AUGUST 2015

THE COMEDY OF ERRORS WELCOME

Welcome to The Comedy of Errors! This joyous, laugh-filled production continues our yearlong celebration of the centennial of the Balboa Park Exposition and the 80th Anniversary of The Old Globe. The summer season has been especially exuberant, with two Shakespeare comedies, all the mirth and mayhem of Kiss Me, Kate, free Shakespeare film screenings, and Ken Ludwig’s hilariously terrifying Baskerville: A Sherlock Holmes Mystery.

With The Comedy of Errors, we also celebrate the Globe debut of one of the country’s busiest and most talented directors. Scott Ellis has proven himself a master of everything from major musicals to heart-wrenching dramas to vibrant new work. Now he brings his prodigious talent to bear on Shakespeare for the first time, invigorating one of the Bard’s most madcap comedies with his own unique DOUGLAS GATES vision and artistic sensibility. Managing Director Michael G. Murphy and Artistic Director Barry Edelstein.

He’s joined by a top-notch cast and a creative team well known to Globe audiences: scenic designer Alexander Dodge, costume designer Linda Cho, lighting designer Philip Rosenberg, and the sound designers of Acme Sound Partners—and music director Derek Cannon fills the Lowell Davies Festival Theatre with the irresistible sound of jazz. As the rhythms of the music and of Shakespeare’s immortal language fill the San Diego nights, we’re delighted to share our summer celebrations with each of you.

Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large.

PERFORMANCES MAGAZINE 1 PRODUCTION SPONSORS PRODUCTION SPONSORS EXTRAORDINARY LEADERSHIP

Since the founding of The Old Globe in 1935, heroic leadership has made The following individuals and organizations, recognized for their the theatre a cultural icon in San Diego and a forerunner in the American tremendous cumulative giving, comprise a special group of friends theatre. Many individuals have paved that way and enabled the theatre’s who have played leading “behind-the-scenes” roles, helping create the The Old Globe is pleased to recognize and thank the Qualcomm Foundation as the 2015 Shakespeare Festival Sponsor. The Foundation has extraordinary success, and the Globe would like to recognize and honor productions on the three stages, programs in the community, and our made yet another very generous grant supporting the two summer productions in the Lowell Davies Festival Theatre: Twelfth Night and The its most generous and committed philanthropists who have helped make influence beyond this region. Comedy of Errors. The Qualcomm Foundation has served as a major sponsor of The Old Globe’s Shakespeare Festival and its many associated that possible. education programs since 2004. This year it will also assist in funding Globe for All, a touring production of Much Ado About Nothing that will — $25 million and higher — reach over a thousand people this fall who ordinarily would not be able to see a Shakespeare play. The Qualcomm Foundation’s leadership has Donald* and Darlene Shiley

helped to ensure that the work of Shakespeare will continue to grace the stages of the Globe year after year. The Foundation was established — $11 million and higher — in 2010 by Qualcomm Incorporated and is dedicated to strengthening communities worldwide. Most importantly, the Foundation aims to Conrad Prebys | San Diego Commission for Arts and Culture create and support educated, healthy, culturally vibrant communities, focusing on geographic regions where the company has a business presence. Through its support of arts education and outreach programs, it helps young people develop innovative minds and expands cultural — $8 million and higher — Karen and Donald Cohn | Sheryl and Harvey White enrichment opportunities to in-need populations. — $7 million and higher — Kathryn Hattox GILLIAN AND TONY THORNLEY — $3 million and higher — Gillian and Tony Thornley have been involved with The Old Globe for many years and are happy to Helen K. and James S. Copley Foundation | Audrey S. Geisel | County of San Diego support William Shakespeare’s The Comedy of Errors. Tony currently serves on the Globe Board of Directors as Treasurer and is a member of the Executive, Finance, Craig Noel League, and Investment — $2 million and higher — Committees. He and Gillian first became Production Sponsors for the 2009 Shakespeare Festival, The James Irvine Foundation | The Shubert Foundation | Viterbi Family Foundation an easy decision based on their family’s connection with Shakespeare. Amidst the uncertainty and — $1 million and higher — strife of World War II, Gillian’s parents met and married in the Bard’s rural hometown of Stratford- The Lipinsky Family The Kresge Foundation J. Dallas and Mary Clark* upon-Avon. They settled in a 17th-century home neighboring Anne Hathaway’s cottage, where the Carolyn Yorston-Wellcome Estate of Dorothy S. Prough Qualcomm Foundation only source of running water was an outdoor pump, and cold, damp trips down the garden path were California Cultural & Historical Endowment National Endowment for the Arts Bank of America frequent. Often through makeshift amateur productions, the plays of Shakespeare, particularly the Stephen & Mary Birch Foundation, Inc. Helen Edison* Mary Beth Adderley Jeannie and Arthur Rivkin Estate of Beatrice Lynds* Globe Guilders comedies, provided respite from the hardships of life, creating a unique bond with the playwright. Wells Fargo Victor H.* and Jane Ottenstein Anonymous *In Memoriam CELEBRATING COUTURE

2015: A BEST-DRESSED SUCCESS! The Old Globe acknowledges Holland America Line for its extraordinary contributions to the theatre year after year. In 2007, Holland America Line began its relationship with the Globe Guilders through support of the annual Celebrating Couture Fashion Show. In 2013, the On Tuesday, May 12, the Globe Guilders hosted their 25th annual Fashion Show fundraiser, company increased its support by underwriting a luncheon and cabaret performance onboard the ms Statendam for more than 125 guests Celebrating Couture 2015, presented with Neiman Marcus at the Hilton San Diego Bayfront. while docked in San Diego. This season, The Old Globe is pleased to acknowledge Holland America Line as a Production Sponsor ofThe Comedy Each year, this event raises over $100,000 for the Globe’s programs. of Errors due to its continued and increased support, and the Globe looks forward to boarding the beautiful ms Veendam cruise ship for yet another day at sea. Holland America Line, a worldwide leader in global cruising, sails more than 500 cruises to 415 ports in 98 countries with Suzie Poet Turner served as Chair for the festivities with Co-Chairs Angie De Caro and Linda Van a fleet of 15 ships, with cruises ranging from one to 110 days. The Old Globe is honored to have Holland America Line’s generous support of Vark, and Globe Historian Darlene Davies was the Honorary Chair in a year that also marks the The Comedy of Errors in the Lowell Davies Festival Theatre. Guilders’ 60th Anniversary and The Old Globe’s 80th Anniversary. Nearly 600 people attended and enjoyed a champagne reception, auctions, luncheon, and a fashion show featuring the 2015 Fall Couture collection by Naeem Khan.

Special thanks to lead underwriters Ann Davies, who hosted the Patron Party, Audrey S. Geisel and the Dr. Seuss Fund, Peggy Matthews, Sheryl and Harvey White, and Sycuan Casino; media Union Bank began supporting The Old Globe almost three decades ago and has contributed close to $630,000 to the theatre’s education partners Giving Back and Ranch & Coast; and live auction donors Holland America Line, Naeem and artistic programming, as well as providing bank employees to serve as volunteers in various capacities at the theatre. Union Bank is Khan, Neiman Marcus, and Rancho La Puerta. a champion of arts education throughout the region. The company has sponsored many Globe productions including The Glass Menagerie, Othello, As You Like It, Imaginary Friends, Allegiance – A New American Musical, and 2013’s A Midsummer Night’s Dream, and many of its Congratulations to the Globe Guilders on a wonderful event in support of the Globe! executives have served on the theatre’s Board of Directors. The Old Globe applauds Union Bank for its longtime support. To receive an invitation to next year’s event, visit www.GlobeGuilders.org or send an email with your address to [email protected].

(top and bottom photos) Naeem Khan’s 2015 Fall Couture Collection. (middle photo) Globe Managing Director Michael G. Murphy, Globe Guilders President Margi Sargis, Celebrating Couture 2015 Honorary Chair Darlene Davies, Celebrating Couture 2015 Chair Suzie Poet Turner, Hilit Edelstein, and Globe Artistic Director Barry Edelstein at the event. Photos by Douglas Gates.

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 OUR THANKS In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic Season Sponsors ($60,000 and higher) and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is pleased to acknowledge the following Season Sponsors who have generously supported the 2014-2015 season.

Leading Season Sponsors ($75,000 and higher)

JOAN AND IRWIN JACOBS VALERIE AND HARRY COOPER GILLIAN AND TONY THORNLEY Sponsors since 2002 Sponsors since 2005 Sponsors since 2009 U-T SAN DIEGO EDUARDO CONTRERAS / T CHARLES ERICKSON KAREN AND DONALD COHN DARLENE MARCOS SHILEY GLOBE GUILDERS AUDREY S. GEISEL Charter Sponsors since 1995 In memory of Donald Shiley Charter Sponsor since 1995 Sponsor since 1998 Charter Sponsor since 1995 JUNE E. YODER PAM FARR AND BUFORD ALEXANDER RHONA AND RICK THOMPSON Sponsor since 2010 Sponsors since 2011 Sponsors since 2013

KATHRYN HATTOX SHERYL AND HARVEY WHITE CONRAD PREBYS AND MARY BETH ADDERLEY Sponsor since 1998 Sponsors since 2000 DEBRA TURNER Sponsor since 2004 HAL AND PAM FUSON VICKI AND CARL ZEIGER SUSAN AND JOHN MAJOR Sponsors since 2004 Sponsors since 2013 Sponsors since 2014 Sponsors since 2014

Charter Sponsor since 1995 Sponsor since 2007 JOAN MARCUSJOAN PETER COOPER AND EDGERTON FOUNDATION ELAINE AND DAVE DARWIN BRIAN AND SILVIJA DEVINE NORMAN BLACHFORD Sponsor since 2008 Sponsors since 2011 Sponsors since 2012 Sponsors since 2008 Leading Production Sponsors ($50,000 and higher)

Sponsor since 2000 JIM COX DIANE AND JOHN BEROL ELAINE LIPINSKY JEAN AND GARY SHEKHTER PAULA AND BRIAN POWERS GLORIA RASMUSSEN ANN DAVIES Sponsors since 1996 FAMILY FOUNDATION Sponsors since 2014 Sponsors since 2012 Sponsor since 2012 Sponsor since 2013 Sponsor since 2008 Sponsor since 2012

Photo for Globe Guilders: Tanya Thai McBride and Amy Kim Waschke inThe White Snake, 2014 (photo courtesy of McCarter Theatre Center); For additional information on how you may become a Season Sponsor, for Edgerton Foundation: Carmen Cusack and Wayne Alan Wilcox in the world premiere of Bright Star, 2014; please contact Keely Tidrow or Rachel Plummer at (619) 231-1941. for Diane and John Berol: the cast of A Midsummer Night’s Dream, 2013. 4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 OUR THANKS THE PLAY Welcome to the Globe! range the county November 10-22 with Much Ado About Nothing, presenting free Shakespeare to those who for many reasons cannot Smoky jazz and Mardi Gras parades, make it onto our campus. And I urge you to continue to follow the chicory coffee and beignets, folks on careers of our amazing M.F.A. candidates as they step up to more FROM THE cast-iron balconies overlooking the challenging roles on the Festival stage and in As You Like It, which continuous revelry in the streets below. runs November 14-22 under the aegis of the Old Globe/USD M.F.A. ARTISTIC We all have our own memories of sweet Program. and hot New Orleans, and preeminent Broadway director Scott Ellis is creating Your philanthropy makes a difference. We ask you to invest in the DIRECTOR a new one for us tonight as he takes Globe and help San Diego’s largest not-for-profit performing arts Shakespeare’s madly mixed up twins and organization close the 45% funding gap between the total cost of Our season of celebration continues at The Old Globe. We mark a And yet Comedy is more than a piece of iambic cotton candy. It takes surrounds them with a 1920s party on producing each show and earned income from ticket sales. We are group of anniversaries: this theatre turns 80; the Globe Guilders, a very mature, rather gimlet-eyed view of marriage, for example. It the bayou. Cajun syncopation under the stars: what a great way to grateful to our audiences and supporters for everything you do, our busy squadron of volunteer supporters, turns 60; and two San meditates on complex questions of identity: if there’s someone else finish up this year’s Summer Shakespeare Festival! including purchasing tickets, attending performances, and spreading the word about our productions and other programs with your Diego institutions—the Globe’s late founder Craig Noel, and Balboa on this planet who looks so like me that my own family mistakes us, As your Globe Board Chair and a firm believer in the transformative friends. And we are grateful for your adventurous and open-minded Park itself—reach their centennials. To celebrate this collection of then how do I know what makes me uniquely me? And its repeated powers of the arts, I am pleased to represent and support this spirit, which encourages us to produce the best in entertaining and milestones we’ve put together a summer-long program of upbeat, references to magic and transformation and even demonic possession amazing institution. We are grateful to the production sponsors, rewarding theatre. bright, and fun productions on all three stages on our beautiful put it in line with some of the intellectual concerns that obsessed the Qualcomm Foundation, Tony and Gillian Thornley, Holland America, campus. major philosophers of the English Renaissance. To put this another and Union Bank. Thank you for being here, and for being part of the Globe family. way, even Shakespeare’s juvenilia are still Shakespeare plays. In this, our 80th Anniversary year, I am especially proud of the Tonight’s production captures pretty thoroughly the spirit many ongoing community outreach programs we offer year-round, of celebration we have in mind. The Comedy of Errors may be I’m glad that one of our country’s leading stage directors is here to including free student matinees and sensory-friendly performances Shakespeare’s first play. The Bard’s acclaim came at the beginning of mine all the richness in Comedy and remind us of its almost limitless of The Grinch and other productions. Globe for All will once again Elaine Bennett Darwin his career in the early 1590s not from his work as playwright, but capacity for fun. Scott Ellis is an old friend, and one whom I’ve been Chair, Board of Directors as poet. At the ripe old age of 29 he penned two epic poems, the pestering for years about directing Shakespeare. His credits are first of which, Venus and Adonis, became a succès de scandale thanks staggeringly impressive—this year alone this one director gave us to its erotically charged depiction of a middle-aged goddess seducing what seemed like almost an entire Broadway season. The number of BOARD OF DIRECTORS a gorgeous young hunk. So notorious was this poem that it all but theatrical genres in which he’s succeeded—musicals, comedy, drama, Elaine Bennett Darwin† Vicki L. Zeiger† Ann Davies† eclipsed Shakespeare’s early efforts for the stage, and as a result, we classics, new plays—is extraordinary. But most of all he is simply CHAIR INCOMING CHAIR VICE CHAIR, EDUCATION cannot date with confidence the first half-dozen plays in his canon. one of the nicest men in the American theatre. I am honored that he Peter J. Cooper† Anthony S. Thornley† Harvey P. White† VICE CHAIR, NOMINATING TREASURER SECRETARY Do the three parts of Henry VI predate The Two Gentlemen of Verona? has chosen the Globe to make his Shakespearean debut, and I look Did King Richard III shuffle his way onstage before Titus Andronicus forward to repeat visits from him on all our stages. And I’m grateful DIRECTORS † HONORARY DIRECTORS EMERITUS DIRECTORS Harold W. Fuson, Jr. Crystal Sargent cut his bloody swath through the Goths? We don’t know. But we that he has assembled for our audiences such a top-drawer team Mary Beth Adderley Jack Galloway Marguerite Sargis Mrs. Richard C. Adams* Garet B. Clark Elizabeth Altman Victor P. Gálvez Jean Shekhter Clair Burgener* J. Dallas Clark* are certain that among these early but imprecisely dated works is of American design and acting talent. That’s cause for celebration Terry Atkinson Kathryn Hattox† Ann Steck† Mrs. John H. Fox* Bea Epsten tonight’s delight, The Comedy of Errors. indeed. Pamela Cesak Patricia A. Hodgkin Steven J. Stuckey Audrey S. Geisel Sally Furay, R.S.C.J.* Nicole A. Clay† Daphne H. Jameson Daniel L. Sullivan, Ph.D. Paul Harter Bernard Lipinsky* Whenever it was composed, Comedy is clearly the work of a young Our summer of celebration will soon blend seamlessly into our 2015- Joseph J. Cohen Jo Ann Kilty Karen Tanz Gordon Luce* Delza Martin* writer. There’s an audacity to it, a fearless dramaturgical daring. 2016 theatre season, which has its own abundant share of fun and Donald L. Cohn† Sheila Lipinsky Rhona Thompson Dolly Poet* Darlene Marcos Shiley Valerie S. Cooper† Keven Lippert Evelyn Mack Truitt Deborah Szekely Patsy Shumway Shakespeare borrowed the device of identical twin brothers substantial work. I’ll see you soon indoors, but in the meantime, Silvija Devine Paula Powers† Debra Turner Hon. Pete Wilson Carolyn Yorston-Wellcome causing confusion among their associates from the Roman classical I commend to you this sparkling evening of Shakespeare under the Elizabeth Dewberry Conrad Prebys† Stacey LeVasseur Vasquez playwright Plautus, and then out-Plautused him, adding a second San Diego stars. Stephen P. Embry† Tim Rafalovich Jordine Von Wantoch *In Memoriam set of identical twins and kicking up the comic mayhem by many † Pamela A. Farr Adam Ratner Pamela J. Wagner Executive Committee Member notches. That’s a young man’s gambit, a move designed to make Thanks for coming. Enjoy the show. Karen Fox Sandra Redman Lynne Wheeler Robert Foxworth Sue Sanderson Karin Winner† an impression. So is the wild way in which the play’s tone swoops from high to low and back: with no regard to literary propriety, Shakespeare jams a bawdy joke against a lyric flight and stubs a ASSOCIATE ARTISTS OF THE OLD GLOBE sonneteer’s toe on a clown’s oversized shoes. There’s also a show- offy quality to the language itself, which displays enough formal In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in tropes and verse meters to fill a textbook on classical rhetoric. acknowledging as Associate Artists the following individuals who have repeatedly demonstrated, by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. Shakespeare’s first plays are characterized by what one critic called “a virtuoso exhibitionism;” in these plays we see the seeds of the great William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor dramatic powers that were to be deployed so potently in the later Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* masterworks we revere. The chiaroscuro vision of Twelfth Night, this Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* summer’s other Shakespeare, in which each laugh contains an equal Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker and opposite heartache, hadn’t yet entered this playwright’s palette. Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski Kandis Chappell Lillian Garrett-Groag Nicholas Martin* Steve Rankin Diane Sinor* G. Wood* Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers *In Memoriam George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa*

6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 CAST (in alphabetical order) NELL...... Lindsay Brill† ANGELO...... Lowell Byers† ADRIANA...... Megan Dodds* PRESENTS LUCIANA...... Barrett Doss* BALTHAZAR...... Jamal Douglas† DUKE SOLINUS, DOCTOR PINCH...... Austin Durant* ANTIPHOLUS OF EPHESUS, ANTIPHOLUS OF SYRACUSE...... Glenn Howerton* EGEON...... Patrick Kerr* 1ST MERCHANT...... Makha Mthembu† DROMIO OF EPHESUS, DROMIO OF SYRACUSE...... Rory O’Malley* COURTESAN...... Garth Schilling* MESSENGER...... Megan M. Storti† THE COMEDY EMILIA ° ...... Deborah Taylor* OFFICER...... Nathan Whitmer† 2ND MERCHANT...... Patrick Zeller†

OF ERRORS ENSEMBLE...... Amy Blackman†, Lindsay Brill†, Charlotte Bydwell†, Lowell Byers†, Ally Carey†, Jamal Douglas†, Tyler Kent†, Jake Millgard†, Makha Mthembu†, Daniel Petzold†, Megan M. Storti†, Nathan Whitmer†, Patrick Zeller†

BY MUSICIANS...... Derek Cannon, Chaz Cabrera, Jordan Morita

UNDERSTUDIES...... For Adriana – Amy Blackman†; For Messenger – Lindsay Brill†; WILLIAM SHAKESPEARE For Nell, 2nd Merchant – Charlotte Bydwell†; For 1st Merchant – Ally Carey†; For Duke Solinus, Doctor Pinch – Jamal Douglas†; For Dromio of Ephesus, Dromio of Syracuse, Balthazar – Tyler Kent†; For Officer, Courtesan – Jake Millgard†; For Luciana – Makha Mthembu†; For Antipholus of Ephesus, Antipholus of Syracuse – Daniel Petzold†; Alexander Dodge Linda Cho Philip S. Rosenberg Acme Sound Partners For Emilia – Megan M. Storti†; For Egeon – Nathan Whitmer†; For Angelo – Patrick Zeller† SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN STAGE MANAGEMENT Production Stage Manager...... Charles Means* Assistant Stage Manager...... Chandra R.M. Anthenill* Stage Management Interns...... Veronica Murray, Mandisa Reed

Derek Cannon Ursula Meyer Jim Carnahan, CSA Charles Means SETTING MUSIC DIRECTOR VOICE AND TEXT COACH CASTING PRODUCTION STAGE MANAGER One day, 1920s, New Orleans.

PRODUCTION STAFF Assistant Director...... Shana Wride Movement...... James Vásquez Fight Director...... George Yé DIRECTED BY Associate Scenic Design...... Colin McGurk Assistant Scenic Design...... Eileen McCann Assistant Costume Design...... Leslie Malitz SCOTT ELLIS Assistant Lighting Design...... Jason Bieber, Walter Bo Tindell Assistant Sound Design...... Melanie Chen Dance Captain...... Charlotte Bydwell† Fight Captain...... Jake Millgard†

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States.

°Associate Artist of The Old Globe.

†Student in the Old Globe/University of San Diego Graduate Theatre Program.

Lowell Davies Festival Theatre Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. August 16 – September 20, 2015 If you would like a synopsis of this production in English or Spanish, please request it from an usher.

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE PLAY

“I lived in the French Quarter when 1920S NEW ORLEANS: the present slight movement of well- to-do people back into the beautiful old houses had hardly begun. The LAISSEZ LES BONS TEMPS ROULER! Quarter was a decaying monument and a slum as rich as jambalaya By Danielle Mages Amato or gumbo. The small art colony centering around Jackson Square New Orleans in the 1920s was a city and African languages—as well as funerals, Mardi Gras parades, and from was insignificant, although it didn’t rich with contradiction, encompassing Creole, the distinctive language created the decks of steamboats. By the 1920s, know it. The population included the many contrasts inherent in its from the intermingling of those many New Orleans musicians like “Jelly Roll” Negroes, Creoles, and Cajuns, [and] diverse and vibrant population. The cultures. Morton, Louis Armstrong, and King an occasional Malay drifted in from richest city in the South, New Orleans Oliver made New Orleans-style jazz a the Barataria marshes. Italians, was home to hundreds of bankers and New Orleans in the 1920s was also home national phenomenon. Greeks, Jews of both French and to the most active, profitable American to jazz. Emerging in the early years of North European origin, and a great seaport outside of New York City—and the 20th century, jazz was born from In its music and in its culture, New many Latin-Americans. There were yet the majority of its population lived New Orleans’s unique cultural and racial Orleans was then—as it is now— sailors of all kinds, antique dealers, in poverty. New Orleans celebrated collisions. It brought together European marked by a “good-time” tradition: what second-hand dealers, speakeasies the Prohibition era by becoming the instruments and African influences; it Pulitzer-Prize winning author (and galore, simple workmen, a fair “wettest” city in the U.S. Both nuns and drew from ragtime and spirituals and New Orleans resident) Oliver La Farge variety of criminals, both white and prostitutes were common sights on its the blues; it was nurtured not only called “a sincere and quite simple belief coloured nuns, the survivors of a few bustling streets. Those same streets in the clubs but on the city streets, that everyone should have fun.” aristocratic Creole families clinging echoed with English, Spanish, French, where jazz could be heard in brass band to their ancestral homes, merchants of all sorts, and whole blocks of prostitutes. Except for part of Royal Street and a section around the “New Orleans was a mystery Cathedral which had been brushed up and enjoyed the tourist trade, this and a promise.” was the real thing in slums. –Oliver La Farge Most of these assorted inhabitants were united by love of playing the ponies, by the pleasures of eating good red beans-and-rice and gumbo and of connoisseurship of coffee, by liking their Quarter just as it was, and by pride in its peculiarities. In that climate the poor city-dweller’s life is largely conducted at open windows, on the balconies, and on doorsteps, and thence flows into the Street. There are never people lacking to advise you in any undertaking or to yell at a cop who is arresting a drunk…

I opened my last novel with the line, ‘New Orleans was a mystery and a promise...” I condensed a lot of my feeling about the place into that line. (above, from top) A parade held by Rex, an all-male group led by “The King of Carnival,” 1879; the King & Carter Anything could happen there. Jazzing Orchestra performing in Houston, Texas, January 1921. —from Oliver La Farge’s (opposite page, clockwise from left) Actress Gloria Swanson poses for a Mardi Gras-themed postcard; the Louisiana Five Jazz Band; two Mardi Gras revelers kiss; Louis Armstrong, Billie Holiday, and Barney Bigard perform the memoir Raw Material number “Do You Know What It Means to Miss New Orleans” in the 1947 film New Orleans; the building on the corner of Dauphine Street and Orleans Street. 10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 THE PLAY ARTISTS AMY BLACKMAN rected by Richard Nelson. Her one-woman MEGAN DODDS (Ensemble) most recently show, Woman of Leisure and Panic, debuted (Adriana) is making her de- appeared at the Globe in in the eighth-annual soloNOVA Arts Festival but at The Old Globe. She Twelfth Night. She also (New York Innovative Theatre Award nomi- most recently appeared performed in the Old nation), played the 2013 New York Interna- in the one-woman show tional Fringe Festival, and was translated Globe/USD M.F.A. produc- My Name Is Rachel Corrie, tions of Clybourne Park, into Spanish for performances in Mexico. charlottebydwell.com. originating the role of Ra- Trelawny of the “Wells”, and chel at Royal Court Theatre Pericles, Prince of Tyre. In New York, she has TWINS TAKE in London, where she won the Theatregoers’ worked on various readings and workshops, LOWELL BYERS including The Brothers Karamazov (Classic (Angelo, Ensemble) ap- Choice Award for Best Solo Performance. Stage Company), The Bootlegger & The Rabbi’s peared most recently at the The show subsequently transferred to Lon- CENTER STAGE Daughter (New York Musical Theatre Fes- Globe as Antonio and Sea don’s Playhouse Theatre and Off Broadway’s tival), and Mrs. Hughes (New York Theatre Captain in Twelfth Night Minetta Lane Theatre. Her other West End By Danielle Mages Amato Workshop). She has performed regionally as and appeared previously in credits include This Is How It Goes (Donmar Madeline Astor in Titanic, Dora Bailey in Sin- The Twenty-seventh Man, Warehouse), Up for Grabs (Wyndham’s The- gin’ in the Rain, Kiss Me, Kate, Beauty and the The Two Gentlemen of Ve- atre), and Popcorn (Apollo Theatre). She also Beast, and The Sound of Music (The Muny). Ad- rona, and Othello. He was also featured in the appeared as Ophelia in Hamlet (Young Vic, This year’s Summer Shakespeare Festival features both of ditionally, she was a teacher for the All Stars Old Globe/USD M.F.A. Program productions The Globe Tokyo), for which she won an of Much Ado About Nothing, Antigone, Reck- Shakespeare’s plays about twins: The Comedy of Errorsand Twelfth Project, Inc.’s Youth Onstage! program this Ian Charleson Award, and in As You Like It past year. She received her B.F.A. in Musical less, and, in the title role, Pericles, Prince of Night. Shakespeare was the father of twins himself—a fraternal (Williamstown Theatre Festival, where she Theatre from the University of Michigan. Tyre. His Off Broadway credits include Night worked with Barry Edelstein). She made her pair named Judith and Hamnet, born in 1585. When The Comedy of Float (Playwrights Horizons), Othello (The- Originally from England, she also studied at Broadway debut in The School for Scandal. Ms. atre Row), Balm in Gilead (New York Innova- Errors was written (between 1590 and 1594), his twins were young In the Gothic literature of the 19th century, twins were used in art the National Youth Theatre of Great Britain. Dodds’s film and television credits include amyblackman.net. tive Theatre Award), You Never Can Tell, and children. But by the time Shakespeare wrote Twelfth Night (1600- and literature as a representation of the split self. From an interest The Changing Room (T. Schreiber Studio). He Ever After, “MI-5,” “CSI: NY,” “Detroit 1-8-7,” Houdini, “House M.D.,” “Lie to Me,” The Rat 1601), Hamnet had died at 11 years old. The cause of Hamnet’s death in the exploration of the dark and light within human nature came LINDSAY BRILL has been seen regionally in North Shore Fish is not definitively known, but a grief-filled, melancholy strain runs the idea of the “good” twin and the “bad” twin—or the malevolent (Nell, Ensemble) most re- (Gloucester Stage Company), As You Like It Pack, and many others. She is a graduate of The Juilliard School. through the twin relationship in Twelfth Night that is wholly absent doppelgänger that foretells bad luck for the person who sees his cently appeared in Twelfth (Vermont Stage Company), and SMILE: The Musical (Deane Center for the Performing from the raucous comic treatment of the subject in Shakespeare’s own mirror image. From the writings of Edgar Allen Poe and George Night, The Two Gentlemen of Verona, Othello, The Arts). He played the title role in Caligula: BARRETT DOSS earlier play. Byron to the comic books and cult films of the mid-20th century, evil Winter’s Tale, and the New 1400 Days of Terror (History Channel) and (Luciana) has appeared twin stories explore fears of the hidden, darker self that lurks within Voices Festival at The Old appeared in the filmsChilling Visions: 5 Sens- on Broadway in You Can’t The topic of twins has been a popular cultural mainstay for thousands all of us. Globe. She also appeared in es of Fear (Chiller/NBC Universal), Brewsie Take It with You and Off and Willie (Rocam Productions), and Things I of years, and its treatment has varied widely. The Comedy of Errors Much Ado About Nothing, Reckless, Trelawny Broadway in Burning, of the “Wells”, and Pericles, Prince of Tyre with Don’t Understand (Best Feature Film winner, Strom Thurmond is Not a is an adaptation of a Roman play: Plautus’s Menaechmi (commonly Twins in contemporary pop culture, drama, and literature embrace the Old Globe/USD M.F.A. Program. In New Burbank International and Philadelphia In- Racist/Cleansed, Canary, translated as The Twins or The Menaechmus Brothers). The basic plot the full gamut of genres, from comedy to science fiction. They York, Ms. Brill has performed at such the- dependent Film Festivals). His original play, and Unchained Memories. is very similar: twins are separated as children and reunited through may reflect cultural shifts, as they move away from the antics atres as Theatre Row, The Ensemble Studio Luft Gangster, had its 2013 world premiere Her regional credits include Orestes 2.0, Theatre, Prospect Theater Company, and The at Abingdon Theatre Company directed by a series of comic events involving mistaken identity. Shakespeare, of Charlie Chaplin in The Great Dictator and toward the clone The Real Thing, The World is Round, Dream- Actors Studio. Recently she performed sketch Austin Pendleton. A New York City native, of course, deepened characters and conflicts and added his own adventures embodied by Tatiana Maslany in “Orphan Black.” But he received a B.A. in Theatre from Deni- girls, and Jamaica. She has also been seen comedy in the Chicago Women’s Funny Fes- on television in “Person of Interest” and complications—most notably the twin servants, which were possibly stories of twins and lookalikes continue to explore real questions tival and shot the new web series “Annie and son University where he competed as an NCAA All-American Swimmer. “30 Rock.” Ms. Doss received her B.A. from inspired by yet another of Plautus’s plays. about human nature and what makes each of us unique—even as Brie.” Ms. Brill holds a B.A. in Dramatic Arts from Washington University in St. Louis. New York University’s Gallatin School of they maintain their power to fascinate, amuse, and entertain. lindsaybrill.com. ALLY CAREY Individualized Study. Twins play a significant role in Greek and Roman mythology, where (Ensemble) most recently (clockwise from top) LeRoy McClain and Rutina Wesley as twins Sebastian and they often represent opposing forces or two sides of an important CHARLOTTE BYDWELL appeared at the Globe in JAMAL DOUGLAS Viola (center) with Sara Topham and Terence Archie in Twelfth Night at The Old Twelfth Night, as well as (Balthazar, Ensemble) is duality. Twins Apollo and Artemis were gods of the sun and moon, (Ensemble, Dance Cap- Globe, 2015 (photo by Jim Cox); a 19th-century German engraving depicting tain) was last seen on the the Old Globe/USD M.F.A. an M.F.A. candidate with respectively. Twins Castor and Pollux (the Gemini) straddle the line William Shakespeare flanked by his twins Judith and Hamnet; Tatiana Maslany as outdoor stage in The Old Program productions of the Old Globe/University between mortality and immortality—when the mortal Castor died, two versions of her character on “Orphan Black;” an illustration by Dante Gabriel Globe’s productions of Clybourne Park, Trelawny of San Diego Graduate Pollux shared his immortality with his beloved brother, and they Rossetti depicting the legend of the doppelgänger, 1851-1860; an ancient vase Twelfth Night, The Two of the “Wells”, and Pericles, Theatre Program. He was painting of Castor and Pollux. Prince of Tyre. She was also featured in the were allowed to live forever as stars. Gentlemen of Verona, and recently seen in the Globe’s Othello. More recently, she reading of The Last Match for The Old Globe’s productions of Twelfth appeared in the Old Globe/USD M.F.A. Pro- New Voices Festival. Her Chicago credits in- Night, The Two Gentlemen of Verona, Othello, clude understudying roles in Belleville (Step- gram productions of Pericles, Prince of Tyre, and The Winter’s Tale. He also appeared in the Much Ado About Nothing, Antigone, Reckless, penwolf Theatre Company) andCamino Real (Goodman Theatre). She has been seen re- Old Globe/USD M.F.A. Program productions and, as Rose Trelawny, in Trelawny of the of Trelawny of the “Wells”, Reckless, and Much “Wells”. She is a graduate of The Juilliard gionally in The Royal Family, Troilus and Cres- School and began her career as a dancer with sida, and All’s Well That Ends Well (American Ado About Nothing. Mr. Douglas has worked Monica Bill Barnes Company and Keigwin Players Theatre), Noises Offand The Winter’s with Philadelphia Young Playwrights, Play- + Company, performing at Jacob’s Pillow Tale (Utah Shakespeare Festival), Writer Penn, Simpatico Theatre Project, Delaware Dance, American Dance Festival, La Jolla 1272 and A Christmas Carol (Guthrie The- Shakespeare Festival, Arden Theatre Com- Playhouse, and The Joyce Theater. As a mem- ater), American Sexy (New Theatre Group pany, Plays & Players, and the National ber of the resident acting company at The at the Guthrie), Georgia Shakespeare, and Constitution Center, among others. In his Flea Theater she appeared in Sean Graney’s Hudson Valley Shakespeare Festival. She spare time, he teaches with SAY (The Stut- highly acclaimed These Seven Sicknessesdi - also appeared in the title role of Cinderella tering Association for the Young) in New rected by Ed Iskandar. At the 2012 William- with The Little Orchestra Society at Lincoln York City. He holds a B.F.A. in Acting from stown Theatre Festival, she appeared in The Center. She received her B.F.A. from the Arcadia University. Importance of Being Earnest directed by David University of Minnesota/Guthrie Theater Hyde Pierce and A Month in the Country di- Actor Training Program. 12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 ARTISTS AUSTIN DURANT tional Bridge Project with The Old Vic. His RORY O’MALLEY from Marymount Manhattan College with a He was seen Off Broadway in A. A. Milne’s messe convention in Frankfurt, Germany. (Duke Solinus, Doctor cabarets Nobody’s Hart and Give Me the Sim- (Dromio of Ephesus, B.F.A. in Theatre. The Ugly Duckling(Marvell Rep), and his Mr. Cabrera currently performs with San Pinch) previously ap- ple Life toured China in 2009 and 2011. He Dromio of Syracuse) is other New York City theatre includes Bum- Diego’s premier big bands, such as Gaslamp peared at the Globe in is a graduate of Whitman College and also beyond thrilled to make MEGAN M. STORTI bershoot! (New York International Fringe Quarter Jazz Orchestra, Marty Conley’s Big Anna Christie. His previ- trained with CAP21, SITI Company, and his debut at the legend- (Messenger, Ensemble) is Festival), Macduff in Macbeth (Titan Theatre Band Express, JazzKatz Project, and more. ous theatre credits include the British American Drama Academy. ty- ary Old Globe. He is best pleased to continue her Company), and Sam Speed in Who Murdered He is 22 years old and attends a local com- You Can’t Take It with You lerkent.com. known for starring in the second summer of Shake- Love (Theater for the New City). As a mem- munity college with plans of transferring to (Broadway), Macbeth and original company of The speare at The Old Globe, ber of Barter Theatre’s Player Company and a university in order to pursue a degree in War Horse (Broadway/Lincoln Center The- PATRICK KERR Book of Mormon on Broad- having previously ap- Resident Acting Company he appeared in music education. chazcabrera.com. ater), Much Ado About Nothing (The Public (Egeon) appeared at the way. He received both Tony and Drama Desk peared in Twelfth Night, over 25 productions including the roles of Theater), Hamlet, Death of a Salesman, Pas- Globe earlier this summer Award nominations for creating the openly The Two Gentlemen of Ve- Richard Hannay in The 39 Steps, Cliff in Cab- JORDAN MORITA sion Play, American Night: The Ballad of Juan in Twelfth Night. In New closeted Mormon Elder McKinley and per- rona, and Othello. Her credits with the Old aret, Jim in The Glass Menagerie, Gaston in (Musician) is excited to make his debut José (Yale Repertory Theatre), A Doctor in York he recently appeared forming the show stopper “Turn It Off.” His Globe/USD M.F.A. Program include Gower Beauty and the Beast, Bert in It’s a Wonderful at The Old Globe. His recent theatre in Pericles, Prince of Tyre, Rachel in Reckless, Spite of Himself (Intiman Theatre), andThe in Scott Ellis’s Broadway other New York stage credits include The Life, Fred in A Christmas Carol, and Frog in A performances include Chicago, Cats, and The revival of You Can’t Take It 25th Annual Putnam County Spelling Bee on Trafalgar in Trelawny of the “Wells”, Bazira in Year with Frog and Toad. His other regional Sound of Music (San Diego Musical Theatre). Illusion, One Flew Over the Cuckoo’s Nest, and Much Ado About Nothing, and Ismene in An- credits include A Christmas Carol, Reckless, Oklahoma! (Berkshire Theatre Festival). His with You with James Earl Broadway and Second Stage Theatre’sNo - He has also performed with 10,000 Maniacs, Jones and Sarah Ruhl’s Stage Kiss at Play- body Loves You (Drama Desk nomination) tigone. Her Chicago credits include produc- and Sherlock Holmes (Cincinnati Playhouse on the television show “Calle Ocho,” and in television credits include “Nurse Jackie” and tions with Writers’ Theatre, Chicago Shake- wrights Horizons. His Southern California and Little Miss Sunshine, both Off Broadway. in the Park), The Royal Hunt of the Sun and various commercial jingles. He has a B.M. “Person of Interest.” He received his B.A. Regionally, he created the role of Richie Cun- speare Theater, Lifeline Theatre, Metropolis 1776 (Texas Shakespeare Festival), John from Temple University and his M.F.A. from performances include the recent His Girl Fri- in Music Education from the University of ningham in Garry Marshall’s Happy Days – Performing Arts Centre, The Right Brain Proctor in The Crucible (Roxy Regional The- Miami, and an M.M. in Jazz Studies from Yale School of Drama. Mr. Durant is a 2012 day at La Jolla Playhouse as well as roles at A New Musical. Last summer, Mr. O’Malley Project, Glass Onion Theatre, and Dream- atre). Mr. Whitmer received his B.F.A. from Leonore Annenberg Fellow. South Coast Repertory, Mark Taper Forum, San Diego State University. Mr. Morita is was seen starring alongside Kelsey Gram- Logic Theatreworks. Her regional credits Ohio University. currently a freelance musician and private and Geffen Playhouse. He is a veteran of mer and Martin Lawrence in FX’s “Partners.” include Shakespeare Festival St. Louis, Il- GLENN HOWERTON many television shows but is probably best music instructor based in San Diego. He can also be seen in episodes of “Nurse linois Shakespeare Festival, Heartland The- PATRICK ZELLER jordanmorita.com. (Antipholus of Ephesus, known for recurring roles as Noel on “Fra- Jackie,” “The Good Wife,” “Law & Order: atre Company, Phoenix Theatre Ensemble, (2nd Merchant, Ensem- Antipholus of Syracuse) is sier” and “The Blind Guy” on “Curb Your En- Special Victims Unit,” and “1600 Penn.” and Putnam County Playhouse. She recently ble) has appeared at the an actor, writer, and pro- thusiasm.” He received his M.F.A. from Yale SCOTT ELLIS This year Mr. O’Malley debuted his autobio- wrote and performed a one-woman show Globe in Twelfth Night, The (Director) was represented on Broadway this ducer from Montgomery, School of Drama. @patiokerr on Twitter. graphical show Pub Crawl in New York City. entitled Talk at University of San Diego and Two Gentlemen of Verona, past season by three Tony Award-nominated Alabama. He currently RoryOMalley.com. worked as a stage fighting consultant with Othello, and The Winter’s productions: You Can’t Take It with You (Tony stars as Dennis Reynolds JAKE MILLGARD San Diego Opera. Ms. Storti received her Tale, as well as in several nomination for Direction), On the Twentieth on the critically acclaimed (Ensemble, Fight Captain) DANIEL PETZOLD B.A. in Acting from Illinois State University. performances of Arms and Century, and The Elephant Man, now cur- FXX comedy “It’s Always Sunny in Philadel- was last seen in the Globe’s (Ensemble) last appeared the Man. With the Old Globe/USD M.F.A. rently running in London. Other Broadway phia,” which he also co-created, writes, and production of Arms and the in the Globe’s Twelfth DEBORAH TAYLOR Program he performed in Trelawny of the Night, and he recently per- credits include The Mystery of Edwin Drood produces. He recently played Don Chumph Man. He also recently ap- (Emilia) is an Associate “Wells”, Pericles, Prince of Tyre, Reckless, and (Tony nomination), Harvey, Curtains (Tony in FX’s Emmy and Golden Globe Award- peared in the Old Globe/ formed in the USD/Old Artist of The Old Globe Much Ado About Nothing. He also appeared Globe M.F.A. Program pro- nomination), The Little Dog Laughed (Drama winning drama Fargo. He also played Cliff University of San Diego and has appeared in the at the Globe as Nick in the 2008 produc- League Award nomination), Twelve Angry Gilbert, Mindy Kaling’s love interest in the Graduate Theatre Program ductions of Clybourne Park, Globe productions of Pyg- tion of The American Plan. Mr. Zeller’s other Trelawny of the “Wells”, Men (Tony nomination), The Man Who Had second season of “The Mindy Project” on productions of Clybourne Park, Trelawny of malion, Romeo and Juliet, classical theatre credits include The Myster- All the Luck, The Rainmaker, Steel Pier (Tony, Fox. Some of Mr. Howerton’s feature film the “Wells”, and Pericles, Prince of Tyre. His and Pericles, Prince of Tyre. The Merry Wives of Wind- ies (Shakespeare & Company), The Com- He has also performed in Tom Stoppard’s Drama Desk, and Outer Critics Circle Award work includes Crank, Crank: High Voltage, New York credits include Sex and Violence, sor, As You Like It, Antony edy of Errors (New York Classical Theatre), nominations), 1776 (Drama Desk and Tony Coffee Town, Everything Must Go, and The On Campus, and Remembering Kimberly. His trilogy The Coast of Utopiaand Jon Tracy’s and Cleopatra, Twelfth Night, The Magic Fire Edward II (Pet Brick Productions), Hamlet The Salt Plays (Shotgun Players), Three Sisters nominations), Picnic (OCC nomination), Strangers. His most recent theatre credit regional credits include Dracula and A Christ- (also at Berkeley Repertory Theatre), Won- (Maine Shakespeare Festival), and Romeo Company, She Loves Me (Tony nomination, was starring alongside Lee Pace in the pre- (Berkeley Repertory Theatre), A Bright New derful Tennessee, Out of Purgatory, Interior mas Carol (Actors Theatre of Louisville),The Boise (Aurora Theatre Company),Any Given and Juliet and A Midsummer Night’s Dream Outer Critics Circle Award), and A Month miere of The Credeaux Canvas at Playwrights Full Monty (Northern Stage), and Art, The Decoration, The Snow Ball(also at Hartford (Shakespeare Now! Theatre Company). Mr. in the Country. He also directed the London Day and Another Way Home (Magic Theatre), Stage and Huntington Theatre Company in Horizons. Mr. Howerton is a graduate of Odd Couple, and Lips Together, Teeth Apart Zeller has appeared on “Law & Order,” “Me- production of She Loves Me (Olivier Award). The Juilliard School. Oskar and the Big Bully Battle (TheatreWorks Boston), Season’s Greetings, Yankee Wives, A (Mount Baker Theatre’s Summer Repertory Silicon Valley), and Julius Caesar, Much Ado dium,” “Kidnapped,” “Six Degrees,” “All My Mr. Ellis’s Off Broadway credits include Theatre), and he went on tour with From Midsummer Night’s Dream, Hamlet, The Din- Children,” “One Life to Live,” “As the World About Nothing, and Romeo and Juliet (Pacific ing Room, The Seagull, Ring ‘Round the Moon, Gruesome Playground Injuries, The Under- TYLER KENT the Mixed-Up Files of Mrs. Basil E. Frank- Repertory Theatre), as well as performances Turns,” and “The Young and the Restless.” He study, Streamers, Good Boys and True, Enter- (Ensemble) has appeared weiler. He also appeared in the premiere of The Rivals, Henry IV Part I, Henry V, The Win- also co-starred in the award-winning feature with the San Francisco, Marin, and Liver- ter’s Tale, Othello, and Bell, Book and Candle. taining Mr. Sloane, The Waverly Gallery, The at the Globe in Twelfth The Open Road Anthology (Humana Festival more Shakespeare Festivals. He holds a B.A. film Virgin Alexander. His other film credits Dog Problem, That Championship Season, And Night, Othello, and The Her other theatre credits include Other include No Reservations, End of the Spear, of New American Plays). Some of his tele- in Theater and Performance Studies from Desert Cities (Rubicon Theatre Company), the World Goes ‘Round (Drama Desk, Outer Two Gentlemen of Verona. vision and film credits include “Grimm,” UC Berkeley. and A Totally Minor Motion Picture. He was Critics Circle Awards), and Flora the Red He has also appeared in The Beaux’ Stratagem (Hartford Stage), The Co-Founder and Artistic Director for Pres- Pudding Face, Placebo, and Frank and Barry. Women (Royal Alexandra Theatre),Holiday, Menace (Drama Desk nomination). He also Pericles, Prince of Tyre, jakemillgard.com. GARTH SCHILLING ent Tense Theater Project, a documentary directed the New York City Opera’s 110 in Much Ado About Noth- Breaking the Silence, and Tonight We Impro- theatre ensemble in New York City adapting (Courtesan) is thrilled vise (Shaw Festival Theatre), Whose Line Is It the Shade and A Little Night Music (also for ing, Antigone, Reckless, and Trelawny of the MAKHA MTHEMBU to be making his Shake- myths and fairy tales to local communities. LA Opera). His television credits include “30 “Wells” with the Old Globe/USD M.F.A. Pro- Anyway?, A Place to Stay, and Ah, Wilderness! Most recently Mr. Zeller has worked as a (1st Merchant, Ensem- speare debut in The Com- (Studio Arena Theater, Buffalo), andThe Mi- Rock” (Emmy Award nomination), “Modern gram. Elsewhere, his credits include Mary ble) recently made her edy of Errors. He is mostly mentor and teaching artist with The Unusu- Family,” “Weeds” (executive producer), “The Zimmerman’s The Arabian Nights (Berkeley ser (Stage West). She has appeared in the al Suspects Theatre Company in Los Angeles. Old Globe Shakespeare known for his alter ego, films Sea of Love, The Brother from Another Good Wife,” and “The Closer.” Mr. Ellis is the Repertory Theatre, Kansas City Repertory patrickzeller.com. Festival debut in Twelfth Miss Vodka Stinger, based Planet, and Lianna. Her television credits Associate Artistic Director of Roundabout Theatre),The Cherry Orchard (Eugene O’Neill Night. Ms. Mthembu has in New York City. He is include “Murphy Brown,” “Star Trek,” “Cop Theatre Company. CHAZ CABRERA Foundation), A Doctor in Spite of Himself appeared in Old Globe/ a singer and night club Rock,” “Knightwatch,” and Marie Meda- and The Lieutenant of Inishmore (Berkeley USD M.F.A Program pro- performer who has written and produced (Musician) was born and raised in Southern ALEXANDER DODGE voy on “NYPD Blue.” She teaches acting at California and currently performs profes- Rep), Much Ado About Nothing (Extant Arts ductions of Clybourne Park, Trelawny of the dozens of shows. Over the last year he was Pasadena City College. (Scenic Design) recently designed Kiss Me, Company), Twelfth Night (The San Francisco thrilled to begin performing at 54 Below in sionally around San Diego. Around the age Kate at The Old Globe and Hartford Stage. “Wells”, and, as Marina, in Pericles, Prince New York City where he starred in five new of 13, he was introduced to the alto saxo- Shakespeare Festival), MEDEAStories (SITI of Tyre. Her Chicago credits include Judith NATHAN WHITMER He also designed A Gentleman’s Guide to Love Company), Little Shop of Horrors (Broadway shows: Lower Your Expectations, Around the phone by his uncle, Benjamin Menancio. Mr. and Murder at the Globe, Hartford Stage, and in Sweetwater (Oracle Productions), Lady World in 80 Ways, Vodka Stinger’s Last Resort, (Officer, Ensemble) was By The Bay), Snapshots and Auctioning the last seen in Twelfth Night Cabrera’s professional career started by the on Broadway, where he received Tony, Drama Montague in Romeo and Juliet (Teatro Vista), How to Lose Friends and Intoxicate People, age of 18 when he formed a group named Ainsleys (TheatreWorks Silicon Valley),Fin - and Judith Smith in Belfast Girls (Artemisia, at The Old Globe. He is Desk, and Outer Critics Circle Award nomi- ian’s Rainbow (Woodminster), Vera Wilde and The Vodka Stinger Christmas Special. He Jazz Avenue with five of his close friends. nations. His other Broadway credits include A Chicago Theatre). Her regional credits also joined the cast of Christmas with the an Old Globe/USD M.F.A. (Shotgun Players), and What the Butler Saw Program candidate and They competed in the national competition Present Laughter (Tony nomination), Old include Catherine in The Nightmare Room Crawfords playing Laverne Andrews, Edith Schooljam USA 2012, where they won the (Pacific Repertory Theatre). Mr. Kent was (Towle Theater). Ms. Mthembu received her appeared this season in Acquaintance, Butley, and Hedda Gabler. His among the American actor participants in Head, and Ethel Merman. He has made prestigious title of Best Teen Band and were B.F.A in Acting from Drake University in Pericles, Prince of Tyre, Off Broadway credits include Lips Together, Kevin Spacey and Sam Mendes’s interna- many appearances at Upright Citizens Bri- given the opportunity to play for the Musik- Des Moines, Iowa. gade, The PIT, and The Triad. He graduated Trelawny of the “Wells”, and Clybourne Park. Teeth Apart, Modern Terrorism, All New 14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS People, Trust, and The Water’s Edge (Second ACME SOUND PARTNERS JIM CARNAHAN, CSA (Cygnet), and The Barber of Seville(Lyric Columbia Artists Theatricals Corporation. Meta and the Old Globe/University of San Stage Theatre),Maple and Vine and Rapture, (Sound Design) is pleased to be returning to (Casting) recently cast the Globe’s produc- Opera San Diego). Mrs. Anthenill is a proud Mr. Murphy serves on the Board of Direc- Diego Graduate Theatre Program in the Blister, Burn (Playwrights Horizons), The Un- The Old Globe, where they designed Twelfth tion of Twelfth Night. He is the Director of member of Actors’ Equity. tors of the National Alliance of Musical The- ’80s. During the 1940s, Mr. Noel served as derstudy (Roundabout Theatre Company), Night, The Two Gentlemen of Verona, Othello, Artistic Development at Roundabout The- atre, the National Corporate Theatre Fund, dialogue director for the 20th Century Fox Paris Commune and Measure for Pleasure (The and Dirty Rotten Scoundrels. Acme has de- atre Company, where his credits include On BARRY EDELSTEIN and the Balboa Park Cultural Partnership Studios and was the director of the Ernie Public Theater), Observe the Sons of Ulster signed sound for over 30 Broadway shows the Twentieth Century, The Real Thing, Caba- (Artistic Director) is a stage director, produc- and serves as a Management Trustee for San Pyle Theatre in Tokyo. Described byVariety Marching Towards the Somme (Lucille Lortel since 2000 including The Gershwins’ Porgy ret, Violet, Machinal, The Winslow Boy, The er, author, and educator. Widely recognized Diego County Theatrical Trusts, the pension as the éminence grise of San Diego theatre, Award) and Chaucer in Rome (Lincoln Center and Bess (2012 revival, Tony Award nomina- Mystery of Edwin Drood, Cyrano de Bergerac, as one of the leading American authorities and welfare trust for IATSE stagehands in Mr. Noel is one of the few San Diegans to Theater), and Antony and Cleopatra (Theatre tion, Drama Desk Award), Bengal Tiger at the Harvey, Anything Goes, The Importance of Be- on the works of Shakespeare, he has direct- the San Diego region. He was also an adjunct have had an entire year (1987) proclaimed for a New Audience). Mr. Dodge also de- Baghdad Zoo (Tony nomination, Drama Desk ing Earnest, Mrs. Warren’s Profession, Sunday ed nearly half of the Bard’s plays. His Globe faculty member of the Music Department in his honor, and to be named one of San Di- signed the West End production of All New Award), The Merchant of Venice(Drama Desk in the Park with George, The Pajama Game, 12 directing credits include The Winter’s Tale; at the University of San Diego. Mr. Mur- ego’s “Living Treasures.” He was a founder of People. His opera credits include The Ghosts nomination), Fences (2010 revival, Tony Angry Men, Assassins, Nine, and Big River. His Othello; the West Coast premiere of novel- phy earned his B.F.A. degree in Stage Man- the California Theatre Council and a former of Versailles (LA Opera), La Rondine (Opera nomination), Ragtime (2009 revival, Drama other Broadway credits include Fun Home, ist Nathan Englander’s play The Twenty-sev- agement from Webster University in St. vice president of the California Confedera- Theatre of Saint Louis), An American Tragedy Desk Award), Bye Bye Birdie (2009 revival), Constellations, The River, You Can’t Take It enth Man; and the upcoming world premiere Louis, Missouri, and his M.F.A. in Perform- tion of the Arts. His numerous honors in- (Glimmerglass Opera), Il Trittico (Deutsche Hair (2009 revival, Tony nomination), In With You, Rocky, The Glass Menagerie, Once, of Michael John LaChiusa and Sybille Pear- ing Arts Management from Brooklyn Col- clude the San Diego Union-Tribune list of 25 Oper Berlin), and Lohengrin (Budapest State the Heights (Tony and Drama Desk nomina- Matilda The Musical, Peter and the Starcatcher, son’s musical Rain. He also directed All’s lege of the City University of New York. persons who shaped the city’s history; the Opera). Mr. Dodge will next design Ripcord tions), Dr. Seuss’ How the Grinch Stole Christ- The Mountaintop, On a Clear Day You Can See Well That Ends Well as the inaugural produc- Governor’s Award for the Arts; University for Manhattan Theatre Club. He has received mas!, Legally Blonde, A Chorus Line (2006 Forever, Jerusalem, Arcadia, The Scottsboro tion of Globe for All, a new producing plat- of Arizona Alumni Association’s Outstand- a Craig Noel Award, two Connecticut Critics revival), The Drowsy Chaperone (Drama Desk Boys, American Idiot, A Behanding in Spokane, JACK O’BRIEN form that tours the works of Shakespeare to (Artistic Director Emeritus) served as the ing Citizen, for his contribution to their Fine Circle Awards, two Elliot Norton Awards, nomination), Spamalot, Avenue Q, Fiddler The Seagull, Boeing-Boeing, Spring Awaken- diverse communities throughout San Diego Arts department; San Diego State Universi- and three IRNE Awards. He trained at on the Roof (2004 revival), Baz Luhrmann’s ing, The Pillowman, Gypsy, and True West. His Artistic Director of The Old Globe from County. As Director of the Shakespeare Ini- 1981 through 2007. Mr. O’Brien directed ty’s Outstanding Alumnus; Conservator of Yale School of Drama. La Bohème (Drama Desk and Ovation film credits includeA Home at the End of the tiative at The Public Theater (2008-2012), American Arts Award from American Con- Awards), and of course, Dirty Rotten Scoun- World and Flicka, and his television credits the 2014 Broadway revival of It’s Only a Play Edelstein oversaw all of the company’s starring F. Murray Abraham, Matthew Brod- servatory Theater; the San Diego Press Club LINDA CHO drels. Acme is Tom Clark, Mark Menard, and include “Glee” (Emmy Award nomination). Shakespearean productions, as well as its (Costume Design) is thrilled to be returning Sten Severson. erick, Nathan Lane, Stockard Channing, and Headliner Award; San Diego Gentleman of extensive educational, community outreach, to The Old Globe, where she most recently Megan Mullally. His Broadway credits also Distinc ­tion Award; and a combined tribute CHARLES MEANS and artist-training programs. At The Public, designed last year’s The Two Gentlemen of Ve- DEREK CANNON (Production Stage Manager) stage managed include: Macbeth with Ethan Hawke, The from the Public Arts Advisory Council and rona. This is her 14th show here since 2002. (Music Director, Musician) is an accom- the Broadway productions of The Real Thing, he staged the world premiere of The Twenty- Nance, Dead Accounts, Catch Me If You Can, the San Diego County Board of Supervisors. Her work can currently be seen on Broad- plished performer and music educator, hav- Seminar, The Motherf**ker with the Hat, The seventh Man, Julius Caesar, The Merchant of Impressionism, The Coast of Utopia (Tony Mr. Noel was particularly proud of the fol- way in A Gentleman’s Guide to Love and Mur- ing earned Bachelor of Arts and Master of Pitmen Painters, Next Fall, Oleanna, You’re Venice, Timon of Athens, and Steve Martin’s Award), Dr. Seuss’ How the Grinch Stole lowing three honors representing edu­cation der, for which she received an Outer Critics Music degrees from San Diego State Univer- Welcome America, Mauritius, Doubt, and The WASP and Other Plays. He was also Associ- Christmas!, Dirty Rotten Scoundrels (Tony and theatre: Honorary Doctorate of Humane Circle Award nomination and a Tony Award sity. During his time at SDSU he won many Goat, or Who Is Sylvia?, as well as the nation- ate Producer of The Public’s Broadway pro- nomination), Henry IV (Tony Award), Hair- Letters, University of San Diego; Honor- for Best Costume Design of a Musical. Off soloist awards at jazz festivals through- al tour of Doubt. His Off Broadway credits duction of The Merchant of Venice starring spray (Tony Award), Imaginary Friends, The ary Doctorate in Fine Arts, San Diego State Broadway she has designed at Theatre for out the state. He has maintained an active include The Laramie Project, Wit, Beckett/ Al Pacino. From 1998-2003 he was Artistic Invention of Love (Tony nomination, Drama University; and the annual Awards for Excel- a New Audience, Manhattan Theatre Com- performing career featuring performances Albee, and The Most Fabulous Story Ever Told. Director of Classic Stage Company. Edel- Desk Award), The Full Monty (Tony nomina- lence in Theatre named in his honor by the pany, Second Stage Theatre, The Public The- with The Spinners, The Temptations, and He has worked at many of this nation’s stein’s other Shakespearean directorial cred- tion), More to Love, Getting Away with Mur- San Diego Theatre Critics Circle. In 2007, he ater, Classic Stage Company, Drama Dept., The Four Tops. He has also been featured top not-for-profit theatres including Man- its include The Winter’s Tale at Classic Stage der, Pride’s Crossing, The Little Foxes, Hapgood received the National Medal of Arts—the na- The Acting Company, and Atlantic Theater on many recordings, most notably Free Your hattan Theatre Club, The Public Theater/ Company; As You Like It starring Gwyneth (Lucille Lortel Award, Best Director), Damn tion’s highest honor for artistic excellence— Company. Regionally her designs have been Mind, released in 2009 with smooth jazz art- Shakespeare in the Park, New York Theatre Paltrow; and Richard III starring John Tur- Yankees, Two Shakespearean Actors (Tony in a ceremony at the White House. Craig seen at LA Opera, La Jolla Playhouse, Arena ist Walter Beasley. Mr. Cannon is currently Workshop, Roundabout Theatre Company, turro. Additional credits include the Lucille nomination), Porgy and Bess (Tony Award). Noel died on April 3, 2010 at the age of 94. Stage, Guthrie Theater, Goodman Theatre, Music Department Chair and Director of Center Theatre Group/Mark Taper Forum, Lortel Award-winning revival of Arthur Metropolitan Opera: II Trittico. London: Chicago Shakespeare Theater, The Shake- Jazz Studies at Grossmont College. In addi- The Foundry Theatre, Theatre for a New Miller’s All My Sons; the world premiere of Love Never Dies, Hairspray (Olivier nomina- speare Theatre Company, Oregon Shake- tion to being a member of the music faculty Audience, Long Wharf Theatre, SITI Com- Steve Martin’s The Underpants, which he tion). National Theatre: His Girl Friday. Six speare Festival, Williamstown Theatre Festi- at Grossmont College, he chaired the Jazz pany, and La Jolla Playhouse. His television commissioned; and Molière’s The Misan- movies for PBS’s “American Playhouse.” CASTING val, Goodspeed Musicals, and Opera Theatre Studies Department at Chicago State Uni- credits include HBO’s telecast of Will Ferrell: thrope starring Uma Thurman in her stage Awards: 2008 Theatre Hall of Fame Induct- of Saint Louis. Internationally Ms. Cho has versity from 1995 to 1999 and is currently You’re Welcome America – A Final Night with debut. Edelstein has taught Shakespearean ee, 2005 John Houseman Award, ArtServe Jim Carnahan, CSA designed costumes at Royal Shakespeare a member of the jazz studio faculty at San George W. Bush. Mr. Means is a full-time fac- acting at The Juilliard School, NYU’s Grad- Michigan 2008 International Achievement Company in England and Stratford Festival Diego State University. In 2002, Mr. Cannon ulty member and the head of the M.F.A. Stage uate Acting Program, and the University Alexandre Bleau; Carrie Gardner, CSA; Award, Honorary Doctorate, University of Stephen Kopel, CSA; Jillian Cimini, CSA; in Canada. She received her M.F.A. from the was elected to the prestigious Who’s Who Management program at UC San Diego. of Southern California. His book Thinking Michigan. Honorary Doctor of Humane Let- Peter Van Dam; Claire Yensen Yale University School of Drama. Among America’s Teachers. theatre.ucsd.edu/people/faculty/ Shakespeare is the standard text on American ters, University of San Diego. Film (actor): CharlesMeans. Shakespearean acting. He is also the author Sex and the City 2. Jack Be Nimble: The Acci- PHILIP S. ROSENBERG URSULA MEYER of Bardisms: Shakespeare for All Occasions. dental Education of an Unintentional Direc- (Lighting Design) previously designed the (Voice and Text Coach) is very happy to be CHANDRA R.M. ANTHENILL tor, his memoir about the early years of his Globe productions of Kiss Me, Kate; Buyer & back at The Old Globe this summer. She (Assistant Stage Manager) is thrilled to be MICHAEL G. MURPHY career, was released in the summer of 2013 Cellar; A Gentleman’s Guide to Love and Mur- has studied voice with Cicely Berry, Patsy joining the Globe family. Her credits as pro- This theatre operates under an agreement (Managing Director) served as General Man- by Farrar, Straus and Giroux. between the League of Resident Theatres der; Pygmalion; and The Recommendation.His Rodenburg, Andrew Wade, and Arthur Les- duction stage manager include Everybody’s ager of The Old Globe from 2003 to 2012, Broadway credits include The Elephant Man, sac and is a designated Linklater teacher. Talkin’: The Music of Harry Nilsson, Oedipus and Actors’ Equity Association, the union of overseeing the Production, Education, professional actors and stage managers in the It’s Only a Play, and A Gentleman’s Guide to She also graduated with distinction from El Rey, Honky, and A Weekend with Pablo Pi- CRAIG NOEL United States. Human Resources, Information Technol- (Founding Director) was born on August Love and Murder. His Off Broadway credits the Advanced Voice Studies Program at the casso (San Diego Repertory Theatre), Sons of ogy, and Facilities Departments, as well as include The Explorers Club and Cactus Flower. Royal Central School of Speech and Drama the Prophet, True West, Fool for Love, Spring 25, 1915, and in 2015 The Old Globe cel- Front of House operations. He also man- His other regional theatre credits include in London under David Carey. Her regional Awakening, A Christmas Carol: A Live Radio ebrates the 100th birthday of this theatre The Directors are members of the Society aged the construction of the Globe’s new legend who was instrumental in cultivating of Stage Directors and Choreographers, Hartford Stage, The Kennedy Center, La credits include numerous productions at Play, Assassins, and Company (Cygnet The- an independent national labor union. Jolla Playhouse, Ford’s Theatre, Guthrie The- The Old Globe, Guthrie Theater, Milwaukee atre Company), Twelfth Night (Lamb’s Play- theatre and education facilities. Prior to the San Diego arts community. Noel was ater, TheatreWorks Silicon Valley, Chicago Repertory Theater, A Contemporary The- ers Theatre),Pippin (Diversionary Theatre), the Globe, he was the Managing Director of first appointed director in 1939, directing Shakespeare Theater, Shakespeare Theatre atre, Seattle Repertory Theatre, Shakespeare B.F.E. (San Diego Asian American Repertory Austin Lyric Opera in Austin, Texas; Direc- 15 productions prior to World War II. Since This Theatre operates under an Agreement Company, Manhattan School of Music, Port- Theatre Company, South Coast Repertory, Theater), and Desire Under the Elms, The Good tor of Administration of San Diego Opera; then he directed more than 200 plays of all and General Manager of San Diego Rep- with the International Alliance of Theatrical land Stage, The Actors Company Theatre, Yale Repertory Theatre, La Jolla Playhouse, Person of Szechwan, and A Midsummer Night’s styles and periods and produced an addi- Stage Employees Local No. 122. Barrington Stage Company, Williamstown and the Idaho, Santa Cruz, and Utah Shake- Dream (San Diego State University). Her ertory Theatre. Before relocating to San tional 270 productions. His vision for The Theatre Festival, Dorset Theatre Festival, speare Festivals, as well as 15 seasons with credits as assistant stage manager include In Diego from New York, he held similar posi- Old Globe resulted in the establishment of Bay Street Theater, Two River Theater Com- Oregon Shakespeare Festival. Ms. Meyer is the Next Room, or the vibrator play, The Who’s tions at Theatre for a New Audience and the Shakespeare Festival and the San Di- the Joyce Theater Foundation’s American The Scenic, Costume, Lighting and Sound pany, George Street Playhouse, and West- currently on the faculty at UC San Diego. In Tommy, Walter Cronkite is Dead, Tortilla Cur- ego Junior Theatre in the late ’40s, the ex- Designers in LORT Theatres are represented by port Country Playhouse. Mr. Rosenberg has 2007, she was a recipient of UCSD’s Saltman tain, Zoot Suit, and A Hammer, A Bell, and A Theater Exchange. He also served as nego- pansion to two theatres in the ’50s, Globe United Scenic Artists Local USA-829, IATSE. served as associate lighting designer of more Distinguished Teacher of the Year Award. Song to Sing (San Diego Rep), Dirty Blonde tiating assistant for the League of Resi- Educational Tours in the ’70s, and Teatro than 35 Broadway plays and musicals. dent Theatres and sales representative for 16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 OUTREACH 80 YEARS IN THE COMMUNITY By Mike Hausberg A LOOK BACK: THE

In the 80 years since its founding in 1935, Program) who not only performed, but also directed by Rob Melrose, beginning The Old Globe has grown into the sixth- spent time talking with audiences before November 10. This comedic masterpiece, largest regional theatre in the country and and after the show. These audience members which follows the battle of wits between SHAKESPEARE has focused on presenting the very best shared their stories, discussed what they would-be lovers Benedick and Beatrice, will theatre possible to the people of San Diego, enjoyed about the performance, and asked reach even deeper into the community by whether it be world premiere musicals, questions to learn more about theatre. expanding the number of groups and venues FESTIVAL revived classics, new emerging voices, or Shakespeare was not just a mere visitor; he it visits. Like last year, the Globe will present the works of William Shakespeare. As a was welcomed warmly into the community several low-cost performances at the Globe, not-for-profit regional theatre, The Old as a new friend. giving our regular audiences a chance to Globe’s primary responsibility is to serve see this special program at work first-hand. the community in which it exists. Many San For some, the Globe for All tour was their Audiences will also be able to attend pre- Diegans, however, face obstacles coming first experience seeing a piece of live theatre, and post-show workshops and activities, to the Globe’s theatres—be they financial, and for others, it was an exciting return allowing them to engage with the material in geographical, or cultural—but still have an to the art form. One teenage girl, who had fun and fascinating ways. interest in the performing arts. never before seen a play, said after the show The Old Globe hopes that this annual Shakespeare tour will be the first of numerous outreach programs that will allow more of San Diego’s communities to experience first-rate theatre. Globe for All embodies the guiding principles of the organization’s engagement work: that theatre, and Shakespeare in particular, are necessary to live a full and rich life, and that everyone has a fundamental right Marion Ross as Olivia in The Old Globe’s inaugural to experience them. The Globe has heard Shakespeare Festival production of Twelfth Night, 1949. the exuberant call from people all over the county, and with these engagement activities the Globe hopes to inspire as many people as possible to fall in love with theatre—and (above) Famed stage director and teacher B. Iden perhaps even create their own. Payne with members of the 1949 Shakespeare As Balboa Park celebrates its centennial in Festival company. (left) Laurence Guittard, Jonathan Following a performance of All’s Well That 2015, The Old Globe also marks a major McMurtry, and Tom Toner in The Comedy of Errors, the Ends Well last year, an inmate at Centinela milestone: our 80th Anniversary. Throughout first production directed by Jack O’Brien, 1969. State Prison said, “How amazing it is that we who seem so easily overlooked can be the year, our programs will feature articles and The Old Globe has recognized this need and at Father Joe’s Village, a homeless shelter in given such a pleasure.” Another said, “It photo essays looking back over eight decades of has committed itself to serving communities downtown San Diego, “You brought light into is good to know we are not forgotten.” The Globe history. in San Diego that do not have regular access our dark tunnel.” A man at the 4th District magic and enrichment of theatre are not to the arts. Last year the Globe took steps Senior Center, who had recently turned 95 exclusive to a select group. The Old Globe The Old Globe was founded on Shakespeare. years old, was seeing theatre for the first will continue to find new ways of meeting toward achieving this goal by launching Indeed, during 1935 and 1936, the theatre guidance of B. Iden Payne, the same director Stiers, Victor Buono, and Christopher Globe for All, which brings professional time. The Globe for All tour reminded others community members where they live and staged the works of Shakespeare exclusively. responsible for the Globe’s first two seasons Reeve. In 1969, the Globe hired a young Shakespeare to community groups and of their first experiences attending shows feeding their desire for live performance. venues across the county, in locations as as children with their families, delighting The initiative’s name itself defines its But in the decade that followed the close of Shakespeare. Payne launched the Festival Broadway talent to direct in the Festival varied as military bases, recreation centers, them with the opportunity to pass on duty to those it serves: The Globe, and of the California Pacific International with a production of Twelfth Night, starring for the first time: Jack O’Brien. O’Brien libraries, centers for the elderly, homeless the tradition. the arts in general, really are for all. Exposition, the Globe switched to a focus Marion Ross (now an Old Globe Associate would go on to become the Globe’s Artistic shelters, and correctional facilities. Artistic on more contemporary work. In 1937, the Artist) as Olivia. Director and a major figure in the history of This season the Globe will build upon Director Barry Edelstein directed All’s Well (from left) Globe Associate Producer Eric Louie and Globe produced two of Shakespeare’s plays. the theatre—and his very first production That Ends Well, featuring a company of last year’s success and the community’s actors Adam Gerber and Meaghan Boeing chat with In 1938, only one. Over the next 11 years The San Diego National Shakespeare Festival at the Globe was a memorable staging of professional local actors (many of them encouragement to present a tour of the audience at Centinela Stage Prison. Photo by graduates of the Old Globe/USD M.F.A. Shakespeare’s Much Ado About Nothing, Sergio Bastidas, Imperial Valley Press. (which included a break in production due to quickly rose to national prominence. The Comedy of Errors. World War II), it staged none. Acclaimed directors came from across the country to stage Shakespeare at the Globe. In 1978, a devastating fire ushered in Support for Globe for All included grants from The Legler Benbough Foundation, The Parker Foundation (George T. and Inez Grant Parker), Then in 1949, the Globe launched a In 1959, Festival productions began using a new chapter in the life of the Globe, The Kenneth T. and Eileen L. Norris Foundation, and the County of San Diego’s Community Enhancement Program. new venture: the San Diego National professional Equity actors, and in its first eventually leading to the construction of Additional support was provided by Jacobs Center for Neighborhood Innovation. Shakespeare Festival. This annual summer 25 years, Festival productions boasted the outdoor Lowell Davies Festival Theatre, event brought Shakespeare back to the appearances by performers like Christopher where the Globe’s Summer Shakespeare For more information about Globe for All or the Globe’s other outreach programs, contact [email protected]. heart of the theatre. It premiered under the Walken, Dennis Hopper, David Ogden Festival continues to this day. 18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 OUR THANKS CORPORATE DONORS ANNUAL FUND DONORS

Lead Season Sponsors ($75,000 or more) Season Sponsors ($60,000 - $74,999) The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations, and government agencies. Please join us in giving warm thanks and recognition to these leaders who have made tonight and our other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) Mary Beth Adderley Edgerton Foundation Paula & Brian Powers Anonymous Audrey S. Geisel/Dr. Seuss Fund at Conrad Prebys & Debra Turner City of San Diego Commission for Arts & Culture The San Diego Foundation Qualcomm Foundation Karen & Donald Cohn Globe Guilders Gloria Rasmussen Elaine & Dave Darwin Kathryn & John Hattox Darlene Marcos Shiley, in memory of Donald Shiley Mr. & Mrs. Brian K. Devine The James Irvine Foundation The Shubert Foundation Production Sponsors (30,000 - $59,999) Microsoft Sheryl & Harvey White Foundation Season Sponsors ($60,000 to $99,999) Peter Cooper & Norman Blachford Hal & Pam Fuson Gillian & Tony Thornley Valerie & Harry Cooper Joan & Irwin Jacobs Fund of the United Ann Davies Jewish Community Foundation June E. Yoder Pamela Farr & Buford Alexander Rhona & Rick Thompson Vicki & Carl Zeiger

Artist Circle (20,000 - $29,999) Production Sponsors ($30,000 to $59,999) Alan Benaroya HM Electronics, Inc. Ms. Jeanette Stevens The Legler Benbough Foundation Las Patronas S. Mark Taper Foundation Diane & John Berol Elaine Lipinsky Family Foundation Evelyn Mack Truitt County of San Diego Jeffrey & Sheila Lipinsky Family Foundation Union Bank Nina & Robert Doede National Corporate Theatre Fund U.S. Bank Hervey Family Non-endowment Fund Patrons of the Prado Viterbi Family Fund of the Jewish at The San Diego Foundation The Prado at Balboa Park Community Foundation Leonard Hirsch, in memory of Elaine Hirsch Price Philanthropies Foundation Pamela J. Wagner Jean & Gary Shekhter Wells Fargo

Artist Circle ($20,000 to $29,999)

National Corporate Theatre Fund(NCTF) is a not-for‑profit created to increase Bank of America Higgs, Fletcher & Mack, LLP Random House Children’s Books Director Circle ($15,000 - $19,999) and strengthen support from the business community for this country’s most Barney & Barney Holland America Line San Diego Gas & Electric distinguished professional theatres. The following donors support these theatres California Bank & Trust Hyatt Regency La Jolla at Aventine Sanderson Family Foundation through their contributions to NCTF ($10,000 and above): Pamela & Jerry Cesak Daphne H. & James D. Jameson Sheraton San Diego Hotel & Marina Buford Alexander & Marsh & McLennan Companies Nikki & Ben Clay Jo Ann Kilty Torrey Pines Bank Pamela Farr Jonathan Maurer and Gretchen Shugart Joseph Cohen & Martha Farish The Lodge at Torrey Pines Jordine Skoff Von Wantoch Allianz Global Corporate McGraw Hill Financial Elizabeth Dewberry MetLife/TCG A-ha! Program: Think It, Do It Mandell Weiss Charitable Trust & Specialty MetLife Neiman Marcus Dr. Steve & Lynne Wheeler American Express Morgan Stanley AOL National Endowment for the Arts The San Diego Foundation (This grant was made possible by the Ariel W. Coggeshall Fund of the San Diego Foundation Malin Burnham Center for Civic Engagement) Bank of America OneBeacon Entertainment BNY Mellon Lisa Orberg Bloomberg Frank & Bonnie Orlowski Director Circle ($10,000 to $19,999) Steven & Joy Bunson Pfizer, Inc. Terry Atkinson Karen Fox The Kenneth T. & Eileen Norris Foundation Chubb Group of Insurance Companies RBC Wealth Management Cisco Systems, Inc. Roe Green Foundation Melissa Garfield Bartell & Michael Bartell Diana R. Glimm Tom & Lisa Pierce Citi The Schloss Family Foundation Jane Smisor Bastien Lee & Frank Goldberg Peggy & Peter Preuss CMT/ABC The Shubert Organization, Inc. Richard & Kathy Binford Dr. & Mrs. Harry F. Hixson, Jr. Allison & Robert Price DeWitt Stern Skadden, Arps, Slate, Meagher Bjorg Family Deni Jacobs Rivkin Family Fund I at Paula Dominick & Flom ($10,000 - $14,999) Dorsey & Whitney Foundation Southwest Airlines California County Superintendents Barbara G. Kjos The San Diego Foundation Educational Services Association Brooke & Dan Koehler Mickey Stern Mister A’s ResMed Foundation Edgerton Foundation TD Charitable Foundation Epiq Systems Theatermania.com/ Gretchen Shugart The Anthony Cerami & Anne Dunne Carol & George Lattimer Karen & Stuart Tanz Ernst & Young Travelers Entertainment Foundation for World Health Susan & John Major Carol & Larry Veit Ford Foundation James S. & Lynne Turley Founder Circle ($5,000 - $9,999) Carlo & Nadine Daleo National Endowment for the Arts Karin Winner Alan & Jennifer Freedman UBS GEN7 Wines Maxwell Technologies Goldman, Sachs & Co. Wells Fargo Dan & Phyllis Epstein Caroline & Nicolas Nierenberg Brent Woods & Laurie Mitchell Ted Hartley & RKO Stage Willkie Farr & Gallagher LLP The Hearst Foundations FOUNDER CIRCLE R. Patrick & Sharon Connell Drs. Thomas H. & Hutcheson Family Fund at ($5,000 to $9,999) Bernard J. Eggertsen & Jane D. Gawronski The San Diego Foundation PUBLIC SUPPORT Anonymous Florence Nemkov Norm Hapke & Jerri-Ann & Gary Jacobs Joan & Jeremy Berg Marion Eggertsen Valerie Jacobs Hapke William Karatz Jay Biskupski & Catherine Imrie Barbara & Dick Enberg Gordon & Phyllis Harris J. Robert & Glady H. King Major funding provided by the City of San Diego Commission for Arts and Culture. Barbara Bloom Dr. & Mrs. Robert Epsten David Whitmire Hearst, Jr. Family Trust The Old Globe is funded by the County of San Diego. Carol & Jeff Chang Arlene & Richard Esgate Foundation Regina Kurtz, in fond memory of Barbara Charlton Carol Spielman-Ewan & Joel Ewan Liz & Gary Helming Al Isenberg Colwell Family Distributable Fund Susanna & Michael Flaster Alexa Kirkwood Hirsch Peter Landin & Michelle Cardinal at The San Diego Foundation 20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 Richard & Beverly Fink Ed & Linda Janon Evy & Ed Newton Norman & Judith Solomon OUR THANKS Family Foundation Tony & Nancy Janus Dr. David & Elizabeth Ostrander Don Stanziano & Michael Sikich Levinson Family Fund of the Terrie Georgi Charles & Sherry Sheppard Bill & Linda Kolb Pauline Forman Dr. & Mrs. Clyde W. Jones Phil & Pam Palisoul Kathleen Steele Jewish Community Foundation Arthur Getis & Roberta King Drs. Joseph & Gloria Shurman Jennifer Lake & Robert & Stacey Foxworth LABS, Inc./Silvia Dreyfuss Lori Partrick Ronald & Susan Styn Peter Manes & Yoko Sakaguchi Gilcrest Family: Andy, Karen, Dee E. Silver, MD Donald Francis Donovan Dr. Ben & Sue Frishberg Michael & Katherine Lee Julius J. Pearl Fund at Clifford & Kay Sweet Paul & Maggie Meyer A.J. & Tommy Rodney & Dolores Smith Fund at Susan Lane & Torrey Harmon Steven & Susan Garfin Allen Lemberg & Family The San Diego Foundation John & Gail Tauscher Money/Arenz Foundation, Inc. Wendy Gillespie The San Diego Foundation Dr. & Mrs. James E. Lasry J. M. Gillman Sherry & Rick Levin In Memory of Margaret Peninger Roger Thieme & Sylvia Steding Michael G. Murphy Carol L. Githens Nancy & Alan Spector and Family Thomas D. Lookabaugh Foundation Morris & Phyllis Gold Fund of the Lois & Larry Lewis James & Judy Queenan Doris Trauner, M.D. & Bernard Paul Robert Gleason & Marc Matys Nancy Steinhart & Joy & Ronald Mankoff Jewish Community Foundation Mack Lewis & Kate Herring Dr. Robert Reese Richard Stanford Matthew & Judith Pollack Sheila & Tom Gorey Rebecca Goodpasture Jasna Markovac & Gary Miller Robert & Edry Goot Marshall & Judy Lewis Fund of the Robert Reid Mr. & Mrs. Jeffrey C. Truesdell Chrissy & Roger Roberts George C. Guerra Miriam Summ Carlos Martinez & Steven Jacobson Carol & Don Green Jewish Community Foundation Stuart & Linda Robinson Natalie C. Venezia & Paul A. Sager Patricia K. Shumway Ms. Cheryl Haimsohn Karen & Don Tartre Marcia A. Mattson Richard & Candace Haden Edward & Nancy Lyon Rowling Family Charitable Fund Kathy & Jim Waring Beth & Kevin Smith Guy & Laura Halgren Tim & Judy Tillyer James & Estelle Milch Fund of the Jeff & Judy Handler Carl Maguire & Margaret Sheehan of the Jewish Community Dennis & Carol Wilson Herb Solomon & Elaine Galinson Pat & Rick Harmetz C. Anne Turhollow & Jewish Community Foundation Virginia Hawkins Sally & Luis Maizel Foundation Cass Witkowski Family Pat & Jack Thomas Patrick Harrison & Eleanor Lynch Michael J. Perkins Charles & Ilene Mittman Kaaren Henderson Drs. Betty Joan Maly & Mr. & Mrs. Todd Ruth Joseph & Mary Witztum Cherie Halladay Tirschwell Philip & Kathy Henry Michael T. Turner & Ursula & Hans Moede Jamie Henson & John Meyers Frank Ruyak & Denise Graham Brendan M. & Kaye I. Wynne Carol Vassiliadis Rhonda Heth & Thomas Mabie Suzanne Poet Turner Jim & Ruth Mulvaney Foundation Robert Houskeeper Rev. Stephen J. Mather Susan & Haddon Salt Chester Yamaga & Jean Samuels Mary Kay West Bill & Nancy Homeyer Nita & Henk van der Werff at The San Diego Foundation Gerald M. Hermanson & Ronald McCaskill & Robyn Rogers Brigid Hom-Schnapp & Jim & Mary Jane Wiesler Gary & Carrie Huckell Mary R. Warkentin Marsha J. Netzer Donna L. Buckner Bill & Mim McKenzie Russell Schnapp Pamela & Marty Wygod Drs. Sonia & Andy Israel Jan Harden Webster & Raul Ortega Mark Niblack, MD Robert & Sabine Hildebrand Dr. & Mrs. Paul E. Michelson Paul Searby *In Memoriam Pat JaCoby The Patricia and Christopher Weil William & Carla Nolan Bruce & Jane Hopkins Dr. & Mrs. Robert Morrison Linda J. Seifert CRAIG NOEL CIRCLE Mary & Russell Johnson Family Foundation The Oceanaire Seafood Room Stephanie & Carl Hurst Charles & Susan Muha Tim & Luci Serlet This list current as of ($2,500 to $4,999) Jackie Johnston Shirli Fabri Weiss and Sons Virginia Oliver Joseph & Donna Hynes Shirley Mulcahy Linda & Andrew Shelton July 15, 2015. Dr. & Mrs. Wayne Akeson Katleman Family Fund of the James E. & Kathryn A. Whistler Rod & Barbara Orth Mrs. Susan Inot Darrell Netherton Beverly & Howard Silldorf Lawrence G. Alldredge & Jewish Community Foundation Fund at Barbara B. Oswalt Steven & Barbara Jaffe Jan Newmark Anne & Ronald Simon Dawn Moore Dr. Gerald & Barbara Kent The San Diego Foundation Christopher & Susan Pantaleoni In Memory of Freda Altschuler & Edythe Kenton Nowell Wisch Tim & Leslie Paul Sylvia Goldin Ken & Sheryl King Ellen & Tim Zinn Robert & Doris Reed PATRON INFORMATION Anonymous (8) Webster & Helen Kinnaird Bernard Reiter Fund of the Drs. Gabriela & Mike Antos Jack Kirkland DIAMOND Jewish Community Foundation TICKET SERVICES HOURS SEATING OF LATECOMERS Judith Bachner & Eric Lasley Sherry & Larry Kline ($1,500 to $2,499) Michael Robertson & Dale Johnston Rick & Donna Baldridge Jane & Ray* Klofkorn Gary & Barbara Blake Family Fund Esther Rodriguez Monday: Closed Although we understand parking is often at a premium, the seating of Jan & Rich Baldwin Curt & Nancy Koch of the Jewish Community The Ralph B. Rogers Foundation Tuesday – Sunday: Noon – last curtain latecomers is extremely disruptive. Latecomers may be given alternative Bobbie Ball Rosalie Kostanzer & Michael Keefe Foundation Crystal Ann Rubin Hours subject to change. Please call ahead. seating and will be seated at an appropriate interval. Jan Bart Bob & Laura Kyle Bill Eiffert & Leslie Hodge Ryan Family Charitable Foundation Mr. & Mrs. Bear Jean & David Laing Gay and Lesbian Fund for San Diego San Diego Branch of PHONE (619) 23-GLOBE (234-5623) Linda & Robert Bernstein Terry & Mary Lehr at The San Diego Foundation The English-Speaking Union FAX (619) 231-6752 YOUNG CHILDREN Charlotte & Charles Bird The Leist Family Dr. & Mrs. M. Joseph McGreevy Jay & Julie Sarno EMAIL [email protected] or [email protected] Children under five years of age will not be admitted to performances. Joan Bishop, in memory of Harold Ronald & Ruth W. Leonardi Rena Minisi & Rich Paul Robert & Lisa Shaw McNeil James & Pamela Lester The Musser Family Mr. William D. Smith & WEBSITE www.TheOldGlobe.org Paul Black Paul Levin John & Josette Rekettye Dr. Carol Harter ELECTRONIC DEVICES AND CAMERAS Steve & Elizabeth Bluhm Robin J. Lipman Dr. Sara Rosenthal & John & Margery Swanson ADMINISTRATION HOURS The video and/or audio recording of this performance by any means Barbara Bolt Barbara & Mathew Loonin Dr. Julie Prazich Casey & Julie Tibbitts Dr. Herman & Irene H. Boschken Carlos Malamud Ryde Family Memorial Foundation Brenda & Robert Tomaras Monday – Friday: 9:00 a.m. – 5:00 p.m. whatsoever is strictly prohibited. Please silence all digital watches, Bea & Bill Briggs Dr. Robert & Marcia Malkus at The San Diego Foundation Stan & Anita Ulrich PHONE (619) 231-1941 pagers, and cellular phones prior to entering the theatre. Anita Busquets & William Ladd Jackie & Charlie Mann Marilies Schoepflin, Ph.D. Karen Walker WEBSITE www.TheOldGlobe.org Mary-Kay Butler Lois I. Marriott Ms. Lari Sheehan Sandy Wichelecki & Dr. & Mrs. Edgar D. Canada Dr. Ted & Marcy Mazer Alan & Esther Siman Suzanne Dukes ADDRESS The Old Globe ASSISTED LISTENING SYSTEM Edward & Pamela Carnot Elizabeth & Edward McIntyre Dave & Phyllis Snyder Howard & Christy Zatkin P.O. Box 122171 For the convenience of our hard-of-hearing and hearing-impaired Cecilia Carrick & Stan Nadel Don & Judy McMorrow Jack & Louise Strecker San Diego, CA 92112-2171 patrons, The Old Globe has an Assistive Listening System in all three Harry & Sandra Carter Elizabeth B. Meyer Greta & Steve Treadgold GOLD George & Ellen Casey Dr. Howard & Barbara Milstein Judith Wenker ($500 to $999) theatres: the Sheryl and Harvey White Theatre, the Old Globe Theatre, Rudy & Carol Cesena Judith Morgan Howard E. Abrams ORDERING TICKETS/CHANGE OF ADDRESS and the Lowell Davies Festival Theatre. A limited number of the Garet & Wendy Clark Akiko Charlene Morimoto & PLATINUM Mrs. Marilyn Adams The Old Globe accepts Visa, Discover, MasterCard, and American lightweight headsets, as well as induction neck loops, may be obtained Ms. Heidi Conlan/ Hubert Frank Hamilton, Jr. ($1,000 to $1,499) George Amerault, Jr. The Sahan Daywi Foundation Nancy & James Mullen Anonymous (2) Anonymous (4) Express. Phone orders for non-subscribers are subject to a $3.50-per- from the house manager prior to performances. Richard & Stephanie Coutts Joyce & Martin Nash Jonathan & Alicia Atun Earl Asbury ticket service charge. Ticket exchanges are subject to a service charge for Susan Barlow Cowell Lyn Nelson David A. & Jill Wien Badger Katherine Austin non-subscribers. If you have moved, please notify the Ticket Services PUBLIC TOURS Jane Cowgill Arthur & Marilyn Neumann Amnon & Lee Ben-Yehuda The Backman Family Gigi & Ed* Cramer Lawrence Newmark Sondra & Robert Berk Fund of the Bruce & Patricia Becker Office to update our records. Call (619) 234-5623 during Ticket Services Go behind the scenes at The Old Globe to learn about the history, three Darlene G. Davies, in memory Susan C. Parker Jewish Community Foundation Sally & John Berry hours, mail your change of address to the Ticket Services Office, or stages, shops and craft areas. Open tours: most Saturdays and Sundays of Lowell Davies Mr. & Mrs. Thomas C. Pastore Mrs. Lazare F. Bernhard Bob & Joyce Blumberg email [email protected]. at 10:30 a.m. Groups by reservation. $5 adults; $3 seniors and students. Jim & Sally Ditto Patricia Payne Chortek Family Fund of the Deb & Brand Brickman Devora & Ron Eisenberg of Col. & Mrs. Ben Pollard Jewish Community Foundation Robert & Pamela Brooks Call (619) 238-0043 x2145 for information/reservations. Great News! Bill & Mo Popp Dean & Mrs. Michael H. Dessent The Bunn Family UNABLE TO ATTEND? Mr. & Mrs. Ira S. Epstein Daniel Porte Jr., M.D. & Dorothy R. Dring Brent Carey If you find you are unable to use your tickets, please give them to a LOST AND FOUND Mary & David Fitz Mrs. Sally Dubois Norman & Patricia Gillespie Luc Cayet & Anne Marie Pleska Jean & Sid Fox The Arthur & Jeanette Pratt Joyce Glazer Ms. Lisa Churchill & friend, or turn them in to the Ticket Services Office and receive a tax If you have misplaced a personal item while at the theatre, please Samuel I. & John Henry Memorial Fund Mr. William & Dr. Susan Glockner Dr. Susan Forsburg receipt for your donation. Tickets must be received by show time. contact the Ticket Services Office or Security as soon as possible. If we Fox Foundation Joseph & Jane Rascoff Louise & Doug Goodman Richard T. Clampitt are unable to locate your item, we’ll happily take down your contact at Union Bank of California Sarah B. Marsh-Rebelo & Chris Graham & Michael Albo Ronald D. Culbertson Chuck Freebern John G. Rebelo Heat Bar & Kitchen Honorable Vincent P. Di Figlia (Ret.) RESTROOMS information and a description of the item and contact you if it is found. Charles & Millicent Froehlich Wade and Candi Rich Isaacs Brothers Foundation at Jacqueline & Stan Drosch Restrooms are located in the lower lobby of the Old Globe Theatre, The Old Globe does not assume liability for items left behind on the Joy & Dr. Fred Frye Nancy J. Robertson The San Diego Foundation Berit & Tom Durler the lobby of the Sheryl and Harvey White Theatre, and adjacent to the premises. Barbara & Albert Garlinghouse Cathy & Larry Robinson Louis & Mary Beth Kelly Georgia Ellis Bill & Judy Garrett Carole Sachs Warren & Karen Kessler Nate & Margaret Englund Lowell Davies Festival Theatre. Daniel & Arline Genis Beverly & Warren Sanborn Robert J. Kilian & Drs. George & Susan Dersnah Fee Teresa George Dr. Myron & Doreen Schonbrun Kathleen M. Slayton NATURAL HERB COUGH DROPS—COURTESY OF RICOLA USA, INC.—ARE AVAILABLE UPON REQUEST. PLEASE ASK AN USHER. 22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager Garrett Bazzle, Danielle Griffith, FINANCE Dave Henson...... Director of Marketing and Communications Katie Knox, Nicole Sukolics-Christianson, Cindy Hunt...... Senior Accountant Mark Somers...... Director of Finance Noelle Van Wyk...... Wardrobe Crew, Festival Trish Guidi...... Accounts Payable/Accounting Assistant Richard Seer...... Director of Professional Training Marie Jezbera...... Rental Agent Adam Latham...... Payroll Coordinator/Accounting Assistant Robert Drake...... Director of Production Tim Cole...... Receptionist Roberta Wells-Famula...... Director of Education PROPERTIES Neil A. Holmes...... Properties Director DEVELOPMENT ARTISTIC Kristin Steva Campbell...... Assistant to the Director Annamarie Maricle...... Associate Director, Eric Louie, Justin Waldman...... Associate Producers M.H. Schrenkeisen...... Shop Foreman Institutional Grants Danielle Mages Amato...... Literary Manager/Dramaturg Rory Murphy...... Lead Craftsman Bridget Cantu Wear...... Associate Director, Planned Giving Bernadette Hanson...... Artistic Associate Chris Carignan...... Carpenter Eileen Prisby...... Events Director Michelle Panek...... Interim Artistic Associate David Medina...... Properties Buyer Rachel Plummer, Keely Tidrow...... Major Gifts Officers Karen Ann Daniels...... Community Outreach Manager Kristine Hummel-Rosen...... Properties Assistant Robin Hatfield...... Annual Fund Manager Zane Alcorn...... Artistic Intern Nick Pecher, Trish Rutter...... Craftspersons Matthew B. Williams...... Major Gifts Associate David Buess...... Property Master, Globe Diane Addis...... Membership Administrator PRODUCTION Kristen Flores...... Stage and Property Master, White Rico Zamora...... Development Assistant Debra Pratt Ballard...... Associate Director of Production Andrew Recker...... Property Master, Festival Derek Floyd...... Grants Assistant Ron Cooling...... Company Manager Carol Donahue...... Production Coordinator LIGHTING DONOR SERVICES Jackson Smith...... Assistant Company Manager Shawna Cadence...... Lighting Director Silvana Burrato, Jyothi Doughman, Laura Regal, Luis Amezcua, Brian Holloway...... Shuttle Drivers Jack Bender...... Assistant Lighting Director Janette Jack, Barbara Lekes, Richard Navarro, Ryan Osborn...... Master Electrician, Globe Stephanie Reed, Stephen Wade...... Suite Concierges STAGE MANAGEMENT Jim Dodd...... Master Electrician, White Leila Knox...... Production Stage Manager Kevin Liddell...... Master Electrician, Festival MARKETING Steve Schmitz...... Lighting Assistant Susan Chicoine...... Public Relations Director TECHNICAL Bradley Bergholtz, Ed Hofmeister...... Associate Director of Marketing Benjamin Thoron...... Technical Director Derek Lauer...... Follow Spot Operators, Festival Mike Hausberg...... Public Relations Associate Wendy Berzansky...... Associate Technical Director Michael Anderson, Sammy Bauman-Martin, Andrew Waltz...... Digital and Print Publications Coordinator Bradley Bergholtz, Derek Lauer, Xavier Luevano, Lucas Skoug...... Assistant Technical Director Jordyn Patton...... Marketing Assistant Shawn McCombs, Sean Murray, Michael Paolini, Stephen Wade...... Marketing/Events Assistant Tim McAllister...... Technical Assistant Bo Tindell, Kimberlee Winters...... Electricians Eileen McCann...... Resident Design Assistant Carolann Malley...... Distribution Staff Eliza Korshin...... Technical Assistant/Buyer SOUND SUBSCRIPTION SALES Gillian Kelleher...... Master Carpenter Paul Peterson...... Sound Director Scott Cooke...... Subscription Sales Manager Carole Payette...... Charge Scenic Artist Jeremy Nelson...... Master Sound Technician, Globe Gregg Essex...... Draftsman Arthur Faro, Stephen Jones, Janet Kavin, Clayton Nicodemus...... Master Sound Technician, White Pamela Malone, Yolanda Moore, Philip Patterson, Christian Thorsen...... Stage Carpenter/Flyman, Globe RJ Givens...... Master Sound Technician, Festival Ken Seper, Cassandra Shepard, Jerome Tullmann, Robert Dougherty...... Festival Master Carpenter Alex Heath...... Deck Audio, Festival Grant Walpole...... Subscription Sales Representatives Jessica Amador, David Garcia, René Neilson, Austin Taylor...... Deck Audio, Globe David Weeks...... Scenic Artists Kevin Dawes, Rachel Doemelt, TICKET SERVICES Dave Atchison, Daniel Capiro, Curtis Carlsteen, Terry Dycus, David Scott...... Sound Technician Bob Coddington...... Ticket Services Director Chris Chauvet, Jason Chohon, Michael Curtis, Kristen Flores, David Garcia, Sheldon Goff, Marsi Bennion...... Ticket Operations Manager Jack Hernandez, Sloan Holly, Jim Hopper, ADMINISTRATION Cristal Salow...... Group Sales Manager Laura McEntyre, Brian McVicker, Francisco Ramirez, Alexandra Hisserich...... General Management Associate Stephanie Haglund, Kurtis Weichers...... Carpenters Carolyn Budd...... Assistant to the Artistic Caryn Morgan...... Lead Ticket Services Representatives W. Adam Bernard...... Lead Scenic Artist and Managing Directors Christian Amezcua, Kari Archer, Matt Costa, Jason Chohon...... Automation Coordinator Darlene Davies...... The Old Globe Historian Kathy Fineman, Merri Fitzpatrick, Bea Gonzalez, Lauryn Greschke, Alejandro Gutierrez, Amanda King, Eszter Julian...... Automation operator, Festival INFORMATION TECHNOLOGY Damon Shearer, Kristen Flores...... Automation operator, White John Sweeney...... Ticket Services Representatives Dean Yager...... Information Technology Director COSTUMES John Ralston...... Information Technology Assistant Manager PATRON SERVICES Stacy Sutton...... Costume Director Brittany Summers...... Information Technology Assistant Mike Callaway...... Patron Services Director Charlotte Devaux Shields...... Resident Design Associate Juliana Johnson, Mary Taylor...... House Managers HUMAN RESOURCES Maureen Mac Niallais...... Assistant to the Director Angela Montague Kanish...... Front of House Assistant Shelly Williams...... Design Assistant/Shopper Sandy Parde...... Human Resources Director Nic Hagan...... Food and Beverage Manager Elisa Benzoni, Leslie Vukasovich...... Design Assistants Manny Bejarano...... Human Resources Coordinator Tim Acosta, Stephanie Passera, Erin Cass, Somsi Norfolk...... Drapers Brandon Potter...... Pub Shift Supervisors Su-Lin Chen, Marsha Kuligowski, MAINTENANCE Shelby Anderson, Deborah Montes, Michelle Thorsen, Wendy Miller...... Tailor/Drapers Ramon Juarez...... Facilities Director Jennifer Van Atta, Lisa Goering, Anne Glidden Grace, Mack Benjamin, Violanda Corona, Ismael Delgado, Angela Price, Jacquelyn Weber...... Pub Staff Colleen Power, Susan Sachs, Roberto Gonzalez, Bernardo Holloway, Linda Bahash, Raquel Stewart...... Assistant Cutters Reyna Huerta, Jason McNabb, Jose Morales, Stephanie Rakowski...... Gift Shop Supervisors Mary Miller...... Tailoring/Construction Victor Quiroz, Maria Rios, Leonardo Rodriguez, Allison Elsey, Franzesca Mayer, Tea Ninkovic, Vielka Smith...... Building Staff SECURITY/PARKING SERVICES Heather Premo, Veronica Von Borstel...... Stitchers Edward Camarena...... Security Supervisor PROFESSIONAL TRAINING Erin Carignan...... Craft Supervisor/Dyer/Painter Sherisa Eselin...... Security Officer Sharon Granieri, Stephanie Parker, Shana Wride...... Program Coordinator Jonathon Ayon, Joshua Caldwell, Emily N. Smith...... Crafts Artisans Brian Byrnes, Maria Carrera, Cynthia Caywood, Francisco Dukes, Jeff Howell, Janet Larson, Jakey Hicks...... Wig and Makeup Supervisor Ray Chambers, Gerhard Gessner, Jan Gist, Jonathan Martinez, Eleuterio Ramos, Kim Parker...... Assistant to Wig and Makeup Supervisor Fred Robinson, Abraham Stoll...... M.F.A. Faculty Anna Salgado, Jakob Schmidt...... Security Guards Kim Eddo...... Wig Assistant Corey Johnston, Nate Parde, Alexander Thomas...... VIP Valet Attendant Peet Cocke, Robin Roberts...... M.F.A. Production Staff Beverly Boyd...... Wardrobe Supervisor Beth Merriman...... Wardrobe Crew Chief, Globe EDUCATION Jack O’Brien...... Artistic Director Emeritus Anna MacDonald...... Wardrobe Crew Chief, White Crystal Mercado...... Education Programs Manager Ana Maldanado, Hannah May, Craig Noel...... Founding Director Anna Noll...... Wardrobe Crew, Globe Carol Green...... Speakers Bureau Coordinator Jazmine Choi, Corrine Roache...... Wardrobe Crew, White Caroline Agan, Lisel Gorell-Getz, Catherine Hanna, Jason Heil, Erika Malone, Heather Pauley, Christopher Salazar, Jason Maddy, Damon Shearer...... Teaching Artists

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