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The Boston Massacre (PDF)
Project-Based Instruction: A History-Based Mock Trial This history-based mock trial is based on the Boston Massacre. It contains instructional activities and one performance task. The instructional activities include an analysis of the political environment surrounding the Boston Massacre; the development of a written mock trial including opening and closing arguments, direct and cross examination, and analysis of the crime. Prior Instruction Students should be familiar with the political climate in America leading up to the Revolutionary War. This should include an understanding of the tension between America’s status as British colonies and Americans’ growing desire for freedom from British rule. Statement of the Case On the evening of March 5, 1770, a British soldier named Private Hugh White stood guard over the Boston Custom House, which held the King’s money. Private White was the only soldier guarding the Custom House. A group of Boston townsfolk approached Private White and began insulting and threatening him, and even throwing snowballs at him. Over the past decade, many Boston citizens had grown angry at the King of England for imposing what they considered to be unfair taxes on the American colonies. Private White fought back against the Boston citizens and hit one man with his bayonet. This caused alarm throughout Boston, bells began to ring, and more people gathered in the streets. British reinforcements arrived to guard the Custom 1 House, led by Captain Thomas Preston. The taunting and threats against the soldiers continued; some colonists even hit the soldiers with sticks and clubs. Someone eventually yelled the word “fire!”. -
Star Channels, May 26-June 1
MAY 26 - JUNE 1, 2019 staradvertiser.com BRIDGING THE GAP The formula of the police procedural gets a spiritual new twist on The InBetween. The drama series follows Cassie Bedford (Harriet Dyer), who experiences uncontrollable visions of the future and the past and visits from spirits desperately seeking her help. To make use of her unique talents, she assists her father, Det. Tom Hackett (Paul Blackthorne), and his former FBI partner as they tackle complicated crimes. Premieres Wednesday, May 29 on NBC. WE EMPOWER YOUR VOICE, BY EMPOWERING YOU. Tell your story by learning how to shoot, edit and produce your own show. Start your video training today at olelo.org/training olelo.org ON THE COVER | THE INBETWEEN Crossing over Medium drama ‘The As for Dyer, she may be a new face to North first time channelling a cop character; he American audiences, but she has a long list of starred as Det. Kyle Craig in the “Training Day” InBetween’ premieres on NBC acting credits, including dramatic and comedic series inspired by the 2001 film of the same roles in her home country of Australia. She is name. By Sarah Passingham best known for portraying Patricia Saunders in Everything old really is new again. There was TV Media the hospital drama “Love Child” and April in the a heyday for psychic, clairvoyant and medium- cop comedy series “No Activity,” which was centred television in the mid-2000s, with he formula of the police procedural gets a adapted for North American audiences by CBS shows like “Medium” and “Ghost Whisperer,” spiritual new twist when “The InBetween” All Access in 2017. -
PUBLIC NOTICE Federal Communications Commission News Media Information 202 / 418-0500 Th 445 12 St., S.W
PUBLIC NOTICE Federal Communications Commission News Media Information 202 / 418-0500 th 445 12 St., S.W. Internet: http://www.fcc.gov Washington, D.C. 20554 TTY: 1-888-835-5322 DA 19-341 Released: April 26, 2019 MEDIA BUREAU ACCEPTS FOR FILING DIVESTITURE APPLICATIONS IN PROCEEDING TO TRANSFER CONTROL OF TRIBUNE MEDIA COMPANY TO NEXSTAR MEDIA GROUP, INC., AND ESTABLISHES CONSOLIDATED PLEADING CYCLE MB Docket No. 19-30 Petition to Deny Date: May 27, 2019 Opposition Date: June 11, 2019 Reply Date: June 18, 2019 Tribune Media Company (Tribune) and Nexstar Media Group, Inc. (Nexstar and, jointly with Tribune, Applicants), in connection with their previously filed applications seeking consent to the transfer of control of subsidiaries of Tribune holding the licenses of full-power broadcast television stations (and related broadcast auxiliary facilities), low-power television stations, TV translator stations, and radio stations to Nexstar (Merger),1 have filed a new set of applications (Divestiture Applications) with the Federal Communications Commission (Commission) to divest certain stations to Scripps Media, Inc. (Scripps), Tegna, Inc. (Tegna), and Circle City Broadcasting I, Inc. (CCB).2 Because this proceeding involves multiple transactions in multiple markets, and requires coordinated timing to effectuate divestures of certain stations that are necessary for approval of the overall transaction, we find that consolidated processing of the Divestiture Applications, and their incorporation into this docket, will result in administrative efficiency and ensure a comprehensive record in this proceeding.3 1 See Media Bureau Establishes Pleading Cycle for Applications to Transfer Control of Tribune Media Company to Nexstar Media Group, Inc. -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
Speed Kills / Hannibal Production in Association with Saban Films, the Pimienta Film Company and Blue Rider Pictures
HANNIBAL CLASSICS PRESENTS A SPEED KILLS / HANNIBAL PRODUCTION IN ASSOCIATION WITH SABAN FILMS, THE PIMIENTA FILM COMPANY AND BLUE RIDER PICTURES JOHN TRAVOLTA SPEED KILLS KATHERYN WINNICK JENNIFER ESPOSITO MICHAEL WESTON JORDI MOLLA AMAURY NOLASCO MATTHEW MODINE With James Remar And Kellan Lutz Directed by Jodi Scurfield Story by Paul Castro and David Aaron Cohen & John Luessenhop Screenplay by David Aaron Cohen & John Luessenhop Based upon the book “Speed Kills” by Arthur J. Harris Produced by RICHARD RIONDA DEL CASTRO, pga LUILLO RUIZ OSCAR GENERALE Executive Producers PATRICIA EBERLE RENE BESSON CAM CANNON MOSHE DIAMANT LUIS A. REIFKOHL WALTER JOSTEN ALASTAIR BURLINGHAM CHARLIE DOMBECK WAYNE MARC GODFREY ROBERT JONES ANSON DOWNES LINDA FAVILA LINDSEY ROTH FAROUK HADEF JOE LEMMON MARTIN J. BARAB WILLIAM V. BROMILEY JR NESS SABAN SHANAN BECKER JAMAL SANNAN VLADIMIRE FERNANDES CLAITON FERNANDES EUZEBIO MUNHOZ JR. BALAN MELARKODE RANDALL EMMETT GEORGE FURLA GRACE COLLINS GUY GRIFFITHE ROBERT A. FERRETTI SILVIO SARDI “SPEED KILLS” SYNOPSIS When he is forced to suddenly retire from the construction business in the early 1960s, Ben Aronoff immediately leaves the harsh winters of New Jersey behind and settles his family in sunny Miami Beach, Florida. Once there, he falls in love with the intense sport of off-shore powerboat racing. He not only races boats and wins multiple championship, he builds the boats and sells them to high-powered clientele. But his long-established mob ties catch up with him when Meyer Lansky forces him to build boats for his drug-running operations. Ben lives a double life, rubbing shoulders with kings and politicians while at the same time laundering money for the mob through his legitimate business. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
Keep Kids Safe This Halloween with Info from Our Safety Office
October 31, 2019 Keep Kids Safe This Halloween HIGHLIGHTS With Info From Our Safety Office Happy Halloween! URI Opens New Engineering Building COPD Planned for Nov. 6 Turn Your Clocks Back Saturday Veterans Day Events Special Section And More! Lisa Jacome, Morale Welfare and Recreation Administrative Assistant helping Gracyn Kinsella, 6, and her cousin Jocelyn Cob, 4, decorating cookies at the Escape the Haunted Warehouse event Oct. 19. More than 400 people attended, and the weather was gorgeous! Inside This Issue NAVSTA Newport children and adults need to think about Safety Office safety on this annual day of make-believe. Around the Station 2-5 Halloween is a cherished tradition but At the Clinic 6-7 Motorists the excitement of the night can cause The National Safety Council urges children to forget to be careful. There is Meat & Potatoes 8 motorists to be especially alert on no real “trick” to making Halloween a Halloween. MWR 9 “treat” for the entire family. Watch for children darting out from The major dangers are not from between parked cars. Now Hear This 10-11 witches or spirits, but rather from falls Watch for children walking on and pedestrian/car crashes. Many roadways, medians and curbs. Veterans Day 12 communities officially designate a Veterans News 13-16 “Beggars’ Night” and assign specific Continued on next page hours for trick-or-treat activities. Both 1 AROUND THE STATION ... Halloween Safety, continued get out of cars on the curbside, not on the Enter and exit driveways traffic side. carefully. At twilight and later in the Plan your route ahead evening, watch for children in dark of time. -
Date Production Name Venue / Production Designer / Stylist Design
Date ProductionVenue Name / Production Designer / Stylist Design Talent 2015 Opera Komachi atOpera Sekidrera America Camilla Huey Designer 3 dresses, 3 wigs 2014 Opera Concert Alice Tully Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Sara Jakubiak 2013 Opera Concert Bard University Opera Camilla Huey Designer 1 Gown Rebecca Ringle 1996 Opera Carmen Metropolitan Opera Leather Costumes 1996 Opera Midsummer'sMetropolitan Night's Dream Opera Leslie Weston / Izquierdo Human Pillar Set Piece 1997 Opera Samson & MetropolitanDelilah Opera Leslie Weston / Izquierdo Dyeing Costumes 1997 Opera Cerentola Metropolitan Opera Leslie Weston / Izquierdo Mechanical Wings 1997 Opera Madame ButterflyHouston Grand Opera Anita Yavich / Izquierdo Kimonos Hand Painted 1997 Opera Lillith Tisch Center for the Arts OperaCatherine Heraty / Izquierdo Costumes 1996 Opera Bartered BrideMetropolitan Opera Sylvia Nolan / Izquierdo Dancing Couple + Muscle Shirt 1996 Opera Four SaintsMetropolitan In Three Acts Opera Francesco Clemente/ Izquierdo FC Asssitant 1996 Opera Atilla New York City Opera Hal George / Izquierdo Refurbishment 1995 Opera Four SaintsHouston In Three Grand Acts Opera Francesco Clemente / Izquierdo FC Assistant 1994 Opera Requiem VariationsOpera Omaha Izquierdo 1994 Opera Countess MaritzaSanta Fe Opera Allison Chitty / Izquierdo 1994 Opera Street SceneHouston Grand Opera Francesca Zambello/ Izquierdo -
PRODUCTION BIOGRAPHIES COURTNEY KEMP AGBOH (Creator, Showrunner, Executive Producer)
PRODUCTION BIOGRAPHIES COURTNEY KEMP AGBOH (Creator, Showrunner, Executive Producer) Courtney Kemp Agboh started her career in the magazine world, publishing articles in GQ, Vibe, and Marie Claire. She then left New York to pursue television writing, starting out in comedy on “The Bernie Mac Show” (Fox), and transitioning into one-hour drama, with stints on “Eli Stone” (ABC) and “The Good Wife” (CBS), among others. She is the creator and show runner of “Power,” which in its first season doubled viewership from its premiere episode to its finale and generated the largest concentration of African American viewership of any scripted premium series since 2006. Kemp Agboh holds a B.A. from Brown University in English Literature and received her M.A. in English literature from Columbia University. She lives in Los Angeles. DAVID KNOLLER (Executive Producer, Director Episodes 203, 205) Working first as an actor in theater, television and film, David Knoller segued into live television producing, while still directing theater and teaching acting in the Los Angeles area. He produced Specials for CBS and HBO, and was soon asked to join Home Box Office as an executive. While at HBO, David produced the concert feature film Martin Lawrence: You So Crazy and the award winning mini-series “America’s Dream” with Danny Glover and Wesley Snipes. David also oversaw the productions of HBO’s “Comic Relief,” “One Night Stand,” “Women of the Night,” “Dream On” and “Larry Sanders,” along with pilots and series for its upstart HBO Independent Productions, which included FOX’s “Roc,” “Down The Shore” and “Martin”. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Emergency! *Convenient Drive-Thru10 Available
T1 New Year’s RESOLUTION #1 January 6 - 12, 2018 Mowing, Edging, Pruning, Mulching AJW LANDSCAPING FREE ESTIMATES - Licensed, Bonded 910-277-3777 Connie Britton, Angela Bassett and Peter Krause star in “9-1-1” MANAGER’S SPECIAL LARGE 3-TOPPING PIZZA 99 $ Limited Time Offer Emergency! *Convenient Drive-Thru10 Available Laurinburg, NC 28352 1227 South Main Street • 910-276-6565 Joy Jacobs, Store Manager 234 E. Church Street Laurinburg, NC 910-277-8588 www.kimbrells.com T2 Page 2 — Saturday, January 6, 2018 — Laurinburg Exchange Under pressure: First responders struggle to save the day and themselves in Fox’s ‘9-1-1’ By Kyla Brewer mer “Nashville” star Connie Brit- ogy series “American Horror Story.” TV Media ton co-stars as a 9-1-1 operator, “9-1-1” marks the pair’s third while supporting cast members in- straight-to-season order for Fox hen the heat is on, it helps to clude Aisha Hinds (“Under- network, and their combined suc- Wkeep a cool head. In an emer- ground”) and Rockmond Dunbar cesses in prime time have earned gency situation, first responders (“Prison Break”). them a lucrative development deal must keep it together and rely on Even with the talented ensem- with 20th Century Fox Studios. Ex- their training to help those in need. ble cast, Murphy and Falchuk have ecutive producer Tim Minear has However, that doesn’t mean first their work cut out for them if they written for various television se- responders don’t need help them- want to do justice to the subject ries, including “The X-Files,” “An- selves. -
Sexting Or Self-Produced Child Pornography – the Dialogue Continues – Structured Prosecutorial Discretion Within a Multidisciplinary Response
The Catholic University of America, Columbus School of Law CUA Law Scholarship Repository Scholarly Articles and Other Contributions Faculty Scholarship 2010 Sexting or Self-Produced Child Pornography – The Dialogue Continues – Structured Prosecutorial Discretion Within a Multidisciplinary Response Mary Graw Leary The Catholic University of America, Columbus School of Law Follow this and additional works at: https://scholarship.law.edu/scholar Part of the Criminal Law Commons Recommended Citation Mary Graw Leary, Sexting or Self-Produced Child Pornography – The Dialogue Continues – Structured Prosecutorial Discretion Within a Multidisciplinary Response, 17 VA. J. SOC. POL’Y & L. 486 (2010). This Article is brought to you for free and open access by the Faculty Scholarship at CUA Law Scholarship Repository. It has been accepted for inclusion in Scholarly Articles and Other Contributions by an authorized administrator of CUA Law Scholarship Repository. For more information, please contact [email protected]. SEXTING OR SELF-PRODUCED CHILD PORNOGRAPHY? THE DIALOG CONTINUES - STRUCTURED PROSECUTORIAL DISCRETION WITHIN A MULTIDISCIPLINARY RESPONSE Mary Graw Leary* CONTENTS Introduction ......................................................................................... 4 87 I. Clarifying Definitions: "Sexting" vs. Self-Produced Child Pornography ................................................................................ 491 A. Self-Produced Child Pornography ............................................. 491 B . "Sexting" .............................................