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ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2011 TY TITLE Artist CERTIFIED COMPANY CAT NO
CHART KEY <G> GOLD 35000 UNITS <P> PLATINUM 70000 UNITS <D> DIAMOND 500000 UNITS TY THIS YEAR ARIA TOP 50 AUSTRALIAN ARTIST ALBUMS CHART 2011 TY TITLE Artist CERTIFIED COMPANY CAT NO. 1 MAKING MIRRORS Gotye <P>2 ELEV/UMA ELEVENCD101 2 REECE MASTIN Reece Mastin <P> SME 88691916002 3 THE BEST OF COLD CHISEL - ALL FOR YOU Cold Chisel <P> WAR 5249889762 4 ROY Damien Leith <P> SME 88697892492 5 MOONFIRE Boy & Bear <P> ISL/UMA 2777355 6 RRAKALA Geoffrey Gurrumul Yunupingu <G> SFM/MGM SFGU110402 7 DOWN THE WAY Angus & Julia Stone <P>3 CAP/EMI 6263842 8 SEEKER LOVER KEEPER Seeker Lover Keeper <G> DEW/UMA DEW9000330 9 THE LIFE OF RILEY Drapht <G> AYEM/SME AYEMS001 10 BIRDS OF TOKYO Birds Of Tokyo <P> CAP/EMI 6473012 11 WHITE HEAT: 30 HITS Icehouse <G> DIVA/UMA DIVAU1015C 12 BLUE SKY BLUE Pete Murray <G> SME 88697856202 13 TWENTY TEN Guy Sebastian <P> SME 88697800722 14 FALLING & FLYING 360 SMR/EMI SOLM8005 15 PRISONER The Jezabels <G> IDP/MGM JEZ004 16 YES I AM Jack Vidgen <G> SME 88697968532 17 ULTIMATE HITS Lee Kernaghan ABC/UMA 8800919 18 ALTIYAN CHILDS Altiyan Childs <P> SME 88697818642 19 RUNNING ON AIR Bliss N Eso <P> ILL/UMA ILL034CD 20 THE VERY VERY BEST OF CROWDED HOUSE Crowded House <G> CAP/EMI 9174032 21 GILGAMESH Gypsy & The Cat <G> SME 88697806792 22 SONGS FROM THE HEART Mark Vincent SME 88697927992 23 FOOTPRINTS - THE BEST OF POWDERFINGER 2001-2011 Powderfinger <G> UMA 2777141 24 THE ACOUSTIC CHAPEL SESSIONS John Farnham SME 88697969872 25 FINGERPRINTS & FOOTPRINTS Powderfinger UMA 2787366 26 GET 'EM GIRLS Jessica Mauboy <G> SME 88697784472 27 GHOSTS OF THE PAST Eskimo Joe WAR 5249871942 28 TO THE HORSES Lanie Lane IVY/UMA IVY121 29 GET CLOSER Keith Urban <G> CAP/EMI 9474212 30 LET'S GO David Campbell SME 88697987582 31 THE ENDING IS JUST THE BEGINNING REPEATING The Living End <G> DEW/UMA DEW9000353 32 THE EXPERIMENT Art vs. -
Navigating Black Identity Development: the Power of Interactive Multicultural Read Alouds with Elementary-Aged Children
education sciences Article Navigating Black Identity Development: The Power of Interactive Multicultural Read Alouds with Elementary-Aged Children Rebekah E. Piper College of Education and Human Development, Texas A&M University-San Antonio, San Antonio, TX 78224, USA; [email protected] Received: 9 April 2019; Accepted: 23 April 2019; Published: 18 June 2019 Abstract: Racial identity development in young children is influenced by interactions with teachers and curriculum in schools. This article, using the framework of critical race theory, critical literacy, and critical pedagogy, explores how three elementary-aged Black children view their own identity development. Specifically, observing how children interact with Movement-Oriented Civil Rights-Themed Children’s Literature (MO-CRiTLit) in the context of a non-traditional summer literacy program, Freedom Schools, to influence their Black identity. Professional development and preservice teacher preparation are needed to support teachers as they navigate through learning about pedagogical practices that increase student engagement. Keywords: critical literacy; Civil Rights; Black identity; children 1. Introduction The central question addressed by the Supreme Court during the Brown v. Board of Education of Topeka, Kansas (1954) [1] was whether the segregation of children in public schools based on their race, deprived minoritized children of equal educational opportunities when everything else was equal [2–4]. This question has been, and continues to be, answered in the negative, as evidenced in an educational system in which Children of Color are repeatedly reported to have lower reading and numeracy scores in comparison to their white peers. In 2003, Education Trust, Inc. reported that, nationally, fourth-grade African-Americans fell behind their white peers in reading. -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and W abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection current and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
TREE of CLUES: a Packet for Popheads
TREE OF CLUES: a packet for popheads Written by Kevin Kodama 1. In one song by this artist, a background clicking noise slows down as she sings “I found another way / To caress my day”. One of this artist’s videos is a single shot of her as both a giant goddess and tiny dancers that slowly zooms out. A track by this artist that she described as “a medieval march through the destruction of a relationship” laments “I never thought that you would be the one to tie me down”. This artist asks “Why don’t I do it for you” in a video that showcases her pole-dancing skills, and she explained a part of her name as “a selection of letters that sounded... masculine and strong”. For ten points, name this artist who released “Cellophane” for her 2019 album MAGDALENE. ANSWER: FKA twigs (accept Taliah Debrett Barnett) 2. This song’s heavily ad-libbed bridge includes the James Brown-inspired lyric “Good God! I can’t help it!”. In the music video for this song, the artist crawls on the ground sporting white polka dotted lipstick. This song begins with a series of tongue clicking and a breathy “yeah” along with some funky guitars. The video for this song uses pink, purple, and blue lighting in a scene where the artist runs between a male flirt and Tessa Thompson. This song’s artist describes herself as “an emotional sexual bender”, which is a nod to her pansexuality. For ten points, name this top r/popheads track of 2018, a Janelle Monae song that was the lead single for the album Dirty Computer. -
Discover How Oracy Links with Metacognition
The place of oracy withing the Thinking Matters approach Introduction ‘Oracy’ is a relatively new term. Coined in the 1960s by Andrew Wilkinson it was intended to put oracy on a par with numeracy and literacy in schools. Oracy can be defined as: ‘Our ability to communicate effectively using spoken language. It is the ability to speak eloquently, articulate ideas and thoughts, influence through talking, listen to others and have the confidence to express your views. These are all fundamental skills that support success in both learning and life beyond school. It is purposeful classroom talk which develops children’s speaking and listening skills and enhances their learning through the effective use of spoken language.’1 In their timely document, Speak for Change, Millard and Menzies set out the history of oracy in schools, analyse the current landscape and make recommendations for the future. What may surprise us, however, is that the report offers no evidence of an improvement in oracy in education since 2017. In fact, Talking about a Generation2 reported that teachers then generally lacked confidence in tackling oracy and few had specific strategies for doing so. This, despite a clearly overwhelming need and plentiful advice and guidance. At the same time, Thinking Matters (TM) had also noted an increasing concern surrounding oracy in schools. Those using the term suggested it had meaning beyond the National Curriculum and Ofsted’s specific expectations of language3. Thinking Matters’ research had indicated that student readiness for the future should include the explicit teaching of speaking skills and that this should not be left to chance in the general hum of ‘group work,’ or ‘classroom discussion.’ In his paper Improving Oracy and Classroom Talk in English Schools: Achievements and Challenges4, Robin Alexander provides a history of the development, success and missteps in our perception of speech and communication in schools over half a century. -
The Role of Children's Racial Identity and Its Impact on Their
THE ROLE OF CHILDREN’S RACIAL IDENTITY AND ITS IMPACT ON THEIR SCIENCE EDUCATION by Lisa Mekia McDonald Dissertation Committee: Professor Felicia Moore Mensah, Sponsor Professor Denise Mahfood Approved by the Committee on the Degree of Doctor of Education Date: ___________________________________February 12, 2020 Submitted in partial fulfillment of the requirements of the degree of Doctor of Education in Teachers College, Columbia University 2020 ABSTRACT THE ROLE OF CHILDREN’S RACIAL IDENTITY AND ITS IMPACT ON THEIR SCIENCE EDUCATION Lisa Mekia McDonald Racial identity plays an important role in the development of children’s narratives. In the structure of the classroom there is a disconnect for students between home and school. The structure of the classroom consists of the social relationships that children have with their peers and teachers. The structure of the classroom also includes how the classroom is set up for learning, such as the curriculum. Racial identity is also a valuable aspect in the construction of knowledge as children learn science. Racial identity is not often addressed with young children and science. Young children need to be able to see themselves in science regardless of their own race or ethnicity. Critical race theory (CRT) was used to examine and situate the context of race with children’s identity. Sociocultural theory was used to describe their process of learning. The participants of this study included 10 children in grades 3 through 5 who attended a diverse urban school located in New York City and their parents (10 parents). A qualitative approach was used to allow both children and parents to share their perspectives on their experience with science and difficult topics that pertain to race and/or skin color. -
From Theory to Practice in a Critical Race Pedagogy Classroom Van T
i.e.: inquiry in education Volume 9 | Issue 1 Article 3 2017 In Real Time: From Theory to Practice in a Critical Race Pedagogy Classroom Van T. Lac University of Texas-San Antonio, [email protected] Follow this and additional works at: http://digitalcommons.nl.edu/ie Recommended Citation Lac, Van T.. (2017). In Real Time: From Theory to Practice in a Critical Race Pedagogy Classroom. i.e.: inquiry in education: Vol. 9: Iss. 1, Article 3. Retrieved from: http://digitalcommons.nl.edu/ie/vol9/iss1/3 Copyright © 2017 by the author(s) i.e.: inquiry in education is published by the Center for Practitioner Research at the National College of Education, National-Louis University, Chicago, IL. Cover Page Footnote I would like to thank the following individuals for offering me critical feedback on this manuscript: Kim Bancroft, Gwen Baxley, Margarita Bianco, Carolyn Kelley, Andy Hatcher, and Pete Miller. This article is available in i.e.: inquiry in education: http://digitalcommons.nl.edu/ie/vol9/iss1/3 Lac: In Real Time In Real Time From Theory to Practice in a Critical Race Pedagogy Classroom Van T. Lac University of Texas-San Antonio, San Antonio, USA Introduction I enter this teacher action research project with an interest in studying how I, as a high school teacher, developed a critical race pedagogy (CRP) curriculum for students in an out-of-school context. My intrigue with race started at an early age growing up in Oakland, California, where my classmates were primarily of African American, Central American, and Southeast Asian descent. As a Southeast Asian student in Oakland schools, even with 100% students of color in my classes, my teachers in school rarely talked about race or racism. -
Toward Abolitionist Transliteracies Ecologies and an Anti-Racist Translingual Pedagogy
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 6-2021 Beyond Authorization: Toward Abolitionist Transliteracies Ecologies and an Anti-Racist Translingual Pedagogy Lindsey Albracht The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4285 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BEYOND AUTHORIZATION: TOWARD ABOLITIONIST TRANSLITERACIES ECOLOGIES AND AN ANTI-RACIST TRANSLINGUAL PEDAGOGY by LINDSEY ALBRACHT A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 ©2021 LINDSEY ALBRACHT All Rights Reserved ii Beyond Authorization: Toward Abolitionist Transliteracies Ecologies and an Anti-Racist Translingual Pedagogy by Lindsey Albracht This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ______________________________________ Date Amy J. Wan Chair of Examining Committee _________________ _____________________________________ Date: Kandice Chuh Executive Officer Supervisory Committee: Mark McBeth Jessica Yood THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Beyond Authorization: Toward Abolitionist Transliteracies Ecologies and an Anti-Racist Translingual Pedagogy by Lindsey Albracht Advisor: Amy J. Wan This project explores the recent paradigm shift within Writing Studies toward a translingual approach, situating many of the critiques of this approach as limitations produced by dominant liberal models of Writing Studies pedagogy. -
Oracy Curriculum, Culture and Assessment Toolkit
Education Endowment Foundation Oracy Curriculum, Culture and Assessment Toolkit Evaluation report and Executive summary June 2015 Independent evaluators: Dr Bronwen Maxwell, Professor Cathy Burnett, Dr John Reidy, Ben Willis, Sean Demack The Education Endowment Foundation (EEF) The Education Endowment Foundation (EEF) is an independent grant-making charity dedicated to breaking the link between family income and educational achievement, ensuring that children from all backgrounds can fulfil their potential and make the most of their talents. The EEF aims to raise the attainment of children facing disadvantage by: • Identifying promising educational innovations that address the needs of disadvantaged children in primary and secondary schools in England; • Evaluating these innovations to extend and secure the evidence on what works and can be made to work at scale; • Encouraging schools, government, charities, and others to apply evidence and adopt innovations found to be effective. The EEF was established in 2011 by the Sutton Trust, as lead charity in partnership with Impetus Trust (now part of Impetus-The Private Equity Foundation) and received a founding £125m grant from the Department for Education. Together, the EEF and Sutton Trust are the government-designated What Works Centre for improving education outcomes for school-aged children. For more information about the EEF or this report please contact: Robbie Coleman Research and Communications Manager Education Endowment Foundation 9th Floor, Millbank Tower 21-24 Millbank SW1P 4QP p: 020 7802 1679 e: [email protected] w: www.educationendowmentfoundation.org.uk Oracy Curriculum, Culture and Assessment Toolkit About the evaluator The project was independently evaluated by a team from the Centre for Education and Inclusion Research at Sheffield Hallam University. -
Making the Case for Oracy Skills in Higher Education: Practices and Opportunities Marion Heron University of Surrey, [email protected]
Journal of University Teaching & Learning Practice Volume 16 | Issue 2 Article 9 2019 Making the case for oracy skills in higher education: practices and opportunities Marion Heron University of Surrey, [email protected] Follow this and additional works at: https://ro.uow.edu.au/jutlp Recommended Citation Heron, Marion, Making the case for oracy skills in higher education: practices and opportunities, Journal of University Teaching & Learning Practice, 16(2), 2019. Available at:https://ro.uow.edu.au/jutlp/vol16/iss2/9 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Making the case for oracy skills in higher education: practices and opportunities Abstract In this paper I make the case for embedding oracy practices in the HE curriculum through explicit teaching of oracy skills and a shared common language to describe these skills. Active learning and teaching approaches as well as growing expectations of graduate employability skills have resulted in greater demands on students in UK higher education in terms of their oracy (speaking and listening) skills. Whilst oracy skills have long been the focus of studies in compulsory educational contexts, there is little transfer of research findings to a higher education context. With the aim of opening up the discussion on oracy skills in HE, this paper reports on an exploratory study carried out to investigate how teachers on two undergraduate business modules incorporated oral communication skills in their content, pedagogy and assessment. Data were gathered from observations of lectures and seminars, course documents, and semi-structured interviews with tutors. -
Friday, November 16
FRIDAY, NOVEMBER 16 7:00–7:45 A.M. v First-Timers’ Welcome GRAND BALLROOM A Set your alarm so you don’t miss Ernest Morrell this event we’re holding just for you! Join first-time attendees and NCTE leaders for an informative session to kick off your NCTE annual convention experience. You’ll have the opportunity to hear from NCTE members Ernest Morrell and Donalyn Miller as well as connect with other NCTE members. The special gathering provides an opportunity for you to gain quick tips and strategies that will expand your knowledge of NCTE and your professional network. Donalyn Miller 56 2018 NCTE ANNUAL CONVENTION PROGRAM FRIDAY GENERAL SESSION 8:00–9:15 A.M. v Students Raising Their Voices GENERAL ASSEMBLY THEATRE ABC Presiding: Antero Garcia, Stanford University, CA FRIDAY Kristin Ziemke, Big Shoulders Project, Chicago, IL Friday’s General Session will be fast and full of energy. This session will be a celebration of students who are using their voices to change the world and will be facilitated by NCTE Antero Garcia members Antero Garcia and Kristin Ziemke. Seven students ages 11 to 21 will share their passions with attendees. Speakers at this session include students who have created movements or organizations, raising their voices to create change. Kristin Ziemke Andrea Cipriani Mecchi Andrea Marley Dias Alex King Xiuhtezcatl Martinez Social activist behind Student advocate Indigenous climate activist #1000blackgirlbooks for gun reform and hip-hop artist Sara Abou Rashed Zephyrus Todd Olivia Van Ledjte Jordyn Zimmerman Inspirational multilingual Student and social Reader, thinker, and Avid speaker and poet and author media creator kids’ voice believer advocate for all students 20182018 NCTE NCE ANNUAL CONVENTION PROGRAM 57 C SESSIONS / 9:30–10:45 A.M. -
Five Components of Effective Oral Language Instruction
Five Components of Effective Oral Language Instruction 1 Introduction “Oral Language is the child’s first, most important, and most frequently used structured medium of communication. It is the primary means through which each individual child will be enabled to structure, to evaluate, to describe and to control his/her experience. In addition, and most significantly, oral language is the primary mediator of culture, the way in which children locate themselves in the world, and define themselves with it and within it” (Cregan, 1998, as cited in Archer, Cregan, McGough, Shiel, 2012) At its most basic level, oral language is about communicating with other people. It involves a process of utilizing thinking, knowledge and skills in order to speak and listen effectively. As such, it is central to the lives of all people. Oral language permeates every facet of the primary school curriculum. The development of oral language is given an importance as great as that of reading and writing, at every level, in the curriculum. It has an equal weighting with them in the integrated language process. Although the Curriculum places a strong emphasis on oral language, it has been widely acknowledged that the implementation of the Oral Language strand has proved challenging and “there is evidence that some teachers may have struggled to implement this component because the underlying framework was unclear to them” (NCCA, 2012, pg. 10) In light of this and in order to provide a structured approach for teachers, a suggested model for effective oral language instruction is outlined in this booklet. It consists of five components, each of which is detailed on subsequent pages.