DOCSLIB.ORG

Album of the Week: Spoon’S They Want My Soul,Top 10

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Album of the Week: Spoon’S They Want My Soul,Top 10 Album of the Week: Spoon’s They Want My Soul The best success a band can have is through consistency. I’m not talking about playing the same style in each album you put out, but instead putting out quality music while not being afraid to push boundaries and try new things. Coming a long way from the lo-fi punkish alternative rock sound of their debut alum Telephono back in 1996, Spoon are back with their first album in four years with They Want My Soul. It might not be as commercial sounding as their chart topper Ga Ga Ga Ga Ga that came out in 2007 or as raw and risk-taking as their earlier material, but Spoon’s new album shows originality, proving that over time they haven’t strayed from their artistic identity. They call it rock & roll; I just think it’s a breath of fresh air in a year of highs and lows. Releasing their first album off of a new label after leaving a long-time relationship with Merge Records to join Loma Vista Recordings, Spoon is part of an eclectic brand that suits their style perfectly. A few tracks are straight-up rockers with forceful guitars riffs while others offer a mellow take with a heavy base of synth and keys. You can’t deny that front man Britt Daniel still brings his Sinatra beatnik soul, putting his heart into every track over the wonderful rhythms. There’s still that trademark groove that sets Spoon apart from a lot of other bands. You will be head bobbing and feet tapping; if you’re adventurous you might even feel the need to jump around like you’re on a pogo stick. People are already getting sad that summer is coming to a close and it’s not even the end of August. It’s time for a last-minute BBQ or final trip to the beach to bask in the sun. It’s also time for the top tracks off of my Album Of The Week. It’ll be a great guide to what tracks to jam out your car stereo or to just wake up the neighbors in the privacy of your own home. One thing is guaranteed: Your music taste will thank you for it. I’ve fallen in love with the first single off of They Want My Soul in “Rent I Pay.” The drum beats combine with the infectious guitar riffs to create a genuinely catchy tune that you can listen to over and over again. The bass licks really make “Rainy Taxi” special; when everything else kicks in you’ll be cutting the coolest rug on the block. A new wavy track in “Outlier” makes me think I’m at a New Order and Depeche Mode concert; this synth-groove number is definitely one for the ravers. Bluesy, soulful and a great departure from everything else on the album, on “I Just Don’t Understand” Britt’s acoustic guitar reels you in and the rest takes it over in the best way only Spoon can. Spoon officially release They Want My Soul on August 5, and you can get a special vinyl release at select record stores listed on the band’s website. If that isn’t cool enough, Spoon will be part of a stacked bill at the 2nd edition of the 2014 Boston Calling Music Festival going on during September 5 – 7 at Boston’s City Hall. Until then, grab yourself a copy of They Want My Soul and enjoy. Spoon’s website: spoontheband.com Top 10 Shows at the Newport Folk Fest Every July in Rhode Island, The City By The Sea becomes electric with some of the best musicians on the planet coming to play Fort Adams. The Newport Folk Festival has reemerged as one of the premier stops of the summer music festival season. Famous for being the site of Bob Dylan’s highly amplified rock ‘n’ roll performance back in 1965, the festival has also played host to blues legend Son House, Elvis Costello, Jackson Browne, My Morning Jacket and Beck. To give you a guide of what you can’t miss this time around, here are my 10 things you have to check out at this year’s Newport Folk Festival: 10.) All Newport’s Eve @ The Newport Blues Café The night before the official start of the festival on July 24, there will be a stacked bill at The Newport Blues Café on 286 Thames Street featuring everyone’s favorite new Nashville musician by way of Providence, Joe Fletcher and his band of Wrong Reasons, fellow Nashville resident J.P. Harris and his Tough Choices, Philadelphia folk phenom Langhorne Slim, fellow Philadelphians Toy Soldiers, Dead Confederate’s T. Hardy Morris, Dallas’ Andrew Combs, The Deslondes from New Orleans, Providence’s orchestral pop act Arc Iris and New England singer-songwriter Ian Fitzgerald. If you’re in the area this is surely a pre-festival party you don’t want to miss. 9.) The After Parties One part of The Newport Folk Festival that makes it so special are the shows buzzing around town after each day. On Friday, June 25 at Jimmy’s Saloon on 37 Memorial Boulevard Roz & The Rice Cakes, Torn Shorts, Pier Jump and Silverteeth will be bringing the fun while the following night at the Saloon Boston rock ‘n’ roll act Oldjack will be throwing their 2nd annual Newport Nights with fellow Bostonians Tigerman WOAH, The Rationales & Nate Leavitt with Providence blues-rockers The Silks joining in on the fray. At The Tavern On Broadway right in the heart of downtown Newport on Saturday, The Mighty Good Boys will be making you dance like you have ants in your pants for a night of jug band bluegrass you can’t miss. If that isn’t enough, Deer Tick will be playing all three nights at The Blues Café as part of their annual Folk Fest after parties. Each night is filled with amazing acts sharing the stage with Deer Tick and be prepared to expect the unexpected. 8.) Reignwolf (Friday 2:55 @ Quad Stage) You can talk about great up-and-coming acts, and then you have to talk about Seattle blues act Reignwolf. Lead by wildman Jordan Cook on guitar and vocals, Reignwolf promises to leave quite the impression by leaving it all on the stage. These guys are just coming off from doing a tour with Black Sabbath and Eddie Vedder and Chris Cornell are singing their praises. They don’t have an album out yet, but you can check out a few tracks from Reignwolf on their website at reignwolf.com. 7.) J. Roddy Walston & The Business (Saturday 1:15 @ Harbor Stage) A rip roaring rock ‘n’ roll band out of Baltimore, J. Roddy Walston & The Business are definitely going to be the prime attraction to light up your Saturday afternoon by the sea. This quartet came out with one of the best albums of 2013 with Essential Tremors and I highly suggest picking up a copy at the merch table after you see them play. 6.) The Devil Makes Three (Friday 2:05 @ Fort Stage) It can be weird at times to see a band perform as a trio without having any drums, but The Devil Makes Three are so good they don’t need any. This folk act from Santa Cruz, Calif., has some local roots from performing with Joe Fletcher on numerous occasions and staging a benefit show for the late David Lamb of Brown Bird at Fete in Providence last year. I had the pleasure of seeing The Devil Makes Three play The Folk Fest back in 2011 and I’ve been a fan ever since. 5.) Jimmy Cliff (Friday 5:30 @ Quad Stage) The Newport Folk Fest always has its fair share of legends that perform and on Friday you’ll be able to experience one up close and personal with reggae icon Jimmy Cliff. Jimmy is the only living musician who holds the Jamaican Order Of Merit along with being famous for hits like “The Harder They Come” and “Many Rivers To Cross” as well as his covers of Cat Stevens’ “Wild World” and Johnny Nash’s “I Can See Clearly Now.” If you like to groove and you like to move, then Jimmy should be exactly what you’re looking for. 4.) Trampled By Turtles (Sunday 4:10 @ Quad Stage) Straight from Duluth, Minn., bluegrass act Trampled By Turtles have a great cult following in the folk community and seeing them play the Quad Stage on Sunday will be a fantastic way to highlight your Folk Fest finale. A week ago they put out their seventh studio album, Wild Animals, so they’ll likely perform a few live renditions off of it. Ideal for the folk enthusiast, Trampled By Turtles very well could be one of the top live bands to see throughout the entire festival. 3.) Conor Oberst (Sunday 3:20 @ Fort Stage) No stranger to playing Newport Folk, Bright Eyes’ Conor Oberst is sure to amaze with his heartfelt songs and intense demeanor on stage. The kid from Omaha, Neb., is a trailblazer in his own right and it seems that the more he plays the more his illustrious reputation grows. Like many of the acts performing this year, Conor has a new solo album out with Upside Down Mountain. His versatility is astounding; expect Conor to bust out a few new songs to mix in with a bunch of classics. 2.) Jeff Tweedy (Sunday 4:45 @ Fort Stage) Right after Conor Oberst plays on Sunday, stick around for something special when Wilco’s Jeff Tweedy heads up to the Fort Stage.
Load more

Recommended publications
  • April 13-19, 2017
    APRIL 13-19, 2017 FACEBOOK.COM/WHATZUPFORTWAYNE • WWW.WHATZUP.COM TICKETS ON SALE NOW! TICKETS ON SALE NOW! MORE COWBELL! FROM GRAND FUNK RAILROAD 2 ----------------------------------------------------------------------------------- www.whatzup.com ---------------------------------------------------------------- April 13, 2017 whatzup Volume 21, Number 35 ou may have noticed that we spend a lot of time in this space discussing whatzup.com. There’s a good reason for that. This past Friday, for exam- ple, whatzup.com tallied 3,596 individual visitors, and we’re averaging Ybetter than 2,200 unique visitors per day, up about 50 percent from this time last year. We cannot, at this point, calculate how many people visit the site in a week, but we’re quite certain that it’s substantially more than the number of people who pick up the print version each week. Not that we want to discourage those of you who pick up the print version of whatzup from doing so, but you should check out the website as well. Why? Because we can do stuff on whatzup.com that we cannot do in print – things like providing a complete karaoke and DJ calendar; publishing a movie page that includes all of today’s, or tomorrow’s, or the next day’s movie times at all the movie theaters in the area; providing videos of performances by area bands; pro- viding up to date listings of all the national concerts in the region, not just what fits onto three, four or five printed pages – and that’s just scratching the surface. So sit down with this paper – or with your phone or at your computer – and enjoy this issue of the Fort Wayne area’s one and only free-distribution weekly arts & entertainment publication.
    [Show full text]
  • Hothouse Flowers
    MTM Checks Out Europe's Own MTV Unplugged. Also, GrooveMix Looks At French Club Charts. See page 10 & 12. Europe's Music Radio Newsweekly Volume 10 . Issue 11 . March 13, 1993 . £ 3, US$ 5, ECU 4 Radio Wins UK PolyGram Operating Copyright Battle Income Up 7% broadcasting revenue, including by Thom Duffy & income from sponsorship, barter Mike McGeever and contra deals for the first time, by Steve Wonsiewicz Record companies inthe UK as well as advertising revenue. Worldwide music and entertain- have been dealt a major setback The ratefor stations with net ment group PolyGram reported in their bid to boost the royalty broadcastingrevenuebetween a 7.3% increaseinoperating payments they receive from com- US$1.02 million and US$525.000 income to Dfl 789 million (app. mercial radio stations, under a will drop to 3% and 2% for those US$448 million) on a 4.6% rise ruling handed down March 2 by with net income below in sales to Dfl 6.62 billion last the Copyright Tribunal. US$525.000. The royaltiesare year, despite a severe recession DANISH GRAMMIES - Danish band Gangway (BMG/Genlyd Den- In an action brought by the retroactive to April 1, 1991. in several of its key European mark) received four prizes in this year's Danish Grammy Show while Association ofIndependent The total operating profit of markets. Lisa Nilsson (Diesel Music, Sweden) took two awards. Pictured (4) are: Radio Contractors (AIRC) to set the commercial UK radio indus- Net income for thefiscal Tonja Pedersen (musician, Lisa Nilsson), Lasse Illinton (Gangway), BMG new broadcast royalty rates for 79 try in 1990-91 was approximately year ended December 31 was up label manager Susanne Kier, Diesel Music MD Torbjorn Sten, Lisa Nils- commercialradiocompanies, US$11 millionwithCapital 13.5% to Dfl 506 million.
    [Show full text]
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Phantogram Rocks Waterplace Park,Sage Francis Grasps Listeners
    The Songmill: Mary Ellen Casey’s Ordinary Day Little Rhody is a tiny state, but I am willing to bet we have more songwriters per capita than any other. Afloat this summer in our vast pool of dedicated and talented singer songwriters is Mary Ellen Casey. Mary Ellen is not new to songwriting. She has been writing and performing for years. Like many local songwriters trying to support themselves or supplement their income, she performs a hearty mix of her own compositions along with well-known songs by nationally known artists. Her latest and second commercially released CD of original music, Ordinary Day, showcases how beautiful and pleasant her original music really is. Similar to the rich vocal styling of Anne Murray, Mary Ellen’s strong, yet smooth voice is perfectly suited for, and carries well, the songs she has selected for this CD. On first listen, the songs appear to be light with very pop memorable and melodic refrains. Digging in deeper, though, you will hear much more. Between the soft lines of her lilting voice lies an undercurrent of deeper meaning – a soul searching for itself. The album, dedicated to her soul mate, leads with an up-tempo number “The Love of Her Life” – a quest for someone looking for, and finding, that special someone. Several cuts in this collection laud those who have stayed together through the thick and the thin of it all and come out shining. Probably the finest song on the album is, “You Love Me Anyway” – a passionate and honest reflection on the strengths, weaknesses and differences that hold a couple near and dear.
    [Show full text]
  • NICKELBACK Silver Side up (Rock)
    NICKELBACK Silver side up (Rock) Année de sortie : 2001 Nombre de pistes : 11 Durée : 39' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Fondé au Canada en 1995, NICKELBACK est emmené par le guitariste chanteur Chad KROEGER, associé au guitariste Ryan PEAKE, au bassiste (et demi-frère de Chad) Mike KROEGER et au batteur Ryan VIKEDAL. Après des débuts difficiles, l’horizon du groupe s’éclaire quand il parvient l’année suivante à décrocher une signature sur Roadrunner, grâce auquel il enregistre un premier album Curb en 1996. Le disque connaît un succès modeste, mais la tournée canadienne destinée à promouvoir son successeur The State (1998) satisfait suffisamment le label pour qu’il décide de lancer le groupe sur le marché américain en 2000. La consécration intervient l’année suivante pour NICKELBACK avec Silver Side Up, et en particulier le single How You Remind Me, qui bénéficie d’une intense diffusion radiophonique. NICKELBACK est généralement classé parmi les formations Néo-Metal, mais préfère se revendiquer du courant Post Grunge. Il est vrai que le groupe présente des influences qui le portent vers la scène de Seattle. Il emprunte ainsi à celle-ci les guitares lourdement saturées, omniprésentes sur les titres de Silver Side Up.
    [Show full text]
  • Sulla Storia Della Nascita Dei Pearl Jam C'è Molto Di Più Di Quanto È
    Sulla storia della nascita dei Pearl Jam c’è molto di più di quanto è sempre stato raccontato. Per scoprirlo ho intervistato Eddie Vedder, Stone Gossard, Jeff Ament, Matt Cameron, Chris Cornell e altri attori chiave, ho ripescato manufatti originali del 1990 e ho dato la caccia a registrazioni rare, ho triangolato dati e messo insieme ogni fatto. Per celebrare il ventesimo compleanno dei Pearl Jam, sono orgogliosa di presentare il frutto di oltre 10 anni di minuziosa ricerca originale. Fate un bricco di caffè, accendete la stampante e preparatevi ad una lunga e avvincente lettura ricca di dettagli inediti sugli eventi del 1990, l’anno in cui una serie di magiche e selvagge coincidenze portarono all’unione di un improbabile gruppo di persone che diventarono i PEARL JAM. Jessica Letkemann, ottobre 2010 INVERNO Il nuovo decennio era iniziato in maniera radiosa per il ventitreenne Stone Gossard, il ventiseienne Jeff Ament e i loro compagni dei Mother Love Bone. Il primo album della band, Apple, stava per uscire, il manager Kelly Curtis stava organizzando un tour che sarebbe partito ad aprile, subito dopo l’uscita del disco, e il frontman Andy Wood non stava usando droghe. Il loro primo concerto del 1990 si teneva due giorni dopo capodanno (cinque giorni prima del ventiquattresimo compleanno di Andy) al Vogue, il piccolo club che da allora ha le parole MOTHER LOVE BONE dipinte sulla facciata dell’edificio. La band, speranzosa ed emozionata, era sostenuta inoltre, come fece notare Andy dal palco, dalla nascita della prima figlia di Kelly, avvenuta poco prima, quello stesso giorno.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Ilc / Record Store Day 2011
    ILC / RECORD STORE DAY 2011 SPECIAL EDITION RELEASES FROM: BLACK MARKET BABY, BOUNCING SOULS, THE FRUSTRATORS, THE MENZINGERS, TOUCHÉ AMORÉ, WILLIAM ELLIOTT WHITMORE / P.O.S. LIMITED QUANTITIES AVAILABLE! WWW.ILCDISTRO.COM / [email protected] BLACK MARKET BABY “POTENTIAL SUICIDE” 7” Released nearly 30 years ago and out-of-print since then, Dr. Strange has finally re-released this legendary Killed By Death 7" (originally on Limp Records) with two never before heard live versions of "America's Youth" and "Killing Time" from D.C's 9:30 Club in 1984. The studio tracks were originally recorded by Skip Groff at Inner Ear (Minor Threat, S.O.A., Teen Idles) and the live tracks by Government Issue's Tom Lyle. BLACK MARKET BABY influenced many of the early D.C. bands such as Minor Threat, S.O.A., Government Issue and more. Essential for early 80's hardcore fans! BLACK MARKET BABY POTENTIAL SUICIDE DSR126-7-RSD 7” WASHINGTON, DC PUNK 50 WASHINGTON, DC - NEW YORK, NY - SAN FRANCISCO, CA - $4.98 LOS ANGELES, CA - WORLDWIDE NO UPC NO RESTRICTIONS MINOR THREAT,GOVERNMENT ISSUE, BAD BRAINS, THE NECROS 01. POTENTIAL SUICIDE 02. YOUTH CRIMES 03. AMERICA'S YOUTH + SPECIAL EDITION ON GOLD VINYL, LIMITED TO 200 COPIES AND 04. KILLING TIME ONLY AVAILABLE ON RECORD STORE DAY 2011! + OUT-OF-PRINT FOR NEARLY 30 YEARS! + INCLUDES TWO NEVER BEFORE RELEASED BONUS TRACKS + REMASTERED BY TOM LYLE OF GOVERNMENT ISSUE + ORIGINAL PRESSING REGULARLY SELLS FOR $100+ LIMIT OF 3 COPIES PER STORE / NON-RETURNABLE BOUNCING SOULS “LIVE AT GENERATION RECORDS” LP On Record Store Day 2009, THE BOUNCING SOULS played a special, acoustic in-store at Generation Records in New York City.
    [Show full text]
  • Spoon Schonebergkonzerte
    KONZERTBÜR O PRESSEMITTEILUNG VOM 08.12.2017 Konzertbüro Schoneberg GmbH Amtsgericht Münster · HRB 3232 USt.-ID-Nummer: DE126111533 Geschäftsführer: Till Schoneberg Spoon www.schoneberg.de schonebergkonzerte 2018 auf Deutschlandtournee „Hot Thoughts“ (2017), das mittlerweile neunte Album von Spoon, ist das wohl mutigste und klanglich innovativste Werk ihrer Kariere, selbst wenn man Britt Daniels diverse andere Outputs hinzunimmt. Mit Respekt für ihre bisherigen Erfolge, die die Band sowohl bei Kritikern beliebt, als auch finanziell erfolgreich gemacht hat, radiert „Hot Thoughts“ doch eben alle bisher vorgefertigten Meinungen über die US-amerikanische Band aus. Das bedeutet zwar nicht, dass es nicht immer noch eine hohe Dichte an einnehmenden Ohrwürmern auf dem neuen Album gibt (es sind ja immer noch Spoon, über die wir hier reden - auch wenn „Hot Thoughts“ das erste Album ohne Akustik-Gitarre ist) – aber ihren textlichen Bogen spannen sie nun von sinnlich bis listig, während sie nach all den Experimenten der Vergangenheit ihren Sound zwischen den Genre-Stühlen gefunden haben. Anerkennung sollte man auch dem Produzenten Dave Fridmann zollen, dessen Magie in Cassadaga, New York der Band noch einen diabolischen Glanz verleihen konnte. Ohne Frage kann man schon die bisherige Discographie von Spoon bzw. Britt Daniel, Drummer Jim Eno, Bassist Rob Pope und Alex Fischel vom Debüt „Telephono“ aus dem Jahr 1996, über „A Serie Of Sneaks“ (1998), „Girls Can Tell“ (2001), „Kill The Moonlight“ (2002), „Gimme Fiction“ (2005), „Ga Ga Ga Ga Ga“ (2007), „Transference“ (2010) und „They Want My Soul“ (2014) als einzigartige Gewinnserie bezeichnen, aber dennoch ragt hier „Hot Thoughts“ als neues, futuristisches Kapitel im Schaffen der US-Amerikaner heraus.
    [Show full text]
  • 1. Monsters of Indie Retail
    1. MONSTERS OF INDIE RETAIL ALL KILLER, r NO FILLER ' THE ST I POWE:. i THE G.' EST HITS UM NOVEMBER 27, 2010 www.bii°Iboard.com wwv billboard iz US $6.99 cAN $8 ; $' çs 699000 ZOV£-L0806 VJ H3V38 9N01 3AV N13 OPLE V # V100 A1N3309 AINOW 1111111111111'1111111111111'lllllllllll Z00/000 Z-V1-V 100 ZLaVW#6/83/88N£6IOZi # L06 1I9I0-£ HJS************************* 3313F003# c 71 `/ V Y I L V J Y u Or i Bi' OR 7(ìl0 LATIN G RAMMY "WINNERS ,, nl, ,1'4 r:figrat";vJUAN LUIS GUERRA a\ ALBUM OF THE YEAR I 1 ;I ,BEST CONTEMPORARY TROPICAL ALBUM -417,V 41.i BEST TROPICAL SONG 4.1 11Nf; GILBERTO GIL BEST MPB ALBUM BEST NATIVE BRAZILIAN ROOTS ALEX `CHINO Y NACHO CUBA BEST URBAN MUSIC ALBUM ,SOCAN; BEST NEW ARTIST Pitt e f t 4, ELIDA REYNA Y AVANTE BEST TEJANO ALBUM BANDA EL RECODO FERNANDO OTERO BEST BANDA ALBUM BEST CLASSICAL ALBUM RAFAELLL'AZZiARO ALBUM OF THE YEAR SEBASTIAN PACO LUGO KRYS BEST REGIONAL aj BEST ENGINEERED MEXICAN SONG ALBUM LALOrSCHIFRIN BEST CLASSICAL \ CONTEMPORARY COMPOSITION GRUPO PESADO BEST NORTEÑO ALBUM JULIETA\VENEGÄS BEST SHORT FORM MUSIC JOAO`DONATORTRIO BEST LATIN JAZZ ALBUM S 4 I bmi.com j VOZ VEIS 1 1100.1",. BEST LONGFORM MUSIC VIDEO a ` 1 .%. .4 Billboard 1 ON THE CHARTS ALBUMS PAGE ARTIST /TITLE THE S YLE, BILLBOARD 200 32 THE GIFTIFT JASON A / TOP INDEPENDENT 34 MV KINDA PARTY KIDCUDI/ TOP DIGITAL 34 MAN ON THE MOON It THE LEGEND OF MR. RAGER 34 SUSAN BOYLE / TOP INTERNET TnE GIFT OCEAN WAY / HEATSEEKERS ALBUMS 35 OCEAN WAY SESSIONS (EP) TAYLOR WIFT / TOP COUNTRY 39 SPEAK NOW DIERKS BENTLEY / TOP BLUEGRASS 39 UPON THE RIDGE KID / TOP R &B /HIP -HOP 40 MAN ON THE MOON II'.
    [Show full text]
  • Best of 2014 Listener Poll Nominees
    Nominees For 2014’s Best Albums From NPR Music’s All Songs Considered Artist Album ¡Aparato! ¡Aparato! The 2 Bears The Night is Young 50 Cent Animal Ambition A Sunny Day in Glasgow Sea When Absent A Winged Victory For The Sullen ATOMOS Ab-Soul These Days... Abdulla Rashim Unanimity Actress Ghettoville Adia Victoria Stuck in the South Adult Jazz Gist Is Afghan Whigs Do To The Beast Afternoons Say Yes Against Me! Transgender Dysphoria Blues Agalloch The Serpent & The Sphere Ages and Ages Divisionary Ai Aso Lone Alcest Shelter Alejandra Ribera La Boca Alice Boman EP II Allah-Las Worship The Sun Alt-J This is All Yours Alvvays Alvvays Amason Duvan EP Amen Dunes Love Ana Tijoux Vengo Andrew Bird Things Are Really Great Here, Sort Of... Andrew Jackson Jihad Christmas Island Andy Stott Faith In Strangers Angaleena Presley American Middle Class Angel Olsen Burn Your Fire For No Witness Animal Magic Tricks Sex Acts Annie Lennox Nostalgia Anonymous 4 David Lang: love fail Anthony D'Amato The Shipwreck From The Shore Antlers, The Familiars The Apache Relay The Apache Relay Aphex Twin Syro Arca Xen Archie Bronson Outfit Wild Crush Architecture In Helsinki NOW + 4EVA Ariel Pink Pom Pom Arturo O’Farrill & the Afro Latin Orchestra The Offense of the Drum Ásgeir In The Silence Ashanti BraveHeart August Alsina Testimony Augustin Hadelich Sibelius, Adès: Violin Concertos The Autumn Defense Fifth Avey Tare Enter The Slasher House Azealia Banks Broke With Expensive Taste Band Of Skulls Himalayan Banks Goddess Barbra Streisand Partners Basement Jaxx Junto Battle Trance Palace Of Wind Beach Slang Cheap Thrills on a Dead End Street Bebel Gilberto Tudo Beck Morning Phase Béla Fleck & Abigail Washburn Béla Fleck & Abigail Washburn Bellows Blue Breath Ben Frost A U R O R A Benjamin Booker Benjamin Booker Big K.R.I.T.
    [Show full text]
  • TRAMPLED by TURTLES Life Is Good on the Open Road
    TRAMPLED BY TURTLES Life Is Good On The Open Road In the immortal words of Tom Petty, “You belong somewhere you feel free.” For the Duluth, Minnesota sextet Trampled by Turtles, finding that freedom meant taking a risky approach; rather than continuing full speed ahead with a band that had been successfully touring, writing, and recording music together for the past 15 years, they pumped the breaks and brought the tour bus screeching to a halt. By the time Trampled by Turtles announced their hiatus in the fall of 2016, the success they’d experienced as a band could only be described as a phenomenon. They’d had multiple albums climb the Billboard charts, with two reaching the No. 1 spot on the Bluegrass charts and one topping the Folk chart; they’d appeared on The Late Show with David Letterman twice; and they’d performed at nearly every major festival in the U.S. and Canada, from Coachella to Bonnarroo, Lollapalooza, and the Newport Folk Festival, pulling in huge and adoring crowds with their breakneck string performances and heartfelt, sometimes gut- wrenching lyrics. After all that time traveling together in close quarters and commanding festival and club stages around the country, the six musicians who make up Trampled by Turtles — Dave Simonett, Tim Saxhaug, Dave Carroll, Erik Berry, Ryan Young, and Eamonn McLain — went nearly a year without all being in the same room. Simonett, the band’s lead singer and songwriter, released a critically acclaimed and highly personal album, Furnace, with his band Dead Man Winter. Other members kept busy with their own side projects in the Twin Cities and their hometown of Duluth, Minnesota, allowing new musical ideas to grow.
    [Show full text]