DOCSLIB.ORG

Irish Music Festival

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Irish Music Festival 1 996 Committees Acknowledgements Helpful lnformation for Philadelphia Ceili Group Ed Licinit Festival Goers President The Philadelphia Ceili Group gratefully Festival Consultant Steve Winick Welcome to our twenty-second acknowledges support from the following annual festival. We are trying to Adninistration Nancy Gallagher people and organizations in presenting make your day as enjoyable as Bulk Mailing Larry Klock this year's festival: possible and hope the following Gate Bill Keane information will help. If you Grants Greg Duffy Murphy's Irish Stout and lrish Amber have any questions, please stop Hospitality Darcy Fair Friendly Sons of St. Patrick at the information booth near Evelvn Drvbureh John McShain Charities the main gate. Information Loretta Gaughan Rosemarie Timoney Please see map for locations George McCullough, DUTV 54, of first aid, rest rooms, food and Masters of Ceremony Myron Bretholz Tommy Moffit Drexel University beverages, and record and Ceili Steve Winick J. Raisch & Son Group T-shirt sales. Tom Slattery Cannstatter Club - Philadelphia For directions to a public Parkina Kate Krout telephone, please check at , Programming information booth. General: Greg Duffy, Ed Licinit, No coolers are to be brought Joan McKenty Ed Reavy Legacy: Roy Rogers onto festival site. Harpers: Joanna Mell No one under 21 will be ~ewGeneration: permitted to purchase alcoholic Dancers: Eileen Henry 1996 Committees Musicians: Chris Brennan Hagy beverages. New Tunes: L.E. McCullouah Stqe hnhgement No pets (seeing-eye dogs Main Stage Mary Lou McGurk Program Book & Flyer excepted) are permitted on Workshop Kim and Jim Mowery Editors Ed Licinit, Joan McKenty festival grounds. Dance Area Kathy Lenahan Design Pc Production Rill Masi Dance Area Musicians John Stapleton Please help keep the festival Ad Sales Greg Duffy Technical Ed Licinit site clean. Use designated trash Publicity Bill Stein cans. Tickets Lorraine Quinn Sales Daytime activities end at 6 Vendom/Crafts Maggie Quigg CDs/Tapes/Records Dan & Kim Flynn PM; evening dancing ends at Becky Baum T-shirts Volunteers Anne &Joe Lang 11 PM. Security Chairs Kristin Gilkeson, Mike Kelly Web Master Bill McKenty Site Supervisors Nathan Lerner Brian Quinn Sound Dean Languell, Scott Natters The Philadelphia Ceili Croup's 1996 Festival Home page: http:/Jw.netaxs.comJ-wrnckenty KENNY COLDSTEIN MEADOW STAGE LESSIONS SESSIONS VENDORS PAVILION TENTS MONUMENT Please Note: In the event of a rainy day, the Main Stage activities will be moved inside to the Dance Hall stage, while the Dance Schedule will be followed in a room directly below. Dance Stage Music Manager: Noon Harpers Showcase with Sinead ni Argadain, Debbie john Stapleton Brewin-Wilson, Kathy DeAngelo, Joanna Mell and Ellen Tepper Noon Introduction to Irish Dancing 1:00 New Generation Music and Dance 2:00 Danny Flynn & &en ~c~irr 1 :00 Intermediate Ceili 2:30 Mick Moloney, Zan McLeod and John Williams - - 2:00 Open Ceili 3:00 Andy lwine 3:30 Paddy Keenan &~i~el~tevens- 3:00 Step Dance Workshop: John Jennings 4:00 Slow Airs and Laments Workshop with Sinead ni Argadain, - - Mark Donnelly, Winifred Horan, L.E. McCullough, Owen 4:00 Set Dance Workhop: Fiona Dore-Buckley McGirr, Tomas Standeven, Ellen Tepper- - 'nd John Williams 5:00 Craobh Rua 5:00 Killer Cedi Lesson: Grace Ann Coyle - 5:30 New Generation Music and Dance 6:00 Set Workshop: Jim Keenan 6:40 EVENING CONCERT - Reavy Legacy 8:00 Evening Ceili Ed to Brian Conway, Billy McComiskey, Zan McLeod, 11 :oo L.E. McCullough and Mick Moloney Paddy Keenan and Nigel Stevens Craobh Rua Andy lwine Solas 12:OO Donegal Fiddles with David Abe, 1:00 Crash Course in the lrish Language 12:OO John Kelly Memorial Session Roisin Harrigan and Caomhmin for beginners with Leo Mohan, led by Kitty Kelly MacAoidh Tom Cahill and Padraic McGill 1:00 Darcy Fair 12:30 Hardshoe and Percussion Workshop 2:00 "The History of lrish Social Dancing" with Myron Bretholz, Chris Carpenter, with JimKeenan 1:30 Frank Malley Ed Clark, Cait Currie, Brian Duffy, Danny Flynn, Charlie Gaffney and 3:00 "The Belfast Harp Festival of 1792" 2:00 "Harp & Bardic Tradition Workshop" Roisin Harrigan with Ellen Tepper with Sinead ni Argadan, Kathy - - DeAngelo, Joanna Mell, Deidre 1:00 Favorite jigs, Reels and Hornpipes 3:30 "Irish Storytelling" with Tom Slattery Salkind and Ellen Tepper Workshop with Charlie Gaffney, Roisin Harrigan, Kitty Kelly, Fintan 4:00 "Irish Monastic Nature Poetry" with 3:00 Plectrum Workshop with Malone, Owen McGirr, Kevin Helen Kennedy Chris Carpenter, Brian Connolly, McGillian, Zan McLeod and Tomas --- John Doyle, AI Keller, John Lavalley, Standeven 5:00 St. Brigid's Crosses with Kitty Kelly, Fintan Malone and Bill McKenty and Ann Ryan 2:00 Blind Mary 4:00 Joanna Mell 2:30 Gan Ainm 4:30 McDermott's Handy - - 3:00 Fresh Airs from Old Erin - New Tunes 5:00 Castlegarden Workshop hosted by L.E. McCullough 12:OO Banjo Class with Fintan Malone - - 5:30 Separate Reality 4:00 Songs of the Famine & Emigration 1 :00 Fiddle Class with Brian Conway with Jim Byrne, Karan Casey, Andy Irvine, Mick Moloney and Nigel 2:00 Beginning Tin Whistle with Stevens L.E. McCullough 5:00 The Legacy of Ed Reavy hosted by 3:00 Bodhran Class with Myron Bretholz Roy Rogers with Brian Conway, Billy McComiskey, Kevin McGillian and 4:00 Donegal Style Fiddle with Mick Moloney Roisin Harrigan, Caomhmin MacAoidh and David Abe Events to be determined. Will include Moon Bounce, face painting, playground 5:00 Introduction to the lrish Harp and more. with JoannaMell lrish music session begins at 12 noon at this tent. All players are welcome. Kenny Goldstein 1927-1995 t iswith sadnessthat singers. He often provided accommodations and the Ceili Group honorarium at his classes for traveling musicians. Among Inotes the death on those he brought to Philadelphia included Joe Heaney, November 11th, 1995 of Liam O'Flynn, Delores Keane, Cathal McConnell and Kenny Goldstein, a long- Mick Moloney. He traveled frequently in Ireland time friend and consultant collecting books and songs and shared his extensive song to the group. Recognized collection with prominent lrish folklorists. around the world as a More recently, Kenny was a strong proactive collector and scholar of supporter of the Philadelphia Ceili Group. As our consul- folklore and folksong, he tant he provided guidance and advice on the fall festival. was known by many for his Through his efforts we were able to present storytellers generosity of spirit and strong support of traditional singers Eddie Lenihan and Alice Kane and singer Paddy Berry in in particular. 1988. As an advocate, it was through his efforts that the Ed Licinit asked me to say a few words about Kenny Library of Congress accepted the Ceili Group's tape Goldstein and his contributions to the world of traditional ~0llecti0nafter Seven years of negotiation. This year the music and song. From his obituary you have a good Ceili Group officially recognized and thanked Kenny at description of his considerableprofessional achievements. the Fall festival for his life-long contribution to the Support I would like to speak from a more personal perspective. and preservation of Irish and Celtic culture. I will miss him Kenny deeply loved lrish Music and song. From this terribly, as a friend and mentor, and as a person always love he was motivated to change careers and become a generous, quick with an opinion, and always ready for a folklorist. He used to say with a laugh that because he was good song. His legacy is strong, both in the hearts of his born on St. Patrick's Day he had half a claim on being many friends and in the collection of songs, books and Irish. More seriously, when collecting traditional songs he tapes he has left for all of us -to make our lives richer and felt that having the name Goldstein was an advantage. An filled with song. outsider who loved traditional singing was welcome at all - Robin Hiteshew hearths, regardless s of political or religious persuasion. The Ceili Group has permanently renamed the Meadow stage to the Well known for his generosity Kenny actively Kenny Goldstein Meadow Stage in honor of Kenny's lifelong and signifi- supported and encouraged many Irish musicians and cant support of traditional music and song. AS is fitting of Kenny's love of folksong, there will always be singing presented on this stage. Dan Flynn Sr. 1921 -1 996 n early March of this year Dan died suddenly of a tions, what stands out most is heart attack at the age of 75. Perhaps ironically at the tender heart larger than Ithe start of the mad frenzy known in recent years the stout man he was; the as the "St. Patrick's season." I would hazard a guess Dan warmth and unconditional would find that term both amusing and offensive. For regard and respect he showed those that knew him realize it is a concept foreign to the all he came to know and passion that filled and informed his life. interacted with in his busy Over the past 18 years, I've known Dan to be a life. Perhaps it was grounded vocal and ardent supporter of all things Irish, whether it in the self knowledge he possessed or in the lrish stub- was an annual ball given by one of the various county bornness that drove him never to give up no matter what societies, a ceili thrown by any organization in the the odds. Young or old, Dan welcomed all. It was no Delaware Valley, or an event sponsored by the Ceili surprise that his wake filled the entire church, that all Group or the Irish Center.
Load more

Recommended publications
  • Researchonline@JCU
    ResearchOnline@JCU This is the author-created version of the following work: Krause, Amanda E, Anglada-Tort, Manuel, and North, Adrian C (2019) Popular music lyrics and musicians’ gender over time: a computational approach. Psychology of Music, . (In Press) Access to this file is available from: https://researchonline.jcu.edu.au/62718/ Under SAGE's Green Open Access policy, the Accepted © The © Author(s) 2019. The Accepted Version is restricted to non-commercial and no derivative uses. Please refer to the original source for the final version of this work: https://doi.org/10.1177/0305735619871602 Note: This is an accepted manuscript (pre-print version) of an article published in Psychology of Music online on 23 October 2019, available online at: https://doi.org/10.1177/0305735619874109. This paper is not the copy of record and may not exactly replicate the authoritative document published in the journal. Please do not copy or cite without author's permission. The final article is available, upon publication, at https://doi.org/10.1177/0305735619874109. You may download the published version directly from the Journal (homepage: https://journals.sagepub.com/home/pom). Published citation: Anglada-Tort, M., Krause, A. E., & North, A. C. (2019). Popular music lyrics and musicians’ gender over time: A computational approach. Psychology of Music, advance online publication. doi:10.1177/0305735619871602 POPULAR MUSIC LYRICS AND MUSICIANS’ GENDER OVER TIME Popular music lyrics and musicians’ gender over time: A computational approach The present study investigAted how the gender distribution of the United Kingdom’s most popular artists has changed over time and the extent to which these changes might relate to popular music lyrics.
    [Show full text]
  • Kevin Burke and Cal Scott
    WWhhaatt TThheeyy’’rree SSaayyiinngg aabboouutt KKeevviinn BBuurrkkee THE NEW YORK TIMES THE WASHINGTON POST A Big Wide World KEVIN BURKE & CAL SCOTT of Music "Across the Black River" Loftus Friday, May 11, 2007; Page WE09 By JON PARELES Published: June 29, KEVIN BURKE IS ONE of the greatest Irish 2007 fiddlers of the past half-century, but he has lived in Jack Vartoogian/ FrontRowPhotos Ireland for only five of his 57 years. He was raised in London by parents from County Sligo, and he has What follows is a lived in Portland, Ore., since 1979. He is thus a selection of some of the perfect exemplar for the far-flung Irish diaspora and most notable world weaves the multinational strands of today's "Irish" music CDs released over music into his impressive new album, "Across the the last year. Black River," a collaboration with Portland film composer Cal Scott. KEVIN BURKE AND CAL SCOTT "Across the Black River" (Loftus) Scott composed three of the instrumental album's tunes, including the spellbinding "The Lighthouse Born in England to Irish parents and now living in Keeper's Waltz," and plays graceful guitar, mandolin Portland, Ore., Kevin Burke is one of the great and bouzouki throughout. But the dominant voice is living Celtic fiddlers. His first album on his own that of Burke's violin, which never wavers in pitch or label is a collaboration with the self-effacing guitarist timbre but sings out with a confidence that allows the Cal Scott and various guests that's cozy and mature, listener to relax.
    [Show full text]
  • 2014 Festival Programme All Results Will Be Uploaded to Youtube Award for Outstanding Performance and the UCC Composition Cup
    Geraldine O’Callaghan is a STOP MOTION ANIMATION WORKSHOP WITH highly regarded exponent of the Sliabh DIRECTOR JANE LEE Luachra style of fiddle playing. From Freemount in the Duhallow region of north Stop Motion Animation is the art of making things come to life, by moving them a Co. Cork, she learned her music from west picture at a time. Limerick native, Con Herbert. Her style is heavily influenced by From models to movies - learn how to make a plasticine character come to life in the seminal recordings of Pádraig O’Keeffe, Julia Clifford and this fully hands on workshop with Jane Lee. Denis Murphy. Further afield, influence was derived from fiddlers such as Kathleen Collins and brothers MacDara and On the workshop participants will try their hand at paper cut out animation, pixilation Félim Ó Raghallaigh. Geraldine has a first class honours B. and claymation creating short animation pieces with sound effects. Mus degree from UCC, where she received the Donal Gleeson 2014 Festival Programme All results will be uploaded to Youtube award for outstanding performance and the UCC composition cup. She also has a Masters degree in Ethnomusicology from Jane Lee is an animation director with Paper Plane Creations the University of Limerick, where she undertook research on the http://www.paperplanecreations.com EXHIBITIONS life and music of Julia Clifford from a gender perspective. She Open 10.00AM-5.00PM, Sat. 15th, is currently undertaking Ph.D. research in the School of Music The Kanturk Credit Union 1.00PM-5.00PM Sun 16th, 11.00AM- and Theatre at UCC.
    [Show full text]
  • Bowing Styles in Irish Fiddle Playing Vol 3
    Bowing Styles in Irish Fiddle Playing Vol 3 David H. Lyth July 2016 2 This is the third volume of a series of transcriptions of Irish traditional fiddle playing. The others are `Bowing Styles in Irish Fiddle Playing Vol I' and `Bowing Styles in Irish Fiddle Playing Vol 2'. Volume 1 contains reels and hornpipes recorded by Michael Coleman, James Morrison and Paddy Killoran in the 1920's and 30's. Volume 2 contains several types of tune, recorded by players from Clare, Limerick and Kerry in the 1950's and 60's. Volumes I and II were both published by Comhaltas Ceoltoiri Eirann. This third volume returns to the players in Volume 1, with more tune types. In all three volumes, the transcriptions give the bowing used by the per- former. I have determined the bowing by slowing down the recording to the point where the gaps caused by the changes in bow direction can be clearly heard. On the few occasions when a gap separates two passages with the bow in the same direction, I have usually been able to find that out by demanding consistency; if a passage is repeated with the same gaps between notes, I assume that the directions of the bow are also repeated. That approach gives a reliable result for the tunes in these volumes. (For some other tunes it doesn't, and I have not included them.) The ornaments are also given, using the standard notation which is explained in Volumes 1 and 2. The tunes come with metronome settings, corresponding to the speed of the performance that I have.
    [Show full text]
  • Patrick Street Patrick Street Mp3, Flac, Wma
    Patrick Street Patrick Street mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Patrick Street Country: US Released: 1988 Style: Folk, Celtic MP3 version RAR size: 1260 mb FLAC version RAR size: 1266 mb WMA version RAR size: 1193 mb Rating: 4.3 Votes: 736 Other Formats: MIDI AA MMF VOC APE TTA AAC Tracklist Hide Credits 1 Patrick Street / The Carraroe Jig 2 Walter Sammon's Grandmother / Concertina Reel / Brenda McMahon's The Holy Ground 3 Written-By – Gerry O'Beirne 4 The Shores Of Lough Gowna / Contentment Is Wealth / Have A Drink With Me 5 French Canadian Set "La Cardeuse" 6 Loftus Jones The Dream 7a Written By – Andy Irvine Indiana 7b Written-By – Andy Mitchell 8 Martin Rochford's Reel / Roll Out The Barrel / The Earl's Chair 9 Mrs. O'Sullivan's Jig / Caliope House The Man With The Cap 10 Written-By – Colum Sands Credits Accordion – Jackie Daly Engineer, Producer – Donal Lunny Fiddle – Kevin Burke Guitar – Arty McGlynn Keyboards, Bodhrán – Donal Lunny Photography By – Colm Henry Vocals, Bouzouki, Mandolin, Harmonica – Andy Irvine Notes Lyrics included. Barcode and Other Identifiers Barcode: 048248107129 Other versions Category Artist Title (Format) Label Category Country Year Green SIF 1071 Patrick Street Patrick Street (LP, Album) SIF 1071 US 1987 Linnet Kevin Burke , Kevin Burke , Jackie Daly, Jackie Daly, Andy Green CSIF 1071 Andy Irvine, Arty McGlynn CSIF 1071 Ireland 1987 Irvine, Arty Linnet - Patrick Street (Cass) McGlynn Green SIF 1071 Patrick Street Patrick Street (LP, Album) SIF 1071 Ireland 1987 Linnet Green GLCD 1071 Patrick Street Patrick Street (CD, Album) GLCD 1071 US 1988 Linnet Related Music albums to Patrick Street by Patrick Street Capercaillie - Dusk Till Dawn - The Best Of Capercaillie Andy Irvine & Donal Lunny's Mozaik - Changing Trains Patrick Street - No.
    [Show full text]
  • Rhythm Bones Player a Newsletter of the Rhythm Bones Society Volume 10, No
    Rhythm Bones Player A Newsletter of the Rhythm Bones Society Volume 10, No. 3 2008 In this Issue The Chieftains Executive Director’s Column and Rhythm As Bones Fest XII approaches we are again to live and thrive in our modern world. It's a Bones faced with the glorious possibilities of a new chance too, for rhythm bone players in the central National Tradi- Bones Fest in a new location. In the thriving part of our country to experience the camaraderie tional Country metropolis of St. Louis, in the ‗Show Me‘ state of brother and sisterhood we have all come to Music Festival of Missouri, Bones Fest XII promises to be a expect of Bones Fests. Rhythm Bones great celebration of our nation's history, with But it also represents a bit of a gamble. We're Update the bones firmly in the center of attention. We betting that we can step outside the comfort zones have an opportunity like no other, to ride the where we have held bones fests in the past, into a Dennis Riedesel great Mississippi in a River Boat, and play the completely new area and environment, and you Reports on bones under the spectacular arch of St. Louis. the membership will respond with the fervor we NTCMA But this bones Fest represents more than just have come to know from Bones Fests. We're bet- another great party, with lots of bones playing ting that the rhythm bone players who live out in History of Bones opportunity, it's a chance for us bone players to Missouri, Kansas, Illinois, Oklahoma, and Ne- in the US, Part 4 relive a part of our own history, and show the braska will be as excited about our foray into their people of Missouri that rhythm bones continue (Continued on page 2) Russ Myers’ Me- morial Update Norris Frazier Bones and the Chieftains: a Musical Partnership Obituary What must surely be the most recognizable Paddy Maloney.
    [Show full text]
  • Compton Music Stage
    COMPTON STAGE-Saturday, Sept. 18, FSU Upper Quad 10:20 AM Bear Hill Bluegrass Bear Hill Bluegrass takes pride in performing traditional bluegrass and gospel, while adding just the right mix of classic country and comedy to please the audience and have fun. They play the familiar bluegrass, gospel and a few country songs that everyone will recognize, done in a friendly down-home manner on stage. The audience is involved with the band and the songs throughout the show. 11:00 AM The Jesse Milnes, Emily Miller, and Becky Hill Show This Old-Time Music Trio re-envisions percussive dance as another instrument and arrange traditional old-time tunes using foot percussion as if it was a drum set. All three musicians have spent significant time in West Virginia learning from master elder musicians and dancers and their goal with this project is to respect the tradition the have steeped themselves in while pushing the boundaries of what old-time music is. 11:45 AM Ken & Brad Kolodner Quartet Regarded as one of the most influential hammered dulcimer players, Baltimore’s Ken Kolodner has performed and toured for the last ten years with his son Brad Kolodner, one of the finest practitioners of the clawhammer banjo, to perform tight and musical arrangements of original and traditional old-time music with a “creative curiosity that lets all listeners know that a passion for traditional music yet thrives in every generation (DPN).” The dynamic father-son duo pushes the boundaries of the Appalachian tradition by infusing their own brand of driving, innovative, tasteful and unique interpretations of traditional and original fiddle tunes and songs.
    [Show full text]
  • BBC Music Booklet Celebrating 80 Years of Music.Pdf
    Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music.
    [Show full text]
  • Scottish and Irish Elements of Appalachian Fiddle Music
    Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 3-1995 Scottish and Irish Elements of Appalachian Fiddle Music Matthew S. Emmick Butler University Follow this and additional works at: https://digitalcommons.butler.edu/ugtheses Part of the Ethnomusicology Commons, and the Musicology Commons Recommended Citation Emmick, Matthew S., "Scottish and Irish Elements of Appalachian Fiddle Music" (1995). Undergraduate Honors Thesis Collection. 21. https://digitalcommons.butler.edu/ugtheses/21 This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. BUTLER UNIVERSITY HONORS PROGRAM Honors Thesis Certification Matthew S. Emmick Applicant (Name as It Is to appear on dtplomo) Scottish and Irish Elements of Appalachian Fiddle M'-Isic Thesis title _ May, 1995 lnter'lded date of commencemenf ­ _ Read and approved by: ' -4~, <~ /~.~~ Thesis adviser(s)/ /,J _ 3-,;13- [.>­ Date / / - ­ ( /'--/-----­ --",,-..-­ Commltte~ ;'h~"'h=j.R C~.16b Honors t-,\- t'-­ ~/ Flrst~ ~ Date Second Reader Date Accepied and certified: JU).adr/tJ, _ 2111c<vt) Director DiJe For Honors Program use: Level of Honors conferred: University Magna Cum Laude Departmental Honors in Music and High Honors in Spanish Scottish and Irish Elements of Appalachian Fiddle Music A Thesis Presented to the Departmt!nt of Music Jordan College of Fine Arts and The Committee on Honors Butler University In Partial Fulfillment of the Requirements for Graduation Honors Matthew S. Emmick March, 24, 1995 -l _ -- -"-".,---.
    [Show full text]
  • The Fiddler Magazine General Store NEW! Vintage Fiddler Photo Note Cards! Six Credit Card Payments Are Only Accepted Through Paypal (Order Online At
    The Fiddler Magazine General Store NEW! Vintage fiddler photo note cards! Six Credit card payments are only accepted through PayPal (order online at www.fiddle.com). cards (one each of six Special Offers: • Bonus with 3-year subscriptions: Get a free back issue of your choice! designs), with env. $5. • Any 10 back issues: $40; ALL available back issues: $150 (over a $250 value!). • BACK ISSUE SALE: Selected back issues are on sale. BACK ISSUES (Only avail. issues are listed below. Quantities limited.) Spring ’94: Martin Hayes; County Clare Fiddling; Laurie Lewis… Fall ’95: Donegal Fiddling; Mairéad Ní Mhaonaigh; Canray Fontenot; Oliver Schroer; “Cindy” Lyrics; Fiddling in the 1700s; Fiddling Bob Taylor… Fall ’05: Johnny Frigo; Day of the Dead; Wendy MacIsaac; Stephan Dudash; Ned Win. ’96/’97: Blues; Vassar Clements; Paul Anastasio; Bulgarian; Bob McQuillen… Steinberger; Robert Burns & Scots Fiddling; Graded Fiddle Tunes… Summer 97: Kentucky Fiddling; Bruce Greene; Stuart Duncan; Pierre Schryer; Winter ’05/’06: Cajun Fiddling; Dirk Powell; David Greely; Festivals Acadiens; Cowboy Fiddler Woody Paul… Ranchdance Fiddlers; Robert Wilson: One-String Fiddler; The Caledonian Pocket Win. ’97/’98: NY State Fiddling; Jay Ungar; James Kelly; Björn Ståbi; Alan Lomax… Companion; A “Winning” Contest Round, Part One… Summer ’98: Texas Fiddling special; Frankie McWhorter; Dick Barrett; Orville Summer ’06: Donegal’s Caoimhin Mac Aoidh; James O’Neill; Alan Jabbour; Burns; Jimmie Don & Valerie Bates; Lanny Fiel; Orkney’s Wrigley Twins… Hungarian Gypsy Fiddling; Hunter Berry; A “Winning” Contest Round II… Fall ’98: Mexican Fiddling; Juan Reynoso; Mariachi Queen Laura Sobrino; Fall ’06: Jake Krack; Eastern European Fiddling; Washington’s Floyd Engstrom; Nashville’s Buddy Spicher; Mark O’Connor; George Wilson… Fiddling in Jämtland, Sweden; A “Winning” Contest Round III… Winter ’98/’99: Randal Bays; Jean-Luc Ponty; J.P.
    [Show full text]
  • The Fiddler Magazine General Store Fiddler Magazine T-Shirt! Prices Listed in U.S
    The Fiddler Magazine General Store Fiddler Magazine T-shirt! Prices listed in U.S. funds. Please note that credit card payments are only Be comfortable and attractive as accepted through PayPal (order online at www.fiddle.com). you fiddle around this summer. Featuring the Fiddler Magazine • Bonus with 3-year subscriptions: Get a free back issue of your choice! logo and the slogan “Fiddlers Please list 1st, 2nd, and 3rd choices on order form. don’t fret!” Thick, roomy, 100% BACK ISSUES (Only avail. issues are listed below. Quantities limited.) cotton. Sizes S, L, XL, XXL. Color: Oceana (blue/green). $10. Spring ’94: Martin Hayes; County Clare Fiddling; Laurie Lewis… Fall ’95: Donegal Fiddling; Mairéad Ní Mhaonaigh; Canray Fontenot; Oliver Fall ’04: Judy Hyman; Brian Conway; Schroer; “Cindy” Lyrics; Fiddling in the 1700s; Fiddling Bob Taylor… Kyle & Lucy MacNeil; Knut Buen… Winter ’95/’96: Appalachian Fiddling; Charlie Acuff; Stéphane Grappelli; Violet Hen- Winter ’04/’05: Regina Carter; Séan Ryan; Mexico’s Son Huasteco… sley; Jess Morris: Texas Cowboy Fiddler; Violin Books; Learning Tips… Spring ’05: Svend Asmussen; Fiddle Music of the Civil War; Caoimhin O Raghal- Win. ’96/’97: Blues; Vassar Clements; Paul Anastasio; Bulgarian; Bob McQuillen… laigh; Jamie Laval; Pedro Dimas; Julie Lyonn Lieberman… Summer 97: Kentucky Fiddling; Bruce Greene; Stuart Duncan; Pierre Schryer; Summer ’05: Fiddlers of Bill Monroe; Bobby Hicks; Gene Lowinger; Richard Cowboy Fiddler Woody Paul… Greene; Earl White; Remembering Ralph Blizard; Starting and Running
    [Show full text]
  • A-Z General Song List 2016
    Sean De Burca - Piano Vocalist ! A - Z General Song! List A Accidentally in Love Counting Crows Across the Universe The Beatles A Day Like This Elbow A Thousand years Christina Perri Ag Criost an Siol Irish Hymn Ain’t Misbehavin’ Louis Armstrong Ain't No Sunshine when she's gone Bill Withers Ain’t She Sweet Jazz Ain’t that a shame Fats Waller All I Ask of You Andrew Lloyd Webber All My Loving The Beatles All Night long Lionel Richie All of Me John Legend All shook up Elvis All you need is love Beatles A Life That’s Good Mackenzie Porter Always a woman to me (She’s) Billy Joel Always look on the bright side of life Monty Python Always on my mind Elvis/W Nelson Altogether Now The Farm All I ask Of You Andrew Lloyd Webber All I Do is Dream of You Michael Buble Amarillo Tony Christie All I want Is You Juno Movie Theme All I Want Kodaline All I want is You U2 A Man of Constant Sorrow Movie Theme Amazing Grace Gospel American Pie Don McClean A Mhuire Mhathair Trad, Hymn A Moment Like This Leona Lewis Amore Dean Martin And So it Goes Billy Joel A Million Love Songs Later Take That And the Way You Look Tonight Michael Buble Angel of Harlem U2 Angels Robbie Williams Angie Rolling Stones Annies Song John Denver Another brick in the wall Pink Floyd Another day in Paradise Phil Collins Ar n-Athair Our Father in Irish Arthur’s theme Christopher Cross As I went Down ib The River O Brother where art tho www.seandeburca.com As Time Goes By Frank Sinatra At Last Eta James Ave Maria Schubert Ave Maria Bach / Gounod Ave Mari Biance B Baby can I hold you Tracy Chapman Baby when your gone Bryan Adams Babylon David Gray Back home in Derry Christy Moore Bad day Daniel Powter Bad moon rising Creedance Baker Street Gerry Rafferty Ballade pour Adaleine Richard Clayderman Bambelo Gypsy Kings Better Tom Baxter Better Together Jack Johnson Be-bop-a-Lula Gene Vincent Beautiful C.
    [Show full text]