Suncoast Sound, Magic of Since that time, the corps has been s s Orlando (both playing the synonymous with traditional and progressive original music of Dr. and all flavors and styles of jazz in

p Robert Smith), Crossmen between. Over the years, they have explored p (Matt Krempasky) and, in jazz-blues, Latin, big-band, neophonic (Stan r

r recent years, the Cavaliers Kenton), swing and rock and, more recently, playing original a jazz/symphonic blending.

o compositions of Richard The Blue Devils’ approach to show design o Saucedo. is one that centers around a strong musical c

c Corps whose image presentation with visual accompaniment.

somewhat locks them into The corps is renowned for its penetrating a limited repertoire brass line with a greatly extended brass range, selection: Americanos and great soprano soloists (squealers) and brass d d Hawthorne Caballeros ensembles and a mid-voice prominence with (Spanish), Pioneer (Irish), alto horn sections, unusual dynamic control, e e The Canton, OH, Bl(upehcootoa tsb,y 1O9r8li6n, Wata DgCneI r Troopers (Western). thundering percussion, outstanding bass Prelims in Madison, WI drum lines, cymbal racks, dense groups of from the collection of ). t Drum Corps World t Bluecoats • 1972- horns moving around the field, “gate” drills

c “Bloooooooo” and dance-aholic auxiliary, whose main Chapter 9 c by Dr. Rosalie Sward The Canton, OH, Bluecoats have long e entertained audiences with traditional big e band jazz and music with jazz overtones. l Drum corps come and go, staff l During the 1980s, they represented one of and members come and go. But the purest forms of drum corps. The corps e most of the corps that are long- e entered the top 12 in 1987, creating a

term survivors have had distinct s magical effect with a big band style, driving musical and visual identities that s percussion, a trademark snare line, jazz defined their personalities. More ride cymbals, lots of horn syncopation, jam f often than not, these personalities f sessions, diamond drill movements and one reflect the visions and creations of of the best complements of gifted soprano o the leading arrangers and designers o soloists among the finalist corps.

who have worked with the corps. In 1987 and 1988, they brought the One has to recognize Blue Stars, house down with memorable musical s Boston Crusaders, Garfield Cadets, s performances of Autumn Leaves with Cavaliers, Madison Scouts, Santa smooth, flowing drill and matching visuals. e

Clara Vanguard and Troopers for a e They finished eighth in 1989 (considered to

long tradition of staying power in i be one of their best years, musically) with the activity. i some very tuneful selections of Johnny One t Corps with the most solid t Note, My Funny Valentine and Sing, Sing, (Tphheo tCoo bnyc oOrdrl,in C WA,a Bgnlueer Dfroemvil sth, e1 9c8o7ll,e cDtCioIn F oinf als in Madison, WI ).

i Drum Corps World musical or visual identities: Blue i Sing. l

Devils, Bridgemen, Madison Scouts, l In the early 1990s, they visited music of function is to enhance the musical Phantom Regiment, Pioneer, Duke Ellington, the Beatles and Dizzy production. a

Troopers, 27th Lancers, Velvet a Gillespie, but during the late 1990s, the corps The 1976 Blue Devils were one of the first Knights, Hawthorne Caballeros, seemed to lose some of the magic they had corps to merge a great horn line with a great

Americanos and Bluecoats, for the n with the fans in their glory days of the 1980s. drum line. They won three championships most part. n Moving into the 21st century, they stepped with Channel One Suite in 1976, 1977 and Corps that changed their firmly into the world of contemporary 1986 (with a great soprano solo in the ballad o musical and visual image now and o jazz/wind ensemble music, including the section) and programmed it again in 2002. Bluecoats, Crossmen, Santa music of Michael Daugherty. In 2001, they During most of the 1980s, the corps’ then: s Clara Vanguard and Spirit of s presented a convincing “Latin Sketches” and, productions remained based on jazz without r

Atlanta. r in 2002, they were a solid contender for a major style changes. Their guards have been Corps that were risk-takers: fifth-place spot with a high-energy, creative, considered “worthy of the Las Vegas stage”

Garfield Cadets and Star of Indiana. e entertaining program called “Urban Dances.” and few will forget the beautiful Corps that were searching for or e They have been a DCI finalist every year winged guards of the mid-1980s, initiating a that had a relatively undefined since 1987, finishing seventh in 1995 and dance trend (e.g. in Pegasus , 1982). p image: Blue Knights (in 2001, p 1996 and sixth in 2002. The two years they made a radical

2002), Colts, sometimes Crossmen, Some fan favorites: Autumn Leaves, My departure from jazz were 1985, playing music Freelancers, Glassmen, Star of Funny Valentine, Sing, Sing, Sing, Whiter with a “metallic” visual program as their c Indiana and Boston Crusaders (in c Shade of Pale, Night in Tunisia and Harlem great horn line and top-rated percussion i the late 1990s and early 2000s). i Nocturne. section powered through Liferaft Earth,

Corps that are considered to be t Trilogy, a percussion feature of Carn Evil “jazz”: Blue Devils, Bluecoats and t Blue Devils • 1970- Nine, Keith Emerson’s First Concerto s

Madison Scouts. s “Sophisticated jazz” and ’s First Circle; and 1990, i

Corps that are considered i The Blue Devils were founded in 1970 when they attempted something new with the “classical”: Phantom Regiment and and, within six years, they earned the first of rock opera “Tommy,” using field tarps, t Santa Clara Vanguard. t a record 10 DCI Championships. They geometric shapes and unusual color guard Corps noted for 20th century changed the face of drum corps in the 1970s equipment. This rock show ruffled a few r symphonic wind music: Cavaliers, r when they brought jazz to the forefront of feathers, although they did jump back into Garfield Cadets and Blue Knights. the activity and put their own mark on it classic Blue Devil jazz during part of Pinball

Corps noted for playing A with a sophisticated, contemporary jazz style Wizard. programs of original music: A and smooth, laid-back drills. In 1991, they went back to high-powered 82 jazz, but it was still a bit of a departure from classic of Strike Up the Band and finished their big band jazz, playing a somewhat with a popular piece of the late 1970s and abstract Bird and Bela in B-flat, which was early 1980s, Children of Sanchez. scored with greatly expanded chord In 2002, for the 30th anniversary of DCI, structures. In 1992, they definitely returned they brought back old favorites for a “mixed” to big band and Latin jazz. Their 1994 “My theme program recalling Blue Stars “hits” of Spanish Heart” is considered by many to be the past 30 years, including the difficult their best show ever. Overture to “Candide” from their 1993 In 1995, they entered a world a bit on the program. dark side, with a frightening “Carpe Noctem: This corps placed in finals for the first the Legend of Alcobaca,” conveying a tragic eight DCI years, almost winning the first love story with the guard’s use of skulls, face championship in 1972 when they scored La Crosse(p, hWoIt,o B blyu eO Srltina rWs, a1g9n8e9r, farot mD CthI eD civoisllieocnt ioIInI Foifn als in Kansas paint and torturous movement. They City, M). O Drum Corps second to the Anaheim Kingsmen. In more continued in this dark, intense direction World recent years, the Blue Stars have continued with their 1996 “Club Blue” and its the years. to exist as a power and a winning corps in accompanying sights and sounds of criminal In 2000, the Devils were the first to come DCI Division III, winning that championship activity. out with the new B-flat horns along with The in 1989, 1993 (with only 13 horns) and 2001. During the late 1990s and continuing into Cadets. Some fan favorites : First Federal March, the 21st century, their talented brass Some fan favorites : Chase the Clouds South Rampart Street Parade, Soulero and arranger, Wayne Downey, moved away from Away, Channel One Suite, Legend of the Overture to “Candide.” the straight ahead jazz of Kenton, Rich and One-Eyed Sailor, New York Fantasy, Pegasus, Mangione, creating clever of One More Time Chuck Corea , T/O and the Boston Crusaders • 1940- contemporary wind ensemble music, film program of “My Spanish Heart.” “The corps that would not die” scores and classical/symphonic selections, to “The corps that would not die” was formed the dismay of some fans, who bemoaned the Blue Knights • 1958- in 1940 as the Most Precious Blood Crusaders loss of old Blue Devil-style jazz. “Excellence and innovation” (later the Hyde Park Crusaders and Boston One example of this altered style was the Moving from its 1958 founding as a parade Crusaders). Boston was a pre-DCI 2000 Bernard Hermann show. However, in corps, to becoming a perennial DCI finalist in powerhouse in the 1950s and 1960s. 2002, they returned to true Blue Devil jazz 1991, this corps became known for playing They were the first junior corps to pull with one of their most musically accessible sophisticated 20th century musical programs slides in their horn line; under the direction shows ever. and nuance-laden interpretations of of Gerry Shelmer their percussion sections The Devils have a way of making things symphonic music, with elegant body work, were leaders within the corps movement and look easy and have been criticized at times jazz running, high-step marching, squatting, they were the first corps to appear in an for a comparatively slow-moving drill, but few small brass groupings, sensitive soloists, inaugural parade when President John F. corps have been able to match their high ability to play softly and trademark colorful, Kennedy took office. standards of musical performance and hand-painted Brenda Vang flags. The present-day Crusaders are survivors. excellence of drill execution. They marched Zingali drills in 1990 and Through the years they were one of the The Blue Devils continue to be tops in 1991. In the mid-1990s, they explored brass smaller DCI corps, down to 19 members by execution and innovation in guard and brass, band music. One of their greatest strengths the end of 1972, and in 1973 they showed up winning high brass many years and having was Ralph Hardimon’s percussion line. at Whitewater for prelims with just 13 horns, had successful competition WGI guards over In 2000, they finished in sixth place at but they never lost hope. DCI with one of the best-designed shows of In the 1980s, the corps scored in the 60s the year, “Colors of Brass and Percussion.” and 70s in DCI prelims. From 1992 to 1994, In 2001, the corps made a move from being they played a series of Russian music one of the more esoteric corps of the 1990s programs and, in 1996 and 1997, they played into what had the potential to evolve into a American music in “Portraits of Our new version of Bridgemen/Velvet Knights, but Homeland.” in 2002 they returned to a more serious and After years of struggle and determination, rather dark program, which just missed the in the 1999 season they put together a top 12 with a 13th-place finish. program, corps, staff and board of Some fan-favorites: Vaclav Nehlybel’s directors that provided the direction and Trittico, played twice, in 1994 and 1999. design necessary to elevate that corps into

Blue Stars • 1965- (Tphheo tBoo bsyto Dn aCleru Escakd efrrosm, 1 t9h8e2 c, oaltl eDcCtioI nP roef lims in Montreal, QU). E “The Kids from God’s Drum Corps World Country” “The Kids from God’s Country” have been known for excellent drum lines and outstanding marching capability, and they were one of the first corps to spell out a word in script writing on the field, “Chicago.” Noted for performing exciting and recognizable selections, they have often played music that has been played by the “big guys.” In 2001, the corps played the St. Louis Blues March, a percussion (photo by Sid plus brass feature of Birdland, a UDnesnevre rf,r oCmO ,t hBel uceo lKlencitgiohnts o, f1 993, at DCI Prelims). Drum Corps World concert of La Fiesta, a Gershwin 83 the top 12 for the first time where they They were DCI finalists from 1995 took ninth place. They moved up to fifth through 2001, with their highest finish being in 2000 with one of the most inspirational 10th in 1996. shows of the season. Some fan favorites: La Fiesta Mexicana Their highest DCI placements are fifth and “Stormworks.” in 2000 and a tie with the Phantom Regiment for fifth place in 2002. Cavaliers • 1948- Some fan favorites: Conquest (with Jim “The Green Machine” Centorino as soloist) and Time to Say The “Cavies” are one of the most Goodbye. successful junior corps in the history of the drum corps activity. In 1957, they were the Bridgemen • 1964-1988 first Midwest corps in many years to win the “Here come the bananas” VFW National Championship and their The Bridgemen introduced a new, fun machine-like precision in both playing and style to drum corps in 1976 that was pure marching earned them the nickname “The entertainment, but performed with (Tphheo tBoa byyo nSnte,v eN JE,v Barnidsg feromme nth, e1 9c7o9lle, catti oDnC oI f Finals in Birmingham). , AL Green Machine.” They eventually captured quality, when they burst onto the scene in Drum Corps World eight VFW titles, with an undefeated season long, yellow coats after several years out of the DCI Champion Cavaliers. in 1961, and they have continued to be a DCI Finals. In 1995, they took DCI “by storm,” placing well-tuned machine ever since. The corps came to the attention of the 11th with one of that year’s best show Along with the Madison Scouts, the nation primarily through its triple-tonguing concepts, “Stormworks,” with an exciting, Chicago Cavaliers were one of the earliest horn line in the early 1970s. The horn line’s driven performance, awesome musical effects corps to present theme entertainment shows, quality and the tremendous drum line that and appropriate drill designed to simulate a which were not well-received by the judges at followed awaited only the right drill for the coming storm, staging lightning bolts falling the time in the early 1970s. corps to climb in the ratings. to the ground. When DCI began in 1972, the corps In 1976, the drill appeared -- innovative in Through the 1990s, Crown developed into entered a decade in which they were a good combining a uniform change, the Broadway a solid corps, especially in the guard caption corps, but they never threatened for national stage and precision -- and the Bridgemen and drum line. Their musical and visual titles. In the late 1970s, they played pop, became a drum corps institution. programs provided interesting studies in Spanish and even some rock music. Fans Although visually on par with the rest of contrasts, like “Chess and the Art of loved these shows because they were always the pack, they were not so much innovators Strategy,” featuring the music of William exciting, both visually and musically, but from a drill standpoint, but rather, from Walton and Sir Edward Elgar in 1996, with the winning corps were playing more knowing how to stage a feature. black and white chess figures moved serious music. They introduced drum corps audiences of strategically around the field, and “Jekyll and In the early 1980s, the Cavaliers’ the 1970s and 1980s to a dressing room made Hyde” in 1999, contrasting the sounds of fury management reportedly made a conscious of flags, a sexy chorus line in red leotards, and emotions of love. decision to “get more serious” about winning. messages spelled out inside their yellow coats In recent years, Crown has become known Under the leadership of visual designer Steve and flashed to the audience, and the entire for ballads and intriguing visual packages Brubaker, the corps made a gradual corps passing out immediately after playing that use creative guards with unexpected progression in style change into more the last note. Later years witnessed growth equipment. In 2001, they became more sophisticated musical and visual programs, in sophistication. abstract in music and visual with their while also showing consistent improvement Their most important innovation was the “Industry” program and had one of the best in ranking throughout the decade and groove drum line, described as a “wicked pits on the field. eventually establishing the organization as an drum line with a smooth, cool attitude,” and annual contender. the incorporation of a bit more dance and The most dramatic style change occurred movement in the guard. They had the most in 1985 when they moved to an entirely famous percussion feature of all time, the classical repertoire of Holst’s “Planets” from 1983 blindfolded snare line in Black Market the mixed programs of the mid-1970s, Juggler, under the direction of Dennis propelling the unit to fifth place at DCI Finals DeLucia. and catapulting them into serious contention This is the corps fans would most like to in 1986. see return to the activity. The Bridgemen The “Planets” of 1985 (repeated in 1995 (with the help of Bobby Hoffman) were for their second DCI championship) featured instrumental in introducing much-needed red cymbals and red exercise balls in Mars, comic relief into the activity and are the Bringer of War . considered by many to be the single most Other memorable features of that decade entertaining drum corps of all time. included beautiful geometric forms in Their highest finish was third in 1980, constantly flowing drills, the full-field spread but some of the fan-favorite years were 1977 on the yard lines, the dragon and the rakes to 1979. (showing the Korean love of nature) in Some fan favorites: Hymn to the Last Korean Folk Song s, and fantastic equipment Whale, In the Stone and Black Market work of the guard in motion. Juggler. As the Garfield Cadets was the corps of the 1980s, the Cavies became the corps of the Carolina Crown • 1990- 1990s, continuing into the 21st century, “Studies in contrast” specializing in programs of 20th century Carolina Crown introduced contemporary classical and wind ensemble music, as well as drum corps to the Carolinas in 1990 and being tops in visual, execution, percussion came into the top 25 in 1992 playing selected and guard. dances of Malcolm Arnold in the same year One of their greatest visual endings some of the same pieces were being played by (Fpohrot tMo ilbl,y S DCa,l eC aErcokli nfrao mC rtohwen c, o1ll9e9c5ti,o ant oDf CI Finals in Buffalo,) . NY occurred at the conclusion of the 1991 show Drum Corps World 84 when the horn line folded into the 50 yard repertoire of what drum corps can do, rather line and then burst out into a Christmas than attempt to change the basic nature of tree shape while the flag line did an exchange what drum corps is. over the top of the formation. They are in a class by themselves in terms It took them 20 years to do it, but in 1992 of combining musical and visual design with the Cavaliers won their first DCI drills that inspire and seem to serve a greater championship with “Revolution and purpose than merely having the members Triumph.” This militaristic program featured move around the field. The groundbreaking one of the all-time great drum lines, both in work of Steve Brubaker has been extended the battery and the pit. and expanded into the 21st century by In the 20th century, there was talk that designer Michael Gaines. the original musical compositions of Richard In 1992, the Cavaliers won their first of Saucedo were written to fit the drill. This has five DCI championships, repeated in 1995, been denied, but their drill is one-of- a-kind 2000 (tie with Cadets), 2001 and 2002, which and the Cavaliers are one of the most was an undefeated season where they earned innovative corps with regards to drill the highest score ever and tied The Cadets for (Tphheo tDou bbyu qDuaele, IEAc, kC foroltsm, 1th9e9 5c,o allet cDtiConI Foinf als in Buffalo, NY ). matching music and innovative, geometric achieving a three-peat. Drum Corps World visuals. Some fan favorites: Somewhere Over the New Age and big band with highly diversified The Cavies are the pioneers of a total Rainbow, Bully , Santa Esmerelda Suite, musical collections. They have enjoyed visual and musical package that displays Softly as I Leave You, “Pines of Rome,” Mars, exploring the music of and excellence in visual, execution, percussion the Bringer of War from “The Planets,” performer Pat Metheny several seasons. and guard, a precision-oriented “corps Variations on a Korean Folk Song, All Things Their three-year serial on the “Planet machine,” as their nickname implies. Bright and Beautiful and “Niagara Falls.” Earth” (1992-1994) incorporated some They have long offered demanding, even original music and depth of symbolism. astonishing, visual and musical programs Colts • 1966- Recent years have seen the corps solidify that are exhilarating to watch and listen to, “Iowa’s Ambassadors of Music” their commitment to hard-driving jazz. but done with intricate, challenging drills, The Colts have been a survivor, having The corps has had its ups and downs over persevered in spite of missing the finals the years, with many staff changes. They quota of corps for a number of years at were a finalist in the late 1970s and early Drum Corps Midwest championships 1980s, but dropped out of finals for four years during the 1980s. from 1985 through 1988. They have been The early riverboat image and DCI finalists 16 times, including every year uniforms perfectly fit the corps’ identity, being located in Dubuque, IA, on the Mississippi River. In those days, they were noted for their soprano squealer, their great baritone soloist and multiple drum sets clicking away in the pit. Since abandoning their riverboat identity, “Iowa’s Ambassadors of Music” have moved far from their roots, seemingly searching for a new identity each year, through many style changes (photo by including New Age, musicals, vocal and TShide URnosseerm froonmt, tIhLe, Ccoalvleacliteiorsn, o1f9 91, at DCI Prelims )i. n Dallas, TX Drum Corps World religious music like John Rutter’s rather than non-stop “whip-like” maneuvers. “Magnificat” in 1996 and “The Music of Blood They have never been afraid of tackling a Sweat and Tears” in 1997. They presented a difficult musical book and have deliberately total musical and visual package in 2001 with sought out the most challenging pieces, “Chivalry.” including Stravinsky’s “Firebird Suite.” One of their best shows was “Sunday in They have been innovators in the the Park with George,” which earned them percussion as well as the visual captions, their highest DCI placement of ninth place in presenting a strong sound; outstanding, 1995. innovative pit sections with some very Some fan favorites: Sing, Sing, Sing and accomplished musicians; and, in recent years, Summertime with Greg Blum as soprano they have moved from average to oustanding soloist. horn lines, winning the high brass award for the first time in 2002. Crossmen • 1975- Their masculine, equipment-oriented “A fan favorite” guard has always been one of the hardest The Crossmen are known as a powerhouse working and most exciting in both drum corps with roots of playing jazz and a modern corps and winter guard (they won several jazz style that is often “unabashedly Winter Guard International titles in the swinging” and “enthusiastically progressive.” 1980s), always putting forth great effort in Their shows are usually crowd-pleasers, selling a highly demanding and physical with trademarks of aggressive horn books, repertoire. They have been consistently spectacular percussion sections with a creative, frequently on the cutting edge of “groove machine” identity and full-blown tough rifle, sabre, body work and high flag visuals. They are second to none in their tosses, when everyone else turned to dancing. ability to park, play and wail. It has always been the goal of the They have been somewhat inconsistent in The Delaware( pChoouton tby,y P SAid, CUrnossesrm feronm, 1 t9h9e3 c, oallte DctCioI nF oinfa ls in Cavaliers to expand the visual and musical their identity, moving through jazz, classical, Jackson, MS) . Drum Corps World 85 since 1989. the most gorgeous flags seen on the drum In 1983, they began their winning streak Their corps field. of three consecutive titles, through 1985. highest Frank Dorritie, who worked with the Their 1984 presentation of selections from placement Freelancers in 1985, wrote: “They were one of “West Side Story” has yet to be equaled. In was sixth in the hippest units ever to take the field and 1985, they began to lead the activity down the 1992, which the activity misses them greatly.” Their road of esoterica with their mystifying was also one current “cutting edge” WGI drum line has production of Bernstein’s “Jeremiah of their most been a solid contender for the title each year. Symphony.” entertaining The Freelancers are featured on three In 1986, an unusual but entertaining years. tracks of “Echoes CD,” a set of highlights production, minus the talents of George Some fan from the first 30 years of DCI, one of which is Zingali, allowed the Blue Devils to regain the favorites: the incredible Bells finale from the 1985 DCI crown and end Garfield’s reign. Russian Michel Columbier show. Although the Cadets became synonymous Christmas The corps was a nine-time DCI finalists, with the music of Bernstein, they didn’t do Music, with highest finishes being eighth in 1977 bad with Copland either. Their 1987 Overture to and 1983. “Appalachian Spring” championship program “Russlan and Some fan favorites: Bells and the 1993 is considered one of the best productions ever Ludmilla,” show featuring the music of Bill Chase. seen and heard in the activity -- a seamless Birdland, and total package, with its very memorable Caravan and Garfield Cadets • 1934- disintegrating company front. Kitchener, ONT, Dutch(p Bhotyo, 1b9y9 S0i,d a Ut nDsCeIr “The ultimate risk-takers” Ffroinmal sth ien cBoullfefacltoio, nN Yof ). First Circle. Just as Santa Clara chose to perform Drum Corps World The Cadets, formerly Cadets of Bergen Broadway in 1988 and 1989, in 1989 the Dutch Boy • 1981- County, Garfield Cadets and Holy Name, is “My Way” one of the oldest surviving drum corps, which A dazzling addition to DCI, this corps had is suggested by their corps song title, For a unique identity and turned on the crowd Holy Name Shall Always Be. They set the with their show-biz musical savvy, playing basic format of drum corps and were selections of Frank Sinatra and Cole Porter, responsible for introducing many innovations and featuring eye-appealing, Las Vegas-style over the years, such as converting their color showgirls. guard to horn players. Their only year as a DCI finalist was 1990 Much like the Blue Devils changed the (12th), but they finished 13th in the other face of drum corps in the 1970s, the Cadets three years from 1988 to 1991, all with dramatically reshaped the drum corps activity higher scores than in 1990. They continued in the 1980s and molded what was to happen their glitzy style through 1993, but ceased to to the activity in the future. exist as an open class corps at the end of that Under the leadership of visual designer year, now competing in division III. George Zingali, Garfield brought the drum A fan favorite: My Way. corps world into insanely fast-moving drill, where “music became motion.” They became Freelancers • 1974-1994 noted for their innovations in the areas of “A capital corps” high-speed drill, whiplash drill, the “Z-pull,” Music was their strength and they random scatter and spot and asymmetrical generally played songs that fans recognized drill, which included follow-the-leader and or tunes that were instantly accessible. They “the reshape.” were often innovative, experimenting in the Musically, they became noted for fast scale 1980s with unusual equipment, reversible passages in the horns, continuing the uniforms, horn line members staged on melodic line from one section to another, platforms and “drum corps in the round.” versatility of the brass and percussion lines From 1988 through 1990 they doing tough drill while playing challenging (photo by experimented with movie music like the charts and sideways cross-stepping of the TAhrte L Buebrgkeen ffrieolmd, tNheJ , cCoalledcettiso no fo Bf ergen County, 1989). scores of John Williams and “Batman” and, in drum line. And, along with the Spirit of Drum Corps World 1992, their last year in finals, they played Atlanta, the Cadets were upping the bar for Cadets also chose to perform the Broadway music of Sir William Walton, with some of the color guard throughout the 1980s and hit “Les Miserables,” which was a very into the future. emotional program, but they placed fifth at In 1981, they finished seventh DCI -- the lowest finish for the corps in before making their incredible several years. Under the direction of Mark rise to the top. In 1982, the Sylvester, this program moved them into a Garfield Cadets brought DCI to theatrical direction for the future, which new heights of achievement with included role-playing of their guard. Rocky Point Holiday and In the 1990s, they explored 20th century selections from Leonard compositions, initiated by an unusual Bernstein’s “Mass,” jumping (minimalist) “ABC’s of Modern Music” in two spots at finals with a 1991 and a single composition program in concept that was quite radical at 1992 titled “To Tame the Perilous Skies” with the time. its rotating airplane. While Garfield was leaving The Cadets are consistently strong in all some fans by the wayside, they captions and not afraid to take risks with were picking up many more who programs, props and music. Even in “off were intrigued by the new years,” general effect is a caption in which (photo by Bob Fields from the collection of direction in musical style and they do well. They are masters at animating The Sacramento, C).A, Freelancers, 1988 drill writing. the music (“music is movement”) and the Drum Corps World 86 guard acts out their group roles with emotion of the crowd as they have that is felt by the audience. always performed a very Some of the music they have chosen over showy, yet precise program the past two decades has been remote and full of surprises for fans. difficult for the audience to identify with. In the days when everyone They are the avant garde of the activity, carried one pair of cymbals, always operating on the cutting edge. They they carried at least four pair, are masters at cleaning drill and they have twirling in sequential consistently shown they can progress the patterns. They were most in the shortest possible time, even responsible for flipping bugles changing their program at the last minute to and head-choppers, double- peak at DCI Finals and win championships. time and behind-the-back (photo by Jane Boulen from the collection of Continual innovation has led this corps up The R)a. cine, WI, Kilties, 1974 Drum Corps catches, and marching with the competitive ladder, as The Cadets have World dance steps as they went. mastered the concept of being successfully In the 21st century, it seems that they They were undefeated in horns for 46 versatile, consistently finding ways to wrap have designed shows to impress the judges consecutive shows throughout 1974 and the new within the confines of the familiar, with more obscure musical programs, thus, 1975, and the 1975 season was an undefeated allowing fans to view their innovations as these programs have been up and down in year for the corps, making them the first fresh examples of something they’ve known terms of fan appeal. non-Western corps to win DCI. In addition to for years. They could do (and have done) They became a DCI finalist for the first their renowned musicians, Madison was almost any theme, serious or light, and be time in 1993 and were the Cinderella story of known in the early years for a very exciting successful, mastering the art of show design. 1998 with “Dreams of Gold: The Music of color guard, both in summer and winter In the 21st century, this corps, which led Alexander Borodin,” placing them in the competitions. everyone down an abstract path in the 1980s, top six for the first time with the first of three The Madison Scouts and The Cavaliers are has gone in a new (maybe old) direction, fifth-place finishes in 1998, 1999 and 2001, a the only remaining all-male corps and, along paying greater attention to entertainment, year which featured an outstanding with the Chicago Cavaliers, Madison was one less frenetic drill, dancing guards and fun flugelhorn soloist.. of the first to feature “theme” entertainment. shows, particularly with the 2001 Moondance Some fan favorites: Farandole, and 2002 Boogie Woogie Bugle Boy. Polovetsian Dances and Impetuosomente. Through 2002, the Cadets had won eight DCI titles and through 2001, they were the Kilties • 1935- only open class corps to win three “Wea winnea bea daunted” consecutive DCI titles, but as of 2002, they They became known as “The Mad Plaid” share that achievement with The Cavaliers. long ago because of their authentic Scottish Some fan favorites: In the Hall of the uniforms, which have changed over the Mountain King, Rocky Point Holiday, “ West years in color and type, but have always Side Story,” Overture to “Candide” and used traditional plaids. They have been “Appalachian Spring.” innovators, both musically and visually, and, until 1978, they were one of only three Glassmen • 1961- corps remaining all-male. “Successfully eclectic” The Kilties was one of the most In considering their programs and their prominent junior corps of the 1960s. “No appearance over the past 10 to 20 years, an one had the look and sound of the Ken The( pMhaodtois boyn ,O WrlIin, MWaadgisnoenr fSrocmou ths,e 1 c9o8ll5e,c atito nD CofI Finals in Madison, ). appropriate description of the Glassmen Norman Kilties,” one writer described. WI Drum Corps World might be “eclectic.” They have explored A favorite move was the centerless wheel Each year the Madison Scouts take nearly every musical genre traditionally -- a complete, full-corps wheel with the “higher, faster and louder” to a new found in drum corps, including jazz, New battery as the center, staying stationary dimension with a style of playing unique in Age, rock, American and classical. during a percussion feature, while the rest of DCI -- a big, high, brassy sound and ear- In the late 1990s, driven by a strong the corps did a perfect wheel around them splitting soloists. Exhausting to watch, they competitive desire to reach the top, they using an imagined center point. exude great energy, seeming to be in began moving in a more serious musical After folding in the early 1980s, they now perpetual motion (with a few park and blows). direction, playing music by Bizet, Borodin exist as a senior corps, their longevity The Scouts are renowned for their loud and Kodaly. supporting their motto: “We will not be Spanish jazz; exchange of drum parts; high- Many shows have prominently featured defeated.” step marching; rotating company fronts; the color guard, like their period Gershwin A fan favorite: Auld Lang Syne. rippling player-by-player turn-arounds; long, show of 2000, slow company fronts; and a dancing guard. although their brass Madison Scouts And who could forget their barstools? has a distinct character 1938- Madison is one of the few corps left that is and unique sound of “Masters of playing for the fans and not just for the its own, along with entertainment” judges. There is no symbolism or hidden their own unique style Madison has long messages. The Scouts continue to be the of bodywork, and they been known for their corps that entertains before the judging even have been strong in flamboyant style, both begins, with their impressive entrance and percussion as well. in music and fleur-de-lis drill. The Glassmen marching, “in your face As a reward for their crowd-appealing, always take a step drum corps” and a fan-friendly shows, the Scouts won the toward trying “killer instinct.” During coveted “Spirit of Disney” award four years. something new on the the late 1940s and Madison’s shows can be appreciated on field with sometimes 1950s and continuing to many levels. Every trademark Madison effect brilliant visual The( pTohloetdoo b, yO RHo, nG Wlasasllmocehn ,f r1o9m9 5th, ea tc DolCleIc Ptiorenl iomf s in Buffalo, the present, Madison imaginable is used to create a truly powerful execution. NY ). Drum Corps was usually the favorite experience, a “killer Madison” instinct that World 87 sends the crowd into a original music, largely long been renowned as the “originator of frenzy. They weave a written and arranged by all-classical programming.” The corps has seamless web of Robert Smith of Suncoast proven that classical music and drum corps excitement from the Sound fame. can be melded into an inspiring art form. As thrilling opening fanfare During their first two such, they have created an appreciation for to the heart-pounding years, they played classical “long-hair” music within all generations, closer. When they come selections from “Fantasia” while also being one of the most entertaining at you with their wall of and then they made their and talented corps ever to hit the field. sound, high leg lift, defining mark with their Phantom had some outstanding corps in picture poses, non-stop two “Cirque du Magique” the late 1970s, finishing with some heart - energy and Malagueña- shows (which included breaking second places in 1977, 1978 and style climax, the impact is music from Cirque du 1979. In 1977 and 1978, they used pitched devastating. Soleil) and the “Danse drums with their Flight of the Bumblebee. In a number of years Animale” show. In the early 1980s, the corps was brash they have used one of the Their visual programs and beautiful, with a deep and haunting bass. selections in their were always colorful, They set the stage for theatrical pageantry program to show off a different, innovative and with “Spartacus” in 1981 and 1982, in which variety of jazz musical (Mpahgoitco obfy O Drlaalned Eoc, k1 9fr9o0m, atht eD cCoIl lPercetiloimn so ifn Bulffalo, NY fun to watch, especially they used a veritable “opera house” full of styles including ). Drum Corps with the second “Cirque” equipment and passed out explanatory progressive jazz, rock, World year and the fan-friendly program notes. Phantom was one of the first folk, boogie and fusion or all of the above like “Saint and Sinner” show of 1997. corps to use 60-plus horns, creating a “Harlem Suite” (1986) and Slaughter on 10th Their first appearance as a DCI finalist was powerful brass orchestra, and they are Avenue (1989). in 1994 and their highest finish was eighth consistently noted for outstanding horn lines. They are also preservers of tradition in place in 1996 with a serious program, “Twelve At one time or another, the corps has the activity, often revisiting their roots with Seconds to the Moon,” an original concert presented nearly all of the basic classical tunes and visuals from the past. In their band piece by Dr. Robert Smith. repertoire, sometimes choosing darker 1999 production of the rock opera “Jesus After 1999, the corps continued as Micro scores, such as “Symphonie Fantastique,” Christ Superstar,” the entire King Herod’s Magic. In 2002, Magic of Orlando returned to “Romeo and Juliet,” and music of Song was a trip down memory lane with one the field with a new image and a new, Shostakovich. After their 10th-place finish in retro element after another, including experienced staff, including Wayne Downey as 1986, they cried out for a style change and humorous musical and drill parodies of brass arranger, and won the DCI Division II the Regiment came back in 1987 with the old-fashioned maneuvers like squad turns and championships and finished 11th in division I most strikingly beautiful visual columns; a playful, jazzy Dixieland combo; with a fan-accessible program, “Desert transformation of all time, orchestrated by some high mark-times; spinning drill behind Winds,” based on the movie score of “The Michael Cesario. Pure white uniforms high rifle tosses and drill collapsing into a Wind and the Lion.” matched the production of Tchaikovsky’s massive rotating line; a towering, exposed “Swan Lake” and “Nutcracker” ballets. rifle toss; and a restatement of the title theme Phantom Regiment • 1956- In 1988, the Regiment won the color while the corps formed a cross, then a star. “Originators of symphonic guard award for their group portrayal of During the 1970s and 1980s, the Scouts’ pageantry” “Juliet,” even though they were staged as a color guard, under the instruction of Sal Phantom Regiment was formed from the backdrop to the corps for a substantial Salas and later Mike Turner, was outstanding, St. Thomas High School Crusaders and in portion of the show. Many feel that their with great execution. However, in recent their earliest years they were best known for 1989 “From the New World to a New Age” years, the Madison guard has been a weak their precision color guards, namely the and 1996’s “The Defiant Heart” are two of the spot and in 2002 the corps dropped out of the legendary Phantomettes. best all-time drum corps shows. top 12 for the first time. The Phantom Regiment drum corps has Throughout history, Jim Wren’s Madison has won the DCI championship arrangements have stayed true to the two times, in 1975 and 1988. Their 1988 DCI original composers and have presented the championship performance brought the perfect marriage of power and emotion. One crowd to a frenzy in Malagueña and their fan said, “Phantom Regiment is the truly 1995 Spanish bullfighter program, considered musical corps in the activity. They actually to be one of the most intense and face forward when they play soft.” entertaining ever, a perfect marriage of Wren’s scoring has showcased bold brass musical and visual tension, brought the lines with technically precise soprano and house down. French horn or mellophone lines and Some fan favorites: Black is the Color of traditionally strong, deep low brass sonority My True Love’s Hair, God Bless the Child, with emphasis on baritones and contras. MacArthur Park, Ballet in Brass, Slaughter Their visual history is closely tied to the on 10th Avenue, Malagueña, Through the designs of John Brazale. The visual Eyes of Love, Memory from “Cats” with a traditions of Phantom include a militaristic great re-entry, Rhapsody in Blue with the image; the Rockford file; long, slow company piano formation, Concerto for Guitar and fronts; blocks and diagonal pass-throughs. Orchestra and Malaga . Other highlights of Phantom’s shows have included the “wedge” (the spectacular Magic • 1989- moving wedge in 1993), the “iceberg” drill, “Original programs” “crab-stepping,” the sequential twirling of Magic of Orlando came on the field in flags and sabres, large (14-member) contra 1990 with virtually the same corps and staff lines and flashy tenor lines, and some of the that made finals in 1989 with Suncoast most beautifully played, lyrical yet dramatic Sound. They played a variety of music that ballads in the activity. included jazz-like material, movie music, Through the years, Phantom has made classical pieces, wind ensemble music and (Rpohcoktfoo rbdy, RILo, nP Whaanltlocmh Rfreogmim theen tc, o1l9le9c1ti,o ant oDf CI Prelims in Dallas),. TX minor alterations to both music and Drum Corps World 88 uniform, yet have always maintained their 1991, the division II championship in 1994 through a tunnel, used large moving props, reserved and stoic image, once in a while and 1995, and has been a DCI open class disappearing maidens, a disappearing showing a bit of humor like in their 1990 semifinalist since 1994. Phantom, then a disappearing corps. Saint Saens program where they had fun with A fan favorite: Gary Owen March. In recent years, they have been noted for contra-elephants). In 1991, Phantom did more contemporary programs, with excellent “opera at its best,” with a very sexy guard Santa Clara Vanguard • 1967- low brass (euphoniums) and outstanding presentation in Bacchanale, and in 2000, all “Tradition and innovation” baritone soloists. They also brought “rap” to selections were from early 20th century. At their first major appearance in the 1969 drum corps in 2001. Phantom has stayed as true to its image as World Open, they placed ninth and stunned Other things for which this corps is any corps and for many years it relied on everyone with their horn sound and a drill famous include an exquisite sound, colorful local and alumni staff. It remains one of only that came out of the corner rather than from cymbal lines, state-of-the-art visual programs a few corps to have an all-female guard, with the starting line. That show, and the North with flowing drills and terrific designs by consistently great execution and spectacular American Nationals in 1970 -- where they Myron Rosander, diagonal spreads on the flag colors. The Regiment was one of the last won and defeated corps that had probably field, a contra line with military mystique, a top 12 corps to still play G-bugles, through never heard of them -- previewed the future solid percussion program and their “electric the 2002 season. The corps was often performance of Santa Clara and consequently, wheelchair,” one of the most difficult of drum accused of peaking too early. they became the most successful and cadences. consistently excellent drum corps of Intensity, subtlety and emotion are the 1970s. Their drum line won 56 characteristics closely identified with Santa consecutive shows in 1973 and 1974. Clara, with programs culminating in an The Vanguard has been one of the immense display of visual and musical leading innovators in drum corps, emotion that has become the signature being the only one to have appeared in moment of the corps. But they have been every DCI finals since 1972. They noted for quiet endings as well. took what was evolving to new levels, Santa Clara has won six DCI cleaning every detail until perfect. championships, the most recent a tie with the The 1970-1974 Vanguard is Blue Devils in 1999, for their solid musical considered to be the first “modern” and visual program, “Inventions for a New drum corps and, in 1980, Pete Millenium,” one of the most intense finals Emmons and Santa Clara brought performances ever seen and heard, with drum corps into the world of modern, music of The Canyon and a superb and asymmetrical drill, taking the world unique drill design by Rosander that by surprise. Under the direction of unraveled from the front right corner, ebbing (photo by Art Luebke from the Fred Sanford, their drum line was a and flowing across the field, leaving the Tcohlele Sctaionnta o Cf lara, CA, Vanguard),. 1982 Drum Corps World model for other drum corps. viewer/listener “out of breath.” After many hair-splitting, heartbreaking While being extremely entertaining and Some fan favorites: Bottle Dance from second-place finishes over the years (1977, innovative, Santa Clara is also a great “Fiddler on the Roof,” Fanfare and Allegro, 1978, 1979 and 1989), Phantom had to settle preserver of tradition. Their creative color “Appalachian Spring,” Festive Overture, Great for a tie with the Blue Devils even in the year guard won its greatest fame from introducing Gate of Kiev, Lezghinka, selections from they finally won, 1996. the world to the “bottle dance,” which has “Phantom of the Opera” and The Canyon. Some fan favorites: Poet and Peasant become one of two most famous moves in Overture, Night on Bald Mountain, Pilgrim’s drum corps, along with Trooper’s “sunburst.” Sky Ryders • 1960-1993 Chorus from “Tannhauser,” “Spartacus,” Over the years, Santa Clara has been “Somewhere Over the Rainbow” Elsa’s Procession to the Cathedral, “Songs considered the “corps with class,” an image The Sky Ryders were known for excellent from the Winter Palace” (“Nutcracker” and that was created early-on by their founder/ horn lines with a warm low brass sound. As a “Swan Lake” ballets), Fire of Eternal Glory , director and long-time music arranger, Gail result of their “theatrical” productions of the Claire de Lune, Dvorak’s “New World Royer. They have long been renowned for 1980s, initiated by Tommy Keenum, Symphony” and Introduction to bringing unexpected and captivating music to including “The Wizard of Oz,” “West Side Shostakovitch’s “Fourth Ballet Suite.” the field with excellent musicianship. Story” (with elegant pairs work) and “The The corps won three DCI championships Sound of Music,” the Sky Ryders became one Pioneer • 1961- playing Young Person’s Guide to “The wearing of Drum Corps in 1973, 1974 and the green” 1981 and they are forever This corps has a associated with “Fiddler on the commitment to Roof,” due to their playing Irish music, presentations of selections from making it difficult this musical in the early 1970s to come up with (1970-1973, 1975, revised in substantial musical 1992) and their revisiting of the material that fits “bottle dance” every so often. the bill year after The music of Aaron Copland year. Their 1997 provided a solid foundation “Riverdance” throughout the 1980s before program was a moving on to the stunning good choice and Russian pageants and a brilliant “Oliver” was a good adaptation of “Phantom of the compromise for Opera” in 1988 and 1989. 2002. During the 1980s, every The corps won Vanguard show had something The M(iplwhoatuok ebey , SWidI ,U Pniosenre efrro, m 1th9e9 3co llection of the DCI A-60 innovative and surprising. They (photo by ). Drum Corps championship in changed costumes while going TOhrlein H Wutacghninesr ofnro, mK Sth, eS kcyo llReycdtioenrs ,o f1 988, at DCI Finals )in. Kansas City, MO World Drum Corps World 89 of the most beloved corps of all time, with a State University in Alabama, they became a show filled with musical and visual splendor complete musical/visual package. officially sponsored by that institution in and a drill that demanded running around In 1989, they moved to a more serious 2001, representing the sophisticated version the field with abandon, proving that Star classical repertoire with less success, then of that school’s marching band. could do it all -- be innovative, awe-inspiring returned to a theatrical show in 1991 In 2002, the corps again became a DCI and technically difficult. (“Camelot”), their last year in DCI Finals. finalist, finishing 11th. In 1991, they won the championship with Their highest DCI finish was ninth place Some fan favorites: Let It Be Me, Georgia “Roman Images,” a true Roman pageant in 1986, the second year of their “Wizard of on My Mind, Sweet Georgia Brown, Old Man using music of Ottorino Regphigi, with Oz” program. River, We Are the Reason, Blues in the Night Zingali’s “cross into cross” at the end of the Some fan favorites: Somewhere Over the and “ Porgy and Bess.” show being one of the most brilliant drill Rainbow, Home on the Range, “The Wizard moves in drum corps history. In 1992, they of Oz” and excerpts from “West Side Story.” Star of Indiana • 1985-1993 were able to reach the fans with a patriotic “When You Wish Upon a Star” show and brilliant visual panels. Spirit (formerly Spirit of Atlanta) Star came on strong in 1985, making But in 1993, they presented a very abstract 1977- finals the first year with their Disney show show using music of Bartok and Barber, with “The southern belle” that presented the first of many excellent visuals built on the concept of a scalene Formerly Spirit of Atlanta, this corps musical arrangements. They made amazing triangle, which was “too far out there” for the literally jumped onto the drum corps scene in progress each succeeding year from a design average fan who did not take kindly to this and execution standpoint and show. Star proved that minimalism can work simultaneously continued to improve on a field and produced a crowd-pleasing their scoring and placement each season, show that didn’t always please the crowd. from their initial 10th-place finish, until After the unpleasant season in 1993, Star they won the title in 1991 at Dallas, TX. left DCI to form “Brass Theatre,” touring with From the very beginning, there was a Canadian Brass. Later, the production great deal of resentment against Star from became a highly successful Broadway other corps, largely due to their riches. show called “BLAST!” in which they But some drum presented many corps members also drum corps musical resented the and visual favorites “invasion of the on the stage and for marching band” which they won a image into drum Tony Award created corps, since Star’s especially for their (photo by TDhaele A Etlcakn tfaro, mG Ath, eS cpoirlilte ocft iAontl aonf ta, July 2, 1995, at C). lifton, NJ initial membership new genre. Their Drum Corps World was built on the drum corps 1977. In 1978, the corps sky-rocketed to thriving marching band reputation increased sixth place at DCI Finals and, in 1979 and activity in Indiana. greatly after they left. 1980, earned impressive fourth-place finishes. They felt Star was They pushed the Early on, they were the one and only original generic, lacking in limits of creativity in Southern corps and the only corps to shake sophistication, tradition the activity, but concrete with their trademark “wall of sound” and emotion -- “flash within the rules, and in the late 1970s and early 1980s. without substance.” In when they rose to the No serious drum corps fan will ever forget their second year, they top of the activity, the 1979 and 1980 horn lines that played the hired a “name” staff, they didn’t try to wonderful arrangements of the late Jim Ott, largely from Garfield, change DCI, but and their outstanding soprano soloists in the including George changed, removing mid-1980s. Zingali and Jim Prime. themselves from In the 1980s, they were raising the bar for This chameleon competition and color guards, with beautiful and emotional corps was always (Bplhootmoi nbgyt oOnr,li nIN W, Satganre or f frInodmia tnhae, c1o9l9le1c,t iaotn D oCf I Prelims in Dallas, )T. X following their new presentations. They had a well-rounded redefining itself, Drum Corps World “star.” guard, excelling in all three equipment areas, seemingly searching for their identity, like Star had superb musical arrangements with particularly effective rifle lines. They 1985: Disney; 1986: “Starwars”; 1987: circus; played by brilliant horn lines with supremely won high guard in 1985 and 1987 under the 1988: Gershwin’s “Porgy and Bess”; 1989: outstanding mellophone sections, interesting direction of Sal Salas, who came on board in British; 1990: biblical; 1991: Roman; 1992: pits; excellent body movement; glitzy 1983, and Scott Chandler, who joined in 1984 patriotic; and 1993: minimalist/contemporary uniforms; and amazing drill, the culmination and initiated male/female dancing pairs, while music. Each program was carried out with of which was Zingali’s “star to star,” also incorporating real dance, props (like sail the highest level of excellence and perhaps Star finished third at DCI in 1990 and flags) and uniforms as visual enhancements “not having a style” or “a changing style” was 1992, second in 1993 and won DCI in 1991. to their routines and clean flag work. their identity. They certainly had A fan favorite: When You Wish Upon a Spirit of Atlanta was a corps that was best phenomenal success with this pattern. Star. when they were “being themselves.” Truckloads of props materialized in their Audience and judge response was greatest second and third season presentations of Suncoast Sound • 1979-1995 when Spirit played southern-flavored music, “Star Wars” and “The Greatest Show on “Original music, symbolic messages backed by jazz interpretations. In the late Earth,” respectively, before a more serious and a great horn line” 1980s and early 1990s, they made an attempt performance of “Porgy and Bess” in 1988, One of the finest corps of the 1980s, to depart from their Southern image with with a greatly reduced drum line. A majestic especially from a musical perspective, productions of “Petrouchka” and “Interstellar British style arrived in 1989 and, although it Suncoast Sound had one of the consistently Suite” with a less than spectacular reception, was projected to last five years, it existed for finest horn lines of the decade. They dropping out of finals in 1989. only one year. frequently sported an original repertoire and Although many of the participants in the In 1990, Star stretched audience were never considered traditional, often Spirit of Atlanta corps came from Jacksonville expectations by playing “Belshazzar’s Feast,” presenting shows with symbolic messages. 90 also being one of the most entertaining “in-your-face” type of ending to every song corps of the 1960s, 1970s and beyond. that “went on forever.” Their cadence was They were the first corps not to come off not slow by any means. the traditional starting line. They came out Having taken second place at DCI in 1980, of the corner of the field and built from the year they performed in the opening there. They were first corps to put curved ceremony of the Lake Placid Winter lines on the field (the circle), tour long Olympics, 27th is considered by many to be distances and have women in sections other the best corps never to have won the DCI than the color guard. championship. The departure of the 27th Over the years, this Jim Jones-founded Lancers after 1986 was a sad one for the The Pinnelas (Pphaorkto, FbLy, OSrulinnc Woaasgt nSeoru fnrodm, 1 t9h8e7 c, oaltle DctCioI nF ionfa ls in corps has represented the best in drum activity. No one played Danny Boy like 2-7! Madison, WI) . Drum corps. Through both up and down years, the Some fan favorites: Danny Boy, Crown Corps World Troopers have remained a huge crowd Imperial, Can Can, “English Folk Song In 1983, Suncoast placed in DCI Finals for favorite and have always been thought of as a Suite” and On the 20th Century. the first time, with a closer featuring sign most exemplary group of young people. language. Their 1984 “No More War” show Their commitment to playing music with a Velvet Knights • 1964-1996 with a Vietnam wall was one of the most western theme enhances their tradition, but “Clown princes of drum corps” theatrical and emotional in drum corps also limits them to some degree. Their The Velvet Knights were the rightful history. In 1985 and 1989, Simple Song at highest DCI finish was second place in 1973. “heirs” of the Bridgemen, largely because of Sunrise was a very hummable tune, with Some fan favorites: Ghost Riders in the the Bobby Hoffman link. They were often the memorable visuals of flying seagulls and a Sky, Hang ’em High, Battle Hymn, How the crowd favorite at any performance, usually moving seagull form on the field. Their 1986 West Was Won and Red Pony. because of the laid-back humor they exuded. “Adventures in Underlying the superficial humor was a Time” may have 27th Lancers very talented been their best 1967-1986 drum corps, show with their “Color guard supreme” balancing best horn line. The 27th Lancers always silliness and In 1987, there performed an excellent seriousness was another musical show, but their effectively and theatrical show, highest caption was normally showing just “My Fair Lady-Our general effect. Their how much fun Way,” and in 1988 beautifully conceived could be had they presented one programs were of an unusual on the drum of the most level of difficulty and typically corps field. controversial shows 27th was a “slow starting” Fans will of all time, the corps for that reason. never forget “Symphonic Dances As the earliest benefactors the red tennis (photo by Jane Boulen The S(apnhtoat oA nbay, SCidA ,U Vneslevre tf rKomnig thte s, for the Tfrohme Cthaes pceorl,l eWctYio, nT roofo pers, 1974 ). of the extraordinary design shoes, the c1o9l9le2c tion of ). Contemporary Drum Corps World talents of George Zingali, the “Jaws” theme Drum Corps World Child.” 27th Lancers were visual innovators, pushing that warned of the shark, the Energizer In 1989, their final season of open class the envelope of -- and previewing the future Bunny, Godzilla, the opera diva (who was competition, they placed in the top 12 for the of -- visual design under Zingali and Ralph devoured by the shark), the “sex cymbals” and seventh consecutive year, playing a new and Pace in the 1970s, with collapsible boxes and the “Magical Mystery Tours” (there were improved version of the first totally original fronts or arcs which came out of nowhere. four). drum corps composition, Dr. Robert Smith’s They were the first corps from the East to This corps was an eight-time DCI finalist “Florida Suite,” which the corps had debuted finish in the top three at DCI and their guard with their highest finish being a tie for in 1985. This was a quality corps and a great has been cited as one of the best ever. seventh place with Star of Indiana in 1987. loss to the activity. The level of ingenuity in creating the Their last year of competition was 1996. They placed sixth in 1983 and 1985 and color guard show was a delight to the fans, A fan favorite: The “Magical Mystery reached their highest place in 1986, fifth. but the superior and energetic performance Tours.” Some fan favorites: The Greatest Love of of the guard members also exhausted the All and “Florida Suite.” viewer. Among the innovations introduced Dr. Rosalie Sward has a were double flags, horizontal rifle spins and a Bachelor of Arts degree from Troopers • 1957- modern dance concept within the weapons Knox College and a Master of “America’s Corps” line. This was a real “show corps,” in the Music and Ph.D. from The Troopers first appeared in the Midwest truest Eastern tradition. Northwestern University. in 1962 and presented their “sunburst,” The equipment work was fast and furious; From 1984-1993, she which became one of the most loved and most of the wrote for Drum Corps World respected maneuvers ever performed by any songs in their and was best known for her drum corps. Over the years, the corps had hey-day analytical articles about each season’s top-12 varying success in drums and bugles, but ended at a programs, titled “What to listen for in drum they were leaders with their color guard. much faster corps this summer.” Almost every new equipment handling idea pace than a Although Sward did not march in a drum of the early years had its components lot of their corps, her son and daughter marched in the founded in the Trooper’s guard. They also peers. There Mt. Prospect Imperials, the Geneseo Knights started the overwhelming trend to throw was an and Phantom Regiment. equipment at, over, to and/or around each She is a music director in Skokie, IL, other in the early 1960s. The Revere, MA, where her orchestra has won first place at The Troopers set the standard for 2(p7htho tLoa bnyc eArrst , 1977 state contests for the past 11 years. Luebke from the marching and maneuvering, leading the way collection of She and her husband, John, live in toward more cleanly executed shows, while )D. rum Evanston, IL. Corps World 91