Devo Shout Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Devo Shout Mp3, Flac, Wma Devo Shout mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Shout Country: US Released: 1984 Style: Electro, Synth-pop MP3 version RAR size: 1265 mb FLAC version RAR size: 1774 mb WMA version RAR size: 1713 mb Rating: 4.1 Votes: 707 Other Formats: DMF TTA XM MP4 MMF VOX ASF Tracklist A1 Shout 3:15 A2 The Satisfied Mind 3:06 A3 Don't Rescue Me 3:04 A4 The 4th Dimension 4:26 A5 C'Mon 3:16 B1 Here To Go 3:15 B2 Jurisdiction Of Love 2:58 B3 Puppet Boy 3:08 B4 Please Please 3:00 B5 Are You Experienced? 3:08 Companies, etc. Made By – Warner-Pioneer Corporation Credits Art Direction – Vigon Seireeni Engineer – Robert Casale Engineer [Assistant] – Ed Delena* Graphics [Computer Graphics] – Effective Graphics Mastered By [Originally] – Steve Marcussen* Mixed By – Mike Shipley (tracks: A1 to B4) Other [Career Direction] – Bill Gerber, Elliot Roberts Other [Cover Kids - Boy] – Zachary Chase Other [Cover Kids - Girl] – Alex Mothersbaugh Other [Devo's Chinese-american Friendship Suits] – Clacton And Frinton Photography By – Karen Filter Producer, Artwork [Graphic Concept] – Devo Programmed By [Additional Emulator Programs] – Al Horvath, Bill Wolfer Programmed By [Programming Consultation] – Will Alexander Technician [Technical Assistance] – Jim Mothersbaugh Written-By – Gerald V. Casale (tracks: A1, A2, A4 to B1, B3, B4), Jimi Hendrix (tracks: B5), Mark Mothersbaugh (tracks: A1 to B4) Notes Promo only not for sale (見本盤 非売品) labels. Other versions Category Artist Title (Format) Label Category Country Year Warner Bros. 1-25097, 9 1-25097, 9 Devo Shout (LP, Album) Records, Warner US 1984 25097-1 25097-1 Bros. Records Warner Bros. 25097-1 Devo Shout (LP, Album) 25097-1 Australia 1984 Records Warner Bros. 925097-1 Devo Shout (LP, Album) 925097-1 Greece 1984 Records Warner Bros. 92-50974, 92 Shout (Cass, 92-50974, 92 Devo Records, Warner Canada 1984 50974 Album, Dol) 50974 Bros. Records Shout (CD, Warner Bros. WPCR-12953 Devo Album, Ltd, RE, Records, Warner WPCR-12953 Japan 2008 RM, Pap) Music Japan Related Music albums to Shout by Devo Devo - We're All... Devo Devo - EZ Listening Muzak Devo - Hardcore Volume 1 Devo - Live Devo - Oh, No! It's Devo Devo - Are You Experienced? Devo - Q: Are We Not Men? A: We Are Devo! Devo - New Traditionalists Devo - Are You Experienced ? Devo - Total Devo.
Recommended publications
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s.
    [Show full text]
  • Subculture Magazine - Alternative Music and Culture Magazine
    Subculture Magazine - alternative music and culture magazine. The ultimate ...c, darkwave, synthpop, alternative and post punk music. always on the edge. User Password Sign Up | Forgot Password Thursday, Dec 08 , 2005 Devo - Live 1980 (DVD) Posted :Thu, Dec 8th, 2005 00:20:24 Devo Devo - Live 1980 (DVD) Target Video Review By : Vivien Weimar With 80s nostalgia being de rigueur these days, the time is ripe for a DEVO reunion. The reclusive new wave band usually doesn't tour much as original founder Mark Mothersbaugh has since moved on to creating commercials and soundtracks at his Los Angeles production company Mutato Muzika (that fantastically weird space-ship-looking building on Sunset Boulevard) along with the other Devo members save Jerry Casale who has been directing videos for such bands as the Foo Fighters and Soundgarden. However, this summer Devo got together and played limited dates all across the country--and this fall they released Live 1980, a full-length concert video shot at the Phoenix Theatre in Petaluma, CA on August 17, 1980. Complete with white uniforms, blue background screen and "energy domes" (don't you dare call them flower-pot hats), Devo play the hits off of their albums, Q: Are We Not Men? A: We are Devo!, Duty Now For the Future and Freedom of Choice. Twenty-one songs are featured in this 75-minute disc including the classic MTV staple "Whip It", the oft-covered "Girl U Want", and their own covers of Johnny River's classic "Secret Agent Man" and the Rolling Stones "(I Can't Get No) Satisfaction".
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • Dead Zone Back to the Beach I Scored! the 250 Greatest
    Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ ��������������������������
    [Show full text]
  • 2007-09-06.Pdf
    2 BUZZ 09.06.07 daily.titan daily.titan BUZZ 09.06.07 3 BEAUTIFUL MUTANTS An artist who sees beauty his own way NERO ZERO IF YOU LIVED HERE ... The Buzz Editor: The Daily Titan 714.278.3373 LOCKED & LOADED Jennifer Caddick The Buzz Editorial 714.278.5426 [email protected] FOR MISFIRE Executive Editor: Editorial Fax 714.278.4473 AND Ian Hamilton The Buzz Advertising Director of 714.278.3373 [email protected] WE ASKED A Advertising Fax 714.278.2702 Advertising: The Buzz , a student publication, is a supplemental Stephanie Birditt insert for the Cal State Fullerton Daily Titan. It is printed MEXICAN every Thursday. The Daily Titan operates independently Assistant Director of of Associated Students, College of Communications, Advertising: CSUF administration and the CSU system. The Daily Titan Sarah Oak has functioned as a public forum since inception. Unless implied by the advertising party or otherwise stated, advertising in the Daily Titan is inserted by commercial Production: activities or ventures identified in the advertisements Jennifer Caddick themselves and not by the university. Such printing is not to be construed as written or implied sponsorship, Account Executives: endorsement or investigation of such commercial Nancy Sanchez enterprises. Juliet Roberts Copyright ©2006 Daily Titan /FX4VNNFS%SJOL1SJDFTr̾BOEPWFS 2 BUZZ 09.06.07 daily.titan daily.titan BUZZ 09.06.07 3 Fairfax District PHOTO BY CELIA CASTANON PHOTO BY CELIA CASTANON Inside Reserve vintage art and book gallery. A view of Canter’s Deli BY CELIA CASTANON at Canter’s. “And most celebrities definitely a place to find and recreate from $40 to $300, the art is actually are claustrophobic, this is not for Daily Titan Staff Writer come in around three or four in the a vintage look.
    [Show full text]
  • "Eustace the Monk" and Compositional Techniques
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor Samuel Howard Stokes Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Stokes, Samuel Howard, "An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor" (2013). LSU Doctoral Dissertations. 1053. https://digitalcommons.lsu.edu/gradschool_dissertations/1053 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AN ORIGINAL COMPOSITION, SYMPHONY NO. 1, "EUSTACE THE MONK" AND COMPOSITIONAL TECHNIQUES USED TO ELICIT MUSICAL HUMOR A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements of the degree of Doctor of Philosophy in The School of Music by Samuel Stokes B.M., University of Central Missouri, 2002 M.A., University of Central Missouri, 2005 M.M., The Florida State University, 2006 May 2013 ACKNOWLEDGMENTS I would like to thank Dinos Constantinides for his valuable guidance and enthusiasm in my development as a composer. He has expanded my horizons by making me think outside of the box while leaving me enough room to find my own compositional voice.
    [Show full text]
  • Entertainment 87 ENTERTAINMENT
    Enroll at uclaextension.edu or call (800) 825-9971 Entertainment 87 ENTERTAINMENT Sneak Preview See the most highly anticipated new films prior to public release, specially selected for our Sneak Preview audience. Our seasoned moderators lead engaging Q&As with actors, directors, writers, and producers, giving you an inside look at the making of each film. Sneak Preview starts January 29 and presents 10 new films. Page 87. Past films and guests have included 87 FILM & TV MUSIC Marriage Story with director Ford v Ferrari with director 88 Business & Management 95 Film Scoring Noah Baumbach James Mangold of Entertainment 96 Music Business If Beale Street Could Talk with director Dolemite Is My Name with screenwriters Barry Jenkins Scott Alexander and Larry Karaszewski 89 Entertainment Project 97 Music Production Management A Hidden Life with actor Valerie Pachner Diane with actor Mary Kay Place 90 Acting Above: Q&A with (left to right) moderator Pete Hammond and director Robert Kenner at Sneak Preview. 91 Cinematography For weekly updates, visit entertainment.uclaextension.edu/sneak-preview. 91 Directing 92 Film & TV Development FILM TV UL 700 Film & TV Free Networking Opportunities 93 Producing For more information call (310) 825-9064, email for Entertainment Studies [email protected], or visit Certificate Students 95 Post-Production entertainment.uclaextension.edu. Does your project need a director, cinematographer, screenwriter, actor, producer, composer, or other crew FILM TV 804.2 member? Would you like to meet other like-minded Sneak Preview: students who have the same business or career goals Contemporary Films and Filmmakers as you? This is the perfect opportunity to meet your 2.0 CEUs fellow certificate students and make important connec- For more information call (310) 825-9064.
    [Show full text]
  • Keeping the Score the Impact of Recapturing North American Film and Television Sound Recording Work
    Keeping the Score The impact of recapturing North American film and television sound recording work December 2014 [This page is intentionally left blank.] Keeping the Score Table of Contents Acknowledgments 2 Executive Summary 3 Introduction 5 Precarious work in a shifting industry 7 From full-time to freelance 7 A dignified standard set by decades of organizing 9 Musicians in a Twenty-First Century studio system 12 What is a “major studio” anyhow? 12 Composers squeezed in the middle: the rise of the “package deal” 15 Chasing tax credits 17 A profitable industry 19 The “last actors” feel the pain 21 Recording employment slipping away 21 Where has recording gone? 24 Recording the score as “an afterthought” 25 Hollywood provides quality employment – for most 26 Bringing work back: the debate thus far 28 A community weakened by the loss of music 33 Case Study: Impact on the Los Angeles regional economy 33 Impact on the cultural fabric 35 Breaking the social compact 36 Federal subsidies 36 Local subsidies 37 Cheating on employment 38 Lionsgate: a new major roars 39 Reliance on tax incentives 41 Wealth – and work – not shared 41 Taking the high road: what it could mean 43 Conclusion and Recommendations 44 Recommendations to policy makers 44 Recommendations to the industry 46 Endnotes 47 laane: a new economy for all 1 Keeping the Score Acknowledgments Lead author: Jon Zerolnick This report owes much to many organizations and individuals who gave generously of their time and insights. Thanks, first and foremost, to the staff and members of the American Federation of Musicians, including especially Local 47 as well as the player conference the Recording Musicians Association.
    [Show full text]
  • A Piece of History
    A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers.
    [Show full text]
  • The Haverford Journal
    The Haverford Journal The Haverford Journal Volume 3, Issue 1 April 2007 Volume 3, Issue 1 The Cultural Politics of British Opposition to Italian Opera, 1706-1711 Veronica Faust ‘06 Childbirth in Medieval Art Kate Phillips ‘06 Baudrillard, Devo, and the Postmodern De-evolution of the Simulation James Weissinger ‘06 Politics and the Representation of Gender and Power in Rubens’s The Disembarkation at Marseille from The Life of Marie de’ Medici April 2007 Aaron Wile ‘06 “Haverford’s best student work in the humanities and social sciences.” April 2007 (Vol. 3, Issue 1) 1 The Haverford Journal Volume 3, Issue 1 February 2007 Published by The Haverford Journal Editorial Board Managing Editors Pat Barry ‘07 Julia Erdosy ‘07 Board Members Production Leigh Browning ‘07 Sam Kaplan ‘10 Julia McGuire ‘09 Sarah Walker ‘08 Faculty Advisor Phil Bean Associate Dean of the College The Haverford Journal is published annually by the Haverford Journal Editorial Board at Haverford College, 370 Lancaster Avenue, Haverford, PA 19041. The Journal was founded in the spring of 2004 by Robert Schiff in an effort to showcase some of Haverford’s best student work in the humanities and social sciences. Student work appearing in The Haverford Journal is selected by the Editorial Board, which puts out a call for papers at the end of every spring semester. Entries are judged on the basis of academic merit, clarity of writing, persuasiveness, and other factors that contribute to the quality of a given work. All student papers submitted to the Journal are numbered and classified by a third party and then distributed to the Board, which judges the papers without knowing the names or class years of the papers’ authors.
    [Show full text]
  • Art Terrorism in Ohio: Cleveland Punk, the Mimeograph Revolution, Devo, Zines, Artists’ Periodicals, and Concrete Poetry, 1964-2011
    Art Terrorism in Ohio: Cleveland Punk, The Mimeograph Revolution, Devo, Zines, Artists’ Periodicals, and Concrete Poetry, 1964-2011. The Catalog for the Inaugural Exhibition at Division Leap Gallery. Part 1: Cleveland Punk [Nos. 1-22] Part 2: Devo, Evolution, & The Mimeograph Revolution [Nos. 23-33] Part 3: Zines, Artists’ Periodicals, The Mimeograph Revolution & Poetry [Nos.34-100] This catalog and exhibition arose out two convictions; that the Cleveland Punk movement in the 70’s is one of the most important and overlooked art movements of the late 20th century, and that it is fruitful to consider it in context of its relationship with several other equally marginalized contemporary postwar Ohio art movements in print; The Mimeograph Revolution, the zine movement, concrete poetry, and mail art. Though some pioneering music criticism, notably the work of Heylin and Savage, has placed Cleveland as being of central importance to the proto-punk narrative, it remains largely marginalized as an art movement. This may be because of geographical bias; Cleveland is a long way from New York or London. This is despite the fact that the bands involved were heavily influenced by previous art movements, especially the electric eels, who, informed by Viennese Aktionism, Albert Ayler, and theories of anti- music, were engaged in a savage form of performance art which they termed “Art Terrorism” which had no parallel at the time (and still doesn’t). It is tempting to imagine what response the electric eels might have had in downtown New York in the early 70’s, being far more provocative than their distant contemporaries Suicide.
    [Show full text]
  • Devo Shout Mp3, Flac, Wma
    Devo Shout mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Shout Country: Ecuador Released: 1984 Style: New Wave, Synth-pop MP3 version RAR size: 1564 mb FLAC version RAR size: 1323 mb WMA version RAR size: 1977 mb Rating: 4.4 Votes: 397 Other Formats: MMF MIDI MOD AA VOX TTA DTS Tracklist A1 Shout 3:15 A2 The Satisfied Mind 3:06 A3 Don't Rescue Me 3:04 A4 The 4th Dimension 4:26 A5 C'Mon 3:16 B1 Here To Go 3:15 B2 Jurisdiction Of Love 2:58 B3 Puppet Boy 3:08 B4 Please Please 3:00 B5 Are You Experienced? 3:08 Companies, etc. Manufactured By – Fediscos S.A. Distributed By – J. D. Feraud Guzman Ltda. Credits Art Direction – Vigon Seireeni Engineer – Robert Casale Engineer [Assistant] – Ed Delena* Graphics [Computer Graphics] – Effective Graphics Mastered By [Originally] – Steve Marcussen* Mixed By – Mike Shipley (tracks: A1 to B4) Other [Career Direction] – Bill Gerber, Elliot Roberts Other [Cover Kids - Boy] – Zachary Chase Other [Cover Kids - Girl] – Alex Mothersbaugh Other [Devo's Chinese-American Friendship Suits] – Clacton And Frinton Photography By – Karen Filter Producer, Concept By [Graphic Concept] – Devo Programmed By [Additional Emulator Programs] – Al Horvath, Bill Wolfer Programmed By [Programming Consultation] – Will Alexander Technician [Technical Assistance] – Jim Mothersbaugh Written-By – Gerald V. Casale (tracks: A1, A2, A4 to B1, B3, B4), Jimi Hendrix (tracks: B5), Mark Mothersbaugh (tracks: A1 to B4) Barcode and Other Identifiers Barcode (Scanned): 07599-25097-1 Other versions Category Artist Title (Format) Label Category Country Year Warner Bros. 1-25097, 9 1-25097, 9 Devo Shout (LP, Album) Records, Warner US 1984 25097-1 25097-1 Bros.
    [Show full text]