AMP Theatrette Adyar Hall ATYP Belvoir Street Theatre Bondi

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AMP Theatrette Adyar Hall ATYP Belvoir Street Theatre Bondi

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2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red
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Annual Report 2019–2020 Contents About About 3 President & Chief Executive’s Report 4 Live Performance Australia (LPA) is the peak body for Australia’s live performance COVID-19: LPA’s Leadership & Advocacy 6 industry. Established over 100 years ago in 1917 and registered as an employers’ Workplace Relations 8 organisation under the Fair Work (Registered Organisations) Act 2009, LPA has over 400 Members nationally. Policy & Advocacy 10 Member Services 12 We represent commercial producers, music promoters, major performing arts companies, small to medium companies, independent producers, major performing arts Staff 15 centres, metropolitan and regional venues, commercial theatres, stadiums and arenas, Financial Report 16 arts festivals, music festivals, and service providers such as ticketing companies and technical suppliers. Our membership spans from small to medium and not-for-profit Executive Council 38 organisations to large commercial entities. Members 40 LPA’s strategic direction is driven by our Members. LPA Members are leaders in our Acknowledgments 42 industry and their expertise is crucial to ensuring positive industry reform, whether by Member Resources 44 providing input to submissions or serving as a Member of LPA’s Executive Council. Contact 45 LPA’s membership remains strong and, importantly, reflective of the artistic and commercial diversity of the Australian live performance industry. LPA has a clear mandate to advocate for and support policy decisions that benefit the sustainability and growth of the live performance
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Sydney Theatre Company Wharf 1Theatre – Pier 4/5 Hickson Road, Walsh Bay Roslyn Packer Theatre – 22 Hickson Road
Sydney Theatre Company Wharf 1Theatre – Pier 4/5 Hickson Road, Walsh Bay Roslyn Packer Theatre – 22 Hickson Road TERMS & CONDITIONS FOR SCHOOL BOOKINGS: • The booking is made on behalf of the school and the school accepts liability to make the payment by the due date. • If a teacher leaves the school, it is their responsibility to inform the appropriate/replacement staff members of this booking agreement and details. • Full payment must be received 4 school weeks prior to the performance date. • Photographing, video recording or any other kind of recording during the performance is not permitted. • Student duty of care remains the responsibility of supervising teachers. Teachers are expected to discuss behavioural expectations and theatre etiquette with their students prior to the excusion. • In the instance that a school has a confirmed COVID case in the days prior to the event and as such cannot attend, the school is to contact Sydney Theatre Company as soon as possible. Sydney Theatre Company will issue a credit or refund for the value of booked tickets on the provision of confirmed COVID notice from NSW Health or other governing body Risk Management Checklist Thank you for arranging an excursion to a Sydney Theatre Company venue. The following information will assist you in developing an excursion risk management plan. Venue Information Wharf 1 Theatre: The Wharf, Pier 4 Hickson Rd Walsh Bay 2000 Wharf 2 Theatre: The Wharf, Pier 4 Hickson Rd Walsh Bay 2000 Roslyn Packer Theatre Walsh Bay: 22 Hickson Rd Walsh Bay 2000 Sydney Theatre Company has developed an Emergency Plan to cope with the most likely emergency scenarios for all venues operated by STC, including The Wharf Theatres and Roslyn Packer Theatre.
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CAAP Artist Lab Participants BIOGRAPHIES LENA CRUZ Lena is a graduate of the Western Australian Academy of Performing Arts. Theatre highlights include her debut as Jenny in The Threepenny Opera for Western Australian Opera, Lady Macbeth in Macbeth for Bell Shakespeare, Mother Courage for Belvoir, Monkey- Journey to the West for Theatre of Image, Miss Bell in Fame, Hair, and creating the role of Cynthia in the original production of Priscilla, Queen of the Desert the Musical. Most recently, she has appeared in STC’s The Wharf Revue. Film and television highlights include starring as Rory Van Dyke in The Wannabes, Margarita in The Night We Called it A Day, Cassandra in Upskirt, Sofia Martinez in Shortland Street, Pet in Bargain Coast, Jody Lim in Dirt Game, Comedy Inc, Watch With Mother, All Saints, The Very Trevor Ashley Show, and Kiki and Kitty. She has co- written and co-starred in the cabarets The Singer’s Guide To The Universe, About Face, and one-woman shows I’m A Stranger Here Myself directed by Tony Sheldon and Bitter Sweet, for which she was nominated for the Sydney Fringe Festival Drum Media Show-Stopping Individual Performance Award and the Best Of People’s Choice Award. HAPPY FERAREN Happy Feraren is a Filipino actor and improviser based in Sydney with 11 years experience. She has performed in over 500 shows in a wide range of improvisational theatre formats both locally and internationally (including Manila, Sydney, Hong Kong, Amsterdam, Chicago and New York). In the Philippines, she began as a presenter for national radio and television as well as live events and was a supporting actor in the feature film ‘My Candidate’.
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The Ideal of Ensemble Practice in Twentieth-Century British Theatre, 1900-1968 Philippa Burt Goldsmiths, University of London P
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President's Letter
PRESIDENT’S LETTER October-November, 2020 Dear Friends, It may seem a little premature to extend our very best wishes to you now for the approaching holidays, Christmastime and the New Year. However, this has indeed been a strange year like no other. As this is the final Foundation Newsletter of 2020, it is our pleasure to wish you, our Friends, perhaps the earliest but warmest greetings for the forthcoming festive season. OUR HALLS ARE ALIVE WITH THE SOUNDS OF MUSIC Responding to the present urgent need for accessible and affordable teaching, coaching and rehearsal space, the Foundation continues to make the Seaborn Library, with its grand piano and suitable acoustic, available to performing artists. As mentioned in the last Newsletter, Les Solomon's riveting production of The Cradeaux Canvas rehearsed in our Library and then opened successfully in the El Rocco Theatre Room in Kings Cross to claim the title of the first production to open Sydney theatres after the COVID closures. Those of us who attended a special benefit night for the ABF’s ACTober, were impressed by the actors’ compelling performances - and safety protocols. One reviewer noted the performance was ‘safer than the supermarket’. Other theatres are now gradually and tentatively reopening. Similarly, Eugene Lynch and his cast, pictured elsewhere in this Newsletter, after rehearsing in our Library, presented the first opera since the venue shutdown. Their short season of the Australian opera Love Burns at the East Sydney Community & Arts Centre, also presented according to safety guidelines, revealed the exciting emergence of a new generation of brilliant young talent.
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ATE Media Information: Events in Sydney
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The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
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Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers.
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Important Announcement
April Newsletter 2017.qxp_A4 Version 28/3/17 12:56 Page 1 April Newsletter 2017.qxp_A4 Version 28/3/17 12:56 Page 1 CURRENT EVENT STATUS CURRENT EVENT STATUS St Bartholomews' & (FB) = FULLY BOOKED (C) = CANCELLED St Bartholomews' & (FB) = FULLY BOOKED (C) = CANCELLED Museum of Sydney KINKY BOOTS Museum of Sydney KINKY BOOTS www.facebook.com/ToursBMBC www.facebook.com/ToursBMBC Experiment Farm & The Mint WEDNESDAY 10TH MAY 2017 (FB) ExBlupe eMrouinmtaiensn Ttra nFsiat Trramvel Club & The Mint WEDNESDAY 10TH MAY 2017 (FB) Blue Mountains Transit Travel Club Monday 1st May 2017 Thursday 20th April 2017 KINKY BOOTS Monday P1Ost MBOaXy 82109187 Thursday 20th April 2017 KINKY BOOTS PO BOX 8198 WEDNESDAY 24TH MAY 2017 (FB) WEDNESDAY 24TH MAY 2017 (FB) WERRINGTON COUNTY NSW 2747 WERRINGTON COUNTY NSW 2747 THE BODYGUARD - SYDNEY LYRIC THEATRE THE BODYGUARD - SYDNEY LYRIC THEATRE SATURDAY 3RD JUNE 2017 (C) Enquiries: 02 8602 4700 SATURDAY 3RD JUNE 2017 (C) Enquiries: 02 8602 4700 BALMORAL BEACH, CHOWDER BAY & HIGH TEA Website: www.cdcbus.com.au BALMORAL BEACH, CHOWDER BAY & HIGH TEA Website: www.cAdcPbuRs.cIoLm .2au017 APRIL 2017 WEDNESDAY 7TH JUNE 2017 (FB) Email: [email protected] WEDNESDAY 7TH JUNE 2017 (FB) Email: [email protected] VIVID FESTIVAL CRUISE VIVID FESTIVAL CRUISE FRIDAY 16TH JUNE 2017 (FB) TOUR PAYMENTS FRIDAY 16TH JUNE 2017 (FB) TOUR PAYMENTS All day tours require non-refundable deposit on All day tours require non-refundable deposit on CHRISTMAS IN JULY AT THE WATERVIEW RESTAURANT booking and full payment 4weeks prior to CHRISTMAS IN JULY AT THE WATERVIEW RESTAURANT booking and full payment 4weeks prior to WEDNESDAY 5TH JULY 2017 (FB) WEDNESDAY 5TH JULY 2017 (FB) This morning we board the coach and travel locally to This modrenpinagr twuree.
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