Ratner a Big Liar!

Total Page:16

File Type:pdf, Size:1020Kb

Ratner a Big Liar! / Jeff Bachner / Jeff / Tom Callan / Tom The Brooklyn Paper The Brooklyn The Brooklyn Paper The Brooklyn LEFT: Catholics visibly demonstrated their faith this cross. Above, Dorothy Connor prays at St. Thomas Korean Traditional Music & Dance Institute of NY per- week, beginning the penitential Lenten season — which Aquinas church on Ninth Street and Fourth Avenue in formed Sunday at the Brooklyn Botanic Garden. This is Penance & joy leads to Easter on March 23 — by receiving on their Park Slope. RIGHT: In advance of the Chinese new year the 4706th year on the Chinese calendar; it’s the Year of foreheads ashes of burned palms in the shape of a celebration, which began on Thursday, members of the the Rat, the first year in the 12-year lunar cycle. Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 Newspaper of the Year•Editor of theYear AWP/16 pages • Vol. 31, No. 6 • Saturday, Feb. 9, 2008 • FREE BUMBO IT’S TRUE! Battling panhandlers between the bridges By Mike McLaughlin RATNER A The Brooklyn Paper A grocer in DUMBO has posted signs urging customers not to give money to the panhandlers who congregate near the entrance — the latest salvo in an ongoing war against beggars in the rapidly gentrifying neighborhood. “We’ve heard from more than half our cus- tomers that they’ve been harassed by panhandlers BIG LIAR! in front of the store,” said Maik Fawzy, the man- ager of Peas & Pickles, the neighborhood’s largest supermarket. “We’ve actually had loyal customers who stopped coming here because of it.” By Dana Rubinstein The signs encourage patrons to report “harass- The Brooklyn Paper Pols must hit ment” to the store’s management and reminds cus- It’s official, direct from Forest City Rat- Vinoly Ratner in wallet tomers that it’s better to donate to legitimate charities ner Companies: the Atlantic Yards develop- EDITORIAL / PAGE 12 than to individuals on the street. The plan for the Domino Sugar factory site, in view of the Williamsburg Bridge, would include a glass er is a liar. tower atop the landmark factory buildings (near center), as well as a number of other residential towers. The anti-panhandling notices are the latest ex- Forest City Ratner now admits that its Braun in a legal document that surfaced this ample of DUMBO’S ongoing struggle with begging. claim of a tax revenue windfall — a justifica- week. At a DUMBO Improvement District meeting tion for the government’s support of the $4 Braun himself previously stated in court that in October, neighborhood residents implored the billion project — was actually concocted by the $4.4 billion number came from the state. police to crack down. Ratner’s paid consultant, and was not based “[M]y statement in my prior affirmation that But John Kenny, a crime prevention officer from on an analysis by state officials as the devel- the ‘environmental impact statement for the the 84th Precinct, told the audience that begging is a DOMINO EFFECT oper repeatedly claimed. project estimates that the project will create … First Amendment right — though there are limits “The $4.4 billion figure is in the report of a $4.4 billion in net tax revenues for the city and against aggressive cadging. Kenny’s advice for cur- consultant who had been retained by [Forest the state over 30 years’ is mistaken, because tailing the problem was the same as that on the Plans on the table, advocates spar City Ratner Companies] and does not appear ‘[t]here is simply no projection at all regarding signs in Peas & Pickles — stop giving handouts. in the state’s [Final Environmental Review the net tax revenues contained in the EIS.’” “People who understand panhandling have come Statement,]” said Ratner attorney Jeffrey The revelation appeared in a footnote to a fil- to the neighborhood to explain that the only thing By Mike McLaughlin in the complex to make way for Kersavage was also upset that the ing in a lawsuit challenging the validity of the you can do if you want these people to go away is The Brooklyn Paper nine residential towers. iconic, neon Domino sign might not state’s environmental review. It was first report- stop giving them money,” said Tucker Reed, execu- The matter is ostensibly about ar- be maintained. ed on Wednesday by Atlantic Yards Report. tive director of the DUMBO Improvement District. Preservationists and affordable- chitecture right now, but the devel- “We’d like to keep it, but it’s not housing advocates battled this Prior to this latest admission, the developer Around the same time, a new Web site, DUM- oper hopes the 30 percent of apart- a simple thing to figure out where to James, Yassky: had said that the 16-skyscraper-and-arena devel- BOwatch, made vague promises that it would take week over a proposal to convert ments at below-market rates and put it or how to support it,” said opment, the largest in Brooklyn’s history, would pictures of all panhandlers. the Domino Sugar site in Will- public access to the waterfront will Lappin. generate a total of $5.6 billion for the city and Given the anti-panhandling attitude in DUM- iamsburg — including three land- sweeten the $1.2 billion deal. Supporters of the project say the Ax Yards funds state and that once city and state contributions BO, it’s no surprise that at least one of the mendi- marked buildings — into a devel- “We want to harmonize preserva- possible loss of the sign does not The Brooklyn Paper were factored in, $4.4 billion in net revenue. cants had a strong opinion about the new Peas & opment with more than 2,200 units tion with affordable housing and outweigh the hundreds of sub-mar- Two city councilmembers are not giving Ratner executives had said the jaw-drop- Pickles sign. of housing. creating an open public space,” said ket rate units the development ping number came from the state’s own Final “That sign can kiss my ass — and so can you,” The Landmarks Preservation Mike Lappin, president of CPC Re- would provide. up on their bid to withhold hundreds of mil- Environmental Impact Statement, written by he told a Brooklyn Paper reporter on Friday. Commission, which held a hearing sources. “It’s very difficult to get a devel- lions of dollars in city and state subsidies the Empire State Development Corporation. His fellow panhandler said she doesn’t think the on Tuesday, is being asked to ap- But for aesthetes, it was a visual oper to make that kind of commit- from the Atlantic Yards mega-development, Critics said the news was yet another ex- pair bothers anyone — even after the male half of prove the plans for the sugar refin- cacophony. ment,” said Monsignor Alfred LoP- despite an initial rejection by the council. ample of Ratner’s untrustworthiness. the team had just been ticketed by a cop from the ery, which was built in 1884. Pro- “The proposed glass box addi- into of Catholic Charities Brooklyn Councilmembers David Yassky (D–Brook- “The whole project has been built upon 84th Precinct for disorderly conduct at the corner posed renovations include adding tion, plunked on top of the land- and Queens. “So we realize there lyn Heights) and Letitia James (D–Fort Greene) lies,” said Daniel Goldstein, spokesman for of Washington and Front streets. five stories of glassed apartments on mark, is simply too large and lacks are tradeoffs you have to make.” asked the council’s Finance Committee to take Develop Don’t Destroy Brooklyn. “It’s hard “I’m just out here trying to get mine like every- top of the existing 12 floors of the the compositional organization and The Landmarks Preservation up the matter of those Atlantic Yards subsidies to imagine that’s the only misinformation that one else,” she said. landmarked factory. the arrangements of details that Commission did not rule on the pro- while considering a resolution calling for the they publicized over the past years.” They would not reveal their names. The developer would also de- would relate it to the landmark,” posal, which also requires rezoning state to end property-tax exemptions for Madi- Neither the Empire State Development — with Adam F. Hutton molish several non-landmarked — said Lisa Kersavage, a director at the plant from manufacturing to res- son Square Garden. Corporation nor Forest City Ratner would but, to some, historical — buildings the Municipal Arts Society. idential. See YARDS SUBSIDIES on page 13 comment for this article. Slope baby doc beaten PAY-TO-PARK PLAN CHEERED By Ben Muessig By Mike McLaughlin A commission studying commuters park in neighbor- for The Brooklyn Paper The Brooklyn Paper Mayor Bloomberg’s plan — hoods with ample mass transit which would charge drivers and finish their trips to work A gun-toting robber broke into a A new facet of the city’s con- Park Slope doctor’s office on Jan. $8 to enter Manhattan below on the subway, thus avoiding gestion-pricing plan would add the “congestion” fee. 28, hospitalizing a 67-year-old pe- 60th Street during business a fee for Brooklyn drivers look- hours — has recommended Residents would be charged diatrician for a handful of cash — ing to park their cars on their implementing the neighbor- between $75- and $125-a- but the beloved doctor, practicing own blocks — and if Monday hood parking permit system year for the placard allowing on 13th Street for nearly 30 years, night’s meeting on the propos- by next March as a proactive them to park in their neigh- isn’t letting the beating deter him al is any indication, many res- strike against the “park-and- borhood.
Recommended publications
  • Ratner Kills Mr
    Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/18 pages • Vol. 31, No. 8/9 • Feb. 23/March 1, 2008 • FREE INCLUDING CARROLL GARDENS, COBBLE HILL, BOERUM HILL, DUMBO, WILLIAMSBURG AND GREENPOINT RATNER KILLS MR. BROOKLYN By Gersh Kuntzman EXCLUSIVE right now,” said Yassky (D– The Brooklyn Paper Brooklyn Heights). “Look, a lot of developers are re-evalut- Developer Bruce Ratner costs had escalated and the num- ing their numbers and feel that has pulled out of a deal with bers showed that we should residential buildings don’t City Tech that could have net not go down that road,” added work right now,” he said. him hundreds of millions of the executive, who did not wish Yassky called Ratner’s dollars and allowed him to to be identified. withdrawal “good news” for build the city’s tallest resi- Costs had indeed escalated. Brooklyn. dential tower, the so-called In 2005, CUNY agreed to pay “A residential building at Mr. Brooklyn, The Brooklyn Ratner $86 million to build the that corner was an awkward Paper has learned. 11- to 14-story classroom-dor- fit,” said Yassky. “A lot of plan- “It was a mutual decision,” mitory and also to hand over ners see that site as ideal for a said a key executive at the City the lucrative development site significant office building.” University of New York, which where City Tech’s Klitgord Forest City Ratner did not would have paid Ratner $300 Auditorium now sits. return two messages from The million to build a new dorm Then in December, CUNY Brooklyn Paper.
    [Show full text]
  • Reinventing Grand Army Plaza Grand Army Plaza
    REINVENTING REINVENTING GRAND ARMY PLAZA GRAND ARMY PLAZA A PROJECT OF THE DESIGN TRUST FOR PUBLIC SPACE WITH THE GRAND ARMY PLAZA COALITION REINVENTING GRAND ARMY PLAZA REINVENTING GRAND ARMY PLAZA Visionary designs for the heart of Brooklyn DESIGN Trust FOR PUBLIC Space http://designtrust.org Copyright 2009 by the Design Trust for Public Space. All rights reserved. ISBN: 978-0-9777175-3-8 AUTHORS Megan Canning Stephanie Elson Chris Kannen Deborah Marton EDITOR Megan Canning Book Design Jena Sher Printed and bound in the USA by Printcraft, Inc. Design Trust for Public Space is committed to environmentally responsible practices, including sustainable materials and printing practices for all printed matter. Contents 04 Prefaces TOP 30 ENTRANTS 06 About the Design Trust and GAPCo 27 Themes and Strategies PROJECT OVERVIEW THE EXHIBIT 08 Timeline 63 Designing the Exhibit 09 Numbers 64 Building the Exhibit 10 The Project 66 Opening Day Celebration 11 The Competition 68 Press Conference & Awards Ceremony 11 The Selection Process 70 Press Coverage 12 The Exhibit 14 Ideas Into Reality 72 Acknowledgments GRAND ARMY Plaza THE HEART OF BROOKLYN 16 History 17 The Site 18 Surrounding Neighborhoods 19 The Community Speaks 20 Response from Around the World THE COMPETITION 22 Competition Brief 22 Competition Requirements 23 Selection Criteria 24 Competition Jury 01 Designed in 1867 by Olmsted and Vaux, Grand Army Plaza’s mag- Prefaces nificent 11-acres are home to the Soldiers’ and Sailors’ Memorial Arch, the elegant Bailey Fountain, the Greenmarket, and the entrance to Prospect Park. Despite its identity as the historic, cultural and geographic heart of Brooklyn, hazardous conditions force pedestrians and cyclists to skirt the Plaza’s edges instead of passing through its spectacular center, impeding access to neighborhoods, cultural institutions, and preventing use of the Plaza itself.
    [Show full text]
  • Borough Hall Skyscraper Historic District Designation Report
    Cover Photograph: Court Street looking south along Skyscraper Row towards Brooklyn City Hall, now Brooklyn Borough Hall (1845-48, Gamaliel King) and the Brooklyn Municipal Building (1923-26, McKenzie, Voorhees & Gmelin). Christopher D. Brazee, 2011 Borough Hall Skyscraper Historic District Designation Report Prepared by Christopher D. Brazee Edited by Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Technical Assistance by Lauren Miller Commissioners Robert B. Tierney, Chair Pablo E. Vengoechea, Vice-Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT MAP ................... FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT BOUNDARIES ............................. 1 SUMMARY .................................................................................................................................... 3 THE HISTORICAL AND ARCHITECTURAL DEVELOPMENT OF THE BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT ........................................................................................ 5 Early History and Development of Brooklyn‟s Civic Center ................................................... 5 Mid 19th Century Development
    [Show full text]
  • View Centro's Film List
    About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession.
    [Show full text]
  • UNITED STATES DISTRICT COURT NORTHERN DISTRICT of INDIANA SOUTH BEND DIVISION in Re FEDEX GROUND PACKAGE SYSTEM, INC., EMPLOYMEN
    USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 1 of 354 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF INDIANA SOUTH BEND DIVISION ) Case No. 3:05-MD-527 RLM In re FEDEX GROUND PACKAGE ) (MDL 1700) SYSTEM, INC., EMPLOYMENT ) PRACTICES LITIGATION ) ) ) THIS DOCUMENT RELATES TO: ) ) Carlene Craig, et. al. v. FedEx Case No. 3:05-cv-530 RLM ) Ground Package Systems, Inc., ) ) PROPOSED FINAL APPROVAL ORDER This matter came before the Court for hearing on March 11, 2019, to consider final approval of the proposed ERISA Class Action Settlement reached by and between Plaintiffs Leo Rittenhouse, Jeff Bramlage, Lawrence Liable, Kent Whistler, Mike Moore, Keith Berry, Matthew Cook, Heidi Law, Sylvia O’Brien, Neal Bergkamp, and Dominic Lupo1 (collectively, “the Named Plaintiffs”), on behalf of themselves and the Certified Class, and Defendant FedEx Ground Package System, Inc. (“FXG”) (collectively, “the Parties”), the terms of which Settlement are set forth in the Class Action Settlement Agreement (the “Settlement Agreement”) attached as Exhibit A to the Joint Declaration of Co-Lead Counsel in support of Preliminary Approval of the Kansas Class Action 1 Carlene Craig withdrew as a Named Plaintiff on November 29, 2006. See MDL Doc. No. 409. Named Plaintiffs Ronald Perry and Alan Pacheco are not movants for final approval and filed an objection [MDL Doc. Nos. 3251/3261]. USDC IN/ND case 3:05-md-00527-RLM-MGG document 3279 filed 03/22/19 page 2 of 354 Settlement [MDL Doc. No. 3154-1]. Also before the Court is ERISA Plaintiffs’ Unopposed Motion for Attorney’s Fees and for Payment of Service Awards to the Named Plaintiffs, filed with the Court on October 19, 2018 [MDL Doc.
    [Show full text]
  • PDF SVA Handbook 2020–21
    2020/2021 SVA Handbook SVA • 2020 / 2021 20 /21 SVA Handbook CONTENTS President’s Letter 2 The College 3 Academic Information 9 Student Information 23 Faculty Information 44 General Information 55 Standards, Procedures, Policies and Regulations 69 SVA Essentials 93 2020–2021 Academic Calendar 113 Index 119 SVA.EDU 1 THE SVA HANDBOOK provides faculty, students and administrative staff with information about the College, its administration, services and processes. In addition, the Handbook contains policies mandated by federal and state regulations, which all faculty, students and administrative staff need be aware of. In this regard, I would especially like to call your attention to the sections on attendance (pages 12 and 46), the Family Educational Rights and Privacy Act (FERPA) (page 85), Student Disruptive and Concerning Behavior (page 74), Title IX procedures (page 84) and the SVA policy on alcohol and drugs (page 70). We look forward to the 2020–2021 academic year. Our students, this year from 45 states, one U.S. territory and 49 countries, will once again pursue their studies with the focused guidance of our renowned professional faculty. DAVID RHODES President August 2020 2 SVA HANDBOOK THE COLLEGE Board of Directors 4 Accreditation 4 SVA Mission Statement 4 SVA Core Values 4 History of SVA 5 Academic Freedom 6 First Amendment Rights 6 SVA Student Profile 7 SVA.EDU 3 BOARD OF DIRECTORS The Interior Design program leading to the Brian Palmer Bachelor of Fine Arts in Interior Design is ac- Joseph F. Patterson credited by the Council for Interior Design Anthony P. Rhodes Accreditation (accredit-id.org), 206 Grand- David Rhodes ville Avenue, Suite 350, Grand Rapids, MI Lawrence Rodman 49503-4014.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • Brooklyn Secret
    MICHELLE YOUNG AND AUGUSTIN PASQUET SECRET BROOKLYN JONGLEZ PUBLISHING JONGLEZ PUBLISHING TO THE NORTH: DOWNTOWN BROOKLYN LONG ISLAND UNIVERSITY 19 owntown Brooklyn, around the intersection of Flatbush Avenue BASKETBALL COURT Dand Fulton Street, was hailed as the “Times Square of Brooklyn,” by the Brooklyn Daily Eagle in 1928. This was the year that the Paramount Theatre was under construction. The accompanying map showed 12 A gym inside a historic movie theater theaters all within a few blocks, and the Brooklyn Daily Eagle called it 161 Ashland Place the “Hub of the Largest Theatre District in the world, excepting only Brooklyn, NY 11201 New York.” When the Paramount opened on November 23rd, 1928, Transport: B/Q/R to DeKalb Avenue the total combined capacity of the theaters in this area was 25,000 seats. The opening was such an important one that local businesses, such as Loeser’s department store and Joe’s Restaurant, took out advertisements to welcome the new venue. In addition to movies, the Paramount hosted famous performers like Ella Fitzgerald, Duke Ellington and Frank Sinatra. Downtown Brooklyn has regained some of its entertainment cred with the arrival of the Barclays Center, the addition of BRIC Arts|Media House, and the continued excellence of the Brooklyn Academy of Music. But many of the old theaters are gone. One notable exception lies hidden inside the Long Island University Athletic Center. The basketball court sits amid an opulent backdrop, the auditorium of the former Paramount Theatre. The scoreboard sits in front of the grand stage proscenium and the original details of the theater are well preserved on the ornamented walls and arched, latticed ceiling.
    [Show full text]
  • Carving up the Elderly OBAMA’S PLAN to DECIMATE SOCIAL SECURITY, P10
    THE INDYPENDENT Issue #159, December 15, 2010 - January 11, 2011 A FREE PAPER FOR FREE PEOPLE Carving up the Elderly OBAMA’S PLAN TO DECIMATE SOCIAL SECURITY, P10 LUCY VALKYRIE GLOBAL WARNING, p11 LIVING WAGE, p3 STEALING THE RAINBOW, p12 INDYPENDENT.ORG community calendar PLEASE SEND EVENT ANNOUNCEMENTS TO [email protected]. JAN–FEB WED DEC. 8- MON FEB. 28 the release of After ‘Change You Can TUE JAN 18 • 7:30 PM 8pm • $15-$20 Believe In,’ Wally Shawn Reads From Es- DISCUSSION: GLOBAL CAPITALISM, A PLAY: KORACH: THE BIBLICAL says and Discusses Human Nature With MONTHLY UPDATE WITH RICK WOLFF. ANARCHIST. Written and directed by a Communist, featuring Shawn and Andy Join Professor Wolff for an analysis of the Judith Malina, this play tells the story of Lee. A short excerpt from the film will be major economic events of the last month Korach, who is described in the Bible as screened. Refreshments will be served. and their contexts within the longer-term the leader of a rebellion against Moses Revolution Books, 146 W 26th St economic trends shaping politics and during the Israelites’ 40-year journey 212-691-3345 • revolutionbooksnyc.org society in the United States and abroad. We through the desert. Performances run will focus on the evolving global capitalist THE INDYPENDENT, INC. from Wed.-Sat. TUE DEC 21 economic crisis and its consequences. 666 BROADWAY, SUITE 500 The Living Theatre, 21 Clinton St 7pm • Free Sliding scale: $6/$10/$15 NEW YORK, NY 10012 212-352-0255 • livingtheatre.org DISCUSSION: WIKILEAKS REVELA- TIONS. Join Andy Lee and Carl Dix for a THU FEB 3 • 6-8PM PHONE: 212-904-1282 10pm • $10-$15 discussion of what’s at stake in the strug- CLASS: READING MARX’S CAPITAL, PERFORMANCE: THE FEAST.
    [Show full text]
  • Photo Needed How Little You
    HOW LITTLE YOU ARE For Voices And Guitars BY NICO MUHLY WORLD PREMIERE PHOTO NEEDED Featuring ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Nina Revering, conductor AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA Brent Baldwin, conductor HOW LITTLE YOU ARE BY NICO MUHLY | WORLD PREMIERE TEXAS PERFORMING ARTS PROGRAM: PLEASESEEINSERTFORTHEFIRSTHALFOFTHISEVENING'SPROGRAM ABOUT THE PROGRAM Sing Gary Barlow & Andrew Lloyd Webber, arr. Ed Lojeski From the first meetings aboutHow Little Renowned choral composer Eric Whitacre You Are, the partnering organizations was asked by Disney executives in 2009 Powerman Graham Reynolds knew we wanted to involve Conspirare to compose for a proposed animated film Youth Choirs and Austin Classical Guitar based on Rudyard Kipling’s beautiful story Libertango Ástor Piazzolla, arr. Oscar Escalada Youth Orchestra in the production and are The Seal Lullaby. Whitacre submitted this Austin Haller, piano delighted that they are performing these beautiful, lyrical work to the studios, but was works. later told that they decided to make “Kung The Seal Lullaby Eric Whitacre Fu Panda” instead. With its universal message issuing a quiet Shenandoah Traditional, arr. Matthew Lyons invitation, Gary Barlow and Andrew Lloyd In honor of the 19th-century American Webber’s Sing, commissioned for Queen poetry inspiring Nico Muhly’s How Little That Lonesome Road James Taylor & Don Grolnick, arr. Matthew Lyons Elizabeth’s Diamond Jubilee in 2012, brings You Are, we chose to end the first half with the sweetness of children’s voices to brilliant two quintessentially American folk songs Featuring relief. arranged for this occasion by Austin native ALLEGRO ENSEMBLE, CONSPIRARE YOUTH CHOIRS Matthew Lyons. The haunting and beautiful Nina Revering, conductor Powerman by iconic Austin composer Shenandoah precedes James Taylor’s That Graham Reynolds was commissioned Lonesome Road, setting the stage for our AUSTIN CLASSICAL GUITAR YOUTH ORCHESTRA by ACG for the YouthFest component of experience of Muhly’s newest masterwork.
    [Show full text]
  • Not for Immediate Release
    FOR IMMEDIATE RELEASE Press Contact: Kimberly Giannelli | Amber Henrie In The Lights PR [email protected] [email protected] (347) 201-0485 Photos and video available on request THERE’S NO PLACE LIKE BROOKLYN FOR THE HOLIDAYS Brooklyn Ballet in Association with the Brooklyn Museum Presents The Brooklyn Nutcracker NEW YORK, October 18, 2016 — Brooklyn Ballet, a unique and interdisciplinary dance company rooted in the classical idiom, presents the premiere of The Brooklyn Nutcracker, December 7-9 and 11 at the Brooklyn Museum. A re-imagined holiday classic, The Brooklyn Nutcracker fuses ballet, hip-hop and a myriad of world dance genres to create a new tradition for today’s audience. The Brooklyn Nutcracker transforms familiar Nutcracker characters and scenes to represent the diverse traditions and vibrant culture of melting pot Brooklyn. Brooklyn Ballet’s collaborations with tech-based artists and designers create a multi-sensory experience, experimenting with ground-breaking technology of light and motion-responsive costumes, and a digital set which transports us from old Dutch Brooklyn to the iconic Flatbush Avenue. The production is fresh and full of virtuosity–a moving Christmas card to the borough. Amidst the traditional narrative—a Victorian-style holiday party for Clara and friends, Snow Scene, and Waltz of the Flowers—Brooklyn Ballet’s version of the enchanting classical Nutcracker uses Brooklyn’s cultural traditions and diversity as its backdrop. Clara’s mysterious uncle Drosselmeyer is portrayed by hip-hop pop and locker Michael “Big Mike” Fields, and each snowflake is donned in LED wired tutus that illuminate with the sweep of Tchaikovsky’s rich score.
    [Show full text]
  • March 23, 2012 Masters of Tradition Celebrates the Art of Irish Music At
    March 23, 2012 Masters of Tradition celebrates the art of Irish music at the Annenberg Center “A terrifically enjoyable show—accomplished line-up...thrilling climax of galloping jigs and reels.” The Australian (Philadelphia, March 23, 2012)—In its American debut, Masters of Tradition, the ensemble comprised of seven of Ireland's most compelling musicians, brings the heart of Ireland to the Annenberg Center stage. Named for the music festival held each August in the Irish coastal town of Bantry, West County Cork and curated by renowned fiddler Martin Hayes, Masters of Tradition captivates audiences with intimate performances and dazzling instrumentals. The performance will take place on April 15, 2012 at 7 PM. Tickets are $20-$40 (prices are subject to change). For tickets or for more information, please visit AnnenbergCenter.org or call 215.898.3900. Tickets can also be purchased in person at the Annenberg Center Box Office. A celebration of traditional Irish music in its purest form, the performance will showcase a variety of intimate solos, duets and trios as well as full group collaborations. The ensemble reads as a ‘who’s who’ in Irish music and includes vocalist Iarla Ó Lionnáird, fiddlers Martin Hayes and Cathal Hayden, guitarists Dennis Cahill and Seamie O’Dowd, accordionist Máirtín O’Connor and piper David Power. Artistic director Martin Hayes launched the Masters of Tradition Festival in 2002. "The goal of this tour is to focus on the nuances of Irish traditional music," says Hayes. "The performers are all masters of their instruments. Through their talent and abilities, the sophistication and artfulness of the music is revealed." Born in East County Clare, a part of Ireland renowned for traditional music, Hayes is lauded for his distinctly lyrical style.
    [Show full text]