Medium THE MAGAZINE OF THE BIRMINGHAM MUSEUM OF ART FALL / WINTER // 2017

The New Director DR. GRAHAM C. BOETTCHER MEDIUM // FALL · WINTER // 2017

HOURS CONTENTS

Tuesday–Saturday, 10am–5pm The Birmingham Museum of Art publishes the membership First Friday of each month, 10am–9pm 4 SPECIAL FEATURE magazine, Medium, quarterly. Sunday, Noon–5pm Closed Mondays and all major holidays The New Director

TELEPHONES 6 EXHIBITIONS AfterLife Main Office, 205.254.2565 Accredited by the American Public Programs, 205.254.2571 Alliance of Museums. A portion Museum Tours, 205.254.2964 of the general operating 11 ACQUISITIONS Membership, 205.254.2389 budget is supported by the Between Worlds Development, 205.297.8214 City of Birmingham and a grant from the State Oscar’s at the Museum Vive Le France Dear Member, Council on the Arts and the Tuesday–Friday, 11am–2pm; National Endowment for the 205.328.7850; [email protected]; By now you have likely heard the news of the Arts. Members receive a 10% discount 12 PROGRAMS + EVENTS appointment of Dr. Graham C. Boettcher as the Chairman of the Board of R. Hugh Daniel Director of the Birmingham Museum of Art. As a member of the Director’s Facilities Rental Ongoing Programs Trustees James Outland and R. Hugh Daniel Director Search Committee and as Chairman of the Board of Trustees, I have the utmost confidence Jestina Howard, Special Events: The mission of the Birmingham Chapter 03 Graham C. Boettcher, Ph.D. that our thorough search yielded the best possible leader for the BMA. 205.254.2681; [email protected] Museum of Art is to spark the creativity, imagination, and Clarence B. Hanson, Jr. Library Chenoweth Lecture Following Gail Andrews’ retirement announcement in March of this year, the Board of Trustees liveliness of Birmingham by assembled a group of key stakeholders to form a Director’s Search Committee. After a com- By appointment: [email protected] Weldon Lecture connecting all its citizens to prehensive interview process involving a large number of qualified candidates, the Director’s The Museum Store the experience, meaning, and Search Committee unanimously agreed upon Graham as the most outstanding candidate for Open Museum hours; joy of art. the position. The Board of Trustees then voted on, approved the recommendation, and appoint- Members receive a 10% discount; 14 NEWS + GIVING ed Dr. Graham Boettcher as the Birmingham Museum of Art’s seventh director. 205.254.2777; [email protected]; Gift for Gail www.birminghammuseumstore.org Over the last decade of his service to the Birmingham Museum of Art, Graham has proven him- Art on the Rocks self as a distinguished scholar of art history, a dedicated steward of our collection, and a high- Shop World Over the Holidays ly-regarded community leader who is committed to realizing the mission and vision of our prized institution. In his curatorial work, he has strived to make art more accessible, and has demon- James Outland – Chairman of the Board Volunteer Spotlight strated his ability to build relationships and develop patronage for the Museum. During the Graham C. Boettcher – The R. Hugh Daniel Director interview process, he especially impressed the committee with his ideas regarding improved Summer Wedgwood Intern Laura Monroe – Editor infrastructure and cultural relevance for the Museum. We look forward to the possibilities his James Williams – Designer Meet the Manager of Youth leadership will provide in elevating the Birmingham Museum of Art to even greater heights. You Sean Pathasema – Photographer and Family Programs will learn more about his plans for the BMA in the article that follows.

In Memoriam Thank you for your membership and continued dedication to the Birmingham Museum of Art. Membership inquiries to: [email protected] Education Gallery Dedication Editorial inquiries to: [email protected] Year End Giving

Support Groups BOARD OF TRUSTEES Corporate Partner Spotlight Mr. James K. Outland, Museum Board Chairman; Ms. Myla E. Calhoun, Secretary; JAMES K. OUTLAND Mr. Braxton Goodrich, Endowment Chair; Mr. Joel B. Piassick, Treasurer & Finance Chair; Contributions Chairman of the Board of Trustees Mrs. Maye Head Frei, Governance Chair; The Honorable. Houston Brown; Birmingham Museum of Art Mr. Mark L. Drew; Dr. George T. French; Mr. John O. Hudson III; Mrs. Joyce Crawford Mitchell; Mr. G. Ruffner Page, Jr.; Mr. Sanjay Singh; Mrs. Nan Skier; Mrs. Kelly Styslinger; Mr. Larry D. Thornton; Mrs. Patricia Wallwork

Chairmen Emeriti: Mr. Thomas N. Carruthers, Jr.; Mrs. Margaret Livingston

2 3 The New SPECIAL FEATURE Director

AN INTERVIEW WITH R. HUGH DANIEL DIRECTOR GRAHAM C. BOETTCHER, PH.D.

Dr. Graham C. Boettcher became the seventh R. Hugh Daniel Director As you assume leadership of the BMA, what do you see as its of the Birmingham Museum of Art on September 20, 2017. Graham’s greatest strengths and challenges? tenure at the Museum began in 2006 as the Henry Luce Foundation Curatorial Fellow in American Art. Upon completion of his fellowship Our greatest strength is our collection, which at nearly 29,000 ob- in 2008, he was hired in the newly created position of Curator of jects from across time and around the world, can be celebrated as the American Art, which was endowed that same year. After six years as best in the Southeast and among the most significant in the country. the William Cary Hulsey Curator of American Art, Graham rose to Chief Among the many challenges we face is demonstrating the relevance Curator and, in February 2016, he was promoted to The James Milton of this outstanding collection to an ever-changing and increasingly di- and Sallie R. Johnson Deputy Director. verse community who can choose from a host of leisure-time activ- ities. In order to retain our current audience and attract new visitors, Graham was born and raised in Bellingham, Washington. He re- we have to show how the BMA is relevant in people’s lives today. We ceived a B.A. and Ph.D. from Yale University, and an M.A. from the have to show that an art museum can be a place where ideas can be University of Washington. He was previously a curatorial fellow at the explored, ideas that matter in the 21st century. Sometimes, something Yale University Art Gallery, and held research fellowships at the Amon that was created in the distant past can be a catalyst for a conversa- Carter Museum of American Art, and the Terra Foundation Summer tion or an exploration of a subject that affects our lives today. We want Residency in Giverny, France. the works in our galleries to resonate with our visitors in the present day, and that means giving people multiple ways with which to access Graham has curated many popular exhibitions for the BMA including and engage with art. Look of Love (2012) and Norman Rockwell’s America (2012). He was a 2014 Fellow at the Center for Curatorial Leadership, and was What role should technology play in today’s art museum? a trustee of the Association of Art Museum Curators from 2010 to 2017. He has been published in numerous articles and publications, Art museum visitors are more accustomed than ever to accessing in- and has lectured extensively on American art throughout the country formation via digital platforms. We must dedicate ourselves to a mind- and internationally. set that permits us to experiment and try new and different approaches to interpretation that embrace technology. To that end, we have in- Over the past 11 years, Graham has cultivated a legion of friends and vested heavily in our smartguide, accessible from any smartphone or supporters through his entertaining and accessible approach to art his- computer, to give our visitors a multi-layered experience with art that tory, and the reach of his personal Facebook page rivals that of major includes interviews with artists, commentary by the curators, and rich media outlets. information among many other things. It is a highly versatile and end- lessly adaptable way of presenting information. I am committed to the Having worked at the Birmingham Museum of Art for 11 years continued development of such initiatives and our visitors will be see- now, you already have a comprehensive understanding of the ing more of that kind of engagement in our galleries. collection and operations. What’s your first order of business as Director? Though you are from Washington state, you’ve embraced Birmingham as your home. What makes this place special? My first order of business may not be glamorous but it’s very necessary, and that is to address some immediate issues within our aging facility Easy answer: the people. The people of Birmingham are among to make sure that our visitors are walking into a welcoming, inspiring the kindest, most welcoming folks I’ve ever encountered anywhere. environment. This is a building that has served us incredibly well, but Working to serve a community that has embraced me makes my job a it’s been 25 years since its last expansion and renovation. There are pleasure, and makes me proud to call Birmingham my home. simple improvements we will make to ensure that the Museum really sparkles for our visitors, from the galleries to the bathrooms. In terms of art storage, we’re bursting at the seams. I can’t really complain that our donors are too generous—this is a great problem to have—but now is the time to address storage considerations so we can continue to accommodate our growing collection. I’d like to increase our paintings storage by 20% and look at new high-density storage solutions to Right: R. Hugh Daniel Director Graham C. Boettcher, Ph.D. presenting his vision for the maximize our capacity. Birmingham Museum of Art to the staff on October 2, 2017 4 5 Exhibitions

Asian Art from the Afterlife Weldon Collection

NOVEMBER 04 · 2017 THROUGH JANUARY 28 · 2018 PIZITZ GALLERY

Afterlife: Asian Art from the Weldon Collection journeys across to explore the fascinating role of art in this life and the next. Inspired by the bequest of Henry and June (“Jimmy”) Weldon, this exhibi- tion includes a wide variety of sculpture and ceramics that reflect ancient fashion trends, entertainments, status symbols and religions throughout the ages. Over 80 works span thousands of years of his- tory from , , , and .

Many of the tomb artifacts represented in this exhibition were made of clay. The oldest ceramic traditions in the world originate in China, and recent excavated shards from southern China date back some 20,000 years. Over the following centuries, a variety of technologies and styles evolved. Green-glazed earthenware from the Han dynasty (206 B.C.E.–220 C.E), three-colored glazed stoneware of the (618–906), and porcelain from the 6th century are but a few of the many wares developed.

China, (1368-1644), Guanyin, wood, straw, stucco, gilding and pigment; The Weldon Collection T.2014.211

6 7 EXHIBITIONS

Henry and June “Jimmy” Weldon

Japan, Fujiwara period (898–1185), Amida Buddha, wood; The Weldon Collection T.2014.347 Henry and June “Jimmy” Weldon were passionate collectors. From 17th and 18th-century Dutch and Gandhara, Pakistan/Afghanistan, 3rd century, Buddha, schist; The Weldon Collection T.2014.340 Flemish art to English ceramics and Asian art, they loved learning and finding fascinating pieces to add to their collections. The Weldons collected together for almost 50 years and were committed to sharing their works of art with others. The Weldons were primarily interested in ceramics from the Han through the Song In addition to tomb artifacts, the Weldons collected Buddhist sculptures from In 2012, Jimmy Weldon gifted their entire collec- dynasties (206 B.C.E.–1279). They collected dozens of low-fired tomb figures Tibet, Nepal, China and Japan. Representations of the Buddha and his follow- tion of Asian ceramics, paintings, and sculpture to and a number of 11th to 12th-century porcelains, mostly from the Qingbai kilns in ers first began to appear in India in the 1st century. These sculptures helped the Birmingham Museum of Art. This gift of over Jiangxi province. guide people through their meditations, thoughts and prayers. As this imagery 450 objects enriches and transforms the Museum’s spread, artworks came to reflect local styles and politics. On the left, Guanyin of the Southern Seas, the Buddhist Deity of Mercy, sits on a Tomb artifacts are often our best sources of knowledge collection of Asian art. Major works spanning thou- lotus throne in a grotto surrounded by clouds and mist. With palm trees, worshippers, about what people might have worn or the types of The Japanese Amida Buddha pictured here is remarkably tall and thin, giv- sands of years of history from China, Japan, India, and waves below, the full moon shines above. The faces of the figures have been homes in which they lived. On the left, this watchtower ing it an ethereal, other-worldly appearance. It was originally lacquered. and Southeast Asia help tell the story of Asian civili- left unglazed in contrast to the soft, sea-foam green colored glaze that covers the details the architecture of the Han dynasty (206 B.C.E– Amida Buddha presides over the Western Paradise in the Pure Land sect of zations for generations to come. rest of the elaborate setting. C.E. 220), including a tile roof, balconies with windows . He was very popular in the Fujiwara period, when many people be- and railings, and a moat filled with turtles, frogs, geese, lieved the end of time was approaching and wished to be reborn in his paradise. Many of the objects represented in the Weldon Collection were originally created and fish. Crossbowmen watch at the top of this piece, Afterlife has been made possible by grants from the to accompany the spirit. According to Chinese cultural belief, the dead should have which may have been created for the tomb of a warrior. By contrast, the Buddha created in Gandara in modern Pakistan/Afghanistan Alabama State Council on the Arts and the National all the luxuries and comforts they enjoyed in life. In earliest times, these offerings is more rounded in form. His toga-like robe with its heavy drapery also illus- Endowment for the Arts, the City of Birmingham, consisted of food and drink, and perhaps a piece of jewelry or a vessel. The burials trates the influence of Greek trends. Gandhara was a great crossroads at the and the J. & H. Weldon Foundation, Inc. of kings, however, could include hundreds of sacrificed people, horses and other an- far western end of the Silk Road, an ancient series of trade routes. Alexander China, Zhejiang province, Ming dynasty (1368–1644), Yongle period imals, as well as chariots, elaborate sets of ritual bronzes, and musical instruments. (1403–1424), Guanyin of the Southern Seas, glazed stoneware, Longquan the Great conquered this area in 330 B.C.E. and introduced classical western Over time, humans and animals were replaced with clay or wooden replicas. These ware; The Weldon Collection T.2014.206 traditions that remained influential for centuries to come.

tomb figures were intended to serve, amuse, and help the spirit of the deceased in China, Tang dynasty (618–906), Dancers, painted earthenware; The Weldon the afterlife. Collection T.2014.29 and T.2014.60

China, Eastern Han dynasty (25–220), Military Watchtower, glazed earthen- Excerpted from the exhibition gallery guide ware; The Weldon Collection T.2014.1

8 9 Acquisitions

Between Worlds Vive la France! By Senior Curator and Curator of the Arts of and the Americas By Chief Curator and The Marguerite Jones Emily G. Hanna, Ph.D. Harbert and John M. Harbert III Curator of Decorative Arts Anne Forschler-Tarrasch, Ph.D.

This work, Between Worlds, is made by Teri Greeves, a contemporary artist and beader. The BMA has recently added this stunning pair of She is Kiowa, a Native American tribe (now based in Oklahoma) which once lived on the candlesticks to its permanent collection. Made in Great Plains and migrated with the bison. The object is inspired by a traditional Kiowa 1872, the candlesticks reflect the 19th-century in- parfleche, a type of container made from rawhide—deerskin that has not been tanned terest in past cultures and styles and the unique way and is stiff. Some parfleches are flat, rectangular containers, like folded envelopes; the in which stylistic elements came together during Kiowa traditional form is cylindrical. Hers is made of two hides—the interior is rawhide, this period to create an eclectic array of objects that giving the container its shape, and the exterior is soft, tanned deer-hide, onto which she were a testament to new consumer tastes and pat- has sewn the beads. terns of consumption.

Greeves learned beadwork from her mother, and made this work in her memory after she These candlesticks were made in the Neo-Byzantine passed away. She adorned her parfleche with beaded images from Kiowa mythology and style, one of many revival styles of the period, which symbols relating to the history of Kiowa artists, and to her own ancestors. The beaded itself was comprised of elements drawn from an- imagery is divided into three registers—the top represents the heavens and the realm of cient Greek and Roman art combined with Egyptian the sun. The middle is the earthly realm, and the bottom register represents the world of and Islamic motifs. Made of gilt bronze, the color- the ancestors. ful mosaic enamel decoration on the candlesticks was created using the cloisonné technique, which A woman dangles by a rope, neither in heaven nor fully on earth. Greeves is referring to originated in the ancient Near East and was used the Kiowa myth of a woman who married the sun. She missed her people and lowered in ancient and the Byzantine Empire before herself and their son from the heavens by a rope. She did not survive the journey, but she spreading to China in the 13th and 14th centuries. left her son, who was half human and half divine, to lead the Kiowa people. The beaded trees and constellations refer to traditional calendar-keeping methods among the Kiowa. The candlesticks prominently display the names of The lower register depicts images of Greeves’ own ancestors. Her mother’s hands are the manufacturer, designer, and chaser, an unusual represented in sterling silver, as well as beaded ants, which are symbols of the ancestors. feature that no doubt indicates the importance of the collaboration required to create such high qual- Building a Museum Collection ity and innovative examples of 19th-century indus- trial art. Examples of this pair of candlesticks were From the earliest years of its existence, the Museum has had an important collection of featured at both the London International Exhibition traditional Native American art. Objects such as Pueblo pottery, Navajo blankets, beaded of 1871 and the Philadelphia Centennial Exhibition regalia, and sculpted masks reflect not only the vision, creativity, and artistic skill of the of 1876. artists, but are cultural objects, embodying Native American life-ways, knowledge, and history.

The Museum is now focusing on building an outstanding collection of contemporary Pair of Candlesticks, France, 1872, gilt bronze and cloisonné enam- el, Bronze caster: Ferdinand Barbedienne, France, 1810–1892; Native American art. In addition to the new piece by Teri Greeves, the collection includes Decorator: Louis-Constant Sévin, France, 1821–1888; Chaser: work by Jaune Quick-To-See Smith, Fritz Scholder, Annie Pootoogook, Merritt Johnson, Désiré Attarge, France, about 1820–1878; Museum purchase with funds provided by Mr. and Mrs. Chester Huck, Ernest Lanzillotta in Rick Bartow, Marianne Nicolson, Zoe Urness, and others. Media include painting, drawing, memory of Mariannina Lanzillotta, and Mrs. Robert I. Ingalls Sr., by ex- prints, photography, ceramics, textiles, and glass. These works reflect a range of contem- change 2017.37.1-.2

porary Native experiences and identities, but are often connected in interesting ways to Teri Greeves, American, born 1970, "Between Worlds" Beaded older objects, traditions, and histories. Parfleche Vessel, 2016, brain-tanned deer hide, deer rawhide, pig- ment paint, cactus juice, Czech cut beads, antique glass beads, seed beads, glass drop beads, Swarovski montees, moss agate, faceted Local patrons have generously lent from their collections of contemporary Pueblo ce- spinel, and hand-cut stamped oxidized sterling silver; Collection of ramics, Navajo pictorial weavings, Inuit sculpture, glass sculpture, paintings, and prints. the Art Fund, Inc. at the Birmingham Museum of Art; Gift of Martha Pezrow AFI.105.2016 Patron support of artist visits, programs, acquisitions, and curatorial research and travel have been crucial to the growth of the collection, and a recent bequest from the estate of Dr. Clyde Oyster provides funds to support new acquisitions. Watch for a new exhibition in the summer of 2018, when the Museum will install the kinetic glass sculpture, Waterline, by Kwakwaka’ wakw artist Marianne Nicolson of Vancouver Island.

10 11 Programs + Events

ONGOING PROGRAMS SLOW ART SUNDAYS BIG LITTLE ARTISTS Wilmer Wilson IV, Born 1989 Richmond, VA, Sundays · 2pm · Free Third Fridays · 10:30–11:30am Lives and works in ART AFTER 5 Philadelphia, PA, Black Free, no registration necessary. Slow food, slow living, slow… art? Unlock the Mask, 2012, Digital video, First Fridays · 5–9pm · Free 6 mins; Collection of secrets of works in the Museum’s collection Have a budding little artist on your hands? Get the Art Fund, Inc. at the Join us on every first Friday as we unwind by cultivating the art of looking slowly. Our do- Birmingham Museum of creative with your child in this adult / child im- Art; Purchase with funds from the week with art, music, making, and cents ask and answer questions to help guide mersive exploration and art-making class. Look provided by Lydia Cheney mixing. Each month, we’ll feature a new blend your slow art experience and foster conversa- and Jim Sokol; Judge closely and learn about a piece of art and the and Mrs. Ralph Cook, C. of art and entertainment, including mini studio tion. Leave the Museum feeling inspired—not story behind it in our galleries. Then be inspired Rene’ Myers, Brandon art classes, guest musicians, tapas tastings, tired! and Michelle Hewitt, and for your own interactive art-making activity. local mixologists, and art history hacks with Rebecca and Jack This class is for ages 2–5 with an adult care- AFI.13.2013 the experts. VISUALLY IMPAIRED PROGRAM giver. Locations vary, see signs at entrances.

ART AND CONVERSATION Second Saturdays · 10am · Free DROP-IN DRAWING Chapter 03: Wilmer Wilson IV First Thursdays · 10:30am In this program for adults with visual impair- November 16 · 6PM · Free $10 for Museum Members ments and their companions, specially trained Third Sundays · 2–4pm Wilmer Wilson IV, courtesy $15 for Non-Members docents present the Museum’s collection by Free, no registration necessary CONNERSMITH Join us on November 16 for an artist talk by Wilmer Wilson IV whose work Black Mask is currently on view in Third means of verbal descriptions, three-dimension- Space/ Shifting Conversations About Contemporary Art. This program is for people who want to learn al tactile models based on original works of Looking for a last-minute art fix? Here’s an more about art in an informative and interac- art, and sculpture. The experience may be en- open invitation to explore your creative sen- Wilmer Wilson IV is critically recognized for material and performative investigations into tive setting. These programs in 2018, with the hanced by related music and/or art-making to sibilities in a relaxed setting with inspiration a the social marginalization of the black body as an ephemeral object of labor, desire, and exception of May and July, are held on the provide multi-sensory access to the visual arts. pro. Make your own drawing in the galleries revulsion. Wilson gathers materials from the margins of urban society, such as discard- first Thursday of each month, January through under the guidance of teaching artist Jamison ed lottery tickets and event flyers stapled to poles, to create alternative forms of repre- October. Coffee and light refreshments are Advance reservations are required; space Harper. You provide the creativity. We’ll provide sentation that challenge societal values of ephemeral things and people identified with available. Lectures are led by curators or guest is limited. VIP tours are also available for the art supplies. Locations vary, see signs at them. Wilson is the recipient of The Pew Center for Arts & Heritage Fellowship and The speakers, and attendees are encouraged to school-age or adult groups. To reserve your entrances American Academy in Rome Fellowship. His work has been presented at the National ask questions, share thoughts and ideas, and spot or learn more about group tours, call Portrait Gallery, Washington, DC; Museum of Fine Arts Boston, Boston, MA; Barnes actively participate in the learning process. 205.254.2964. Foundation, Philadelphia, PA; Crystal Bridges Museum of American Art, Bentonville, STUDIO SCHOOL AR; the American University Museum, Washington, DC; Birmingham Museum of Art, ARTBREAKS The Visually Impaired Program is supported in Studio School offers a wide range of art class- Birmingham, AL; and In Flanders Fields Museum, Ieper, Belgium. part by a grant from The EyeSight Foundation es for adults and children, including sculpture, Third Tuesdays · Noon · Free of Alabama. pottery, drawing, printmaking, crafts, and more. Third Space is presented Chapters is a six-part series of artists talks, conversations, and performances that will take place over the course of by PNC. Additional support On the third Tuesday of each month, Museum Using the Museum’s collection as inspiration, provided by the Alabama the Third Space exhibition. curators lead visitors on a thirty minute explo- take time to explore your own creativity, learn State Council on the Arts and ART-MAKING PROGRAMS the National Endowment for ration of art in the galleries. Through a series of new techniques, and develop your artistic skills. the Arts, City of Birmingham, close-looking techniques and questioning, this BART’S ARTVENTURE ART BAR All classes are taught by talented professional Community Foundation of Greater Birmingham, Protective Chenoweth Lecture Weldon Lecture free experience helps build the visitor’s inter- artists. Whether you are interested in crafting Life Foundation, Vulcan Open During Regular Museum Hours November 2 · 6PM · Free December 6 · 6PM · Free pretive skills across the comprehensive-range with friends during a two-hour class or tak- Materials Company Foundation, Bart’s ArtVenture · Free Robert R. Meyer Foundation, of art periods and canons represented by the ing an in-depth, semester-long course, Studio Luke 6:38 Foundation, Join us for a special lec- In conjunction with our BMA’s collections. Stay for lunch at Oscar’s Please join us in Bart’s ArtVenture for a fami- School has something to offer you. To see Susan Mott Webb Charitable ture, Taking It Personally: new exhibition, Afterlife: Trust, The Gladys Krieble and they will throw in a free dessert! ly-friendly, free drop-in artmaking activity This more information and to register, go to artsbma. Delmas Foundation, Robert An Art Critic’s Life, fea- Asian Art from the drop-in Art Cart program for kids and families org/studio-school. Rauschenberg Foundation, turing Holland Cotter, Weldon Collection, the Alabama Tourism Department, features a different theme from our galleries Alabama Humanities Foundation, the renowned co-chief BMA is proud to have and art activity each month. Each art making Studio School is presented by The Comer the state affiliate of the National art critic of The New guest speaker Elizabeth Foundation Endowment for the Humanities, activity that is facilitated by Teen BMA and The Lydia Eustis Rogers Fund, York Times and 2009 Hammer, Senior ArtVenture staff! and Friends of Third Space. Pulitzer Prize winner. Specialist Head of Sales at Christie’s Auction House, visit us for a special lec- The Chenoweth lectures are endowed by Dr. Arthur I. ture where she will discuss the art market for Chinese Chenoweth as a memorial to his brother and parents. traditional paintings. Join us after the lecture for a re- The purpose of the lectures is to encourage interna- TO LEARN MORE ABOUT OUR ONGOING PROGRAMS AND WHAT WE HAVE PLANNED FOR EACH EVENT, ception and a chance to see the exhibition in person. tional understanding through the presentation of a vari- PLEASE VISIT OUR ONLINE CALENDAR AT ARTSBMA.ORG/EVENTS. ety of subjects by specialists in their fields.

12 13 News + Giving Shop the World Over the Holidays!

Avoid the crowds and find art-inspired gifts for everyone on your list. The Museum store carries hundreds of items by local and inter- national artists including jewelry, accessories, and decor.

Join us at the Museum Store each Tuesday during the month of December to enjoy our special guest artisans. While shopping, vis- itors can experience different creative pro- Gift for Gail cesses first-hand and have the opportunity to purchase these one-of-a-kind items.

After more than 40 years of service to the Birmingham Museum of Art, Gail C. Andrews has retired as the R. Hugh Daniel Director. It is hard to quantify her myriad contributions to the Art On The Rocks Recap BMA and our community. When asked what By Art On The Rocks Intern Jordan Lessley she is most proud of, Gail invariably reflects on the creation of inclusive programming that In August, we wrapped up another success- and musician. Beats fosters audience diversity and represents the ful season of Art On The Rocks presented were provided all broader community, and adding $20 million to by Dale’s Seasoning. This summer, guests night in the cafe by the Museum’s endowment, ensuring the stabili- experienced exciting performances, explored Birmingham DJs Gina ty of the Museum for generations. the galleries, and snapped photos in the T, Love Deluxe, and The BMA’s Board of Directors has launched photo booths. They solved a murder mystery Sexpanther. Following a campaign to establish The Gail C. Andrews hosted by Theatre Downtown, enjoyed art- each Art On The Fund for Public Programs. This designated fully-crafted cocktails by New Amsterdam Rocks event, the fund, to be invested in the BMA’s endowment, Vodka, and celebrated the beauty of life with Redmont Hotel kept combines two of Gail’s most significant priorities: growing the endowment while providing funding intricate henna tattoos from The Gypsy Leaf the party going with each year to produce engaging, diverse public programs. These programs serve the entire communi- and Whimmmsy in the Bromberg’s and TAG After Rocks, the offi- ty and offer something for everyone. From family festivals to lectures by world-renowned artists and Heuer Lounge. cial after party, featur- scholars, to music and dance performances and speakers panels, the BMA strives to offer opportu- ing drink specials and Guests enjoyed pop-up performances by nities for the whole community to discover the joy and meaning of art. music at their down- Aastha’s Bollywood Dance, local breakdanc- town rooftop bar. The establishment of this fund will ensure these vital programs continue during periods of economic er Jordan Brown, and AROVA Contemporary uncertainty. Each year, The Gail C. Andrews Fund for Public Programs will be named as a presenter Ballet, as well as music by Opera Birmingham, In June, The Green of a high-impact, mission-centered program in the spirit of Gail’s legacy, as well as be recognized on Red Mountain Theatre’s Dreamgirls, and Seed hyped up the crowd on the Schaeffer quickly became new Art On The Rocks fa- other programs that are funded throughout the year as appropriate. William MacGavin, a local didgeridoo artist Eye with their positive, viscer- vorites. David Nuttall of Arti Maps, sensory al vibes, and The Burning Peppermints got illusionist Jeanette Andrews, and Sidewalk Please consider making a Gift for Gail to honor her career of service to the Birmingham Museum guests headbanging to their West Coast Film Festival brought art to life through visual of Art and our community. surf-inspired, garage rock jams. Southern performances each summer. rockers The Underhill Family Orchestra and To make your gift or pledge, please contact: Los Colognes took the stage in June and Thank you to all the guests, performers, Kate Cleveland, Director of Development at 205.297.8214 or [email protected]. July, making feet stomp, hands clap, and sponsors, and volunteers for playing a part in You may also visit www.artsbma.org/giftforgail. hips shake. Face painting, blind contour the success of the 2017 Art On The Rocks drawings, five-minute portraits by LG Waldo, season. Pledges may be paid over a period of up to 5 years. In addition to cash and stock contributions, gifts and a cake contest hosted by The Cakerie may include securities, estate or other planned gifts including IRA distributions and life insurance

beneficiary designations. PRESENTING SPONSOR LOUNGE SPONSORS STAGE SPONSOR ADDITIONAL SPONSORS

14 15 NEWS + GIVING Volunteer Spotlight Meet the Manager of Youth and Family Programs MARY HELEN CROWE WILLOW SCOTT

By Manager of Volunteer and Visitor Services Lindsey Hammel By PR Intern Elizabeth Sturgeon

When Mary Helen Crowe was a graduate to give is the Visually We are excited to welcome Willow Scott as the Can you tell us more about student at North Carolina State studying Impaired Program tour. new Manager of Youth and Family Programs. Born your experience with cre- Toxicology, she would ride her bicycle to the Docents are specially and raised in the Magic City, She has worked with ating programs for children North Carolina Museum of Art for a break trained to lead this tour for numerous art initiatives, organizations, and events and families? from the lab. Her love of art began there and visually impaired visitors by around Birmingham. Her expertise in family pro- continued to provide a welcome respite from using verbal descriptions gramming is a wonderful addition to the Museum’s During my years at Magic City her job as a pharmacist. Years later after she and allowing them to touch growing Education Department. Art Connection, I developed moved to Birmingham, she began volunteer- tactile representations and implemented several work- ing at the BMA in 1996 for The First Emperor, of artworks. She also en- Where have you worked before coming to the shops for children. During the an exhibition of Xi’an of Qin terra-cotta war- joys giving tours to medical students in the other hacks to help visitors connect with art BMA? last year of my tenure there, riors from ancient China, which was orga- Art in Medicine class from the University of objects. She especially enjoyed that Museum I was able to coordinate the I have had extensive art teaching and managerial nized by the Museum and traveled nationally. Alabama at Birmingham. This class visits the Hack helped her learn to push the viewer to Imagination Festival with over experience at various organizations in Birmingham. The exhibition drew 125,000 visitors, so vol- Museum every year to practice looking close- perceive art in the moment, think about their 1,000 kids, 41 Birmingham I was a teaching artist and festival coordinator for unteers were very busy collecting tickets and ly at artwork, as research has shown it can own reaction to it, and make a connection, public schools, and 21 teaching Magic City Art Connection for over 10 years. To handing out audio guides. improve clinical observation skills. instead of just considering its historical con- artists. supplement the downtime between festivals, I was text. One of her favorite aspects of Museum the master artist for Paint Nite Birmingham, offering weekly painting Do you have any big plans for new programs? In 2008, Mary Helen became a BMA docent In November 2016, Mary Helen continued Hack Boot Camp was meeting the other par- events in local restaurants and bars. I served as the Artist-in-Residence after she was encouraged to by a friend and to challenge herself as a docent by attend- ticipants who were various museum staff and for Urban Ministry, a United Methodist-based organization specializing I’d like to revamp our Art Mobile and outreach initiatives. Using the Art fellow docent who knew she would love ing Museum Hack Boot Camp along with consultants from Washington D.C., Canada, in community outreach. Mobile, I want to bring fine art to local festivals and schools. it. Nine years later, she still enjoys learning Angela May and Lindsey Hammel from the Colombia, and Holland, among other places. about art and art history at docent lectures BMA Education Department. Museum Hack The BMA has invited Museum Hack to lead When did you first become interested in art? What is a favorite program you have created or worked with by Museum curators, staff, and art historians. has gained national attention for leading un- a docent training in September and Mary before? She has also made many friends through the conventional tours in major museums around Helen is excited to work with them to create I have been interested in creating since childhood. I really started to program and loves that the BMA brings to- the country and holds trainings for museum hacks specifically for the BMA. hone my art skills in high school with my teacher, Mrs. Bratton. She ex- In the past, working with recycled materials has worked well for me. A gether a unique group of people who are fun professionals on their techniques. During posed us to various forms of artmaking that really piqued my interests. favorite for kids is making collaged, wearable art. I use recycled mate- and interesting. the rigorous three-day boot camp held at the The Museum is lucky to have docents like rials to show them that you can make use of materials from your home American Museum of Natural History and Mary Helen who not only volunteer their time, What are you most excited about in your new position? or neighborhood. Mary Helen has found ways to marry her the Metropolitan Museum of Art, Mary Helen but also enjoy challenging themselves and love of art and medical science through the learned to lead tours with engaging story- working to create meaningful experiences I am most excited about establishing partnerships and having the sup- docent program. One of her favorite tours telling, fun gallery games and activities, and for our visitors. Thank you, Mary Helen! port of the Museum to explore my artmaking ideas. I want to touch the Join us in welcoming Willow to the BMA and stay tuned for announce- lives of as many families and children as possible, exposing them to ments about upcoming youth and family programs, including monthly processes and methods of making art. I love watching children’s cre- interactive art activities at the Museum. ativity being sparked and watching them go! Summer Wedgwood Intern

By PR Intern Elizabeth Sturgeon

Traveling from Essex, located an hour north- “Anne took an interest in how much I knew “I think that a lot of people, including BMA pottery created by , Leisk a smaller quantity of 18th and 19th century east of London, 18-year-old William Leisk about Wedgwood and my passion for it,” staff members, were intrigued by William and believes the colors, history, and production pottery. arrived in Birmingham this summer to study Leisk said. “One day, in a taxi, she offered me were caught up in his enthusiasm. Many peo- process caught his attention. the Museum’s Wedgwood collection during the opportunity to do an internship here.” ple wanted to help him achieve his goal.” During his internship, Leisk spent most of an eight week-long internship. When he began obtaining pieces of his time in the BMA conservation lab study- Leisk spent months raising money for his trip In addition to selling items from his person- Wedgwood for a personal collection, he fo- ing the objects, researching their history, and Leisk had previously met Anne Forschler- across the pond. Forschler-Tarrasch reached al collection, Leisk received a grant from his cused on buying cheaper pieces of more comparing them to the pieces found in oth- Tarrasch, Chief Curator and Curator of out to AL.com, and the media outlet pub- school to come to the Museum and further modern work that he could find for one or er museums. He became interested in the Decorative Arts, in London at the 2016 lished an article in November about Leisk, his and excited about his opportunity at the BMA, explore his interest. two pounds each. However, as he became connections between Wedgwood, the United Wedgwood International Seminar, a gather- fascination with Wedgwood, and his growing including Museum employees. more knowledgeable, Leisk began selling the States, and the American interest in English ing of Wedgwood collectors, scholars and personal collection. The article promoted Leisk’s fascination with Wedgwood began modern pieces and buying older, more ex- pottery, and gained a better understanding of ceramic enthusiasts. As one of the youngest a GoFundMe page that he created to raise “I met William last summer and was so im- as a child when his mother took him to mu- pensive pieces of Wedgwood. His collection careers in the museum field. conference attendees, Leisk’s fascination money for the trip, and he received donations pressed by his passion for Wedgwood, at seums, auctions, and antique fairs. Unsure of once included between 300 and 400 piec- with Wedgwood left an impression. from many who were interested in his story such a young age,” Forschler-Tarrasch said. what exactly sparked his fascination with the es, but Leisk now holds about 100 pieces,

16 17 NEWS + GIVING

Year End Giving

In Memoriam Education Gallery Dedication SPENCER SHOULTS

By Head Preparator Priscilla Tapio By Development Events Manager Rebecca Schaller

We sadly mark the passing of our dear friend and col- The Birmingham Museum of Art was pleased to dedicate the Education league Spencer Shoults, who died from cancer on July gallery space in honor of Sharon and Grady Burrow on Wednesday, July 8 at the age of 39. His confident, positive, “can do” spirit 19, 2017. The act of naming this gallery reaches far beyond the walls of was part of the lifeblood of the BMA prep team for nearly the Museum, as year after year the BMA’s Education programming and five years and he is deeply missed. We are fortunate to exhibitions impact young, budding artists from throughout the community, Help us prepare for have worked beside him and enjoyed the blessing of his who are eager to learn and grow in their craft. an exciting new year kind and playful nature. Spencer had an endless curiosity of exhibitions and about the world and shared his many interests and explo- One of the Burrow family values is educating future generations, recog- programs by making rations with us. He observed life with an artist’s sensitivity nizing that “it takes a village.” This purpose, coupled with Sharon’s passion your 2017 year-end and thoughtfulness, delighting in its beauty and mystery. for art, makes the dedication of the Sharon and Grady Burrow Education gift to the BMA! Gallery an important legacy for the family. The Burrows take immense Spencer was a graduate of the University of Montevallo, joy in being involved with and contributing to their community. They look Your 100% tax-de- earning a BFA degree in photography and printmak- forward to sharing this gift and their love of art with their children, grand- ductible gift helps keep the Museum FREE and helps ing. He continued to create and exhibit his art after col- children, great-grandchildren, and the greater Birmingham community for fund hundreds of FREE programs and exhibitions for our lege. Spencer loved music and was an accomplished, many years to come. entire community throughout the year. practicing musician. He was a longtime member of two Montevallo bands that formed during his years there— The Museum provides numerous opportunities both during and beyond Consider giving in honor or memory of a friend or family Teen Getaway and Nowhere Squares. Prior to joining the the school day for children to interact with its collection, learn more about member. For each tribute gift, we will send a card to the BMA staff as a preparator, Spencer was the technical di- the world, and discover self-expression through the arts. Additionally, by honoree or their family to notify them of your generosity! rector at Birmingham Children’s Theater. collaborating regularly with various social service organizations, the BMA and our community partners illustrate the power of art in creating mean- To Donate: Spencer felt it was his good fortune to be working at the ingful change in the community. The walls of this gallery have shown, and BMA in a job he found fun, challenging, and personally will continue to showcase, the culmination of these many impactful expe- Please send us your year-end gift using the envelope pro- rewarding. We’ll continue to remember the vital role he riences for youth and adults. vided or visit artsbma.org to give online. played in the many exhibitions and projects he was a part of. We will never forget the spirit of goodwill he extended to each of us. We miss our dear friend.

18 19 NEWS + GIVING Support Groups

EUROPEAN ART SOCIETY AND COLLECTORS CIRCLE FOR CONTEMPORARY ART TRIP TO GERMANY

PHOTO FINISH: This summer, members of the Collectors Circle and European Art social-historical perspective we gained in an examination of a Hans Reichstag with its striking dome and structure by Sir AN ACQUISITION EVENT HONORING Society experienced the best of Old Masters and Contemporary art at Holbein portrait of a young merchant. Norman Foster. Visits to sites featuring contemporary art THE LEGACY OF THE PHOTOGRAPHY GUILD major museums and special exhibitions throughout Germany, including included: The Boros Collection (contemporary art housed As well as basking in the work of such masters as Jan van Eyck, Hugo Berlin, Kassel, and Münster. Here is a combined recap from the unique in a bunker built by the Nazis as a civilian air-raid shel- By Curatorial Support Group Manager Bethany McClellan perspectives of one member from each group: van der Goes, Albrecht Dürer, , Rubens, and Vermeer, we ter), Hamburger Bahnhof (Berlin’s main contemporary saw glorious works by Raphael, Botticelli, Caravaggio, and many others. museum featuring works by the likes of Joseph Beuys, The Collectors Circle for Contemporary Art and Friends of American Art Cy Twombly, and Adrian Piper), KOW (a space featuring enjoyed a fun evening of great art, good wine, and delightful bites for the We enjoyed much pleasing architecture: Museum Island’s and socially oriented videos and installations), Kunst Werke 2nd Annual Photo Finish Event. The combined groups voted to acquire an By EAS Member and Docent Lisa Devivo Neoclassical beauty, the high Rococo style of nearby palace Sanssouci, Institute for Contemporary Art, Sprüth Magers Gallery important work by Peter Sekaer (American, born Denmark, 1901–1950), and the grandeur of Schloss Wilhelmshöhe in Kassel. During our trip to Berlin, we had the opportunity to view, and to be showing Thomas Ruff and Analea Saban, and a visit to taken in Birmingham in 1938. awed by, a good selection of traditional masterworks out of the vast Kassel, some 200 miles from Berlin, had its own splendid Old Masters’ the apartment of Payam Sharifi of Slavs and Tatars to After the voting, a significant number of patrons came forward and and truly dazzling array to be found in the city’s museums. Painting Gallery, with a strength in 17th-century Flemish and Dutch hear about his move to Berlin, upcoming work, and his pledged funds to keep the second work, Study for a self-portrait (1504), paintings. Rembrandt, Frans Hals, Rubens, Anthony van Dyck—an em- visit to the BMA for Art Papers Live in September 2014. 2015, by Paul Mpagi Sepuya (born 1982), a Los Angeles photographer. Museum Island was fascinating: a cluster of art treasuries, which to- barrassment of riches. gether seemed to hold masterpieces from every century and every na- The group then moved to Kassel to see Documenta 14, Sepuya’s innovative collage-like portraits are created by using mirrors to tion in history. With delight we saw antiquities unearthed by German It was altogether a delightful and unforgettable trip! a colossal exhibition held every five years. Based on collapse the studio space in a single plane. archaeologists: the Egyptian bust of Queen Nefertiti, the magnificent, the theme “Learning from Athens,” the largest work was As a challenge, current Collectors Circle member and former Photography 46-foot-tall Babylonian Ishtar Gate, covered with strutting lions and Parthenon of Books in the central Friedrichsplatz. With Guild President John Hagefstration offered to donate an outstanding bulls in bas-relief. only one day to explore, we saw many impressive sites, By CC Member and Docent Connie Urist but only covered a small portion of the show. It was a Peter Sekaer photograph titled Phrenologist’s Window (1936) if enough We saw Byzantine works and Baroque, massive sculptures; Tilman wonderful surprise to see the BMA’s own painting Saint funds were raised to acquire the Sepuya. As a result, we are thrilled to Berlin, Germany—the perfect place to visit with the combined members Riemenschneider’s exquisite carved wooden figures; canvases Anthony Abbot Tempted by Gold as part of a contempo- announce the acquisition of three photographs to the BMA’s permanent of the European Art Society and the Collector’s Circle of Contemporary by Romantic Caspar David Friedrich; and even some by French rary installation at the Neue Gallerie. The final stop was to collection. Hats off to our loyal donors and thank you for your continued Art. For the last 70+ years, Germany has faced the challenge of re- Impressionists. see the Münster Sculpture Projects—a show held every support! building—a challenge that has been met with a thoughtful (sometimes 10 years in a charming rural college town. The day fea- controversial) combination of rebuilding “the old” with contemporary At Berlin’s Gemäldegalerie (Painting Gallery), a comprehensive assem- tured a walking tour through the busy marketplace and thought and structure. Such circumstances made architecture an im- blage of European paintings from the 13th-18th centuries, our docent quiet greenways followed by a bus ride to see works by portant topic for all. was the museum’s curator of early Dutch, Flemish, and German art. Jeremy Deller (Speak To The Earth, It Will Tell you), Nicole (Such access to experts who are outstanding authorities in their fields The tour began in East Berlin at the Memorial to the Murdered Jews Eisenman (Sketch For a Fountain), Pierre Huyghe (After A helps make travel with the BMA’s support groups so worthwhile.) The of (Peter Eisenman), followed by a tour and dinner at the Life Ahead), and much more. curator led us in artistic exploration of paintings, and more, as with the

20 21 NEWS + GIVING

COLLECTORS CIRCLE RURAL STUDIO DAY TRIP By Collectors Circle Member Tina Ruggieri

Located roughly 47 miles south of Tuscaloosa is the small town of Newbern, Alabama, population 180, and the home of Auburn University’s Rural Studio. The visionary, Samuel Mockbee, founded the undergraduate program in the School of Architecture in 1993. Mockbee’s vision was two-fold: create a program where architecture students could participate in a more hands-on, comprehensive, edu- cational environment, while addressing the social responsibility of cre- ating good design in one of Alabama’s poorest counties. Dedicated students work tirelessly with the local community to determine specific opportunities, fundraise for their projects, and design and build creative exterior, with its metal awning and minimally designed courtyard made and functional, commercial and residential spaces. Over the last 24 the perfect gathering spot in downtown Newbern. A few group mem- years, approximately 800 Rural Studio students have designed and bers spotted an important artistic landmark just behind the library: built around 170 projects throughout Hale County. William Christenberry’s iconic green barn, a must stop while visiting Newbern.

We then crossed the street to tour the Newbern Fire Station, a two-story structure made from massive wooden beams, translucent polycarbonate panels, and galvanized aluminum. Next door was the town hall, a location to hold elections and town meetings. Before these two facilities, Newbern had not seen a public space built in over 110 years. An incredible lunch of fried catfish came at just the right time, giving our group energy for the second half of our visit. Then, we were off to tour Lions Park and Playscape. This park was designed for the community and its children, housing the Lions Park Scout Hut, a base- ball field, and skateboard and play areas made from recycled metal barrels and rubber. FRIENDS OF AMERICAN ART TRIP TO RICHMOND AND CHARLOTTESVILLE, VA By Curatorial Support Group Manager Bethany McClellan In the short period of our visit to Rural Studio projects, it was impossi- ble to see all that has been accomplished over the last quarter century. The Friends welcomed summer in the Old Dominion, where they en- of the Gilded Age, and the 1812 John Wickham House, a spectacular However, we wanted to squeeze in a few more stops. We hopped back joyed a full week of museum and historic site tours, a private collec- example of 19th century Federal architecture and interior decorative on the bus and headed to the Greensboro Boys and Girls Club. Built in tion visit, and plenty of local cuisine. The group stayed at Richmond’s painting. A full day was devoted to the work of Thomas Jefferson, be- 2012, the blue metal clad building provided the community a perfect opulent Jefferson Hotel, its rich past reflected in its Tiffany stained- ginning with a visit to the University of Virginia to learn more about indoor and outdoor space for afterschool programs and events. While glass dome and dazzling blend of architectural styles. The Jefferson is Jefferson’s unique vision of higher education, which brought together in Greensboro, we were tempted to swing by the Pie Lab at 1317 also home to Lemaire, one of Richmond’s finest restaurants, where the students, faculty, and academic resources into a cohesive Academic Main Street. After grabbing a few slices of pie and some ice cream Friends enjoyed a welcome dinner in an elegant private dining room ap- Village. The group was treated to an in-depth curator-led tour of cones, we were ready to make the hour and forty-five minute trip back pointed with a major painting by Elizabeth Jane Gardner, the American Monticello with special access to upper floors and stunning views of to Birmingham. wife and student of French artist William-Adolphe Bouguereau. the property from the Dome Room. On the morning of May 13, 2017, the BMA’s Collectors Circle for Contemporary Art loaded up the bus for what was to be a short, yet They learned first-hand the history of one of Richmond’s finest private The trip culminated with a tour of the beautiful and historic Hollywood inspiring visit. Upon our arrival we were greeted by Xavier Vendrell, act- collections of American art from Mrs. Jane Joel Knox (and husband Cemetery. Situated along the scenic James River, this 135-acre garden ing director of the Rural Studio. Our first stop was the Rural Studio Joe), who was named Collector of the Year in 2005 by the Virginia cemetery is the final resting place of U.S. Presidents James Monroe farm, home base for faculty and students. We toured the Morrisette Museum of Fine Arts. The VMFA ranks as one of the largest and top and John Tyler, writer Ellen Glasgow, Confederate President Jefferson House, Dogtrots, Supershed and Pods, the living quarters for the stu- comprehensive art museums in the , and a highlight of Davis, and Generals George Pickett and J.E.B. Stuart. The Friends en- dents—their kitchen and food storehouse—a perfect example of form the trip was touring the new James W. and Frances G. McGlothlin joyed a farewell dinner at Julep’s New Southern Cuisine, celebrating meeting function. We then visited Rural Studio’s 20K model homes. Wing, devoted to the couple’s outstanding gift of 73 American master- not only their time spent in Virginia but also the tenure of Dr. Graham We toured three floor plans and discussed their materials and goals for works spanning the Hudson River School to Modernism. Boettcher, the inaugural William Cary Hulsey Curator of American Art. developing affordable housing in this rural community. The BMA’s new Curator of American Art, Dr. Katelyn Crawford, will co- The travelers also experienced historical American art and material cul- lead a weekend trip to Dallas with Curator of European Art Dr. Robert Next stop was the Newbern Library, located in a historic bank build- ture in its original context—with curator-led tours of house museums Schindler this fall. ing, and redesigned in 2013. The students wanted to create a space including the Maymont Mansion, a sprawling Victorian country estate that would work as both a resource and social center for the commu- nity, providing computer and internet access. The simple, white brick

22 23 NEWS + GIVING

Corporate Spotlight Contributions ANGIE GODWIN MCEWEN, BUTLER SNOW LAW FIRM OUR CURRENT CORPORATE GIFT DATE RANGE FOR THIS EDITION OF THE MAGAZINE IS 04.01.17 THROUGH 06.30.17 By Director of Development Kate Cleveland PARTNERS

We truly appreciate every donation the Museum receives each year. Given the generous volume of gifts, we will begin annually recognizing all gifts for the Butler Snow has a longtime commitment to FOUNDER’S CIRCLE Birmingham, the community, and the arts in $50,000 previous fiscal year in the spring magazine, along with our annual report. The next magazine will contain all gifts given from 07.01.16–06.30.17. We appreciate our city and went through a significant expan- Alabama Power Company your understanding and support of the BMA. All tributes and memorials will continue to be notified at the time of the gift. sion here in 2014. The firm is a valued corporate SUSTAINER’S CIRCLE partner that has broadened our outreach pro- $25,000 - $49,999 grams, and helps art come alive for our visitors. Barber Companies IN HONOR OF Dr. Jeannine O’Grody: Mr. Roy Curtis Green, Jr.; DOCENT SCHOOL BUS FUND Why is it important to support the arts and the Blue Cross and Blue Shield of Alabama Wassan Al-Khudhairi: The Women’s Network Patty McDonald; Mrs. Virginia H. Scruggs BMA Docent Council; Dr. and Mrs. James Kamplain; community? Maynard, Cooper & Gale PC Ms. Gail Andrews: AMW Incorporated; Mrs. James Helen Parrish: Mr. and Mrs. Darryl Bell Ms. Adrienne Marshall; Ms. Faye D. Wright Medical Properties Trust, Inc. A. Livingston; Mr. and Mrs. James K. Outland Mrs. Dorothy M. Stewart: Mr. Patrick Cather Yes, we have grown steadily in Birmingham over the Protective Life Corporation Dr. Graham C. Boettcher: Mr. Patrick Cather; Mr. Georgia Whitten Strevy: Dr. Ann Phillips EDUCATION AND PROGRAMS years, and in 2014 added 19 attorneys to our office Red Diamond, Inc. Jan Jander; Red Mountain Garden Club; Mr. and Betty Jean Ward: Mrs. Sue Ann Watkins Cathead Vodka (Art After Five); City of Hoover here, bringing a depth of experience that strength- Vulcan Materials Company Mrs. Mark J. Tarr Mr. Peter T. Worthen: Mrs. William W. Featheringill ened the firm and brought economic vitality to the Mr. and Mrs. William A. Bowron, Jr.: Dr. and Mrs. CHAIRMAN’S CIRCLE Rev. David Cady Wright: Mr. Patrick Cather EXHIBITIONS John R. Smith city. Our team here greatly strengthened many of $10,000 - $24,999 Mrs. Peter G. Smith (Dutch reinstallation); Henry the firm’s existing practices—adding additional depth Bradley Arant Boult Cummings LLP Mr. and Mrs. Mark L. Drew: Dr. and Mrs. John R. Luce Foundation, Inc. (The Original Makers); The J. and breadth for clients throughout the region. Butler Snow LLP Smith ACQUISITIONS and H. Weldon Foundation, Inc. (Afterlife) HealthSouth Corporation John Fields: BMA Docent Council Dr. and Mrs. C. Bruce Alexander; Dwight & Lucille One of the hallmarks of Butler Snow is our commitment to the community and dedication to the arts. We Jemison Investment Co., Inc. Arlene and Milton Goldstein: David Abram Skier & Beeson Fund; Mr. Roy Curtis Green, Jr.; Dr. Emily GAIL C. ANDREWS FUND FOR PUBLIC are very proud of our partnership with the Birmingham Museum of Art, which continues to make a great New Capital Partners, Inc. Nan Goodman Skier Family Foundation F. Omura; Mr. and Mrs. G. Ruffner Page, Jr.; Dr. PROGRAMS impact on the city and region. Having a healthy arts culture helps build robust communities, and we sup- Regions Bank Millie and Billy Hulsey: Garland and Lathrop Smith and Mrs. David A. Skier; The Wedgwood Society of Mrs. James A. Livingston; Mr. and Mrs. James K. port the Museum’s mission of providing unparalleled cultural and educational experiences. Stewart Perry Construction Grayson Hydinger: Dr. and Mrs. James Kamplain Washington, D.C.; Mr. Alan K. Zeigler Outland Vulcan Value Partners Salter Hydinger: Dr. and Mrs. James Kamplain Butler Snow has thrived in Birmingham, across the country and now internationally, too. Tell us AFRICA AND THE AMERICAS GENERAL OPERATING Mrs. James A. Livingston: Mr. James Taylor McElroy DIRECTOR’S CIRCLE more about your growth in the city and globally. Clyde W. Oyster Estate Fund; Ms. Martha Pezrow Ms. Sallie S. Aman; Mrs. James K. Baker; Mr. and $5,000 - $9,999 Mr. Henry S. Lynn, Jr.: Mr. James Taylor McElroy; Mr. Mrs. Darryl Bell; Mr. and Mrs. Charles A. Boswell, Altec Industries, Inc. Patrick Cather Birmingham is one of our key strategic growth markets, and we continue to build on the major expansion ANNUAL FUND Jr.; Mrs. Catherine Cabaniss; Mr. Patrick Cather; Dr. John Mitchell and Joyce Mitchell: BMA Docent Johnson Development, LLC Stuart Cohen and Dr. Cason Benton; Mr. and Mrs. we launched in 2014. It is a successful metropolitan city, rich in tradition with a flourishing business envi- Council Mr. and Mrs. Rodney F. Burrow; Mr. and Mrs. Ram Tool and Supply Company Murray Dixon; Mr. and Mrs. Evans Dunn, Jr.; Ms. ronment and excellent quality of life. We have also grown in other key markets, and now have more than Michael Clements; Ms. Elizabeth King; Mr. and Mrs. Thompson Tractor Inc. Florence Richey: Mr. Patrick Cather Kaydee Erdreich-Breman and Ms. Sybil Breman; Eugene Lewis; Mrs. Virginia H. Scruggs; Mr. and 330 attorneys representing national and international clients from 22 U.S. offices, London, and Singapore. Dr. and Mrs. David A. Skier: Dr. Graham C. Mrs. William W. Featheringill; Mr. and Mrs. A. Henry CURATORS’ CIRCLE Mrs. H. Stuart Starrett; Mrs. Sue Ann Watkins We take pride in providing excellent client service in Birmingham and all the communities we serve. The Boettcher Gaede, Jr.; Mrs. Bruce M. Greene; Mrs. Sandra Z. $2,500 - $4,999 firm has stayed true to its principles throughout its history and during this period of growth, and we are Jim Sokol and Lydia Cheney: BMA Docent Council Harris; Ms. Anne S. Heroy; William L. and Carey T. Arlington Properties, Inc. ART FUND INC. Hinds; Ms. Nancy Houston; Mr. Mat M. Johnson; Mr. very proud to have been recognized as one of the nation’s top law firms for client service. Mrs. Carolyn S. Wade: BMA Docent Council Cobbs Allen Mr. James Taylor McElroy; Dr. and Mrs. John W. and Mrs. J. G. Lanier, Jr.; Mrs. James A. Livingston; Mr. James Williams: Mr. Patrick Cather Poynor; Dr. Sanjay and Mrs. Dora E. Singh; Red What’s next for Butler Snow? Dunn Investment Company Mr. and Mrs. Richard Mayne; Mr. M. Perry McIntosh; First Commercial Bank Mountain Garden Club Dr. and Mrs. Joe R. Norman; Odyssey Early Schools, Inc. of Inverness and Trace Crossings; Mr. and We will continue to strengthen our presence in Birmingham and our other key markets to meet the needs Marx Brothers, Inc. IN MEMORY OF Mrs. G. Ruffner Page, Jr.; Mr. and Mrs. George G. White Arnold & Dowd PC Bo Brown: Mr. Patrick Cather ART ON THE ROCKS of our clients. Those include Nashville, Memphis, , Denver, New Orleans, and Ridgeland, Mississippi. Petty; Dr. Ann Phillips; PNC Foundation; Ms. Kathy Jim Burnham: Dr. and Mrs. James Kamplain; Mr. Birmingham Budweiser; Bromberg’s; Dale’s Sauces, Internationally, we will continue to bolster our offices in London and Singapore, and will continue to ex- BENEFACTOR’S CIRCLE B. Polk; Mrs. Margaret G. Ragland; Red Moutain Jeffrey S. Milkins; Dr. and Mrs. Ellis Rubin; Bob Inc.; 20 Midtown; The Redmont Hotel; Schaeffer plore further opportunities in Asia. $1,000 - $2,499 Garden Club; Regions Financial Corporation Scharfenstein and Dr. Bill Mason Eye Center Brookmont Realty Group LLC Foundation; Dr. and Mrs. A. David Russakoff; Mrs. Rebecca Bowers Cooper: Mrs. Catherine Cabaniss; In each of these thriving cities, we are committed to the community and supporting the arts. As we grow Christie’s Peter G. Smith; Mr. and Mrs. L. Vastine Stabler, Jr.; Stuart Cohen and Cason Benton; Mr. and Mrs. BART’S ARTVENTURE Mr. and Mrs. M. J. Starling III; Mrs. Mary S. Steiner; in these markets, we will continue to cultivate our relationships as good corporate neighbors dedicated to Coca-Cola Bottling Company United, Inc. Murray Dixon; Mr. and Mrs. Evans Dunn, Jr.; Ms. Jimmie and Emil Hess Fund; Susan Mott Webb Mr. and Mrs. Mark J. Tarr; The Daniel Foundation improving the cities we serve. Four Corners Custom Framing Gallery Kaydee Erdreich-Breman and Ms. Sybil Breman; Charitable Trust of Alabama; The Women’s Network; Mr. and Mrs. Hughes and Scalise, P.C. Ms. Anne S. Heroy; Mr. and Mrs. A. Henry Gaede, Joseph C. P. Turner; Mrs. Mary S. Winfree If you could meet any artist, living or dead, who would it be? What would you ask them? Kassouf & Co., P.C. Jr.; William L. and Carey T. Hinds; The Lanier BEAUX ARTS KREWE Levy’s Fine Jewelry Family; Mrs. James A. Livingston; The McIntosh Mr. Patrick Cather MUSEUM BALL FUND If I could meet any artist, I would want to meet Benjamin Walls. The crispness and of his photog- Motion Industries, Inc. Family; Ms. Kathy B. Polk; Mrs. Margaret G. Mr. and Mrs. D. Scott Adams; Alabama Power raphy is absolutely amazing—his images simply jump off the page and come to life. When I was in college, National Cement Company of Alabama, Inc. Ragland; Redmont Garden Club; Mrs. Peter G. Company; Alabama Power Foundation, Inc.; Richard one of my courses required me to complete a semester-long project in an area outside my major, so I took Smith; Sumner and Jeff Starling; Mrs. Mary S. CONSERVATION O’Neal Industries and Tracey Bielen; Chris and Mary Boehm; Bradley Steiner; Mrs. Mary S. Winfree; Dr. Graham C. Boettcher; Mr. Patrick Cather; Dr. that as an opportunity to compose and present a show of some of my original photographs. Based on that Pizitz Management Group Arant Boult Cummings LLP; Mr. and Mrs. Frank Mr. Creighton E. Johnson: Ms. Nancy Houston; Dr. and Mrs. James Kamplain; Bob Scharfenstein experience, I have at least some appreciation for how difficult it is to capture in a single image everything Precision Grinding, Inc. H. Bromberg, Jr.; Maggie and Will Brooke; Judge and Mrs. James Kamplain and Dr. Bill Mason; Mrs. Doris White; Ms. Caroline that’s in your mind’s eye when you’re looking through the camera lens. RealtySouth Houston L. Brown and Betty W. Brown; Molly Ann Bairnsfather Lambert: Dr. Graham C. Wingate Standard Furniture and John Carter; Mr. and Mrs. John F. Chapman; Boettcher; Mrs. Doris White So my question for Benjamin would be, “How do you know when you’ve captured the image that is ’the Williams Blackstock Architects Coca-Cola Bottling Company UNITED, Inc.; Frank David W. Mitchell: Mr. Patrick Cather DIRECTOR’S DISCRETIONARY FUND Crockard - General Machinery Company; Mr. and one’ that will translate well and speak to your audience?” AMW Incorporated; Mr. Patrick Cather Mrs. Charles W. Daniel; Deshazo; Mr. and Mrs.

24 25 NEWS + GIVING CONTRIBUTIONS Still on View CONTINUED

Jim Dixon; Beverly and Stanley Erdreich; First Goings; Mr. Dick Jemison; Mr. and Mrs. Orson L. Ms. Janis P. Clements; Mr. and Mrs. Richard Cohn; Ms. George Thompson; Mr. and Mrs. J. Donald Commercial Bank; Drs. Rita and Munish Goyal; Mr. Johnson; Mrs. Terri D. Lyon; Mr. and Mrs. Edgar B. Dr. and Mrs. Edward V. Colvin; Ms. Rochelle Crow; Thornburgh; Mr. and Mrs. Joseph C. P. Turner; Mr. and Mrs. Edward L. Hardin, Jr.; Mr. and Mrs. Roger Marx, Jr.; Mr. and Mrs. Willard McCall, Jr.; Mrs. Mary Dr. and Mrs. James G. Davis; Mr. and Mrs. Alan Cleophos Vann and Mrs. Juanita J. Vann; Mr. and A. Hartline; David B. Hezlep; Highland Associates; S. Steiner; Mr. and Mrs. Eugene P. Stutts; Mr. and Deer; Dr. and Mrs. William Timothy Denton; Mr. W. Mrs. Alexander de Haven Vare; Mr. and Mrs. Robin Mrs. Caroline Ireland; Mrs. Dorothy W. Jeffries; Mrs. James R. Wooten B. Dumas; Mr. and Mrs. Hugh C. Dye; Mr. and Mrs. A. Wade, III; Mr. and Mrs. Robert S. Wadhams; Mr. and Mrs. Thomas F. Jernigan, Jr.; Mr. And Mrs. James W. Emison; Ms. Kaydee Erdreich-Breman Ms. Nancy C. Walburn; Dr. and Mrs. Raymond G. Jonathan Kimerling; Maynard, Cooper & Gale PC; PATRON and Ms. Sybil Breman; Mr. and Mrs. Mark Evans; Watts; Mr. and Mrs. H. Thomas Wells; Mr. and Mrs. Patty McDonald and Jeffrey Klinner; Milo’s Tea Ms. Tarrika Everett; Mr. and Mrs. David L. Fair; Ms. James H. White III; Dr. and Mrs. Richard Whitney; Mr. and Mrs. Charles S. Caldwell III; Mr. and Mrs. Company, Inc.; Joyce Crawford Mitchell; Leslie Mary Farrar; Mr. and Mrs. Christopher Fennell; Mrs. Drs. Deborah and Brian Wiatrak; Dr. and Mrs. John L. Cobb; Mrs. Michael W. Davis, Sr.; Mrs. and John Moore; National Bank of Commerce; James O. Finney, Jr.; Ms. Jean Finochio; Mr. and Thomas A. S. Wilson; Mr. Keith A. Wolfe and Mr. Helene S. Elkus; Ms. Rachel S. Ferguson; Mr. and O’Neal Industries; Dr. and Mrs. Walter Gay Pittman; Mrs. C.T. Fitzpatrick; Mrs. Margaret L. Fleenor; Mr. Kevin Hughes; Dr. and Mrs. W. Murray Yarbrough Ms. Ronald C. Helveston; Mr. Solomon P. Kimerling; PricewaterhouseCoopers LLP; Protective Life and Mrs. John Floyd; Mr. and Mrs. Paul Friedman, Mr. and Mrs. Travis McGowin III; Mrs. Patricia Corporation; Mr. and Mrs. J. Taylor Pursell, Jr.; Jr.; Mr. and Mrs. A. Henry Gaede, Jr.; Mrs. Barbara Millhouse; Dr. and Mrs. Robert E. Morris; Ms. Ann RealtySouth; Regions Bank; Steven Reider and Terri D. Garner; Mr. Edward J. Goldberg; Mrs. Betty A. SUPPORT GROUPS F. Omura; Ms. Angela F. Pruitt; Mr. and Mrs. Ed Denard; Stephanie and Gordie Robinson; Bill and Goldstein; Mr. Charles Goodrich; Mrs. Betty Jo Third Space Rogers; Mr. and Mrs. Lathrop W. Smith, Jr.; Mr. and Marcie Rodrigues; Mr. and Mrs. Allen D. Rushton; Gorman; Mr. and Mrs. James C. Gray III; Mr. and Mrs. Murray W. Smith; Mr. and Mrs. Lewis Stewart, ASIAN ART SOCIETY /shifting conversations about contemporary art Mr. and Mrs. William H. Satterfield; Dr. Bisahka Mrs. J. Trent Green; Ms. Cassandra Griffen and Ms. Jr.; Dr. Kevin Sublett; Mr. and Mrs. Donald Sweeney, Dr. Richard B. Marchase and Ms. Gail C. Andrews; Sen and Mr. Sanjeev Chaudhuri; ServisFirst Bank; Oneika D. Brooks; Dr. and Mrs. James C. Grotting; PRESENTED BY Jr. Dr. Donald A. Wood Silvertron One Properties LLC; Dr. Sanjay and Mr. and Mrs. Hubert H. Hagen; Mr. and Mrs. William ON VIEW THROUGH JANUARY 2019 · JEMISON GALLERIES Mrs. Dora E. Singh; Dr. and Mrs. John R. Smith; Mr. P. Hannigan, Jr.; Dr. and Mrs. Griff R. Harsh III; Mr. and Mrs. Lathrup W. Smith, Jr.; Virginia and David FELLOW Samuel D. Herring; Mr. and Mrs. Richard D. Holland; COLLECTOR’S CIRCLE Smith; The Featheringill Foundation; Alice and Carl Mr. and Mrs. James Allison; Mr. and Mrs. Danny Dr. and Mrs. Leland Hull, Jr.; Ms. Karen Phillips Mrs. June E. Bulow; Mr. Patrick Cather; Mrs. Thigpen; Mr. and Mrs. C. Reynolds Thompson III; Armstrong; Dr. R. Jayne Perkins Brown and Mr. Irons; Ms. Stacia A. Jacks; Mr. Ben Ivey Jackson; Helene S. Elkus; Mr. Jan Jander; Ms. Maryella Larry D. Thornton; Mr. and Mrs. Ingram D. Tynes; David Brown; Mr. and Mrs. Bruce J. Burdette; Mr. Mrs. Virginia E. Jackson; Mr. and Mrs. Bruce Leggat; Dr. Richard B. Marchase and Ms. Gail C. UAB Educational Foundation; UAB Health System; and Mrs. Grady Burrow; Mr. and Mrs. William N. Johnson; Ms. Kyle L. Johnson; Mr. Mat M. Johnson; Andrews; Mr. and Mrs. James K. Outland; Mr. and Judge and Mrs. Scott Vowell; Dr. and Mrs. Ray Clark, Sr.; Druscilla A. Defalque; Dr. and Mrs. Gerard Mrs. Elizabeth W. Jones; Mr. and Mrs. William F. Mrs. Dennis Pantazis; Ms. Katherine Pearson; Mr. Watts J. Ferris; Mr. and Mrs. Conrad M. Fowler, Jr.; Mr. and Jones III; Mr. Edward Journey; Mr. and Mrs. Brian Jared Ragland; Mr. James D. Sokol and Ms. Lydia Mrs. Henry I. Frohsin; Dr. and Mrs. Michael J. Geer; D. Judd; Dr. and Mrs. Gerald D. Karcher, Jr.; Mr. and Cheney; Mr. and Mrs. L. Vastine Stabler, Jr. RURAL STUDIOS COMMISSION Mr. and Mrs. James Gewin; Mr. and Mrs. William Mrs. David P. Kassouf; Mr. and Mrs. Lawrence Katz; Hansford; Mr. and Mrs. Richard T. Harley, Jr.; Dr. Mr. and Mrs. Larry Knedlik; Ms. Marci Kreisberg; Giattina Aycock Architecture Studio Inc. EMERGING COLLECTORS and Mrs. Lawrence S. Hawley; Mr. and Mrs. James Mr. Victor L. Kutz II; Mr. James G. Lambert; Mr. Mr. and Mrs. William D. Dobbins IV; Mr. and Mrs. F. Hughey, Jr.; Mr. and Mrs. Chervis Isom; Dr. and Jerome H. Lapidus; Mr. and Mrs. Wayne Law; Mr. Arthur K. Foster III; Mr. and Mrs. Turner Inscoe; THIRD SPACE Mrs. Jerry W. Jackson; Ronald M. Jones; Mr. and Leland Lindsey and Mrs. Elizabeth Meriwether- Mr. and Mrs. D. Bradford Kidd; Mr. and Mrs. David Mr. Doug McCraw; Vulcan Materials Company Mrs. Bob Kruse; Mr. and Mrs. William A. Lalor; Mr. Lindsey; Mr. and Mrs. John Logue; Mr. Peter Loo; E. Roth and Mrs. William Matthews V; Mr. and Mrs. Thomas Mr. and Mrs. Linn Lower; Mr. and Mrs. Dan Lyles; Bruce and Jacqueline MacClary; Mr. and Mrs. Chris WHITCOMB WEDGWOOD CONSERVATION FUND S. McGahey; Dr. and Mrs. Cecil Morgan; Mr. Brad Morton; Mr. and Mrs. Robert R. Pless; Ms. Nancy C. Mayer; Mr. and Mrs. Richard Mayne; Mr. and Mrs. J. EUROPEAN ART SOCIETY Mr. Jeffrey S. Milkins; Dr. and Mrs. Ellis Rubin Price; Mrs. Jayne Randolph; Dr. Carol Rosenstiel B. Mazer; Mr. Robin McDonald and Ms. Deborah A. Mrs. Bette Anne Bargeron; Mrs. Camille Butrus; and Ms. Fran Hogg; Mr. and Mrs. David E. Roth; Mr. Bennett; Dr. and Mrs. David S. McKee, Jr.; Mr. and Mr. Patrick Cather; Mrs. Forsyth S. Donald; Mrs. Opulence in Disguise: and Mrs. H. Brant Sanders; Mrs. Virginia H. Scruggs; Mrs. Grady Moore; Ms. Jean B. Morris; Mr. Stanley William W. Featheringill; Dr. Richard B. Marchase MEMBERS Rev. and Mrs. Gates Shaw; Ms. Tisha Sklenar; Anna Moss; Dr. and Mrs. Alexander M. Nading, Jr.; Mr. and Ms. Gail C. Andrews; Patty McDonald; Mrs. The Netherlands’ Golden Age M. and Douglass J. Thompson; Mr. and Mrs. Russell Don A. Newton; Dr. and Mrs. Joe R. Norman; Ms. Peter G. Smith; Mr. and Mrs. Donald Sweeney, Jr.; FEATHERINGILL GALLERY SUSTAINER’S CIRCLE H. Vandevelde; Dr. and Mrs. Bob Wendorf Sandra J. O’Neal and Ms. Carolyn L. Sherer; Mr. Mr. and Mrs. James R. Wooten Mr. and Mrs. James K. Outland Robert S. Parker; Ms. Mary T. Pate; Ms. Valerie D. Peake; Mr. and Mrs. Tony Petelos; Dr. and Mrs. CONTRIBUTOR FRIENDS OF AMERICAN ART William B. Pittman; Mr. T. S. Plutchak and Ms. Lynn CHAIRMAN’S CIRCLE Mrs. Pam Ausley; Dr. Steven N. Austad and Dr. J. V. Fortney; Mr. and Mrs. Philip Poole; William Brett Mrs. Pam Ausley; Mrs. Bette Anne Bargeron; Mrs. Last Chance Mr. John E. Hagefstration, Jr.; Mr. and Mrs. William Kiklevich; Mrs. James K. Baker; Mr. and Mrs. William Pouncey; Mr. and Mrs. Ralph W. Quinn III; Mr. and Mary Lynda Crockett; Mr. and Mrs. Charles W. C. Hulsey; Mr. and Mrs. Elton B. Stephens, Jr.; Mr. C. Barclift III; Mrs. Bette Anne Bargeron; Ms. Edith Mrs. Robert D. Reich, Jr.; Mr. Steven Reider and Ms. Daniel; Mr. and Mrs. Paul Elkourie; Mrs. Ronald and Mrs. James T. Stephens D. Barnes; Mr. and Mrs. Robert S. Barnes; Mr. and Terri Denard; Dr. and Mrs. Donald Reiff; Mr. and Mrs. Goldberg; Mr. and Mrs. James F. Hughey, Jr.; UNDER THE BIG TOP: Mrs. Jim Basinger; Mrs. Alice Marie Bastar; Dr. and Thomas Atkinson Roberts; Ms. Kitty J. Robinson; Mr. and Mrs. J. B. Johnston, Jr.; Mr. and Mrs. AMERICAN ART AT THE CIRCUS Mrs. Neal R. Berte; Mr. and Mrs. Victor Bey; Mr. and DIRECTOR’S CIRCLE Cantor Jessica Roskin; Mr. and Mrs. E. Allan Rowe; John S. Lancaster; Dr. Julius E. Linn and Dr. F J. Closes November 5 · 2017 · Bohorfoush Gallery Mrs. Duncan Blair; Mrs. Patricia Blinn; Dr. and Mrs. Mr. and Mrs. Stephen Rowe; Dr. Loring W. Rue Tombrello; Dr. Richard B. Marchase and Ms. Gail Dr. and Mrs. J. Claude Bennett; Mrs. Dorothy Ireland Joseph R. Bloomer; Ms. Joanne Dunn Blyde; Ms. III; Mr. and Mrs. Sam Rumore, Jr.; Dr. and Mrs. A. C. Andrews; Mr. and Mrs. Willard McCall, Jr.; Dr. Esther Bruton, American, 1896–1992), Top of the Tent, 1930, drypoint; Fletcher; Dr. Julius E. Linn and Dr. F J. Tombrello; Anonymous gift 00.77 Elise Bodenheimer; Mrs. Adelaide Booth; Mr. and David Russakoff; Mr. and Mrs. Goodloe Rutland; Emily F. Omura; Mr. Cary Saurage; Mr. and Mrs. Mr. Merrill H. Stewart Mrs. Charles A. Boswell, Jr.; Mr. and Mrs. James Ms. Gailya Graves Sargent; Dr. and Mrs. Howard Eugene P. Stutts; Mr. and Mrs. James R. Wooten A. Bradford; Mrs. Rebecca L. Bradley; Mr. Robert Schiele; Mr. Walter J. Sears III; Mrs. Deborah Shevin; CURATORS’ CIRCLE Brady; Dr. Loretta G. Brown; Dr. and Mrs. Charles Mr. and Mrs. Albert H. Simmons; Mrs. Alease Sims; INDIAN CULTURAL SOCIETY HOMAGE TO THE SQUARE: Mr. and Mrs. James Milton Johnson; Mr. Bob E. Bugg; Mr. and Mrs. John Butcher; Mrs. Betty Ms. Leonette W. Slay and Mr. Michael O’Donnell; Dr. Maziar and Mrs. Rachel Rasulnia; Dr. Ashish TEN WORKS BY JOSEPH ALBERS Scharfenstein and Mr. Bryan Underwood Burtram and Ms. Shanna Cencula; Mrs. Rebecca H. Dr. Donna J. Slovensky; Mr. and Mrs. Kevin H. and Mrs. Purvi Shah; Dr. Parvez Sultan and Dr. Closes November 5 · 2017 · Bohorfoush Gallery Campbell; Mr. and Mrs. David L. Carder; Mr. and Mrs. Smith; Ms. Shandra J. Smith; Mr. and Mrs. H. Stuart John D. Carney III; Mr. and Mrs. Paul Carter; Mr. and Farah Sultan BENEFACTOR Starrett; Ms. Rose H. Steiner; Mr. and Mrs. David Josef Albers, American, born Germany, 1888–1976), Full, 1962, Mrs. Brian Cash; Mr. and Mrs. Marcus Cassimus; Stewart; Mr. and Mrs. Stephen W. Still; Mr. Ralph Q. screenprint; Gift of Ms. Silvia Pizitz 1985.303.6 © 2017 The Josef and Mr. and Mrs. William A. Bowron, Jr.; Dr. Nancy E. Dr. Stephen L. Chew and Ms. Daisy Wong; Mr. and Summerford; Mr. and Mrs. William Sylvester; Mr. and Anni Albers Foundation / Artists Rights Society (ARS), New York Dunlap and Mr. John D. Johns; Mr. and Mrs. Harold Mrs. Rory J. Chrane; Dr. and Mrs. John G. Classé;

26 27 PRESORT STD. BIRMINGHAM MUSEUM OF ART U.S. POSTAGE 2000 Rev. Abraham Woods, Jr. Blvd. PAID PERMIT NO. 02160 Birmingham, Alabama 35203 BIRMINGHAM, AL

Is your name or address incorrect? Please let us know by calling 205.297.8088 or emailing [email protected]. Thank you!

SHOP THE WORLD

A Monet-inspired floral scarf that will leave you inspired this season.

Fabric : 90% Wool, 10% Silk 27.5" x 71"

$84

artsbma .org/medium /artsbma @bhammuseum