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Lizzie Fitch / Ryan Trecartin Bibliographie / Bibliography Kataloge und Monographien / Catalogs and Monographs 2019 Boyle, Michael Shane, et al. Postdramatic Theater and Form, London, UK: Methuen Drama. Connolly, Maeve, et al.: Display und Dispositiv: Ästhetische Ordnungen, Munich, DE: Wilhelm Fink Verlag. Prada, Miuccia / Costa, Chiara / Mainetti, Mario: Lizzie Fitch & Ryan Trecartin: Whether Line, Milan, IT: Fondazione Prada. 2018 Fabre, Julie, et al.: Espaces d’interférences narratives, Toulouse, FR: L’art en oeuvre. Kholeif, Omar, et al.: Electronic Superhighway. From experiments in art and technology to art after the internet, London, UK: White Chapel Gallery. Respini, Eva, et al.: Art in the Age of the Internet. 1989 to today, New Haven: Yale University Press; London: The Institute of Contemporary Art, Boston. Zulueta, Ricardo E.: Queer Art Camp Superstar. Decoding the CINEMATIC CYBERWORLD of Ryan Trecartin, Albany, NY: Suny Press. 2017 Baur, Andreas: Good Space – Political, Aesthetic and Urban Spaces, Cologne, DE: Snoeck Verlagsgesellschaft mbH. De Wachter, Ellen Mara: Co-Art – Artists on Creative Collaboration, London, UK: Phaidon. Emmert, Claudia, et al.: Möglichkeit Mensch – Körper | Sphären | Apparaturen / The Human Option – Bodies | Spheres | Apparatuses, Berlin, DE: Neofelis Verlag. Gadanho, Pedro: Utopia / Dystopa – A Paradigm Shift in Art and Architecture, Milan, IT: MAAT Lisbon, Mousse Publishing. Gronlund, Melissa: Contemporary Art and Digital Culture, Abingdon, UK: Routledge. Manné, Jamie G. / Tarmy, Jamie: Unpacking: The Marciano Collection, Los Angeles: The Maurice and Paul Marciano Art Foundation; New York: Prestel. Trecartin, Ryan: Ryan’s Web 1.0 - A Lossless Fall, Vejle, DK: Vejle Kunstmuseum. Israel, Matthew: The Big Picture – Contemporary Art in 10 Works by 10 Artists, New York: Prestel. 2016 Boyle, Lauren, et al.: The Present in Drag - 9th Berlin Biennial for Contemporary Art, Berlin, DE: Distanz Verlag. Kvaran, Gunnar B. / Garait-Leavenworth, Nicolas / Raspail, Thierry: Los Angeles – A Fiction, Oslo, NO: Astrup Fearnley Museet; Lyon, FR: Musée d’art contemporain de Lyon. Liese, Jennifer, et al.: Social Medium: Artist Writing; 2000-2015, New York: Paper Monument. 2015 Baker, George / Goldstein, Ann / Maltzan, Michael / Regen, Shaun Caley: Regen Projects 25, New York: Prestel. Blumenstein, Ellen, et al.: Lizzie Fitch/Ryan Trecartin: Site Visit, Cologne, DE: KW Institute for Contemporary Art, Walther König. Cornell, Lauren / Trecartin, Ryan: Surround Audience: New Museum Triennial 2015, New York: Rizzoli. Cornell, Lauren / Halter, Ed: Mass Effect: Art and the Internet in the Twenty-First Century, New York: MIT Press, The New Museum. Luckraft, Paul, et al.: Fitch/Trecartin: Priority Innfield, London, UK: Zabludowicz Collection. Marta, Karen, et al.: Ryan Trecartin: Yet, Beijing, CN: Ullens Centre for Contemporary Art; Cologne, DE: Walter König. 2013 Bourgeois, Caroline / Govan, Michael: Prima Materia, Venice, IT: Palazzo Grassi. Curiger, Bice, et al.: Riotous Baroque. From Cattelan to Zurbaran – Tributes to Precarious Vitality, Zurich, CH: Kunsthaus Zurich; Cologne, DE: Snoeck. 2012 Stoschek, Julia, et al.: Julia Stoschek Collection – Number Six: Flaming Creatures, Ostfildern, DE: Hatje Cantz Verlag. Curman, Sofia, et al.: A Trip to the Moon, Leck, DE: Albert Bonniers Förlag. 2011 Cornell, Lauren, et al: Free, New York: New Museum. McGarry, Kevin, et al.: Ryan Trecartin: Any Ever, New York: Rizzoli. 2009 Dailey, Meghan: Shape of Things to Come: New Sculpture, New York: Rizzoli. Philbin, Ann, et al: Hammer Projects 1999-2009, Los Angeles: Hammer Museum. 2008 McGarry, Kevin: I-Be Area, Los Angeles: Hammer Museum. 2007 Alemani, Cecilia / Cerizza, Luca / Malasauskas, Raimunday: Present Future 2007, Turin, IT: Associazione Artissima. Artikel (Auswahl) / Articles (selection) 2019 Borcherdt, Gesine: ‘Lizzie Fitch/Ryan Trecartin Fondazione Prada, Mailand 6.4.-5.8.’, BLAU, April/May. Durbin, Andrew: ‘Ryan Trecartin & Lizzie Fitch. Fondazione Prada, Milan, Italy’, Frieze, June, July, August. Glazek, Christopher: ‘Ryan Trecartin / Lizzie Fitch’ Artforum International, January. Indrisek, Scott: “It’s Exciting to Be in a Swing State’: Why Artists Ryan Trecartin and Lizzie Fitch Moved to Ohio to Build a Rural Amusement Park’, Artnet News, Online, 23 April. Moss, Jack: ‘Telfar Clemens, designer, on the artist Lizzie Fitch & Ryan Trecartin’, AnOther Magazine, February. Pfennig, Leonie: ‘In Mailand warden Ryan Trecartin und Lizzie Fitch zu Landeiern’, Monopol, May. Shampinato, Francesco: ‘Neighborhood Watch: Lizzie Fitch and Ryan Trecartin’, Mousse Magazine, April. Solway, Diane: ‘How Artists Ryan Trecartin and Lizzie Fitch Built a 32-Acre Queer Playground in Middle America’, W Magazine, Online, 16 April. 2018 Jen, Alex: ‘How the Nebulous Internet Has Influenced Art Since 1989’, Hyperallergic, Online, 26 April. Kock, Gerhard H.: ‘Kunsthalle Münster zeigt Kunstvideo „Mark Trade“ von Ryan Trecartin. Labernder Freak der digitalen Welt’, Westfälische Nachrichten, Online, 14 February. Maitra, Labanya: ‘Ryan Trecartin. The fabric of interaction’, Musée, Summer. Sauer, Vincent: ‘Die Tweens brennen in den Pools. Merve druckt das Skript von Ryan Trecartins Film The Re’ Search (Re’Search Wait’S)’, Fix Poetry, Online, 6 February. Shaw, Anny: ‘The Ghost in the Machine’, Lux Responsible Luxury, Winter. Smee, Sebastian: ‘Museums Review. Art’s sharpest social commentators since Andy Warhol reveal the state we’re all in’, The Washington Post, Online, 12 October. Wetzler, Rachel: ‘Preview: Lizzie Fitch/Ryan Trecartin’, Independent HQ, Online, January. 2017 De Wachter, Ellen Mara: “We Had Our First Red Bulls Together’: Lizzie Fitch and Ryan Trecartin on Their Dusk-Till-Dawn Collaborative Process’, Artspace, Online, 31 May. Duguid, Rosalind: ‘Ryan Trecartin’s I-Be Area. Sarcasm, hyperbole and metaphor are non-stop into this week's Contemporary Classic, Ryan Trecartin's chaotic video, I-Be Area. Words by Rosalind Duguid’, Elephant, Online, 17 December. 2016 Battaglia, Andy: ‘‘Sound Design Is Sort of Everything’: Ryan Trecartin on Making Music, Live and Otherwise’, Art News, Online, 2 December. Chamberlain, Colby: ‘Lizzie Fitch and Ryan Trecartin’, Artforum International, Summer. Colucci, Emily: ‘Be Young, Be Dope, Be Proud: Lizzie Fitch And Ryan Trecartin’s Americana’, Filthy Dreams, Online, 10 April. Corbett, Rachel: ‘Ryan Trecartin's Band Riffs at the Park Avenue Armory’, Blouin Artinfo, Online, 24 November. Dobbs, Katie: ‘Ghost of the future past: on the work of Ryan Trecartin’, Overland, Online, 27 April. Droitcour, Brian: ‘Past and Future Camera: Lizze Fitch and Ryan Trecartin’s New Movie’, Art in America, Online, 15 April. Epstein, Ian: ‘Horror Movies meet Reality TV in Lizzie Fitch and Ryan Trecartin’s New York Show’, Artsy, Online, 11 April. Lehrer-Graiwer, Sarah: ‘Ryan Trecartin’, Bomb, Print. Lyon, Christine: ‘My House explores a raw, manic ethos. Presentation House Gallery brings together two artists bent on shaking things up’, North Shore News, Online, 8 January. Pinault Collection Numéro 06, April – September. Solway, Diane: ‘Placebo Pets: How Kendall Jenner and Gigi Hadid Became Humanoid Creatures for W’, W Magazine, no.11, Print, November. Tholl, Egbert: ‘Münchner Kammerspiele. Die Drei von der Tanzstelle‘, Süddeutsche Zeitung, Online, 30 October. Yerebakan, O.C.: ‘New York — Lizzie Fitch/Ryan Trecartin at Andrea Rosen Gallery Through April 16th, 2016’, Art Observed, Online, 12 April. ‘Andrea Rosen Gallery to Display Lizzie Fitch/Ryan Trecartin Exhibit, 3/22’, Broadway World, Online, 11 March. 2015 Alexander, Mike: ‘State of the Arts’, Sunday Star Times, Online, 20 September. Harren, Natilee: ‘Lizzie Fitch and Ryan Trecartin’, Artforum 53, no. 5, January. Lesturgie, Gauthier: ‘Ryan Trecartin & Lizzie Fitch’, Inferno, issue 4, Print, Winter/Spring. Lesturgie, Gauthier: ‘Lizzie Fitch et Ryan Trecartin: Site Visit, le zombie indistinct et obêti comme nouvel avatar post-humain?’, ETC Media, Print, July. 2014 Adams, Georgina: ‘Los Angeles art market hors up’, Financial Times, Online, September. Borchedt, Gesine: ‘Ryan Trecartin – The speedy, narcissistic, smartphone-slick hysteria of the LA- based artist’s films seem echoed in his life, but don’t be deceived: the chaos has a system’, ArtReview 66, no. 5, Summer. Estefan, Kareem: ‘A Cute Idea’, The New Inquiry, Online, 7 February. Gregory, Jarrett: ‘Networks of Influence, Process and Collaboration in the recent work of Ryan Trecartin’, Flash Art 47, March/April. Reichert, Kolja: ‘Ich bin ein Avatar, holt mich hier raus!’, Welt am Sonntag, no. 11, 16 March. Tafelski, Tanner: ‘Goodbye Language, Hello Communication: Jean-Luc Godard and Ryan Trecartin Find a Lingua Franca Beyond Words’, Criticware, Online, 31 October. Tomkins, Calvin: ‘Experimental people, the Exhuberant World of a Video-Art Visionary’, The New Yorker, 24 March. 2013 Bankowsky, Jack: ‘Best of 2013: Jack Bankowsky’, Artforum, December. Bishop, Claire: ‘Ruled Out’, Artforum, October. Cotter, Holland: ‘Beyond the ‘Palace’, an International Tour in One City’, The New York Times, Print, 6 June. Dukoff, Lauren: ‘The Director’s Selection: Ryan Trecartin’, L’Uomo Vogue, May/June. Estefan, Kareem: ‘Deep Code: Artists and Poets Are Manipulating Language in Ways that Challenge Digital Digital Culture‘s Most Persistent Myths’, Art in America, September. Everett-Green, Robert: ‘A Chance for Your Own 10 Seconds of Fame’, The Globe and Mail, 5 June. Fulton, Jeni: ‘Review // The 55th Biennale di Venezia’, Berlin Art Link, 9
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  • Stanford Auctioneers Pop, Modern, Contemporary Art & Photography

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    Stanford Auctioneers Pop, Modern, Contemporary Art & Photography Saturday – September 19th, 2015 www.stanfordauctioneers.com | [email protected] 1: JEAN-MICHEL BASQUIAT - Oil pastel and crayon on paper USD 20,000 - 25,000 Jean-Michel Basquiat (American, 1960-1988). "Babylonians". Oil pastel and crayon on paper. c1984. "Signed" in the image with the artist's trademark "crown" logo. Fine condition - as drawn. Provenance: Estate of a private collector, New York City, acquired directly from the artist. Image copyright © Artists Rights Society (ARS), New York. Overall size: 11 5/8 x 16 1/2 in. (295 x 419 mm). [28746] |12000| {R100} (TL3) uzzzz~uozzz 2: JEAN-MICHEL BASQUIAT - Color offset lithograph USD 1,200 - 1,500 Jean-Michel Basquiat (American, 1960-1988). "Dog Bite [postcard edition]". Color offset lithograph. 1983. Signed in black marker. Edition unknown. Wove paper. The full sheet. Fine impression. Fine condition. The painting is in the collection of the Museum Boymans-van-Beuningen, Rotterdam. Image copyright © Artists Rights Society (ARS), New York. Overall size: 4 1/8 x 6 in. (105 x 152 mm). [28720] |800| {R100} (TL1) tuzz~tozz 3: JEAN-MICHEL BASQUIAT - Color lithograph USD 2,000 - 2,500 Jean-Michel Basquiat (American, 1960-1988). "Hamlet". Color lithograph. 1987. Signed in black marker, lower left. Edition unknown, probably very small. Very light cream wove paper. The full sheet. Fine impression. Very good condition. Basquiat posters are rare. We have located only 11 auction sales of his "lifetime" posters at auction, and not our example, which has not been offered before at auction. Issued for the Hartford Stage's production of Shakespeare's "Hamlet" which ran from October 3 to November 7, 1987, Hartford, Connecticut.
  • Lari Pittman

    Lari Pittman

    LARI PITTMAN Born 1952 in Los Angeles Lives and works in Los Angeles EDUCATION 1974 BFA in Painting from California Institute of the Arts, Valencia, CA 1976 MFA in Painting from California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2021 Lari Pittman: Dioramas, Lévy Gorvy, Paris 2020 Iris Shots: Opening and Closing, Gerhardsen Gerner, Oslo Lari Pittman: Found Buried, Lehman Maupin, New York 2019 Lari Pittman: Declaration of Independence, Hammer Museum, Los Angeles 2018 Portraits of Textiles & Portraits of Humans, Regen Projects, Los Angeles 2017 Lari Pittman, Gerhardsen Gerner, Oslo Lari Pittman / Silke Otto-Knapp: Subject, Predicate, Object, Regen Projects, Los Angeles 2016 Lari Pittman: Grisaille, Ethics & Knots (paintings with cataplasms), Gerhardsen Gerner, Berlin Lari Pittman: Mood Books, Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA Lari Pittman: Nocturnes, Thomas Dane Gallery, London Lari Pittman: NUEVOS CAPRICHOS, Gladstone Gallery, New York 2015 Lari Pittman: Homage to Natalia Goncharova… When the avant-garde and the folkloric kissed in public, Proxy Gallery, Otis College of Art and Design, Los Angeles 2014 Lari Pittman: Curiosities from a Late Western Impaerium, Gladstone Gallery, Brussels 2013 Lari Pittman: from a Late Western Impaerium, Regen Projects, Los Angeles Lari Pittman, Bernier Eliades Gallery, Athens Lari Pittman, Le Consortium, Dijon, France Lari Pittman: A Decorated Chronology, Contemporary Art Museum St. Louis, MO 2012 Lari Pittman, Gerhardsen Gerner, Berlin thought-forms,