Normans Make the Grade Alumni fl Ourish in the Arts, Math, Science and More
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Matthew Dunn
Suspense, Mystery, Horror and Thriller Fiction JULY 2013 A Summertime Cornucopia with James Rollins Tami Hoag BRad TayloR RicHaRd godwin maTTHew dunn Lisa Gardner Continues her 10-Part Series On COnquering the DreaDeD SynOPSiS Peek Inside Stranger Than Fiction “The eye of god” & Beware! “The Poisoned Pilgrim” The Vampire hunTer #1 Internat I onal Bestseller “SIMON KERNICK writes great plots, great characters, great action.” —Lee ChiLd Available in paperback and ebook Available as an ebook Available as an ebook “Simon Kernick writes with his foot pressed hard on the pedal. hang on tight!” —harLan Coben “Kernick is no longer a writer to watch; he’s an author to be reckoned with.” —MarK biLLinghaM ATRIA INTERNATIONAL BOOKS OF MYSTERY YOUR PASSPORT TO A WORLD OF MURDER AND MAYHEM Proudly Published by Facebook.com/AtriaBooks Twitter.com/AtriaBooks AtriaInternationalMysteries.com PICK UP OR DOWNLOAD YOUR COPIES TODAY C r e di t s From the Editor John Raab President & Chairman What makes a great villain? Shannon Raab Creative Director When authors write a series, the focus is Romaine Reeves CFO generally on the heroes—their family and lives, and the people that touch them every day. Starr Gardinier Reina But what about the villain? That character Executive Editor usually changes from book to book since the hero Jim Thomsen saves the day and in the end the villain is generally Copy Editor killed off. The readers rarely get to know the villain Contributors since their life is so short, but that doesn’t mean the Donald Allen Kirch author can simply write about a really bad person that does bad things and then loses in Mark P. -
Name Birth/Death Age Range/Site
Name Birth/Death Age Range/Site Fagan, Jane d. 9 Feb 1863 R88/71 Fagan. On the 9th inst., Mrs. Jane Fagan, formerly of Virginia and for the last 32 years an exemplary member of the Old School Baptist Church of this city. Her funeral will take place tomorrow (Wednesday) at 10 o'clock, from the Island Baptist Church, Virginia avenue, near 4 1/2 st., to which her friends are respectfully invited. Interments in the Historic Congressional Cemetery Last Updated: 02/12/15 Name Birth/Death Age Range/Site Fague, Addie W. d. 4 Apr 1892 R20/97 Fague. On Monday, April 4, 1892, after a short illness, Addie W., beloved wife of Joseph Robert Fague and daughter of Sarah R. and the late Washington Bacon. Funeral from her late residence, 1002 6th street northwest, Wednesday, April 6 at 4 o'clock p.m. Friends and relatives invited to attend. Fague, Rosa V. d. 24 Apr 1905 R20/98 Fague. On Monday, April 24, 1905, at 7 o'clock a.m., Rosa V., beloved wife of Joseph Robert Fague. Funeral from her late residence, No. 300 11th street southwest, Wednesday, April 26 at 2:30 o'clock p.m. Relatives and friends respectfully invited to attend. The Evening Star, April 27, 1905, p. 16 Funeral of Mrs. Fague The funeral of Mrs. Rosa V. Fague, wife of Joseph Robert Fague of the District bar, took place from her late residence, 300 11th street southwest, yesterday afternoon at 2:30 o'clock. Rev. J.T. Wightman officiated, assisted by Revs. -
GOVPUB-CS1-4C9e09d16748d10e2bdd184198d2c071-1.Pdf
I 1 Proi Of RECORDS, [NISTRATION f 4&**i /$ Tio,r «c0iSrte^u REGISTER OF ALL OFFICERS AND AGENTS, CIVIL, MILITARY, AND NAVAL, IN SERVICETHE OF THE UNITED STATES, ON The Thirtieth September, 1851. WITH THE NAMES, FORCER AND CONDITION OP ALL SHIPS AND VESSELS BELONG-- ING TO THE UNITED STATES, AND WHEN AND WHERE BUILT ; TOGETHER WITH THE NAMES AND COMPENSATION OF ALL PRINTERS IN ANY WAX EMPLOYED BY CONGRESS, OB ANY DEPARTMENT OR OFFICER OF THE GOVERNMENT. PREPARED AT THE DEPARTMENT OF STATE, In pursuance of Resolutions of Congress of April 27,1816, and July 14,1832. WASHINGTON: GIDEON AND CO., PRINTERS. 1851. RESOLUTION requiring the Secretary of State to compile and print, once in every two years, a register of all officers and agents, civil, military, and naval, in the service ot tne United States. Resolved by the Senate and House of Representatives of the United States of America in Con gress assembled, That, once in two years, a Register, containing correct lists of all the officers and agents, civil, military, and naval, in the service of the United States, made up to the last day of September of each year in which a new Congress is to assemble, be compiled and printed, under the direction of the Secretary for the Department of State. And, to ena ble him to form such Register, he, for his own Department, and the Heads of the other De partments, respectively, shall, in due time, cause such lists as aforesaid, of all officers and agents, in their respective Departments, including clerks, cadets, and midshipmen, to be made and lodged in the office of the Department of State. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Foxcatcher Directed by Bennett Miller
Sony Pictures Classics Presents An Annapurna Pictures Production Foxcatcher Directed by Bennett Miller Cannes Film Festival 2014 Telluride Film Festival 2014 Toronto International Film Festival 2014 New York Film Festival 2014 Winner - Best Director, Cannes Film Festival 2014 134 mins | Rated R | Opens 11/14/14 (NY/LA) East Coast Publicity West Coast Publicity Distributor 42West Block Korenbrot Sony Pictures Classics Scott Feinstein Max Buschman Carmelo Pirrone 220 West 42nd Street Blair Bender Maya Anand 12th floor 6100 Wilshire Blvd., 550 Madison Ave New York, NY 10036 Ste. 170 New York, NY 10022 212-277-7555 Los Angeles, CA 90048 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax FOXCATCHER The Cast John du Pont STEVE CARELL Mark Schultz CHANNING TATUM Dave Schultz MARK RUFFALO Jean du Pont VANESSA REDGRAVE Nancy Schultz SIENNA MILLER Jack ANTHONY MICHAEL HALL Henry Beck GUY BOYD Documentary Filmmaker DAVE “DOC” BENNETT The Filmmakers Director BENNETT MILLER Written by E. MAX FRYE DAN FUTTERMAN Producers MEGAN ELLISON BENNETT MILLER JON KILIK ANTHONY BREGMAN Executive Producers CHELSEA BARNARD RON SCHMIDT MARK BAKSHI MICHAEL COLEMAN TOM HELLER JOHN P. GUIRA Co-Producer SCOTT ROBERTSON Director of Photography GREIG FRASER Production Designer JESS GONCHOR Editor STUART LEVY CONOR O’NEILL JAY CASSIDY Costume Designer KASIA MAIMONE WALICKA Music ROB SIMONSEN Additional Music WEST DYLAN THORDSON Valley Forge Theme MYCHAEL DANNA Casting Director JEANNE McCARTHY Makeup Designer BILL CORSO Hair Department Head KATHRINE GORDON Wrestling Coordinator JOHN GUIRA Wrestling Choreographer JESSE JANTZEN 2 FOXCATCHER Synopsis Based on true events, FOXCATCHER tells the dark and fascinating story of the unlikely and ultimately tragic relationship between an eccentric multi-millionaire and two champion wrestlers. -
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
Siglo De Oroboeckmann Center Engenders Golden Age for Iberian
FALL 2003 VOLUME 1 NUMBER 2 A PUBLICATION OF THE FRIENDS OF THE USC LIBRARIES Boeckmann Center engenders golden age for Siglo de Oro Iberian and Latin American studies at USC With last year’s release of the Oscar-nominat- Because each year she can ed film Frida, early 20th century Mexican acquire only a small portion of artist Frida Kahlo entered the 21st century the vast number of such materials popular culture. For many Americans, the available, Robinson works closely acclaimed biopic was their first encounter with faculty and graduate students with the painter’s life and work — and to anticipate future interests. some of them, including students and “I try to stay on the pulse of faculty at USC, wanted to learn more. publishing and research trends in the WIn her office on the third floor of field and evaluate how they relate to East Library, located just off the USC’s priorities,” says Robinson, who University Park campus, USC librarian has overseen the center and its collec- Barbara Robinson prepared for a tions since 1985. “Predicting what will The center was created in deluge of research requests. As be in demand next year or in 10 years is 1985, when Bert and Jane curator of USC’s Boeckmann A limited edition, handmade Cuban book a challenging but enjoyable task.” Boeckmann began donating Center for Iberian and Latin American USC had only a fledgling collection Studies, she has witnessed the effect that current events, of Latin American materials when 80,000 volumes, laying film, music and other pop-culture phenomena have had on interest Boeckmann offered his collection to the the foundation for a collection in the center’s more than 135,000 books, photographs, magazines, university nearly 20 years ago. -
Updated Record Book 9 25 07.Pmd
ALL-TIME CO-ED BADMINTON TEAM CHAMPIONS Year Div. Champion Head Coach Score Runner-up 1976 Mira Costa Sylvia Holley 4-1 Los Altos 1977 La Quinta Floreen Fricioni 3-2 Muir 1978 4-A Mira Costa Sylvia Holley 4-1 Estancia 3-A La Quinta Floreen Fricioni 3-2 Laguna Beach 1979 4-A Corona del Mar Carol Stockmeyer 8-5 Los Altos 3-A Laguna Beach Dee Brislen 10-3 Palm Springs 1980 4-A Mira Costa Larry Bark 22-5 Huntington Beach 3-A Palm Springs Barbara Jo Graves 17-10 Nogales 1981 4-A Corona del Mar Kim Duessler 17-10 Walnut 3-A Sunny Hills Pauline Eliason 14-13 Buena Park 1982 4-A Walnut Judy Manthorne 22-5 Garden Grove 3-A Buena Park Claudine Casey 1-0* Sunny Hills 1983 4-A Estancia Lillian Brabander 16-13 Kennedy 3-A Buena Park Claudine Casey 17-12 Sunny Hills 1984 4-A Marina Dave Penn 16-13 Estancia 3-A Colton Sandra Guidi 19-10 Kennedy 1985 4-A Estancia Lillian Brabander 11-8 Buena Park 3-A Palm Springs Daryl Barton 11-8 Rosemead 1986 4-A Garden Grove Vicki Toutz 13-6 Nogales 3-A Colton Sandra Guidi 16-3 Palm Springs 1987 4-A Colton Sandra Guidi 14-5 Buena Park 3-A Mark Keppel Harold George 13-6 Covina 1988 4-A Glendale Pat Rogerson 12-7 Buena Park 3-A Rosemead Kathy Maier 11-8 Covina 1989 4-A Buena Park Michelle Tafoya 13-6 Nogales 3-A Jordan Harriett Sprague 10-9 Alta Loma 1990 4-A Buena Park Michelle Tafoya 10-9 Garden Grove 3-A Mark Keppel Harold George 15-4 Rosemead 1991 4-A Estancia Lillian Brabander 11-8 Buena Park 3-A Mark Keppel Harold George 13-9 Etiwanda 1992 4-A Estancia Lillian Brabander 12-7 Nogales 3-A Mark Keppel Harold George -
Smothers Brothers Scripts for the Smothers Brothers Comedy Hour, 1967-1969
http://oac.cdlib.org/findaid/ark:/13030/c86m3cgj No online items Smothers Brothers scripts for The Smothers Brothers comedy hour, 1967-1969 Finding aid prepared by UCLA Arts Library Special Collections staff, pre-1999; initial EAD encoding by Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Finding aid last updated 19 November 2016. Smothers Brothers scripts for The PASC 69 1 Smothers Brothers comedy hour, 1967-1969 Title: Smothers Brothers Scripts for The Smothers Brothers Comedy Hour Collection number: PASC 69 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 16.0 linear ft.(16 boxes) Date (inclusive): 1967-1969 Abstract: Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Smother Brothers Creator: Smothers, Dick Creator: Smothers, Tom, 1937 Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Guide to the Smothers Brothers Collection
Guide to the Smothers Brothers Collection NMAH.AC.1437 Vanessa Broussard-Simmons Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Photographic Materials, 1961-2007, undated........................................... 4 Series 2: Business Records, 1959-2002, undated................................................. 16 Series 3: Personal Papers, 1966-2008, undated................................................... 25 Smothers Brothers Collection NMAH.AC.1437 Collection Overview Repository: Archives Center, National Museum of American History Title: Smothers Brothers Collection Identifier: NMAH.AC.1437 Date: 1959-2008, undated Creator: Smothers -
Muzikmafia: Community, Identity, and Change from the Nashville Scene to the Popular Mainstream David B
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Muzikmafia: Community, Identity, and Change from the Nashville Scene to the Popular Mainstream David B. Pruett Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MUZIKMAFIA: COMMUNITY, IDENTITY, AND CHANGE FROM THE NASHVILLE SCENE TO THE POPULAR MAINSTREAM BY DAVID B. PRUETT A dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded Fall Semester, 2007 © 2007 David B. Pruett All Rights Reserved The members of the Committee approve the dissertation of David B. Pruett defended on Thursday, 23 August 2007. ______________________________ Frank Gunderson Professor Directing Dissertation ______________________________ Barry Faulk Outside Committee Member ______________________________ Dale A. Olsen Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii “Love Everybody…” Kenny Alphin – at least once in most conversations that we have shared since June 2004 iii ACKNOWLEDGEMENTS There are many people whom I would like to thank for their assistance with and guidance through this project. First and foremost, I would like to express sincere thanks to my new friends and family within the MuzikMafia’s inner circle: Cory, John, Kenny, Jon, James, Rachel, Pino, Chance, Max, Dean, Troy, Shannon, Mandy, Fred, Shanna, Damien, Adam, Brian, Ethan, SWJ, Alaska Dan, Sean, Jerry, D.D., Gretchen, Jules W., Paul, Ashley, Marc, Greg, Bill, Charlie, Jon A., Jeff, Deanna, “Mama” Alphin, Shawna P., Butter, Isaac, Virginia D., and Vicky M. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M.