophies of musical theatre. “WHO EXPECTS A MIRACLE TO HAPPEN EVERY DAY?”: REDISCOVERING ME AND JULIET AND PIPE DREAM , THE FORGOTTEN MUSICALS OF RODGERS AND HAMMERSTEIN by Bradley Clayton Mariska Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirement for the degree of Master of Arts 2004 Advisory Committee: Professor Jennifer DeLapp, Chair Professor Barbara Haggh-Huglo Professor Richard King © Copyright by Bradley Clayton Mariska 2004 To Grandma Bonnie, for The Sound of Music To my parents, for Joseph ii ACKNOWLEDGEMENTS I am indebted to many individuals who have helped in the completion of this document.
    [Show full text]