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Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Teen Titans the Judas Contract Stream
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The Skull Man Jumpchain the Year Is 1970 and a Young Man Named Tatsuo Kagura Is About to Begin a Rampage Across Japan Under the Guise of the Skull Man
The Skull Man Jumpchain The year is 1970 and a young man named Tatsuo Kagura is about to begin a rampage across Japan under the guise of The Skull Man. His parents, a pair of genius scientists dedicated to the “evolution of humanity”, performed many experiments on their young son in order to create the perfect example of Newmanity as part of the plans of the evil organisation The Syndicate. After they were murdered by his grandfather, Tatsuo was rescued by the shapeshifting Kaijin Garo. Will you abide his vicious vigilante vengeance quest? Or will you oppose this dark anti-hero? Or is the year 1988, where a only somewhat different Tatsuo will battle against the evil Rasputin and takes part in a trip into the world of shadows and the evil within all of us. Or perhaps it is even more recent, say 2007? But this is a very different Skull Man. Tatsuo and his father both slain, and the Skull Man suit (the source of the Skull Man's powers in this version of events) if found by a priest named Yoshio Kanzaki to battle the evil cult Byakureikai and it's evil experiments on humanity. This story begins with the death of Yoshio and the mantle of Skull Man taken over by Hayato Mikogami who may in fact be Tatsuo himself under a new identity. Regardless of when you arrive in Japan (your pick Jumper), you receive 1000 choice points and must choose your place in this world: Origins Drop-in Free You awaken in a dark alley in the city of Tokyo, your memories and body untouched from your last jump. -
Masked Rider: the First
Presented by Japan Information & Culture Center, Embassy of Japan and The DC Anime Club Masked Rider: The First © 2005 ISHIMORI PRO•TOEI COMPANY, LTD All Rights Reserved. DVD package and design by Tokyo Shock 2007 Thursday April 24 6:30 PM The evil terrorist organization SHOCKER is kidnapping unwilling citizens and turning them into cyborg inhumanoids used to carry out SHOCKER’s nefarious schemes. The only man who can stand in their way is one of SHOCKER’s own inhumanoid agents who cannot forget his humanity- KAMEN RIDER! Kamen Rider: The First is a 2005 film based on the popular comic book and TV series Kamen Rider of the 1970’s. The show and comic still enjoy a large fanbase and legendary status in Japan. With his trademark bug-eyed helmet and black motorcycle, Kamen Rider, rides around Japan acrobatically battling with a colorful cast of villains from the SHOCKER organization. Kamen Rider helped to establish the famous genre of Japanese television and movies known as Tokusatsu. Tokusatsu shows are known for their use of special effects, gigantic monsters, imaginative costumes, and high-flying, fast-paced martial arts fight scenes. Other icons of tokusatsu lore include Ultraman, Godzilla and The Mighty Morphing Power Rangers. Don’t miss this chance to see one of the legends of the genre on the big screen! In Japanese with English Subtitles 90 minutes This event is free and open to the public. Reservations are required. RSVP to [email protected] Seating is limited and granted on a first come, first served basis Japan Information and Culture Center, Embassy of Japan・3 Lafayette Center・1155 21Pst P St NW・ Washington DC 20036・202-238-6949・www.us.emb-japan.go.jp/jicc . -
1 BAB I PENDAHULUAN 1.1 Latar Belakang Penelitian Menurut
BAB I PENDAHULUAN 1.1 Latar Belakang Penelitian Menurut Stewart L Tubbs “Budaya adalah suatu cara hidup yang berkembang dan dimiliki bersama oleh sebuah kelompok orang dan diwariskan dari generasi ke generasi. Budaya terbentuk dari banyak unsur yang rumit, termasuk sistem agama dan politik, adat istiadat, bahasa, perkakas, pakaian, bangunan, dan karya seni.” (1996:84) Dari pernyataan Stewart dapat disimpulkan bahwa budaya tidak lagi terkait dengan hal-hal yang berada di pedesaan yang berbau tradisional. Saat ini fenomena budaya sudah mulai bergerak ke wilayah urban, dan salah satu bentuk dari kebudayaan urban adalah film. Film sendiri bisa dikatakan sebuah budaya karena industri film telah ada sejak tahun 1927 dan bertahan diwarsikan hingga saat ini. Film juga mengandung unsur-unsur rumit yang telah dijabarkan oleh Stewart. Lebih lanjut, Sumarno menyatakan bahwa “film adalah bagian dari kehidupan modern dan tersedia dalam berbagai wujud. Film bukan saja menyajikan pengalaman yang mengasyikan melainkan juga pengalaman hidup sehari-hari yang dikemas secara menarik dan dengan memasukan beragam budaya ke dalam film tersebut” (1996: 22). Salah satu genre dari film yang paling sering dijumpai adalah serial drama. Serial drama adalah program yang hampir selalu ada dalam media televisi di berbagai negara di belahan dunia. Serial drama di berbagai negara di berbagai belahan dunia inipun memiliki ciri khas masing-masing yang tidak dimiliki oleh serial drama di negara lain. Diantaranya adalah drama Korea yang memiliki alur drama percintaan yang sulit ditebak, Kawasan Amerika Latin yang menonjolkan karakter wanita yang sangat kuat seperti Betty La Fea dan Esmeralda, India dengan drama Bollywood yang menjadikan tarian dan nyanyian sebagai ciri khas nya, Indonesia dengan sinetron yang memili alur yang berputar-putar dan ringan serta, serta Jepang dengan tokusatsu yang mengguanakan teknik-teknik tertentu 1 dalam vidiografinya dan masih banyak lagi yang tidak bisa penulis sebutkan satu persatu. -
Kamen Rider Fourze Astro Switch Secret Report
Kamen Rider Fourze Astro Switch Secret Report Dime Wye atomising her calottes so only that Stefan beseeches very spiccato. Dennis remains glimmering after Haley municipalises privatively or trapans any proctologists. Poul undock metabolically. Rider System as well as keeping things loose and light, which is always good for the beginning of the series. They discuss: The Matrix DVD, Yearbook Photos, Bob losing his mind and Ashley finally turns the podcast into being entirely about lesbian subtext. Miu and Shun went. Gentaro and Shun tag team it, managing to free Nadeshiko, who transforms as well; Gentaro and Nadeshiko Double Rocket Rider Kick Sadonas! Also Jerry is the absolute worst in canon. New episode summaries are up for December, and it looks like the KRC is celebrating Christmas in style at the Rabbit Hutch. During the party, a Zodiarts appear. Edenoites also possess telepathic abilities that are focused through a gem in the forehead, which can be hidden telepathically, though in times of stress can become visible. Also, all the text is in caps. Birth Buster from her. Down arrows to advance ten seconds. Meteor slid a small plastic piece in the end of his Storm Shaft and pulled it, preparing his final attack. The gang is forced to confront the power of the incel as Alex tries to turn a guy down and he resorts to drinking strong juice. Rider, and a lot more about Fourze over the last couple of days. Also Jazz Hands is out of prison. He of COURSE wipes the floor with both Birth and Proto Birth with relative ease. -
Kaizoku Sentai Gokaiger ~Super Hero Getter~ the Showboat Pirates of Gokaiger
Kaizoku Sentai Gokaiger ~Super Hero Getter~ The showboat pirates of Gokaiger Space Empire Zangyack, a powerful interstellar empire, made of all manner of alien forces have conquered many planets. Just days after the Goseiger’s victory over their final foe, countless Zangyack battleships came to earth bombarding human cities. Hundreds of gormin troops led by Sugormin commanders fought on the ground. How long the war lasted is unknown, what is known is that before the final confrontation a battle between hundreds of mecha and the Zangyack fleet occurred. Many of the mecha were destroyed during this battle. The Goseigers as the 34th sentai team went to war with Zangyack, but suffered greatly their mache crippled or destroyed. They were forced to flee, hiding in a forest. Just when all hope was lost and the forces of Zangyack had cornered them, they were saved by Akaranger the first red ranger. He had begun mobilising all 33 previous teams with Big One of JACKQ as his right hand. Fighting their way past enemy lines, the Goseigers, Akared, Big One and several other legendary sentai made it to the main sentai force. Together all 34 sentai teams went to battle with Zangyack, eventually combining all of their powers in one final attack. Shortly afterward the Sentai awakened and, though they had one, they all lost their ability to transform. Their powers were scattered across space in the form of Ranger Keys. Knowing they did the right thing the sentai went their separate ways and carried on with their lives. Yet AkaRed, the embodiment of all red rangers, sought to remedy this. -
Method to Investigate Fictional Entities: a Case of Ishinomori Shotaro's
METHOD TO INVESTIGATE FICTIONAL ENTITIES: A CASE OF ISHINOMORI SHOTARO’S “KAMENRIDER BLACK” TV SERIES IN INDONESIA Rizki Musthafa Arisun Japan Culture Lecturer in STBA LIA Jakarta ([email protected]) ABSTRACT This article reports an experiment to pursue appropriate observation method on fictional entities inside popular culture products from Japan: two dimensional characters, fictional characters in a movie. Previous research showed how Indonesian popular culture producers being empowered in production, as fictional entities involved, such as “Hatsune Miku” (HM), a virtual singer persona. This article focused on older cases where media Japan travelled to Indonesia. Back in 1989, a TV action serial "Kamen Rider Black/ Ksatria Baja Hitam" (KRB/KBH) from Japan, was broadcasted by Indonesian local television station RCTI, and dubbed in Indonesian language. The experiment on finding appropriate observation method is conducted by constructing frameworks, imagined as ‘dissecting’ fictional entities into smaller observable parts. The purpose of this paper is to map methods to examine the role of non-human entities under transnational media by evaluating through early stage experiment. Keywords: fictional entity, method, transnational media, Ishinomori Shotaro, Kamen Rider Black Method to Investigate Fictional Entities … LINGUA:JURNAL ILMIAH VO.14 NO. 2 (2018) (Arisun, R.M.) 32 INTRODUCTION Here, is a description story of days together with popular fictional entities in Indonesia: A brief introduction and some reflections of living in the nineties as children. “A warm and bright Sunday morning in 1990. RCTI, a local television in Indonesia, was broadcasting an action hero show from Japan1 titled after “Ksatria Baja Hitam” (Kamen Rider Black/KRB). It was dubbed in Indonesian language. -
Words out of These Letters
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With Mattel at 2012 San Diego Comic-Con Booth #3029
July 11, 2012 Fanboys and Fangirls "Collect and Connect®" with Mattel at 2012 San Diego Comic-Con Booth #3029 Immersive Fan Panels, Hot Toy Exclusives and Celebratory Events Round out Confab Collector Experience SAN DIEGO--(BUSINESS WIRE)-- Mattel, Inc. (NASDAQ:MAT) brings San Diego Comic-Con (SDCC) fans the ultimate pop- culture, comic inspired celebration with exclusive toy collectibles, giveaways and fan-atic events at booth #3029. From the hottest classic brands to new entertainment collectibles, Mattel has something for every fanboy and fangirl. "This year heralds significant milestones for Mattel as we commemorate our decade long presence at SDCC creating unique show exclusives. We take great pride in bringing forth the very best in detailed collectibles and fan events by utilizing our timeless brands," said Doug Wadleigh, Senior Vice President, Global Brands Marketing, Mattel. "We also look forward to celebrating the 30th anniversary of our iconic action hero brand, Masters of the Universe at the show." A "Masterful" 30 Year Legacy: What began as an "Eternian" action-hero property in the 1980s, Masters of the Universe® (MOTU), has grown into a robust Mattel, Inc. San Diego Comic-Con Masters of the Universe(R) Classics Vykron(TM) franchise that has spanned three-decades. Ultimate Eternian Champion(TM) (Photo: Business Wire) The MOTU brand has had six lines of action figures, four animated television series, several comic series and a feature film all of which have received fanfare around the world. SDCC patrons can ring in the MOTU anniversary at the Mattypalooza panel on Friday, July 13th with several top-secret reveals and an in-depth discussion on all things MOTU. -
Ages 0-6 Ages 7-14
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Quick Guide to the Web
Quick Guide to the Web For Reference & For Fun Reference General Reference Wiki Reference Academic Encyclopedias Dictionaries More Glossaries by Topic Basic Info Phone & Address Maps & Directions News Weather Health Answers & How-To Basic Sites Internet Basics News News & Politics Newspapers Media Research Entertainment Movies & TV Shows/Movies Online Movies Television Reference Pop Culture Music Online Music Music Sites Reference Games Computer & Console Internet Puzzles & More Media & Fun Online Video Humor/Fun Baseball & Other Sports Government General Depts & Agencies Law Public_Resources Data & Statistics Travel General Flights Driving Automobiles Hotels Studying Academic Study Aids General Reference Data & Statistics Wiki Reference Encyclopedias Dictionaries More Glossaries by Topic Media Online Shows & Movies Music Video Internet Games Books Newspapers Magazines More Local Info Genealogy Finding Basic Information Basic Search & More Google Yahoo Bing MSN ask.com AOL Wikipedia About.com Internet Public Library Freebase Librarian Chick DMOZ Open Directory Executive Library Web Research OEDB LexisNexis Wayback Machine Norton Site-Checker DigitalResearchTools Web Rankings Alexa Web Tools - Librarian Chick Web 2.0 Tools Top Reference & Resources – Internet Quick Links E-map | Indispensable Links | All My Faves | Joongel | Hotsheet | Quick.as Corsinet | Refdesk Tools | CEO Express Internet Resources Wayback Machine | Alexa | Web Rankings | Norton Site-Checker Useful Web Tools DigitalResearchTools | FOSS Wiki | Librarian Chick | Virtual