Later the Same Evening Later Later the Same Evening Is Used by Arrangement with Peermusic Classical, a Division of Songs of Peer, Ltd., Publisher and Copyright Owner
Manhattan School of Music Opera Theater Dona D. Vaughn, Artistic Director Presents Later the Same Evening Music by John Musto Libretto by Mark Campbell Michael Barrett, Conductor Leon Major, Stage Director Erhard Rom, Set Designer Opera Theater Opera David Roberts, Costume Designer Scott Bolman, Lighting Designer Wednesday, December 10, 2008, 7:30 p m Friday, December 12, 2008, 7:30 p m Sunday, December 14, 2008, 2:30 p m John C. Borden Auditorium Manhattan School of Music School of Music Manhattan Wednesday, December 10, 2008, 7:30 p m Friday, December 12, 2008, 7:30 p m Sunday, December 14, 2008, 2:30 p m John C. Borden Auditorium Manhattan School of Music Opera Theater Dona D. Vaughn, Artistic Director Presents Later the Automat, 1927 by Edward Hopper Automat courtesy of the Des Moines Art Center Permanent Collections; Same Evening Purchased with funds from the Edmundson Art Foundation, Inc., 1958.2 Music by John Musto Libretto by Mark Campbell Michael Barrett, Conductor Leon Major, Stage Director Erhard Rom, Set Designer David O. Roberts, Costume Designer Scott Bolman, Lighting Designer Anne Ford-Coates, Makeup and Hair Designer Christiaan Crans, Assistant Conductor William Tracy, Head Coach June Marano-Murray, Vocal Coach Elizabeth Rodgers, Vocal Coach Kathryn LaBouff, Diction Coach Elizabeth Cheslock, Production Stage Manager Victor Catano, Production Manager Gordon Ostrowski, Opera Producer Silas Huff, Associate Producer LATER THE SAME EVENING LATER Later the Same Evening is used by arrangement with Peermusic Classical, a division of Songs of Peer, Ltd., publisher and copyright owner. 3 THE CAST SCENE 4. A room in the Hudson Hotel for Young Women Ruth Baldwin shuts off her radio, which is broadcasting the Pearladent jingle, WEDNESDAY & SUNDAY CAST FRIDAY CAST and reads a letter she has just written to her boyfriend explaining that she is leaving him to move back home to Indianapolis after a failed career as a dancer.
[Show full text]