A Bibliography of : The Magazine of Type and

Nelson H. F. Beebe Department of Mathematics University of Utah Salt Lake City, UT 84112 USA Tel: +1 801 581 5254 FAX: +1 801 581 4148 E-mail: [email protected] (Internet) WWW URL: http://www.math.utah.edu/~beebe/ 12 August 2014 Version 1.08

Title word cross-reference [Bri96]. Big [Ano94a]. bitmap [Ano96b]. Bitstream [Ano95e]. Book [Ano94b, Ano95a, Ano95b, Ano95c, Hos96a, ’94 [Ano95d]. ’95 [Ano95e, Ano96b, Ano95e]. Hos94a, Pas94, Ric94, Hos96d]. Books [Hos95e, Hos95c, Hos95b, Hos95d, Sax94, a-changing [Pri95]. Adobe Hos95b]. Borek [Ano96d]. Briefly [BM98, Hos95a, Hos95b]. Adrian [Hun98]. [Ano94b, Ano95d, Ano95e, Ano96b, BM98]. age [Bri95b]. Alan [Hos95d]. Aldo [Ano95g]. Bureau [Ano95e]. [Ano96b]. Alexander [Pas94]. alphabet Butterick [Hos96d]. [Hos95h]. Alphabets [BM98]. American [Ano94b, Hos95c, Sax94]. Anatomy [Pas94]. Callifonts [Bar95]. Can [Bar95]. Carl Apologies [Pri95]. Aries [Ano96d]. [Ano95e]. Carlos [Ano96c]. Carol [Hos95f]. Arrangement [Hos96a]. Arrighi [Hos94b]. Carter [Lan94a]. Cash [Hal98]. Art [Hos96a]. ATF [Ano95d]. Atlas [Ano94a, Hos95i]. Casual [Ano94a]. [Hos95d]. ATypI Catalog [Ano94b]. Catalogs [Ano95e]. [Ano95d, Ano95e, BM98, Ano96b, BM98]. Catalogue [Hos95e]. CD [Ano96b, Hos96c]. award [Ano95e]. CDs [Ano94b]. [Hos94b]. Center [Ano95d]. centuries [Joh95]. Century baroque [Bri95b]. Bartram [Hos95d]. [Ano95c, Reh96, Big94, Hos95c]. challenges [Bri96]. Baudin [Ric94]. be [Bea96]. Change [Kee98]. changing [Bar95]. Beata [Ano98]. beginning [Bea95].

1 2

[Pri95, Sch94]. Chelsea [Ano94a]. Circle goblet [Swa94]. Goes [Sch96]. Good [Ano96b]. Civilit´e [Ano96d]. Clarety [Hos96a, Bar95]. Goudy [Ano95d]. Group [Swa94]. classification [Bri94]. Cleary [Lan95]. grunge [Ano96c, Sch96]. guard [Ano94b]. collage [Ano96c]. Comments [Sch94]. Guide [Reh96]. GX [Ano94b]. [WR98]. Company [Ano96b]. Competition [Ano96a]. Cone [Lan94a]. Hairspray [Ano95g]. Hand Conference [BM98]. Contemporary [Bri96, Bri95a, Sol94]. Handsome [Ano95g]. [Hos95e, Hos95c, Hos95b, Hos95d]. Headliners [Ano94b]. height [Ano96b]. Conversation [Ano96c, Hos95f]. Cool Herzog [Ano95e]. Hitchhiker [Reh96]. [Hal98]. Copal [Ano95f]. creating [Reh96]. Holding [Bri95a]. Horizontalit´e [Por98]. Credit [Ano95b]. Cresci [Ano98]. Cruz Hot [Hal98]. House [Sch96]. Human [Ano94b]. crystal [Swa94]. [Fra98].

David [Lon95]. Dealing [Bea96]. death ideas [Bri95a]. Inc. [Lan94a]. Industries [Ano95d]. debate [Ano96b]. Design [Sch96]. influences [Car94]. Information [Hos96a, Ano96a, Fra98, Lan95, Bea96, [Ano96a, Ano95d, Ano95e]. Car94, Lan94b]. designed [Hos96d]. [Ano95g]. ink [Bri95b]. Instanter [Ano95f]. designers [Bri96, Ano95c]. Designing Interaction [Fra98]. International [Bea96]. development [Bri96]. Digital [Ano94b, Ano95d, Hos96c]. Introduction [Lan94a]. discuss [Ano96c]. Donatello [Hos96a]. Invisible [Bri96]. italic [Ano98]. Drinking [Swa94]. Duckling [Bri95b, Sol94]. ITC [Ano96b]. [Ano96d]. Jamboree [BM98]. James [Hos95d]. Jecho Ed [Ano94b]. Education [Fra98]. Elroy [Ano96d]. [Ano94a]. Emigre [Ano94b]. Endpapers [Hos94c, Hos95g, Hos96b, Hos98]. enough Kalendar [Ano96d]. Kindersley [Lon95]. [Lan95]. entering [Ano96a]. Essays Kinross [Hos94a]. [Hos96a]. examination [Bri96]. expansion [Ano96b]. exposition [Ano96b]. Lawson [Pas94]. lawsuit [Ano95e]. legibility [Lub95]. Letter [Bea96, Hos95h]. face [Hos96d]. Faces Letterforms [Bri96, Bri94, Bri95a]. [Ano98, Ano95f, Ano95g, Ano96d]. fashion Lettering [Fra98]. Letterpress [Lan95]. Fellowship [Ano94b]. Fernand [Reh96, Due95]. Letters [Ric94]. few [Lub95]. FF [Ano94a, Ano95f]. [Ano95b, WR98, Lon95]. look FH [Ano96d]. fifteenth [Hos95h]. fine [Due95, Hos96d, Sch96]. love [Lon95]. [Sol94]. Finer [Hos96a]. first [Reh96]. Lucida [Ano94a]. Lyon [BM98]. Fleischmann [Ano95a]. floppy [Ano95d]. [BM98, Ano95e, Bar95, Ano94b]. M&H [Hos95e]. Mac [Hos95c]. made FontHaus [Ano96b]. [Hal98]. Form [Bar95]. Magneto [Ano95f]. [Hos96a]. foundry [Lan94a, Sch96]. Massachusetts [BM98]. Masters [Ano94b]. Fournier [Bri96]. France [BM98]. Frutiger Matthew [Hos96d]. McGrew [Hos95c]. [Hun98]. FUSE [Ano95e]. Metal [Due95, Hos95c]. metaphysics [Bri95a]. methods [Reh96]. Microsoft Gal´apagos [Lan95]. Ghiberti [Ano98]. [BM98]. MJ [Ano96d]. Modern [Hos94a]. 3

Monotype [Ano95g, Ano96b]. Morality Sutton [Hos95d]. symposium [Ano96b]. [Hos96a]. Morris [Pet94]. Mr. [Pri95]. much [Lan95]. Multiple [Ano94b]. T [Lan94b]. T-26 [Lan94b]. Technology [Ano95h, Hos96c, Joh95]. Techo [Ano96d]. Neighborhood [Sch96]. Neoclassical Theory [Van98]. There [Sch96]. Thoughts [Bri96]. Neonstream [Ano95f]. News [Big94, Lub95]. times [Pri95]. To o [Lan95]. [Ano95d]. Noted Toronto [Ano95e]. Tracy [Ano95e]. [Ano94b, Ano95d, Ano95e, Ano96b, BM98]. tradition [Lub95]. Treacyfaces [Ano94b]. Novarese [Ano96b]. November [BM98]. Twentieth [Ano95c, Hos95c]. Twenty [Reh96]. Twenty-first [Reh96]. Twist O [Hos95h]. October [BM98]. One [Ano94a]. Two [Joh95, Bar95]. Twombly [Bri96, Ano96d]. OpenType [BM98]. [Hos95f]. Type originality [Ano96c]. overview [Reh96]. [Ano95d, Ano95e, Ano95c, Hos96a, Hos95e, own [Sch96]. Hos95c, Hos95b, Hos95d, Kee98, Car94, Due95, Joh95, Lan94a, Reh96, Sax94, Sax95]. Painting [Bri95b]. Paper [Bea96]. Part Typecasting [Ano94b]. TypeCon [BM98]. [Bri96]. party [Ano95e]. physics [Bri95a]. Typeface [Pas94]. [Hos95c]. Pietra [Ano98]. Poetica [Hos95a]. Points Typeforms [Hos95d]. Typefounders [Hos96a]. Pontif [Ano98]. Precision [Hos96c]. types [Bri95b, Pet94]. [Ano95e]. [Due95, Reh96]. Typo.icon.ography [Hos96a]. producing [Sch96]. publications [Ano95d]. Typographic [Ano96b, Ano96a, Hun98, [Car94, Ano95a]. Ano96c, Lub95, Ano96b]. Typography [Hos96a, Ric94, Ano96c, Lan94b, Sch96, Quickdraw [Ano94b]. Hos94a]. typophiles [Lan94a].

Raceway [Ano95f]. Readability University [BM98, Ano96b]. [WR98, Ano96c, Lub95]. Reader [WR98]. Reading [BM98]. redux [Ano95e]. vision [Lan95]. renaissance [Bri95a]. Restructures [BM98]. return [Ano95d, Ano96b]. reviews Walter [Ano95e]. WebType [BM98]. [Ano95a, Ano95b, Ano95c, Hos96a, Hos94a, weeks [Bar95]. weight [Car94]. Wessex Pas94, Ric94]. revival [Ano95e]. Robin [Hos96d]. Westborough [BM98]. Which [Hos94a]. Rocket [Ano95f]. roman [Bri95b]. [Hos95i]. Whirligig [Ano94b]. Whither [Due95]. William [Pet94]. Windows Santa [Ano94b]. Schneidler [Ano95g]. [Ano94b]. wither [Due95]. Work [Hun98]. Schoolbook [Big94]. Segura [Ano96c]. Works [Ric94]. serif [Car94]. sheet [Bea96]. Show [Ano94b]. Simona [Ano98]. Spacing x [Ano96b]. x-height [Ano96b]. [Hos96a]. Specimen [Hos95e, Hos95c, Hos95b, Hos95d, Sax94]. Zimmerman [Pri95]. Zombie [Ano94a]. specimens [Sax95]. state [Due95]. steel [Bri95b]. style [Lub95, Sch96]. Subiaco [Ano95e]. such [Bri96]. superhighway [Ano95d, Ano95e]. Supermarket [Van98]. REFERENCES 4

References floppy? – News from the Goudy In- ternational Center. Serif: The Maga- Anonymous:1994:BCF zine of Type and Typography, 2:10–13, [Ano94a] Anonymous. Big Caslon – FF Winter 1995. ISSN 1080-2207. Chelsea – Elroy – Lucida Casual – Anonymous:1995:BNW Twist – Zombie. Serif: The Maga- zine of Type and Typography, 1:6–9, [Ano95e] Anonymous. Briefly noted: Walter Fall 1994. ISSN 1080-2207. Tracy – Toronto font party – Subiaco Anonymous:1994:BNF revival – Catalogs from Font Bureau and Precision Type – Bitstream law- [Ano94b] Anonymous. Briefly noted: Font suit – Type on the information super- CDs – Quickdraw GX – Multiple highway redux – Carl Herzog award Masters for Windows – Ed Cleary – –ATypI’95–FUSE’95. Serif: The Treacyfaces and Headliners Interna- Magazine of Type and Typography,3, tional – American Typecasting Fel- Summer 1995. ISSN 1080-2207. lowship – Emigre’s Whirligig Catalog – Santa Cruz Book Show. Serif: The Anonymous:1995:NFC Magazine of Type and Typography,1: 10–12, Fall 1994. ISSN 1080-2207. [Ano95f] Anonymous. New faces: Copal – FF Instanter – Magneto – Neonstream – Anonymous:1995:BRF Raceway – Rocket. Serif: The Maga- [Ano95a] Anonymous. Book reviews: Fleis- zine of Type and Typography, 3, Sum- chmann on Punchcutting. Serif: The mer 1995. ISSN 1080-2207. Magazine of Type and Typography,3, Anonymous:1995:NFM Summer 1995. ISSN 1080-2207. Anonymous:1995:BRL [Ano95g] Anonymous. New faces: Monotype Bulmer – Hairspray – Handsome – [Ano95b] Anonymous. Book reviews: Let- Schneidler Initials. Serif: The Mag- ters of Credit. Serif: The Magazine azine of Type and Typography, 2:7–9, of Type and Typography, 3, Summer Winter 1995. ISSN 1080-2207. 1995. ISSN 1080-2207. Anonymous:1995:T Anonymous:1995:BRT [Ano95h] Anonymous. Technology. Serif: The [Ano95c] Anonymous. Book reviews: Twen- Magazine of Type and Typography, tieth Century Type Designers. Serif: 3, Summer 1995. ISSN 1080-2207. The Magazine of Type and Typogra- Berthold’s Diamond CD. phy, 3, Summer 1995. ISSN 1080- 2207. Anonymous:1996:TDC Anonymous:1995:BNR [Ano96a] Anonymous. 1996 typographic de- [Ano95d] Anonymous. Briefly noted: The re- sign competition: Information about turn of ATF – ATypI ’94 – Recent entering the competition. Serif: The publications – Type on the informa- Magazine of Type and Typography,4: tion superhighway – The death of the 30–31, Spring 1996. ISSN 1080-2207. REFERENCES 5

Anonymous:1996:BNT at the quality of the types in this broad and inexpensive collection. [Ano96b] Anonymous. Briefly noted: Typo- graphic symposium and exposition — Beaujon:1995:B FontHaus, A Monotype company? — the new x-height — new Monotype [Bea95] Beatrice Beaujon. In the beginning. CD — ITC expansion — Aldo No- Serif:TheMagazineofTypeandTy- varese – Monotype University — Ty- pography, 2:46–51, Winter 1995. ISSN pographic Circle debate — ATypI ’95 1080-2207. A look at the use of ini- — the return of the bitmap. Serif: tials in text showing the best way to The Magazine of Type and Typogra- work with both plain and decorated phy, 4:12–15, Spring 1996. ISSN 1080- initials. 2207. Beaujon:1996:DLP Anonymous:1996:CCS [Ano96c] Anonymous. A conversation with [Bea96] Beatrice Beaujon. Designing for letter Carlos Segura: We discuss grunge ty- paper: Dealing with the design chal- pography, typographic collage, read- lenges of the 8.5 by 11 sheet of paper. ability and originality with Carlos Serif:TheMagazineofTypeandTy- Segura. Serif: The Magazine of pography, 4:46–51, Spring 1996. ISSN Type and Typography, 4:32–40, Spring 1080-2207. 1996. ISSN 1080-2207. Bigelow:1994:TCS Anonymous:1996:NFA [Big94] Charles Bigelow. Thoughts on Cen- [Ano96d] Anonymous. New faces: Aries FH tury Schoolbook. Serif: The Maga- — Borek — Civilit´eMJ—Duck- zine of Type and Typography, 1:59– ling — Jecho Techo One — Kalendar. 60, Fall 1994. ISSN 1080-2207. A Serif: The Magazine of Type and Ty- fresh look at a typeface we all have pography, 4:8–11, Spring 1996. ISSN and seldom use. 1080-2207. Anonymous:1998:NFB Bruton:1998:BNA

[Ano98] Anonymous. New faces: Beata, [BM98] Clive Bruton and Rod McDon- Cresci, Donatello, Ghiberti, Pietra, ald. Briefly noted: ATypI Con- Pontif, Simona. Serif: The Maga- ference: 23–25 October 1998, Lyon zine of Type and Typography, 6:5–8, France; TypeCon 98: 30 October– Spring 1998. ISSN 1080-2207. 1 November 1998, Westborough, Barrett:1995:CCG Massachusetts; Alphabets, Inc. Re- structures; Adobe WebType; Mi- [Bar95] Bonnie Barrett. Callifonts: Can a crosoft OpenType Font Jamboree; good font be made in two weeks? 1997 ATypI Conference, University Serif: The Magazine of Type and Ty- of Reading. Serif: The Magazine of pography, 3, Summer 1995. ISSN Type and Typography, 6:9–, Spring 1080-2207. Barrett takes a hard look 1998. ISSN 1080-2207. REFERENCES 6

Bringhurst:1994:CL Carr:1994:WSO

[Bri94] Robert Bringhurst. On the classifica- [Car94] Dan Carr. The weight of a serif, tion of letterforms. Serif: The Maga- or, the influences of punchcutting on zine of Type and Typography, 1:30–39, . Serif: The Magazine of Fall 1994. ISSN 1080-2207. An ex- Type and Typography, 1:26–29, Fall pansion and explication of the taxon- 1994. ISSN 1080-2207. A look at the omy begun in Bringhurst’s Elements art of punchcutting and the degree to of Typographic Style. First in a series. which it did—and didn’t—influence the development of letterforms. Bringhurst:1995:HIH Duensing:1995:MTW

[Bri95a] Robert Bringhurst. Holding ideas in [Due95] Paul Hayden Duensing. Metal type: the hand: The physics & metaphysics Whither or wither? A look at the of renaissance letterforms. Serif: The state of in 1994. Magazine of Type and Typography,2: Serif:TheMagazineofTypeandTy- 15–24, Winter 1995. ISSN 1080-2207. pography, 2:25–27, Winter 1995. ISSN A look at the first roman and italic 1080-2207. A look at the current state typefaces, in the Montane, Human- of letterpress printing along with a ist and Mannerist genera. Second in list of current suppliers of metal type. acontinuingseries. Frascara:1998:DEL Bringhurst:1995:PIS [Fra98] Jorge Frascara. Design education from lettering to human interaction. [Bri95b] Robert Bringhurst. Painting with ink Serif:TheMagazineofTypeandTy- & steel: The roman & italic types of pography, 6:15–17, Spring 1998. ISSN the baroque age. Serif: The Maga- 1080-2207. zine of Type and Typography, 3, Sum- Haley:1998:CCH mer 1995. ISSN 1080-2207. An exam- ination of the cultural context of the [Hal98] Allan Haley. Cool cash for hot fonts. letters of the great baroque typogra- Serif:TheMagazineofTypeandTy- phers including Jannon, Kis, Van Di- pography, 6:19–22, 55, Spring 1998. jck and Caslon. ISSN 1080-2207. Hosek:1994:BRM Bringhurst:1996:IHP [Hos94a] D. A. Hosek. Book reviews: Modern [Bri96] Robert Bringhurst. The invisible Typography, by Robin Kinross. Serif: hand part one: Neoclassical letter- The Magazine of Type and Typogra- forms: An examination of the devel- phy, 1:64–65, Fall 1994. ISSN 1080- opment of the neoclassical letterforms 2207. of such designers as Baskerville, Bell Hosek:1994:CA and Fournier. Serif: The Magazine of Type and Typography, 4:19–29, Spring [Hos94b] D. A. Hosek. Centaur & Arrighi. 1996. ISSN 1080-2207. Serif:TheMagazineofTypeandTy- REFERENCES 7

pography, 1:13–15, Fall 1994. ISSN Type and Typography, 2:58–59, Win- 1080-2207. A look at the typeface ter 1995. ISSN 1080-2207. used in the issue, its origins and de- Hosek:1995:CCT velopment. Hosek:1994:E [Hos95f] D. A. Hosek. A conversation with Carol Twombly. Serif: The Maga- [Hos94c] D. A. Hosek. Endpapers. Serif: The zine of Type and Typography, 2:32– Magazine of Type and Typography,1: 40, Winter 1995. ISSN 1080-2207. 68, Fall 1994. ISSN 1080-2207. A conversation with a type designer Hosek:1995:AP whose designs are seen everywhere and who was recently awarded the [Hos95a] D. A. Hosek. Adobe poetica. Serif: Prix Charles Peignot. The Magazine of Type and Typog- raphy, 2:52–53, Winter 1995. ISSN Hosek:1995:E 1080-2207. A review of Robert Slim- bach’s Poetica. [Hos95g] D. A. Hosek. Endpapers. Serif: The Magazine of Type and Typography,2: Hosek:1995:CTSc 64, Fall 1995. ISSN 1080-2207. [Hos95b] D. A. Hosek. Contemporary type Hosek:1995:FLA specimen books: AdobeTypeSpeci- men Books. Serif: The Magazine of [Hos95h] D. A. Hosek. O: The fifteenth letter Type and Typography, 2:61–62, Fall of the alphabet. Serif: The Magazine 1995. ISSN 1080-2207. of Type and Typography, 3, Summer Hosek:1995:CTSb 1995. ISSN 1080-2207. [Hos95c] D. A. Hosek. Contemporary type Hosek:1995:WC specimen books: American Metal Typefaces of the Twentieth Century, [Hos95i] D. A. Hosek. Which Caslon? Serif: by Mac McGrew. Serif: The Mag- The Magazine of Type and Typogra- azine of Type and Typography, 2:59, phy, 3, Summer 1995. ISSN 1080- 61, Fall 1995. ISSN 1080-2207. 2207. A comparison of eight different digital Caslons and their suitability to Hosek:1995:CTSd different tasks. [Hos95d] D. A. Hosek. Contemporary type Anonymous:1996:BRF specimen books: An Atlas of Type- forms, by James Sutton and Alan [Hos96a] D. A. Hosek. Book reviews: Finer Bartram. Serif: The Magazine of Points in the Spacing & Arrangement Type and Typography, 2:62–63, Fall of Type – The Form of the Book: Es- 1995. ISSN 1080-2207. says on the Morality of Good Design Hosek:1995:CTSa – The Art of Typography: An Intro- duction to Typo.icon.ography. Serif: [Hos95e] D. A. Hosek. Contemporary type The Magazine of Type and Typogra- specimen books: M&H Type Cat- phy, 4:60–62, Spring 1996. ISSN 1080- alogue. Serif: The Magazine of 2207. REFERENCES 8

Hosek:1996:E Lange:1994:DTF [Hos96b] D. A. Hosek. Endpapers. Serif: The [Lan94a] Gerald Lange. Digital Magazine of Type and Typography,4: for typophiles: Carter & Cone Type 64, Spring 1996. ISSN 1080-2207. Inc. Serif: The Magazine of Type and Typography, 1:50–56, 58, Fall Hosek:1996:TIT 1994. ISSN 1080-2207. A font-by- [Hos96c] D. A. Hosek. Technology: Interna- font accounting of the new designs by tional typefounders CD. Serif: The as part of his new Magazine of Type and Typography,4: enterprise. 58–59, Spring 1996. ISSN 1080-2207. Lange:1994:TT Hosek:1996:W [Lan94b] Gerald Lange. [T-26] and ‘design ty- [Hos96d] D. A. Hosek. Wessex: A look at pography’. Serif: The Magazine of a book face designed by Matthew Type and Typography, 1:46–48, Fall Butterick. Serif: The Magazine of 1994. ISSN 1080-2207. A look at Type and Typography, 4:16–17, Spring the output of one of a new breed of 1996. ISSN 1080-2207. type foundries pushing the envelope Hosek:1998:E of type design. Lange:1995:GDG [Hos98] D. A. Hosek. Endpapers. Serif: The Magazine of Type and Typography,6: [Lan95] Gerald Lange. Gal´apagos Design 56, Spring 1998. ISSN 1080-2207. Group: Too much fashion—not Hunziker:1998:TWA enough vision. Serif: The Maga- zine of Type and Typography, 2:54–57, [Hun98] Hans-Jurg Hunziker. The typo- Winter 1995. ISSN 1080-2207. A look graphic work of . at the output of the newest Bitstream Serif: The Magazine of Type and Ty- spin-off. pography, 6:32–43, Spring 1998. ISSN Long:1995:DKL 1080-2207. Johnston:1995:TCT [Lon95] Robert Long. David Kindersley: In love with letters. Serif: The Magazine [Joh95] Alastair Johnston. Two centuries of of Type and Typography, 3, Summer type & technology. Serif: The Maga- 1995. ISSN 1080-2207. A look at an zine of Type and Typography, 2:28–31, artist whose lettering work has had Winter 1995. ISSN 1080-2207. A look perhaps less influence on typography back at bad taste in typography—it’s than it should have. nothing new. Lubell:1995:TSF Keedy:1998:TC [Lub95] Stephen Lubell. On typographic [Kee98] Jeffery Keedy. A type of change. style: A few thoughts on legibil- Serif: The Magazine of Type and Ty- ity, readability and typographic tra- pography, 6:44–48, 50–51, 55, Spring dition. Serif: The Magazine of Type 1998. ISSN 1080-2207. and Typography, 3, Summer 1995. REFERENCES 9

ISSN 1080-2207. What makes for Ricker:1994:BRH good typographic design? Lubell asks the questions and comes up with some [Ric94] William Ricker. Book reviews: answers. How Typography Works, by Fernand Baudin. Serif: The Magazine of Type Pastor:1994:BRA and Typography, 1:66, Fall 1994. ISSN [Pas94] Jon Pastor. Book reviews: Anatomy 1080-2207. of a Typeface, by Alexander Lawson. Saxe:1994:ATS Serif: The Magazine of Type and Ty- pography, 1:65–66, Fall 1994. ISSN [Sax94] Stephen O. Saxe. American type 1080-2207. specimen books. Serif: The Maga- Peterson:1994:WMH zine of Type and Typography, 1:61–63, Fall 1994. ISSN 1080-2207. A look at [Pet94] William S. Peterson. William Morris the development of a now seldom-seen and his types. Serif: The Magazine product from type companies: The of Type and Typography, 1:16–25, Fall type specimen book. 1994. ISSN 1080-2207. The original work and digital revivals as well. Saxe:1995:MAT

Porchez:1998:H [Sax95] Stephen O. Saxe. More about type specimens. Serif: The Magazine of [Por98] Jean-Fran¸cois Porchez. Horizontalit´e. Type and Typography, 2:42–44, Win- Serif: The Magazine of Type and Ty- ter 1995. ISSN 1080-2207. A look pography, 6:24–31, Spring 1998. ISSN at three noteworthy type specimen 1080-2207. books. Priven:1995:TTA Schwartz:1994:CG

[Pri95] Aaron Priven. The times they are a- [Sch94] Christian Schwartz. The changing of changing (apologies to Mr. Zimmer- the guard. Serif: The Magazine of man). Serif: The Magazine of Type Type and Typography, 1:49, Fall 1994. and Typography, 2:45, Winter 1995. ISSN 1080-2207. One type designer’s ISSN 1080-2207. A song about the view of the changes in the business of new generation of type designers. type.

Rehak:1996:HGL Schwartz:1996:HIT

[Reh96] Theo Rehak. A hitchhiker’s guide to [Sch96] Christian Schwartz. House industries: letterpress in the twenty-first century: There goes the neighborhood: A look An overview of methods for creating at a foundry producing grunge typog- type for letterpress printing. Serif: raphy with a style of its own. Serif: The Magazine of Type and Typogra- The Magazine of Type and Typogra- phy, 4:42–45, Spring 1996. ISSN 1080- phy, 4:53–57, Spring 1996. ISSN 1080- 2207. 2207. REFERENCES 10

Solyn:1994:FIH [Sol94] Paul Solyn. A fine italic hand. Serif: The Magazine of Type and Typogra- phy, 1:40–45, Fall 1994. ISSN 1080- 2207. A look at the history and use of italics. Swanson:1994:CDC [Swa94] Gunnar Swanson. Clarety: Drinking from the crystal goblet. Serif: The Magazine of Type and Typography,1: 45, Fall 1994. ISSN 1080-2207. An irreverent look at whether ’s metaphor still applies today. VanBlokland:1998:ST [Van98] Erik Van Blokland. The supermar- ket theory. Serif: The Magazine of Type and Typography, 6:52–55, Spring 1998. ISSN 1080-2207. Wilmut:1998:LRC [WR98] Sean Wilmut and Lindsay Rollo. Let- ters: Reader comments; on readabil- ity. Serif: The Magazine of Type and Typography, 6:4, Spring 1998. ISSN 1080-2207.