Annual Report 2018 19
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45477 ACTRA 8/31/06 9:50 AM Page 1
45477 ACTRA 8/31/06 9:50 AM Page 1 Summer 2006 The Alliance of Canadian Cinema, Television and Radio Artists ACTION! Production coast to coast 2006 SEE PAGE 7 45477 ACTRA 9/1/06 1:53 PM Page 2 by Richard We are cut from strong cloth Hardacre he message I hear consistently from fellow performers is that renegotiate our Independent Production Agreement (IPA). Tutmost on their minds are real opportunities for work, and We will be drawing on the vigour shown by the members of UBCP proper and respectful remuneration for their performances as skilled as we go into what might be our toughest round of negotiations yet. professionals. I concur with those goals. I share the ambitions and And we will be drawing on the total support of our entire member- values of many working performers. Those goals seem self-evident, ship. I firmly believe that Canadian performers coast-to-coast are cut even simple. But in reality they are challenging, especially leading from the same strong cloth. Our solidarity will give us the strength up to negotiations of the major contracts that we have with the we need, when, following the lead of our brothers and sisters in B.C. associations representing the producers of film and television. we stand up and say “No. Our skill and our work are no less valuable Over the past few months I have been encouraged and inspired than that of anyone else. We will be treated with the respect we by the determination of our members in British Columbia as they deserve.” confronted offensive demands from the big Hollywood companies I can tell you that our team of performers on the negotiating com- during negotiations to renew their Master Agreement. -
Falls Around Her
Baswewe Films and The Film Farm Present FALLS AROUND HER Starring Tantoo Cardinal Written and Directed by Darlene Naponse PRESS KIT SYNOPSIS Falls Around Her follows Mary Birchbark (Tantoo Cardinal), a legendary singer who returns to the vast wilderness of her reserve to reconnect with the land and her community. Mary begins to sense that someone might be watching her. Unsure of what is real and what is imagined, Mary embraces isolation as she explores the psychological impact of her past and present. PRODUCTION NOTES Work and Walk in a Good Way Honour the Seven Grandfathers teachings: Honesty – Wisdom – Respect – Bravery – Humility – Truth – Love Those words and several others would accompany Falls Around Her’s first callsheet and would be included in every callsheet during the shoot. For the Anishinaabe people, the Teachings of the Seven Grandfathers is a set of teachings on human conduct toward others. As film crews employ many people from several different backgrounds, it’s a daily reminder to treat all creation with respect. And cast and crew took those words to heart every day and it contributed to a joyful set. Even more amazing given that there was a mix of crew of indigenous and non-indigenous people. The crew for Falls Around Her became an amalgamation of Toronto and Atikameksheng Anishnawbek/Sudbury/North Bay crews along with many indigenous locals. For the locals, it was the biggest production to ever have its home base on the reservation, and they were prepared for the challenge and the collective hard work of all is reflected on-screen. -
About the Author
Lawrence Hill: About the Author Hill is the author of ten books of fiction and non-fiction. In 2005, he won his first Writing literary honour: a National Magazine Award for the article “Is Africa’s Pain Black America’s Burden?” published in The Walrus. His first two novels were Some Great Thing and Any Known Blood, and his first non-fiction work to attract national attention was the memoir Black Berry, Sweet Juice: On Being Black and White in Canada. But it was his third novel, The Book of Negroes (HarperCollins Canada, 2007) — published in some countries as Someone Knows My Name and in French as Aminata — that attracted widespread attention in Canada and other countries. Lawrence Hill’s non-fiction book, Blood: The Stuff of Life was published in September 2013 by House of Anansi Press. Blood is a personal consideration of the physical, social, cultural and psychological aspects of blood, and how it defines, unites and divides us. Hill drew from the book to deliver the 2013 Massey Lectures across Canada. In 2013, Hill published the essay Dear Sir, I Intend to Burn Your Book: An Anatomy of a Book Burning (University of Alberta Press). His fourth novel, The Illegal, was published by HarperCollins Canada in 2015 and by WW Norton in the USA in 2016. Hill is currently writing a new novel and a children’s book, and is a professor of creative writing at the University of Guelph, in Ontario. Personal Lawrence Hill is the son of American immigrants — a black father and a white mother — who came to Canada the day after they married in 1953 in Washington, D.C. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
Kingcanfilmfest.Com FEB 26 to MAR 1
presented by FEB 26 to MAR1 2O15 kingcanfilmfest kingcanfilmfest.com TiVo Service¹ lets you record up to 6 shows at once, access Netflix² and watch your recordings on the go. Get it only from Cogeco. 1-877-449-4474 • Cogeco.ca/TiVo How can we help you? TABLE OF CONTENTS Sponsors 2 tickets and Venues 5 Schedule 6 festival greetings 8 FILMS SHORT FILM PROGRAMS Big neWS from grand roCk 10 Canadian ShortS Program 24 after the BaLL 11 LoCaL ShortS Program 25 aLL the time in the WorLd 11 Youth ShortS Program 25 BerkShire CountY 12 C iS for Canada 26 dirtY SingLeS 13 muSiC Video ShortS Program 26 the father of hoCkeY 13 fauLt 14 feLix and meira 14 Workshops 28 in her PLaCe 15 music 30 La Petite reine 15 receptions 31 LuCk’S hard 17 maPS to the StarS 17 mommY 18 monSoon 18 PorCh StorieS 19 the PriCe We PaY 19 retroSPeCtiVe: manY kingStonS 20 SoL 21 the StronghoLd 21 tu dorS niCoLe 22 VioLent 22 PRESENTING SPONSORS PRIMETIME/PROGRAM SPONSORS SUPPORTERS FEATURE FILM SPONSORS 2 MEDIA SPONSORS the Queen’s University FILM SPONSORS FESTIVAL FRIENDS HOSPITALITY FRIENDS MEDIA FRIENDS Le Centre culturel Frontenac Amadeus Fusix Kamik AquaTerra by Clark Kingstonist Kingston Community Olivea Point of View Magazine Credit Union Pan Chancho Queen’s TV Petrie Ford Tango Nuevo Rogers K-Rock Centre SGPS Tir Nan Og Snapd Staples Station 14 Wellington Foreign Exchange FESTIVAL PARTNERS Film Circuit (TIFF), George Taylor Richardson Memorial Fund, National Film Board of Canada, Original Hockey Hall of Fame, Queen’s University AMS, Ubisoft, The Screening Room COMMUNITY SPONSORS Brew Pub, Brian’s Record Option, Campus One Stop, Card’s Bakery, Classic Video, David’s Tea, Five Guys Burger and Fries, Genene Maurice RMT, LSP Designs, Novel Idea, Pasta Genova, The Pita Pit, QFLIC, Rankin Productions, Secret Garden Inn, Sima Sushi, Ta-Ke Sushi, Tommy’s, The Works 3 For 15 years KCFF has been dedicated to exhibiting Canadian ƓOPDQGLVGHHSO\FRPPLWWHGWR ensuring its continued development & growth. -
Download the Report
Annual report 2015 16 20-30 YEARS OF FULFILLING YOUR CREATIVE DREAMS TABLE OF CONTENTS MESSAGE FROM OUR PARTNER 04 ENGLISH-LANGUAGE Program 05 MANAGEMENT / MESSAGE FROM THE CO-CHAIR AND THE PRESIDENT 05 MANAGEMENT / BOARD OF DIRECTORS, COMMITTEE AND STAFF 08 FEATURE FILM / STORY OPTIONING 12 FEATURE FILM / TREATMENT TO FIRST DRAFT 13 FEATURE FILM / FIRST TO SECOND DRAFT 14 FEATURE FILM / SECOND TO THIRD DRAFT 16 FEATURE FILM / POLISH AND PACKAGING 17 SHORTS-TO-FEATURES PROGRAM 20 EQUITY INVESTMENT PROGRAM 21 INDUSTRY INITIATIVES 26 2015-2016 FINANCIAL REPORT / CONTRIBUTIONS 33 2015-2016 FINANCIAL REPORT 34 TABLE OF CONTENTS FRENCH-LANGUAGE Program 36 MANAGEMENT / MESSAGE FROM THE CO-CHAIR 38 AND THE PRESIDENT AND MANAGING DIRECTOR MANAGEMENT / BOARD OF DIRECTORS, COMMITTEE AND STAFF 38 FEATURE FILM / STORY OPTIONING 41 FEATURE FILM / SCRIPT DEVELOPMENT 42 FEATURE FILM / EQUITY INVESTMENT 44 FORMAT / DEVELOPMENT / FORMAT CONVERSION 51 2015-2016 FINANCIAL REPORT / CONTRIBUTIONS 53 2015-2016 FINANCIAL REPORT 54 Since the implementation of the Fund’s English-Language MESSAGE FROM Program in 1986, followed by the French-Language Program in 1996, an impressive total of $102 million has been invested OUR PARTNER to bring nearly 4,440 productions to our screens. Thanks to the Fund’s fnancial support, tremendous domestic and international hits, such as Atom Egoyan’s The Sweet Hereafter, Last year once again featured Éric Canuel’s Bon Cop, Bad Cop, Sarah Polley’s Away From Her, exceptional Canadian productions and Xavier Dolan’s Juste la fn du monde, saw the light of day. in the television and flm business, reminding us that our homegrown In 2015-2016 alone, the Harold Greenberg Fund invested more creators rank among the world’s than $5.5 million in 156 productions, including François Girard’s most remarkable talent. -
Annual Report 2019 – 20
Annual report 2019 – 20 My Salinger Year © Philippe Bossé Babysitter Beans Maria Chapedelaine © Fred Gervais-Dupuis © Sebastien Raymond © Laurence Grandbois-Bernard 24-34 YEARS OF FULFILLING YOUR CREATIVE DREAMS TABLE OF CONTENTS English Language Program Message From our partner 4 From the Co-chair and the President 5 Management Board of directors and Committee members 7 Staff 10 Script Development Program Story Optioning 12 Treatment To First Draft 17 First To Second Draft 18 Second To Third Draft 22 Polish And Packaging 24 Short Film Shorts-To-Features Program 27 Manitoba Shorts Program 28 Newfoundland and Labrador Shorts Program 29 Territories Shorts Program 29 Financial Highlights Contributions 31 Financed projects 32 2 French Language Program Message From our partner 35 From the Co-chair and the President and Managing Director 36 Management Board of directors and Committee members 39 Staff 42 Feature Film Story Optioning 44 Script Development 50 Polishing 52 Equity Investment 53 Format Development/Television Concept 65 Television Series/Format Conversion 67 Financial Highlights Contributions 70 Financed Projects 71 3 ENGLISH-LANGUAGE PROGRAM Message FROM OUR PARTNER It’s been another remarkable year for the Harold Greenberg Fund’s English Language Program (Fund), which invested $ 1.5 million in 117 diverse Canadian projects. The end of this year also marks the beginning of an excit- ing new journey for the Fund as it transitions to a new funding model. The past seven years saw the Fund invest in a long list of incredibly rich films, from The Breadwinner and Maudie, to Closet Monster, Blood Quantum, and more. Over the years, many HGF-supported productions were met with international acclaim and accolades, and all demonstrated the strength and vitality of the Canadian film and television industry. -
Building Resilience Through Partnership
BUILDING RESILIENCE THROUGH PARTNERSHIP 2019-2020 ANNUAL REPORT TABLE OF CONTENTS 1 HIGHLIGHTS 9 ACHIEVEMENTS 11 ABOUT US 14 MESSAGES MANAGEMENT DISCUSSION 18 AND ANALYSIS INDUSTRY AND 19 ECONOMIC CONDITIONS CORPORATE 28 PLAN DELIVERY ATTRACT ADDITIONAL FUNDING 29 AND INVESTMENT EVOLVE OUR FUNDING 33 ALLOCATION APPROACH OPTIMIZE OUR 45 OPERATIONAL CAPABILITY ENHANCE THE VALUE 50 OF THE “CANADA” AND “TELEFILM” BRANDS 57 FINANCIAL REVIEW 64 RISK MANAGEMENT CORPORATE SOCIAL 66 RESPONSIBILITY 70 TALENT FUND 81 GOVERNANCE FINANCIAL 95 STATEMENTS ADDITIONAL 117 INFORMATION TELEFILM CANADA / 2019-2020 ANNUAL REPORT 1 The Canadian industry and audiences embraced female voices and HIGHLIGHTS Indigenous expression in fiscal year 2019-2020. Telefilm remained committed to greater representation in the films we support and to bringing Canadian creativity to the world. LOOKING TO THE FUTURE, our vision is for Telefilm and Canada to strengthen their role of Partner of Choice—creating and building ties, expanding opportunities and deepening impact. BRINGING CANADIAN CREATIVITY TO THE WORLD The Canada-Norway coproduction THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN, directed by KATHLEEN HEPBURN and ELLE-MÁIJÁ TAILFEATHERS, received praise around the world— premiering at the Berlin Film Festival in 2019, selected as “REMARKABLE” a New York Times Critic’s Pick and being called “remarkable” by the Los Angeles Times. The film went on to be picked up ★★★★★ by Ava DuVernay’s ARRAY releasing for U.S and international. levelFilm distributed the film in Canada, while Another World LOS ANGELES TIMES Entertainment handled Norway. TELEFILM CANADA / 2019-2020 ANNUAL REPORT 2 HIGHLIGHTS BRINGING CANADIAN CREATIVITY TO THE WORLD MONIA CHOKRI’s debut feature filmLA FEMME DE WINNER MON FRÈRE (A Brother’s Love), which she both wrote COUP DE CŒUR AWARD and directed, premiered at the Cannes Film Festival CANNES opening the Un Certain Regard section, bringing home FILM FESTIVAL the jury’s Coup de Cœur award. -
By Wyndham Wise with a Feature Film by the Same Director
The brainchild of director Norman Jewison, the Canadian Film Centre has been a driving force behind the development of Canadian filmmaking talent over the past 10 years. Some of Canada's most celebrated filmmakers—John Greyson (Zero Patience, Uncut), David Wellington (I Love a Man in Uniform, Long Day's Journey Into Night), Mina Shum (Double Happiness, Drive, She Said), Don McKellar (Blue, Last Nlght)—have been trained at the Centre, along with over 300 other graduates currently working in the Canadian film, television or new media industries. To celebrate its 10th anniversary, the Centre has organized a coast-to-coast retrospective screening tour of 25 Centre shorts to be accompanied by a series of lectures and discussions with the filmmakers. Also, the Toronto International Film Festival will be screening a series of six Centre shorts— Don McKellar's Blue, Holly Dale's Dead Meat, Collen Murphy's The Feeler, Laurie Lynd's The Fairy Who Didn't Want to be a Fairy Anymore, Clement Virgo's Save My Lost Nigga' Soul—paired By Wyndham Wise with a feature film by the same director. Take One interviewed Canadian Film Centre director Wayne Clarkson in July. You have been at the centre of major changes in whole psychology to it. We did it There was a streamlining of the programs. the Canadian feature—film industry as the head of unbelievably successfully because the time the Toronto film festival, the OFDC and now the was right. It was at the height of the I think there was a certain rationalization of Canadian Film Centre. -
THE REST of US a Babe Nation Film Directed by Aisling Chin-Yee
THE REST OF US A Babe Nation film Directed by Aisling Chin-Yee The Rest of Us Starring Heather Graham (Boogie Nights), Sophie Nélisse (Mean Dreams), Jodi Balfour (The Crown) and Abigail Pniowsky (Arrival) A Babe Nation film | Directed by Aisling Chin-Yee | Written by Alanna Francis Produced by Katie Bird Nolan, Lindsay Tapscott, Emma Fleury and Will Woods Executive Produced by Patrice Theroux and Damon D’Oliveira World Premiere Toronto International Film Festival 2019 (In competition) Running Time 80 min. The Rest of Us is the feature directorial debut of the award-winning writer, producer and director Aisling Chin-Yee. Produced by Babe Nation Films, a boutique production company that champions female voices and stories, The Rest of Us follows Cami (Graham), a poised, divorced woman who threatens her already tenuous relationship with her headstrong teenage daughter, Aster (Nélisse), when she invites her ex-husband’s second wife, Rachel (Balfour), and young daughter, Talulah (Pniowsky), to move in with them following his unexpected death. In an unusually full home overlooking their town, the four women must confront their own grief, truths, flaws and secrets while ultimately deciding if the past will dictate their future. The Rest of Us is a dramatic comedy about authentic, complex women and the messy conflicts between them. The script, written by first-time screenwriter Alanna Francis was a 2016 Academy Fellowship quarterfinalist. Logline Two mother-daughter duos must contend with their grief and complicated relationships with each other when the man who ties them together dies. Short Synopsis Cami Bowden really has her life together. -
Empire of Dirt
Mongrel Media Presents EMPIRE OF DIRT A film by PETER STEBBINGS (99 min., Canada, 2013) Language: English Official Selection 2013 TORONTO INTERNATIONAL FILM FESTIVAL Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html LOGLINE Three generations of Native Canadian women discover that family can help them escape their past and provide a second chance. PITCH Going home was never an option for single mother Lena Mahikan (Cara Gee). But when her 13-year-old, Peeka (Shay Eyre) overdoses in the streets of Toronto, she is forced to return home to her estranged mother and face a life-long legacy of shame and resentment. Empire of Dirt is a story about second chances and summoning the power of family to soothe the pain of cyclical damage. SHORT SYNOPSIS As in many Native families, Lena Mahikan (Cara Gee) grew up in the cycle of abuse. Her father, a residential school survivor, was an alcoholic until he killed himself when Lena was 10. Her mother, only 14 years her senior, turned to the slots and was consumed. By the time Lena was 15, she was pregnant and, before giving birth, was kicked to the curb by her mom. For 13 years Lena has been living, poverty stricken in Toronto, struggling to make ends meet, being chased by her own demons.