1 Constructing a Gay Persona
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I Non-Binary Speech, Race, and Non-Normative Gender
Non-binary speech, race, and non-normative gender: Sociolinguistic style beyond the binary Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Ariana June Steele, B.A. Linguistics Graduate Program The Ohio State University 2019 Thesis Committee: Kathryn Campbell-Kibler, Adviser Cynthia Clopper i Copyright by Ariana June Steele 2019 ii Abstract Non-binary speech is understudied in the realm of sociolinguistics. Previous studies on non- binary speech (Kirtley 2015; Gratton 2016; Jas 2018) suggest that non-binary speakers are able to make use of linguistic variables that have been tied to binary gender in novel ways, often dependent on social context and goals, though these studies are limited in scope, considering eight or feWer non-binary talkers in their studies. Research into sociolinguistic style (Eckert 2008; Campbell-Kibler 2011) emphasiZes the ways that multiple linguistic and extralinguistic variables can be employed simultaneously to construct coherent styles, leaving room for speaker race to be included in the stylistic context (Pharao et al. 2014). Zimman’s (2017) study on transmasculine speakers showed that speakers can employ binary gendered linguistic variables in speech styles to position themselves towards or against normative binary gender. The current study considers how tWenty non-binary speakers, stratified by sex assigned at birth and race, use /s/ and f0, variables which tied to gender in previous research, alongside clothing to construct non-binary gendered styles. Results further support that race is an important construct in understanding gendered speech, as Black non-binary speakers produce /s/ differently with respect to self-identified masculinity than do white non-binary speakers. -
On the Rise and Decline of Wulitou 无厘头's Popularity in China
The Act of Seeing and the Narrative: On the Rise and Decline of Wulitou 无厘头’s Popularity in China Inaugural dissertation to complete the doctorate from the Faculty of Arts and Humanities of the University of Cologne in the subject Chinese Studies presented by Wen Zhang ACKNOWLEDGEMENTS My thanks go to my supervisors, Prof. Dr. Stefan Kramer, Prof. Dr. Weiping Huang, and Prof. Dr. Brigitte Weingart for their support and encouragement. Also to the Faculty of Arts and Humanities of the University of Cologne for providing me with the opportunity to undertake this research. Last but not least, I want to thank my friends Thorsten Krämer, James Pastouna and Hung-min Krämer for reviewing this dissertation and for their valuable comments. TABLE OF CONTENTS INTRODUCTION ...................................................................................................................................... 1 0.1 Wulitou as a Popular Style of Narrative in China ........................................................... 1 0.2 Story, Narrative and Schema ................................................................................................. 3 0.3 The Deconstruction of Schema in Wulitou Narratives ................................................... 5 0.4 The Act of Seeing and the Construction of Narrative .................................................... 7 0.5 The Rise of the Internet and Wulitou Narrative .............................................................. 8 0.6 Wulitou Narrative and Chinese Native Cultural Context .......................................... -
Speech Stereotypes of Female Sexuality by Auburn Lupine Barron
Speech Stereotypes of Female Sexuality by Auburn Lupine Barron-Lutzross A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Linguistics and the Designated Emphasis in Women, Gender and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Keith Johnson, Co-Chair Professor Susan Lin, Co-Chair Professor Justin Davidson Professor Mel Chen Spring 2018 © Copyright 2018 Auburn Lupine Barron-Lutzross All rights reserved Abstract Speech Stereotypes of Female Sexuality by Auburn Lupine Barron-Lutzross Doctor of Philosophy in Linguistics University of California, Berkeley Professor Keith Johnson, Co-Chair Professor Susan Lin, Co-Chair At its core, my dissertation addresses one primary question: What does it mean to sound like a lesbian? On the surface, this may seem a relatively simple question, but my work takes a broad perspective, approaching this single question from a multitude of perspectives. To do so I carried out a combination of experiments, interpreting the results through the Attention Weighted Schema Abstraction model that I developed. Following the introduction Chapter 2 lays out the AWSA model in the context of previous literature on stereotype conception and speech and sexuality. Chapter 3 presents the production experiment, which recorded speakers reading a series of single words and sentences and interviews discussing stereotypes of sexuality. Phonetic analysis showed that though speech did not vary categorically by sexual orientation, familiarity with Queer culture played a significant role in variation of speech rate and mean pitch. This pattern was only seen for straight and bisexual speakers, suggesting that lesbian stereotypes are used to present an affinity with Queer culture, which was further supported by the decrease or loss of their significance in interview speech. -
Patricia Highsmith's Queer Disruption: Subverting Gay Tragedy in the 1950S
Patricia Highsmith’s Queer Disruption: Subverting Gay Tragedy in the 1950s By Charlotte Findlay A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2019 ii iii Contents Acknowledgements ………………………………………………………………..……………..iv Abstract……………………………………………………………………………………………v Introduction………………………………………………………………………………………..1 1: Rejoicing in Evil: Queer Ambiguity and Amorality in The Talented Mr Ripley …………..…14 2: “Don’t Do That in Public”: Finding Space for Lesbians in The Price of Salt…………………44 Conclusion ...…………………………………………………………………………………….80 Works Cited …………..…………………………………………………………………………83 iv Acknowledgements Thanks to my supervisor, Jane Stafford, for providing always excellent advice, for helping me clarify my ideas by pointing out which bits of my drafts were in fact good, and for making the whole process surprisingly painless. Thanks to Mum and Tony, for keeping me functional for the last few months (I am sure all the salad improved my writing immensely.) And last but not least, thanks to the ladies of 804 for the support, gossip, pad thai, and niche literary humour I doubt anybody else would appreciate. I hope your year has been as good as mine. v Abstract Published in a time when tragedy was pervasive in gay literature, Patricia Highsmith’s 1952 novel The Price of Salt, published later as Carol, was the first lesbian novel with a happy ending. It was unusual for depicting lesbians as sympathetic, ordinary women, whose sexuality did not consign them to a life of misery. The novel criticises how 1950s American society worked to suppress lesbianism and women’s agency. It also refuses to let that suppression succeed by giving its lesbian couple a future together. -
Art. Music. Games. Life. 16 09
ART. MUSIC. GAMES. LIFE. 16 09 03 Editor’s Letter 27 04 Disposed Media Gaming 06 Wishlist 07 BigLime 08 Freeware 09 Sonic Retrospective 10 Alexander Brandon 12 Deus Ex: Invisible War 20 14 Game Reviews Music 16 Kylie Showgirl Tour 18 Kylie Retrospective 20 Varsity Drag 22 Good/Bad: Radio 1 23 Doormat 25 Music Reviews Film & TV 32 27 Dexter 29 Film Reviews Comics 31 Death Of Captain Marvel 32 Blankets 34 Comic Reviews Gallery 36 Andrew Campbell 37 Matthew Plater 38 Laura Copeland 39 Next Issue… Publisher/Production Editor Tim Cheesman Editor Dan Thornton Deputy Editor Ian Moreno-Melgar Art Editor Andrew Campbell Sub Editor/Designer Rachel Wild Contributors Keith Andrew/Dan Gassis/Adam Parker/James Hamilton/Paul Blakeley/Andrew Revell Illustrators James Downing/Laura Copeland Cover Art Matthew Plater [© Disposable Media 2007. // All images and characters are retained by original company holding.] dm6/editor’s letter as some bloke once mumbled. “The times, they are You may have spotted a new name at the bottom of this a-changing” column, as I’ve stepped into the hefty shoes and legacy of former Editor Andrew Revell. But luckily, fans of ‘Rev’ will be happy to know he’s still contributing his prosaic genius, and now he actually gets time to sleep in between issues. If my undeserved promotion wasn’t enough, we’re also happy to announce a new bi-monthly schedule for DM. Natural disasters and Acts of God not withstanding. And if that isn’t enough to rock you to the very foundations of your soul, we’re also putting the finishing touches to a newDisposable Media website. -
Does the Gay Accent Exist?
Does the gay accent exist? An acoustic comparison between homosexual and heterosexual Dutch male millennials Quincy Liem 11050330 under the supervision of Dr. Silke Hamann A thesis submitted for the degree of BA in Linguistics June, 2019 TABLE OF CONTENTS ABSTRACT. .................................................................................................................................................... 2 INTRODUCTION ............................................................................................................................................. 2 DATA COLLECTION ........................................................................................................................................ 4 Participants ....................................................................................................................................................... 4 Procedure .......................................................................................................................................................... 5 DATA ANALYSIS ............................................................................................................................................. 5 Data cleanup ..................................................................................................................................................... 5 /s/ spectral peak frequency ............................................................................................................................... 6 Pitch and intonation -
Straight Man in a Gay World”
The Qualitative Report Volume 21 Number 6 Article 12 6-27-2016 Becoming the Change Witnessed: Strategic Use of Empathy in Morgan Spurlock’s “Straight Man in a Gay World” Michael W. Tumolo California State University - Stanislaus, [email protected] Jennifer Biedendorf California State University, Stanislaus, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/tqr Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, Social Statistics Commons, and the Speech and Rhetorical Studies Commons Recommended APA Citation Tumolo, M. W., & Biedendorf, J. (2016). Becoming the Change Witnessed: Strategic Use of Empathy in Morgan Spurlock’s “Straight Man in a Gay World”. The Qualitative Report, 21(6), 1178-1192. https://doi.org/10.46743/2160-3715/2016.2278 This Article is brought to you for free and open access by the The Qualitative Report at NSUWorks. It has been accepted for inclusion in The Qualitative Report by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Becoming the Change Witnessed: Strategic Use of Empathy in Morgan Spurlock’s “Straight Man in a Gay World” Abstract This essay examines the strategic use of empathic communication that fosters a loving struggle for Existenz in “Straight Man in a Gay World” (2005), an episode of Morgan Spurlock’s documentary-styled television program 30 Days. The show functions as a persuasive discourse designed to influence the heterosexual participant and, by extension, the implied audience. This essay offers an overview of key terms in the study of empathy and analyzes key moments of empathic communication in the episode. -
Friday Morning, 11 May 2018 Greenway J, 8:00 A.M
FRIDAY MORNING, 11 MAY 2018 GREENWAY J, 8:00 A.M. TO 10:30 A.M. Session 5aPA Physical Acoustics: General Topics in Physical Acoustics II Sam Wallen, Chair The University of Texas at Austin Contributed Papers 8:00 that Berea Sandstone has significant hysteretic behavior under temperature cycling. It was also revealed that the qualitative elastic behavior of Berea 5aPA1. Generation of ultrasonic waves in vegetable tissue via non- Sandstone is unchanged with increasing relaxation time from the thermal David A. Collazos-Burbano (Ctr. for Bioinformatics ablative laser pulses. shock induced by rapid cooling of the sample. and Photonics (CIBioFi), Universidad del Valle, calle 13 No. 100-00, Univalle, 351, of 2009, Cali, Valle del Cauca 760032, Colombia, david. 8:30 [email protected]), Carlos A. Melo-Luna (Quantum Technol- ogies, Information and Complexity Group (QuanTIC), Universidad del 5aPA3. Elastic constants of self-healing polyethylene co-methacrylic Valle, Cali, Valle del cauca, Colombia), Joao L. Ealo (Vibrations and acid determined via resonant ultrasound spectroscopy. Kenneth A. Acoust. Lab. (LaVA), Mech. Eng. School, Universidad del Valle, Cali, Pestka II, Jacob W. Hull, Jonathan D. Buckley (Chemistry and Phys., Long- Colombia), and John H. Reina (Quantum Technologies, Information and wood Univ., 201 High St., Farmville, VA 23909, [email protected]), Complexity Group (QuanTIC), Universidad del Valle, Cali, Valle del and Stephen J. Kalista (The Dept. of Biomedical Eng., Rensselaer Polytech- Cauca, Colombia) nic Inst., Troy, NY) The study of vegetable tissue is essential in plant growth analysis. The Self-healing polyethylene co-methacrylic acid (EMAA) is a thermoplas- elasticity is an important characteristic when firmness is studied in fruits or tic material that can be shaped into structures that are capable of autono- when turgidity is tested in plant leaves. -
Research Commons at The
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. FROM 'AMBIGUOUSLY GAY DUOS' TO HOMOSEXUAL SUPERHEROES: THE IMPLICATIONS FOR MEDIA FANDOM PRACTICES A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in Screen and Media At The University of Waikato By GEMMA CORIN The University of Waikato 2008 Abstract Despite traversing the fine line between homosocial and homosexual (Brooker, 2000) in his controversial text Seduction of the Innocent, Fredric Wertham’s (1954) description of Batman and Robin as a ‘wish dream of two homosexuals living together’ (Lendrum, 2004, p.70) represents one of the first published queer readings of superhero characters. This text can also be interpreted as the commencement of, and subsequent intense interest in the way superhero characters often portray a ‘camp’ sensibility (Medhurst, 1991) representative of a queer performative identity (Butler, 1993). -
The Role of Socioindexical Expectation in the Perception of Gay Male Speech
THE ROLE OF SOCIOINDEXICAL EXPECTATION IN THE PERCEPTION OF GAY MALE SPEECH Dominique A. Bouavichith University of Michigan [email protected] ABSTRACT are grounded within exemplar frameworks, in which listeners use socially-coded exemplars to make During speech perception, listeners adjust predictions about upcoming speech. expectations when given social information about a In an experiment by Strand & Johnson [25], for speaker; this effect has been demonstrated using example, listeners heard gender-ambiguous tokens on many socially indexed phonetic cues. Previous a continuum from ‘shod’ to ‘sod’ while looking at sociophonetic studies have identified lengthened /s/ either a male or female face. Overall, seeing a female as one acoustic correlate of gay(-sounding) speech. face elicited more ‘shod’ responses, and seeing a male This eye-tracking study examines a) how face elicited more ‘sod’ responses. This reflects the information about a speaker’s social identity affects difference in /ʃ-s/ category boundaries between men listeners’ time course of lexical activation and b) how and women in production and shows that listeners are listener experience mediates this process. Participants able to use social information (in this case, presented completed a categorization task of /s/-lengthened visually) to aid in speech perception. /CVs/-/CVsC/ minimal pairs in two blocks: the first Some of these studies consider the perception of presented no information about speaker sexuality; the speech over the time course of one word or one second introduced auditory social primes indexing segment [5, 27, 15], which allows for fine-grained the speaker as gay. measures of processing that can test listeners’ Effects of social expectation were found as a response to sociolinguistic information as it is given function of listeners’ experience with gay speech. -
Comedic Devices Exercise.Pdf
Name ________________________________________________________ Teacher’s Name ______________________________________________ English ____ – Period _____ __________________________________________ Date Month Year Devices of Comedy Part I. DEVICES OF COMEDY. Consider each of the devices of comedy listed below, and then try to come up with examples that you know from television, film, or literature that illustrate these terms. We will go over each term and then try to generate modern examples as a class. ANACHRONISM - Something is anachronistic if it is out of sync with a time period. For instance, if there were a television in the set of an otherwise entirely historical production of a Shakespearean play, that television would serve as an anachronism. In a “Moonlighting Atomic Shakespeare” adaptation of the Taming of the Shrew, Petruchio arrives on his horse with a BMW symbol painted on the rear of his horse just as flying ninjas come bounding through the air (utterly out of place) into the midst of swordplay. ELEVATED LANGUAGE – Language that is overblown, flowery, or lofty (particularly juxtaposed to a more base version of the same language) is said to be “elevated.” Students might think of someone like the brother Nigel on the sitcom “Frasier” who had difficulty speaking to everyday people; in Twelfth Night, the actor playing Malvolio very likely enunciates his words as if he is just a bit more high-brow than his station actually allows. In The Taming of the Shrew, Sly, a drunkard can hardly understand the noblemen who find it hysterical to pretend that Sly is one of them when he so obviously is not—not in station, not in vocabulary, not in diction. -
Terminology Packet
This symbol recognizes that the term is a caution term. This term may be a derogatory term or should be used with caution. Terminology Packet This is a packet full of LGBTQIA+ terminology. This packet was composed from multiple sources and can be found at the end of the packet. *Please note: This is not an exhaustive list of terms. This is a living terminology packet, as it will continue to grow as language expands. This symbol recognizes that the term is a caution term. This term may be a derogatory term or should be used with caution. A/Ace: The abbreviation for asexual. Aesthetic Attraction: Attraction to someone’s appearance without it being romantic or sexual. AFAB/AMAB: Abbreviation for “Assigned Female at Birth/Assigned Male at Birth” Affectionional Orientation: Refers to variations in object of emotional and sexual attraction. The term is preferred by some over "sexual orientation" because it indicates that the feelings and commitments involved are not solely (or even primarily, for some people) sexual. The term stresses the affective emotional component of attractions and relationships, including heterosexual as well as LGBT orientation. Can also be referred to as romantic orientation. AG/Aggressive: See “Stud” Agender: Some agender people would define their identity as not being a man or a woman and other agender people may define their identity as having no gender. Ally: A person who supports and honors sexual diversity, acts accordingly to challenge homophobic, transphobic, heteronormative, and heterosexist remarks and behaviors, and is willing to explore and understand these forms of bias within themself.