Ulf Langheinrich & Kurt Hentschläger / Granular Synthesis

MODELL 5

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Ulf Langheinrich & Kurt Hentschläger / Granular Synthesis (DE/AT)

22. 7. 2019 20:30

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Von GRANULAR SYNTHESIS Kurt Hentschläger & Ulf Langheinrich Sample session Akemi Takeya Schnitt England und Österreich 1994-96 Produktion Mike Stubbs, at HTBA (Hull Time Based Arts) Koproduktion PYRAMEDIA Wien

Gefördert von den Bundeskuratoren für bildende Kunst am Bundesministerium für Wissenschaft, Forschung und Kunst Stella Rollig und Markus Brüderlin; Archimedia Institut Linz; Arts Council England; BMWFK; BMAA - Bundesministerium für auswärtige Angelegenheiten; FISCHER Film Linz-Wien; Kulturabteilung Land Niederösterreich; Kulturamt Stadt Linz; Medienwerkstatt Wien; MEDA - Mission for vision; Oberösterreich Kultur; WUK - Werkstätten und Kulturhaus Wien; WIEN Kultur; Yorkshire & Humberside ULF LANGHEINRICH Art Board. bei ImPulsTanz Dank an Mike Stubbs, Bettina ­Bartsch-Herzog, Performances Christine Boehler, Birgit Flos, Verena Formanek, Werner Frey, Kurt Hennrich, 2019 MODELL 5 (Media Artist) HILUS, Dirk Langheinrich, Zelko Wiener 5 About MODELL 5

DE EN Zuckende Bilder in wildem Soundsturm. Flickering images in a frantic soundstorm. Auf vier überdimensionalen Projektionen A beautiful woman’s face goes wild on four tobt sich ein schönes Frauengesicht aus. oversized projections. This is the stunning Das ist die atemberaubende Installation installation MODELL 5, one of the pioneering MODELL 5, eine der Pionierleistungen der achievements in media art from the 1990s Medienkunst aus der 1990er Jahren von by Kurt Hentschläger and Ulf Langheinrich Kurt Hentschläger und Ulf Langheinrich (Granular Synthesis). The question then was: (Granular Synthesis). Die Frage war What is the relationship between humans damals: In welchem Verhältnis stehen der and their electronic image, those watching Mensch und sein elektronisches Bild, die it, and space? Akemi Takeya, the performer Betrachter_innen und der Raum? Akemi for the recordings or electronically processed Takeya als Performerin für die Aufnahmen “mirror images”, undergoes the dissolution of beziehungsweise für elektronisch verarbeitete her physical cohesion. MODELL 5 shows how „Spiegelbilder“ erfährt die Auflösung ihrer audiovisual technologies can recompose an körperlichen Konsistenz. MODELL 5 macht image: it is divided into layers that transpose erfahrbar, wie audiovisuelle Techniken ein into each other, moving in different directions; Abbild neu komponieren können: Es wird the face vibrates horizontally and is caught in in Schichten zerlegt, die sich ineinander in a vertical excess of rotation that generates a unterschiedlichen Richtungen bewegen, screaming monster. das Gesicht vibriert horizontal und gerät in einen vertikalen Rotationsexzess, der ein schreiendes Monster erzeugt.

6 7 Akemi Takeya MODELL 5 © Kunstverein Hannover-big Fortunately, funding was rather generous from idea of pushing the perceptive apparatus to GRANULAR SYNTHESIS several bodies of the Austrian state and the the limits and beyond was ever the intent. city of Vienna. By the way, our studio was I might have said something like it before, next to the one where Austrian filmmaker, but only because we were expected to say Martin Arnold did his piece Touchee. it, having been labeled ‘media –terrorists’ at A glimpse into the mind of some point in time. Granular Synthesis, as I understand, is a In actuality, the idea was to be happy Ulf Langheinrich term for the remodeling of a sound sequence with the beauty of our work, astonished by when minute particles or sound segments the impact of what was created, or at least, are manipulated and presented in an artificial not frustrated by the inferiority of it. We got order. Did the name for your project come used to high-speed, frame-based modulations about based on this technical definition? and later fluctuations and pulses. It is self by Alexa Y. evident that we grew used to this material, Yes indeed. Your question is a common one. that we worked with it and created it. This People often have queries on the phrase is not the same as a person who is engaging „GRANULAR-SYNTHESIS“, which we always with this medium for the first time. answer with something along the lines of this Subbase was the next big thing and ‚The core of our synthesis is simultaneously a mix of video and bass was ‘effective’. Then applied on sound and video. Since videos again, I think the material developed a kind of cannot be dissected any more than 25 single suction rather than us pushing it anywhere. When I started researching for my imminent First and foremost, how did you come events per second (in PAL), each event is a There was also anger, especially in earlier non interview with the Austria-based art duo, together? still image. In our art, the resolution of the abstract work. I remember how great it was to Ulf Langheinrich and Kurt Hentschläger, it image is determined by the associated bit of experience the work; I remember the massive seemed obvious that the dialogue would be In the early nineties, we worked together in sound which is in turn dependent on the vid- sound and not how great it was to torture or centered on their creative genius in manipu- Vienna as part of a group called PYRAMEDIA. eo. It is rough and far from what is normally teach an audience. lating sound, space and the image. It wasn’t Together with three other young artists, we associated with granular synthesis.‘ far into the interview before I discovered an worked on various projects, including the In this issue, we are looking at Synthesis as inspiring vision of humanity, and the desire Piazza Virtuale, the Documenta IX and the The stuttering sound you mentioned is one a way in which we can understand creative to develop a distinct artistic language, both of Piazetta Vienna which was part of Van Gogh of our trademarks. We always claim to edit output when the combination of mediums which played important roles in shaping the T V. sound and image together, and often, we real- comes into play. Not purely based on a sim- creative practice of these unique visionaries. ly do. Knowing this usually answers the other ple additive process of elements, but rather The notion of what is acceptable is And how has this influenced or informed the question that often comes up, namely, how is a negotiation of mediums. In your case, it is confronted meticulously on various levels, work you create? sound and image related. the amalgamation of sound, representation often through pushing simplicity in basic ele- via images and the experience via the space; ments to its conceptual limits. Unsurprisingly, This prompted Kurt and I to relinquish a I learnt that your work stems from an interest which of these three elements is prioritized they have developed a clear conceptual meth- project-based working style and work instead in pushing human sensory limits and experi- at the point of creation, or is priority impor- odology that unites their work across different on one and only one project. The idea was ences, could you explain more? tant at all? mediums. Since coming together in the early to develop a distinct aesthetic language that nineties, the duo has exhibited in the Venice covered what we both were interested in, to In my opinion, there was no such interest. An interesting question, a short answer.... Biennale and numerous shows around the find a way to live the notion of a Media-Artist. This is a typical assumption made in response I don‘t think any of these elements are world. In our discussion, Langheinrich reveals This seemed exciting and was indeed a possi- to our work, and is still a common perception prioritized. Space has, in some aspects, been his thoughts and approaches to past works. ble path for a professional career at that time. of my solo work as well as Kurt‘s. I doubt this a special task. Not more difficult, but perhaps

8 9 more surprising. The space we employ has developed mostly intuitively; what was writ- thing like this in Asia, or the USA or Italy or heliocentrism then to egocentrism. Most of us often been massive. The installations from ten was to fulfill expectations of interviewers France. Our later ‘abstract’ work was deeper, are driven by the responsibility of shying away MODELL 5 to NOISEGATE to 360 were im- or funding boards. The good news was that more immersive and devoid of this haunting from the spirits of fear: fear of decline, aging, pressive, but eventually it was about the space Mike Stubbs, the man who had invited us to imagery. The result: more and more silence. loss of independence; fear of status, of being disappearing. And none of the works existed come to Hull Time Based Art and produce And this was good. desired, of the loneliness which accompanies unless presented in space. As for sound, it the work, didn‘t ask us to write lengthy power and centrally, the fear of confronting is not just about adjusting the level of the descriptions for our pieces. He trusted us. We I admire your response, that technology can our own mortality. sound; it is about creating a different sound, arrived in Hull and started dealing with what boost perception but perception is eventually Technology has altered the surface, creating THE sound. The image on a monitor is always the most time-consuming: technical something that you learn. Do you agree that a raised the speed, perhaps even increased our indicates its look, but its vast dimensions and issues. Luckily, we could work intensively and lot of our perceived reality is unreal now? ability to process speed, but this amounts only purposefully inferior projection was something the only other inevitable constraint was the to a temporary escape. It doesn‘t give or even different. The reason why the work developed deadline. In between intuitive silent work and No, our perceived reality hasn‘t fundamentally alter meaning in life; rather, it is the meaning its quality is because it so often left the state the occasional cursing of the computer, there changed in any way, and especially not be- we give to our lives that alters our perception of simulation in the studio. was nothing special. cause of technology. Ultimately, we all live in of it. It is not the projector that projects the our solipsistic world, one that we stage rather image, but we who project the image. What were the difficulties encountered in The art that you create, while extremely au- than perceive. If there has been a change, putting these elements together? thentic, is rather unconventional. What were it is the transformation of geocentrism to Thank you Ulf.. some of the initial responses you faced from We had all sorts of difficulties. The art was not the audience and the critical masses? one of them. It was unconventional because we were Which aspect of the work (sound/ visuals funded with enough money to turn unconven- or other) informs your choice in selecting a tional ideas into reality. And in that we were performance venue? tenacious and successful enough to stick to our initial idea. We focused our aesthetic re- Usually there isn‘t much to select; we are search on one topic and ignored the demand presented with venues and have to find a for something new, which was often also solution. Of course, knowing our work, the something totally different. Once this became kinds of venues suggested tend to be rather a stale topic- especially in this narrowed appropriate anyway. approach-, we stopped working together. There is no doubt that the expression As I mentioned before, we were Let‘s talk about the work MODELL 5, I recall labeled a sort of ‘media terrorist’ throughout “tremendous presence on the screen” leaving the exhibit with mixed feelings of awe our whole collaboration. In Germany, the and confusion. Throughout the session, I response was rather critical, especially to has never been more to the point. Is kept trying to make sense of what I was see- MODELL 5. This is probably because the ing on the screen, what I was hearing from work suggested so many interpretations which that the hidden face of multimedia? the speakers and what was going through my were contentious in German society. The mind. Was this the intention? What were the work was all about art and society, the ex- motivations behind the piece? ploitation of the exotic beautiful face... In the feedback from this one country (Germany), Denis Fortier, LE MONDE It‘s very difficult to give you clues.MODELL our status was raised from terrorist to fascist 5 has outgrown its initial intentions. It was and certainly sexist. I have never heard any-

10 11 © Kunstverein Hannover-big Ulf Langheinrich auch Sinken für Sinfonieorchester und Movement C aufgeführt. In den letzten orchestra and electronic as a part of the Elektronik im Rahmen des Projekts 20 Jahren lebte er in Wien, New York, Dangerous Visions project commissioned DE Dangerous Visions, das von Orchestre Melbourne, Accra, Hongkong und aktuell and performed by Orchestre National de Lille Ulf Langheinrich wurde 1960 in Wolfen, National de Lille und Art Zoyd in Auftrag wieder in Dresden. and Art Zoyd. Later, Sinken was performed Sachsen-Anhalt, geboren. Nachdem er gegeben und aufgeführt wurde. by the National Orchestra of Mexico and aus dem Studienregister der Hochschule Später wurde Sinken auch vom National EN Tonkünstler-Orchester. Minus for the grand für Gestaltung in Halle gestrichen worden Orchestra of Mexico und dem Tonkünstler- Ulf Langheinrich was born in 1960, in pipe organ of the Wiener Konzerthaus was war, weil er die Teilnahme am Wehrdienst Orchester aufgeführt. Minus für die große Wolfen, Sachsen Anhalt, Germany. After commissioned and presented as the opening der DDR verweigert hatte - für männliche Pfeifenorgel des Wiener Konzerthauses wurde removal from the University of Design in concert by Wien Modern in 2002. Since Studenten obligatorisch -, beantragte er die im Jahr 2002 vom Festival Wien Modern in Halle due to his denial to accept post-duty 2003, Ulf Langheinrich has started to realise Abgabe seiner DDR-Staatsbürgerschaft und Auftrag gegeben und als Eröffnungskonzert participation in East German Army service various large scale solo projects including zog 1984 nach Westdeutschland. Während präsentiert. Seit 2003 realisiert Ulf - mandatory for male students - he applied Drift, Waveform, Hemisphere (hemispheric seines Studiums an der Gesamthochschule Langheinrich große Soloprojekte, darunter to give up his GDR citizenship and moved film on a suspended dome granted by the für Malerei in Kassel gründete er ein Studio Drift, Waveform, Hemisphere (Hemispheric to West Germany in 1984. While being a German Federal Cultural Foundation and für elektronische Musik, entwickelte die Film on a Suspended), verliehen von der student at Gesamthochschule Kassel for his first stereoscopic film commissioned by Grundlagen seiner musikalischen Sprache Kulturstiftung des Bundes Deutschland, und Painting, he set up a studio for electronic Liverpool Biennial 08, LAND. His artworks und beschäftigte sich mit Malerei, Zeichnung seinen ersten stereoskopischen Film LAND music, developed the basics of his musical were exhibited a. o. in Barcelona (MACBA), und Fotografie. 1988 ging er nach Wien, im Auftrag der Liverpool Biennial 08. Seine language and engaged in painting, drawing Berlin (Martin- Gropius-Bau), Dresden wo ihm ein Atelier im WUK (Werkstätten Arbeiten waren unter anderem zu sehen in and photography. In 1988, he left for Vienna (Hellerau European Center for the Arts), und Kulturhaus) zur Verfügung gestellt Barcelona (MACBA), Berlin (Martin-Gropius- where a studio at the WUK (Werkstätten und Eindhoven (STRP Festival), Gent (Film wurde. 1988 bis 1991 widmete er sich Bau), Dresden (Europäisches Zentrum der Kulturhaus) was put at his disposal. From Festival), Hong Kong (Run Run Shaw Creative wieder regelmäßig der Malerei, stellte Künste Hellerau), Eindhoven (STRP-Festival), 1988 to 1991, he devoted himself again Media Centre), Madrid (ARCO), Melbourne in der Kunsthalle Exnergasse aus und Gent (Filmfestival), Hongkong (Run Run to regular painting, had a solo exhibition (ACMI), Moscow (Red October and Platforma veröffentlichte einen Katalog seiner Arbeiten. Shaw), Creative Media Center), Madrid at Kunsthalle Exnergasse and released a Winzavod Art Centre), Perth (PICA), Roma 1991 gründeten er und Kurt Hentschläger (ARCO), Melbourne (ACMI), Moskau (Roter catalogue of his work. In 1991, he and Kurt (Romaeuropa Festival, Palladium, MACRO- das Media-Art-Duo Granular Synthesis. Sie Oktober und Platforma Winzavod Art Center), Hentschlaeger founded the Media-Art duet La Pelanda), Rotterdam (DEAF), Seoul realisierten über ein Jahrzehnt lang eine Perth (PICA), Roma (Romaeuropa Festival, Granular Synthesis. For more than a decade (Incheon Digital Arts Festival), Shanghai Reihe internationaler Großprojekte, darunter Palladium, MACRO-La Pelanda), Rotterdam they realised a number of international (Zendai MoMA, Shanghai Sculpture Space MODELL 5, NOISEGATE und POL. Aufritte (DEAF), Seoul (Incheon Digital Arts Festival), large scale projects including MODELL 5, and Science and Technology Museum), folgten im ICA London, im Hull Time Shanghai (Zendai MoMA, Museum für NOISEGATE and POL. They exhibited and Taipei (Taipei Fine Arts Museum), Vienna based Art Museum, im MAK Wien, in den Skulptur, Raumfahrt und Wissenschaft und performed at the Museum for applied Arts (Wien Modern). In 2005, he got a Siemens Museen für zeitgenössische Kunst in Lyon, in Technologie), Taipei (Museum der Schönen ICA London, Hull Time based Art, MAK scholarship and was Featured artist at Ars Montreal und Seoul, im Stedelijk Museum, Künste von Taipeh), Wien (Wien Modern). Vienna, Museums of Contemporary Arts of Electronica. KU (for pipe organ, electronic im Kunstverein Hannover, im ISEA Montreal 2005 erhielt er ein Siemens-Stipendium und Lyons, Montreal and Seoul, The Stedelijk and stereoscopic image) was commissioned und in Liverpool, im ICC Tokyo und in war Featured Artist beim Ars Electronica Museum, Kunstverein Hanover, ISEA and presented by TONLAGEN Festival for Creative Time New York. 2001 bespielten Festival, Linz. KU (für Pfeifenorgel, Montreal and Liverpool, ICC Tokyo, Creative contemporary music, Dresden in 2010. sie den österreichischen Pavillon auf der elektronisches und stereoskopisches Bild) Time New York and the Austrian Pavilion at In 2012, Movement C co-produced by Biennale in Venedig. Granular Synthesis wurde 2010 vom TONLAGEN Festival the Venice Biennial 2001. Granular Synthesis Hellerau European Center for the Arts, was erhielt ein österreichisches Staatsstipendium, für zeitgenössische Musik in Dresden in received an Austrian state scholarship, a performed at CynetArt in Dresden. In the ein PS1-Stipendium und den ersten Preis der Auftrag gegeben. 2012 wurde im CynetArt PS1 scholarship and the first prize of the last 20 years he lived in Vienna, New York, Internationalen Biennale in Nagoya. In diesem in Dresden die vom Europäischen Zentrum International Biennial in Nagoya. In this Melbourne, Accra, Hong Kong and currently Zusammenhang komponierte Langheinrich für Künste Hellerau koproduzierte Arbeit context he composed Sinken for symphonic again in Dresden.

14 15 Zusatzvorstellung Research Project Showing 21. 7. / So Spielplan / Schedule Tanztheater Wuppertal Elio Gervasi Pina Bausch The Choreographic Engine Masurca Fogo 17:00, Probebühne Diskussion 21:00, Burgtheater, Kat A Volksoper, Kat O Jérôme Bel 11. 7. / Do 14. 7. / So Think Tank: Dance Dimitri Chamblas & [8:tension] Mette Ingvartsen and Ecology Boris Charmatz / Terrain Michiel Vandevelde 7 Pleasures 13:00, Arsenal, Kat Z FESTIVALERÖFFNUNG Workshop Opening Lecture À bras-le-corps Andrade 19:00, Akademietheater, Kat D Johann Kresnik | Gottfried «impressions’19» 19:30, Leopold Museum, 22:30, Schauspielhaus, Kat M Musikvideoprogramm Helnwein | Kurt Schwertsik 16:00, Arsenal Kat M Open House Synthesize the Real & TANZLIN.Z Eintritt frei Miller, Hill, Weber, 16:00, Leopold Museum Macbeth Tanztheater Wuppertal 18. 7. / Do Martinez & Guests Auditorium, Kat R 21:00, Volkstheater, Kat B Mette Ingvartsen Pina Bausch Unstable Nights 69 positions Masurca Fogo Filmvorführung 19:00, mumok Hofstallung, [8:tension] 18:30, Kasino am 21:00, Burgtheater, César Vayssié Kat K + Q Michelle Moura Schwarzenbergplatz, Kat J Kat A 12. 7. / Fr Les Disparates BLINK – mini unison Tanztheater Wuppertal Boris Charmatz & intense lamentation Doris Uhlich Pina Bausch Doris Uhlich César Vayssié 19:00, Kasino am TANK 17. 7. / Mi Masurca Fogo TANK Levée Schwarzenbergplatz, Kat M 19:00, Odeon, Kat I 21:00, Burgtheater, Kat A 19:00, Odeon, Kat I 18:00, Leopold Museum Filmvorführung Ali Moini Michael Laub / Remote Auditorium, Kat R Michael Laub / Remote César Vayssié ImPulsTanz Party My Paradoxical Knives Control Productions A-Side Control Productions Les Disparates Open House 20:15, mumok, Kat P Rolling 22:00, Kasino am Rolling Boris Charmatz & Miller, Hill, Weber, 21:00, Akademietheater, Kat D Schwarzenbergplatz Mette Ingvartsen 21:00, Akademietheater, César Vayssié Martinez & Guests 7 Pleasures Kat D Levée Unstable Nights 21:00, Akademietheater, Kat D 15. 7. / Mo 17:30, Leopold Museum 19:00, mumok Hofstallung, 20. 7. / Sa Filmvorführung Auditorium, Kat R Kat K + Q Wim Wenders Zusatzvorstellung Steven Cohen PINA Annie Dorsen Zusatzvorstellung Dimitri Chamblas & Diskussion put your heart under 21:30, Kino wie noch nie Spokaoke Dimitri Chamblas & Boris Charmatz / Terrain Jérôme Bel your feet ... and walk! 19:00, Festival Lounge im Boris Charmatz / Terrain À bras-le-corps Think Tank: Dance 21:00, Odeon, Kat I Burgtheater Vestibül, Kat O À bras-le-corps 19:30, Leopold Museum, and Ecology 13. 7. / Sa 18:30, Leopold Museum, Kat M ab 13:00, Arsenal, Kat Z [8:tension] Kat M Michiel Vandevelde 22. 7. / Mo Annie Dorsen Annie Dorsen Open House Andrade Spokaoke Ali Moini Spokaoke Miller, Hill, Weber, 21:00, Schauspielhaus, Kat M 17:00, Arsenal, Kat O My Paradoxical Knives 20:30, Leopold Museum, Martinez & Guests [8:tension] 19:00, mumok, Kat P Kat O Unstable Nights Tobias Koch, Thibault Johann Kresnik | Gottfried 19:00, mumok Hofstallung, Lac & Tore Wallert Open House Helnwein | Kurt Schwertsik 16. 7. / Di Tanztheater Wuppertal Kat K + Q Such Sweet Thunder & TANZLIN.Z Miller, Hill, Weber, Pina Bausch 19:00, Leopold Museum, Macbeth Vernissage Martinez & Guests Masurca Fogo [8:tension] Kat M 19:30, Volkstheater, Kat B Karolina Miernik & Emilia Unstable Nights 21:00, Burgtheater, Kat A Tobias Koch, Thibault Milewska / yako.one 19:30, mumok Hofstallung, Lac & Tore Wallert Filmvorführung Filmvorführung Come on! Dance with me Kat K + Q Such Sweet Thunder Jérôme Bel Wim Wenders 18:00, OstLicht. 19. 7. / Fr 19:00, Leopold Museum, Retrospective PINA Gallery for Mette Ingvartsen Kat M 19:00, Akademietheater, Kat P 69 positions 20:30, METRO Photography, Kat Z Dance of Urgency, Q21 20:30, Kasino am Steven Cohen Langheinrich & Hentschläger Kinokulturhaus Frédéric Gies Schwarzenbergplatz, put your heart under / Granular Synthesis Mette Ingvartsen Good Girls Go To Heaven, Kat J your feet ... and walk! MODELL 5 Mette Ingvartsen 69 positions Bad Girls Go Everywhere 69 positions 18:30, Kasino am 21:00, Odeon, Kat I 20:30, Odeon, Kat N Steven Cohen 14:30–18:08, frei_raum 22:00, Kasino am Schwarzenbergplatz, Q21, Kat Z Schwarzenbergplatz, Kat J Kat J put your heart under Juliana F. May Juliana F. May your feet ... and walk! Folk Incest Folk Incest 21:00, Odeon, Kat I 22:30, Volx/Margareten, Kat K 21:00, Volx/Margareten, Kat K Mette Ingvartsen Lenio Kaklea [ImPulsTanz Classic] Steven Cohen Lisbeth Gruwez / Voetvolk to come (extended) Practical Encyclopaedia, 26. 7. / Fr Akemi Takeya Taste The Sea Within 21:30, Volkstheater, Kat C Chosen Portraits ZZremix 20:15, Leopold Museum, Kat O 21:00, Akademietheater, Kat F 20:30, mumok, Kat M Open House Neuinszenierung [8:tension] Miller, Hill, Weber, 21:00, Odeon, Kat I Lisbeth Gruwez / Voetvolk Zusatzvorstellung Eric Arnal-Burtschy Claire Croizé & Matteo Martinez & Guests The Sea Within [8:tension] Why We Fightt Fargion / ECCE vzw Unstable Nights [8:tension] 21:00, Akademietheater, Kat F Teresa Vittucci 23:00, Schauspielhaus, Kat M Flowers (we are) 18:00, mumok Hofstallung, Mira Kandathil & Annina HATE ME, TENDER 20:30, Akademietheater, Kat F Kat K + Q Machaz / Follow us Zusatzvorstellung 21:00, Volx/Margareten, Ask the oracle [8:tension] Kat M 23. 7. / Di Zusatzvorstellung Lenio Kaklea – the future is now – Maria Metsalu Ismael Ivo / Balé da Practical Encyclopaedia, 22:30, Kasino am Mademoiselle x Open House Cidade de São Paulo & Chosen Portraits Schwarzenbergplatz, Kat M 21:00, mumok Hofstallung, 1. 8. / Do Miller, Hill, Weber, Morena Nascimento 18:00, mumok, Kat M Kat M Martinez & Guests Um Jeito de Corpo Philipp Gehmacher Book Presentation Unstable Nights 21:00, Burgtheater, Kat B Ian Kaler & Planningtorock 28. 7. / So It is a balancing act to live Mårten Spångberg Hg. 18:00, mumok Hofstallung, o.T. | RAW PRACTICE without your attention Mette Ingvartsen Movement Research Kat K + Q 19:00, Leopold Museum, Musikvideoprogramm Theaterversion 21 pornographies 22:30, Volkstheater – Kat M B-E-H-A-V-E 19:00, Odeon, Kat I 22:00, Volkstheater, Kat E Rote Bar, Kat Z Jérôme Bel 16:00, Leopold Museum Work in Progress Presentation mit Mårten Spångberg Lecture on nothing Auditorium, Kat R [8:tension] 19:00, Schauspielhaus, Kat L Peter Stamer & Frank Willens und Anne Juren Ellen Furey & Malik 25. 7. / Do In the Penal Colony [8:tension] Nashad Sharpe Ismael Ivo / Balé da 19:00, mumok, Kat O Teresa Vittucci SOFTLAMP.autonomies Cidade de São Paulo & Lenio Kaklea HATE ME, TENDER 30. 7. / Di 21:00, Schauspielhaus, Kat M Zusatzvorstellung Morena Nascimento Practical Encyclopaedia, 18:00, Volx/Margareten, Ismael Ivo / Balé da Um Jeito de Corpo Lecture demonstration Kat M [8:tension] Liquid Loft / Chris Haring 21:00, Burgtheater, Kat B 18:00, mumok, Kat M Cidade de São Paulo & Maria Metsalu Stand-Alones Morena Nascimento [8:tension] Mademoiselle x ( polyphony ) [8:tension] Open House Um Jeito de Corpo Samuel Feldhandler 19:00, mumok Hofstallung, 21:00, Leopold Museum, Kat K Michelle Moura Miller, Hill, Weber, 21:00, Burgtheater, ’d he meant vary a shin’s Kat M BLINK – mini unison Martinez & Guests Kat B 19:30, Schauspielhaus, Kat M Frank Willens intense lamentation Unstable Nights Frank Willens Radiant Optimism 22:30, Kasino am 18:00, mumok Hofstallung, Trajal Harrell Frédéric Gies Radiant Optimism 23:00, Kasino am Schwarzenbergplatz, Kat M Kat K + Q Dancer of the Year walk + talk 20:15, Kasino am Schwarzenbergplatz, Kat K 21:00, Akademietheater, 19:30, mumok, Kat M Schwarzenbergplatz, Kat K [ImPulsTanz Classic] Kat G 24. 7. / Mi Akemi Takeya Lisi Estaras & Ido Batash / Philipp Gehmacher 2. 8. / Fr ZZremix [8:tension] MonkeyMind Company It is a balancing act to live Samuel Feldhandler Open House Neuinszenierung The Jewish Connection Project without your attention Symposium & Performance 19:30, Odeon, Kat I ’d he meant vary a shin’s 21:00, Volkstheater, Kat E Theaterversion Miller, Hill, Weber, 22:30, Schauspielhaus, Chateau Rouge & Red Edition Martinez & Guests 21:30, Odeon, Kat I Salon Souterrain: Ismael Ivo / Balé da Kat M [8:tension] Unstable Nights Art & Prostitution Cidade de São Paulo & Maria Metsalu [8:tension] 18:00, mumok Hofstallung, 19.00–21:30, Volkstheater – Morena Nascimento Mademoiselle x Teresa Vittucci Kat K + Q Rote Bar, Kat M Um Jeito de Corpo 27. 7. / Sa 22:30, mumok Hofstallung, HATE ME, TENDER Ian Kaler & Planningtorock 21:00, Burgtheater, Kat B Kat M 23:00, Volx/Margareten, Amanda Piña / o.T. | RAW PRACTICE IDOCDE Symposium Kat M nadaproductions [8:tension] 19:00, Leopold Museum, Tracing Forwards Danza y Frontera Mira Kandathil & Annina Kat M 27. Juli, 12:00 bis 28. Juli, 29. 7. / Mo (Museum Version) Machaz / Follow us 13:00, Arsenal 31. 7. / Mi 19:00, mumok, Kat K [8:tension] Ask the oracle Work in Progress Presentation Eric Arnal-Burtschy – the future is now – Steven Cohen Peter Stamer & Frank Willens Amanda Piña / Alleyne Dance Why we fi ght 22:30, Kasino am Taste In the Penal Colony nadaproductions A Night’s Game 19:00, Schauspielhaus, Kat M Schwarzenbergplatz, Kat M 19:00, Leopold Museum, 19:00, mumok, Kat O Danza y Frontera 20:30, Odeon, Kat I Kat O (Museum Version) 19:00, mumok, Kat K Zusatzvorstellung Musikvideoprogramm Wim Vandekeybus Wim Vandekeybus Zusatzvorstellung Liquid Loft / Chris Haring Collapse / Ultima Vez / Ultima Vez 9. 8. / Fr [8:tension] Stand-Alones 17:00, mumok kino, Kat S Go Figure Out Yourself Go Figure Out Yourself nasa4nasa ( polyphony ) 22:30, mumok Hofstallung, 19:00, mumok Hofstallung, [ImPulsTanz Classic] SUASH 20:30, Leopold Museum, Zusatzvorstellung Kat K Kat K Ivo Dimchev 19:30, mumok, Kat M Kat K Agudo Dance Company The Selfi e Concert Silk Road Jonathan Burrows 18:00, Leopold Museum, Simone Aughterlony, Planningtorock 21:00, Akademietheater, 6. 8. / Di Rewriting Kat K Petra Hraš´canec & Saša Boži´c Powerhouse Kat F 20:00, Leopold Museum, Kat M Compass 22:00, Halle E, Kat H Showing [8:tension] 21:00, Kasino am Philipp Gehmacher toxic dreams & WTKB ATLAS – create your nasa4nasa Schwarzenbergplatz, Kat K It is a balancing act to live The Deadpan Dynamite dance trails SUASH without your attention – The Art of the Gag 3. 8. / Sa 16:00, Arsenal, Kat Z 19:30, mumok, Kat M Museumsversion 21:00, Schauspielhaus, Kat L 11. 8. / So [8:tension] 19:00, mumok, Kat K Musikvideoprogramm God’s Entertainment Anne Juren Ellen Furey & Malik B-E-H-A-V-E TARZAN Zusatzvorstellung Alleyne Dance 42 Nashad Sharpe Synthesize the Real 20:00, Zacherlfabrik, Kat K [8:tension] A Night’s Game 21:00, Odeon, Kat I SOFTLAMP.autonomies 16:00, Leopold Museum Marissa Perel 21:00, Odeon, Kat I ImPulsTanz Party 19:00, Schauspielhaus, Auditorium, Kat R Pain Threshold Wim Vandekeybus B-Side Kat M 16:00, Leopold Museum, [ImPulsTanz Classic] / Ultima Vez Philipp Gehmacher 22:00, Kasino am DD Dorvillier / human Go Figure Out Yourself Liquid Loft / Chris Haring It is a balancing act to live Schwarzenbergplatz Kat M future dance corps 22:30, mumok Hofstallung, Stand-Alones without your attention No Change, or “freedom is a Kat K [8:tension] ( polyphony ) Museumsversion Musikvideoprogramm psycho-kinetic Skill” (2005) Tatiana Chizhikova 19:00, Leopold Museum, 19:00, mumok, Kat K Collapse 22:00, Kasino am & Roman Kutnov Kat K 16:30, mumok kino, Schwarzenbergplatz, Kat K God’s Entertainment 8. 8. / Do Time to Time Kat. S Dance Contest TARZAN 23:00, Schauspielhaus, Kat M Rhythm is a Dancer 20:00, Zacherlfabrik, Kat K [8:tension] [ImPulsTanz Classic] Hosted by Storm 5. 8. / Mo Marissa Perel Ivo Dimchev 20:00, Arsenal, Kat Z Jonathan Burrows Pain Threshold 10. 8. / Sa The Selfi e Concert Wim Vandekeybus Rewriting 19:00, Leopold Museum, 18:00, Leopold Museum, Agudo Dance Company / Ultima Vez 20:15, Leopold Museum, Kat M Kat M Final Workshop Showing Kat K Silk Road Go Figure Out Yourself «expressions’19» 21:00, Akademietheater, 19:00, mumok Zusatzvorstellung Filmvorführung 16:00, Arsenal, Kat Z [8:tension] Kat F Hofstallung, Kat K toxic dreams & WTKB César Vayssié Tatiana Chizhikova The Deadpan Dynamites Ne travaille pas (1968–2018) CieLaroque/Helene Weinzierl & Roman Kutnov Zusatzvorstellung Jonathan Burrows – The Art of the Gag 19:00, mumok kino, Kat Q AS FAR AS WE ARE Time to Time Alleyne Dance Rewriting 21:00, Schauspielhaus, Kat L 18:00, Arsenal, Kat M 19:30, Schauspielhaus, A Night’s Game 20:00, Leopold Museum, God’s Entertainment Kat M 22:30, Odeon, Kat I Kat M Wim Vandekeybus TARZAN [8:tension] / Ultima Vez 20:00, Zacherlfabrik, Marissa Perel Zusatzvorstellung Agudo Dance Company Go Figure Out Yourself Kat K Pain Threshold Dana Michel 4. 8. / So Silk Road 21:00, mumok Hofstallung, 18:00, Leopold CUTLASS SPRING 21:00, Akademietheater, Kat K Zusatzvorstellung Museum, Kat M 19:30, Odeon, Kat K Jonathan Burrows Symposium – Summer Kat F Rewriting Dana Michel Konzert Barbecue Performance toxic dreams & WTKB 21:00, Leopold Museum, CUTLASS SPRING Hahn Rowe Party Remix 7. 8. / Mi The Deadpan Dynamites Kat M 19:30, Odeon, Kat K Hahn Rowe in Concert Future Clinic for Critical Care – The Art of the Gag 22:30, Kasino am FCCC’ing ImpulsTanz [8:tension] 21:00, Schauspielhaus, Kat L Simone Aughterlony, Book Presentation & Schwarzenbergplatz, The Musical: A Past nasa4nasa Petra Hraš´canec & Saša Boži´c Musical Improvisation Kat M Present Future Clinic SUASH Jonathan Burrows Compass Johannes Odenthal, Hosted by Jeremy Wade & Nina 19:00, mumok, Kat M Rewriting 21:00, Kasino am Ko Kôkô, Manos Tsangaris Mühlemann & Tanja Erhart 21:00, Leopold Museum, Schwarzenbergplatz, Passagen Programmänderungen vorbehalten 12:00–18:00, Arsenal, Kat M Kat K 19:30, Schauspielhaus, Kat Z / Programme subject to change Kat M Increase the power!

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Intendant: Karl Regensburger; Künstlerische Beratung: Ismael Ivo; Künstlerische Leitung Workshops & Research: Rio Rutzinger, Marina Losin; Künstlerische Leitung [8:tension]: Christine Standfest, Michael Stolhofer; Dramaturgie & Programm mumok- Kooperation: Christine Standfest; ImPulsTanz soçial Programm: Hanna Bauer; Finanzen: Gabriele Parapatits, Katharina Binder; Kaufmännische Beratung: Andreas Barth – Castellio Consulting GmbH; Festivalorganisation: Gabriel Schmidinger, Alissa Horngacher; Künstlerisches Betriebsbüro: Yasamin Nikseresht, Maiko Sakurai, Laura Fischer; Produktionsassistenz: Oihana Azpillaga Camio; Produktionsleitung: Johannes Maile; IT: Hannes Zellinger, Zimmel + Partner; Presse & PR: Theresa Pointner, Almud Krejza, Zorah Zellinger; Marketing: Theresa Pointner; New Media: Maja Preckel; Online Redaktion: Maja Preckel, Marina Losin; Förderungen & Kooperationen: Hanna Bauer; EU Project Life Long Burning & danceWEB Scholarship; Programme: Hanna Bauer, Katharina Binder, Rio Rutzinger; Sponsoring: Andreas Barth, Hanna Bauer, Wolfgang Mayr – mayr & more; ImPulsBringer – Freunde des ImPulsTanz Festivals: Präsident Josef Ostermayer, Organisation Laura Fischer; Workshop Offi ce: Carine Carvalho Barbosa & Team Koordination; danceWEB & ATLAS: Gabri Einsiedl; Technische Leitung Performances: Andreas Grundhoff & Team; Chiefs of Ticketing: Ralf - I. Jonas, Gabriel Schmidinger; Publikumsdienst: Gabriel Schmidinger, Alissa Horngacher & Team; Koordination der Künstler_innenwohnungen: Joseph Rudolf & Team; Gästekarten: Isabelle Nisanyan & Timothy Gundacker; Infoservice: Anna Korenitsch, Martina Dähne; Spielstättengestaltung: Maximilian Pramatarov, Nestor Kovachev; Technische Leitung Workshops: Hannes Zellinger & Team; Musikvideo-Programm: Christoph Etzlsdorfer (VIS Vienna Shorts), Theresa Pointner; Fotografi e: Karolina Miernik, Emilia Milewska; Video: Maximilian Pramatarov

Redaktion Abendprogramme: Christine Standfest & Stefanie Gunzy; Satz (Kern): Valerie Eccli; Coverdesign, Introseiten & Art Direction: CIN CIN, Vienna – Stephan Göschl, Gerhard Jordan, Annika Perktold & Jasmin Roth; Print: Druckerei Walla.

Bild am Cover: Akemi Takeya MODELL 5 © Komfar Sengmueller, MAK Wien THE NEW PRESENTATION 22ON 3 FLOORS VIENNA 1900 motor oil BIRTH OF MODERNISM

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