Aunt Susan's Place

Total Page:16

File Type:pdf, Size:1020Kb

Aunt Susan's Place w 8 LIBRARY OF CONGRESS LIBRARY Aunt Susan’s BY KATE CULKIN A suffrage foremother is honored in a now faded architectural gem in the Bronx. n 1950, Susan B. ments and opportunities to Honorees had to be American Anthony became the Anthony’s legacy. citizens who had been dead eighth woman elected The Hall of Fame held a for at least ten years and into the Hall of Fame prominent place in American “distinguished themselves for Great Americans, culture throughout much of by their accomplishments in Ithe first hall of fame in the the twentieth century. Located the arts, sciences and other United States. Born in 1820, on the Bronx Community pursuits directed toward the Anthony famously fought for College campus, the former betterment of mankind.” women’s suffrage from the uptown home of New York Politicians, military leaders, 1850s until her death in University, the 630-foot out­ authors, musicians, artists, 1906. As one of American door marble colonnade with educators, scientists, and history’s most celebrated spaces for bronze busts of inventors make up the women, her selection might 102 honorees was dedicated honorees, including George seem a forgone conclusion. in 1900. NYU Chancellor Washington, Thomas Anthony was elected, howev­ Henry McCracken hoped the Jefferson, Ralph Waldo er, only after a 30-year cam­ hall, designed by Stanford Emerson, Harriet Beecher paign driven by women who White, would help the school Stowe, and Orville and connected their accomplish­ develop a national reputation. Wilbur Wright. NEW YORK archives • SPRING 2018 w 9 The Hall of Fame for Great Americans consists of a 630-foot outdoor marble colonnade with spaces for 102 bronze busts. The Hall of Fame is on the Bronx Community College Campus at University Avenue and 182nd Street in the Bronx. It is open for self-guided tours, Monday- Saturday; visitors must have a photo ID to enter the campus. Guided tours can be arranged by contacting Remo Cosentino at remo. NEW YORK STATE ARCHIVES NEW YORK STATE [email protected]. Last Election elections, and the 2012 desig­ selected educators Mary Lyon The last election was held in nation of the campus as a and Emma Willard and 1976, three years after NYU National Historical Landmark astronomer Maria Mitchell; sold the campus to New generated positive publicity. A temperance advocate Frances York City to house Bronx durable natural patina means Willard and Stowe followed Community College, part of the busts remain bright with in 1910. In 1914, the hall’s the City University of New occasional buffing, but it is administrators proposed a York. The plan for NYU and difficult to prioritize money distinct “Hall of Fame for the city to co-finance the hall for structural repairs, much Women,” with a separate fell apart by 1977. Neither less elections, over the needs ballot. It lasted until 1922, NYU nor New York City could of students. when, “in order to remove any generate enthusiasm for the Before the hall’s glory semblance of discrimination, funding as they each faced faded, elections, held every this plan was abandoned, and financial crises. The civil rights five years, attracted national all questions of sex in future and women’s rights move­ attention. (After 1970, they elections were abolished.” ments and the rise of social were every three years.) From and cultural history, in 1900 through the 1970s, the Long Campaign addition, made a monument American public mounted In 1920, her first year of defining “Great Americans” elaborate campaigns nomi­ eligibility, Susan B. Anthony as primarily white men seem nating those they found fell one vote short of being old-fashioned and, thus, worthy. Approximately 100 elected to the hall. In 1925, hard to promote. The hall’s “distinguished citizens,” the eligibility requirement was location in the Bronx also including university presidents, extended from ten to twenty- dissuaded visitors. A 1978 Los historians, scientists, authors, five years after death, placing Angeles Times article notes editors, and judges, served as the Anthony campaign on hold. the hall “is partly out of electors, selecting from the Beginning in 1935, the place, out of time and surely names nominated by the National Federation of Business out of money.” Periodically, public. In 1900, none of the and Professional Woman’s groups on and off campus nine nominated women were Clubs (BPW) led the charge have proposed reviving the elected. In 1905, the electors for Anthony’s nomination. www.nysarchivestrust.org 10 IMAGES COURTESY OF THE BRONX COMMUNITY COLLEGE ARCHIVES California members of the National Federation of Business and Professional Women promoted efforts to elect Anthony in its publication, Independent Woman, and submitted over 50 petitions to Hall of Fame electors in 1935. BPW, founded in 1919 to The National Woman’s Party, Temperance Union, having In 1935, the lobby for the interests of fighting for the Equal Rights already secured a spot in the professional women, grew in Amendment, wanted to paint hall for its founder Frances California clubs numbers and influence over its members as Anthony’s Willard, and the Daughters of submitted over fifty the course of its fifteen-year true heirs. Having already the American Revolution (DAR) Anthony campaign. In 1935, formed the Susan B. Anthony also threw their weight behind petitions stating, the California clubs submitted Memorial Committee, the the nomination. The DAR sent over fifty petitions stating, party added lobbying for electors a profile of Anthony “We the undersigned “We the undersigned present Anthony’s election to efforts from its magazine, which urged present the name of the name of Susan B. Anthony such as renaming public women to honor Anthony by for nomination to the Hall of schools and parks and fund­ voting and lamented younger Susan B. Anthony for Fame. In our opinion she is ing a sculpture for the US women’s lack of interest in one of the outstanding women Capitol of Anthony, Elizabeth her; a handwritten note nomination to the citizens of the United States.” Cady Stanton, and Lucretia annotating the clipping Hall of Fame.” In 1945, Lillian Call, the second Mott. Working with the explained: “She was a life vice-president of the New National Woman’s Party was member. She made out her York BPW, suggested Anthony’s Rose Arnold Powell, founder lineage papers herself in 1898.” election would honor both of the Susan B. Anthony the suffragist and modern Forum, who was on a mission Honoring Women American women for their to promote and preserve Not all advocates for Anthony’s contribution to the war effort. Anthony’s legacy. She focused nomination were aligned with Others worked for on the Hall of Fame after her women’s organizations. In Anthony’s election as part of campaign to include Anthony 1945, fifteen former presidents larger efforts to enshrine the on Mount Rushmore failed. of the National Education suffragist in public memory. The Woman’s Christian Association argued that elect- NEW YORK archives • SPRING 2018 11 kind of work we want to do, have control of our earnings and other property, exercise control with our husbands over our own children, partici­ pate in all the rights and responsibilities of full citizen­ ship, is due to a very great extent to the struggle which Copies of a play this great woman in company with others like her carried on consisting of a for most of her adult life.” “verbatim” transcript Modern Treatment of Anthony’s trial The money was raised within two years, allowing Anthony after her 1872 arrest to be installed in 1952, along with Thomas Paine, for voting were elected in 1945. sold for 25 cents to A committee consisting of The National Federation of Business and Professional Women’s Clubs former presidents of the raise money. raised money to fund the bust of Anthony by selling copies of the play National Sculpture Society The Verbatim Trial of Susan B. Anthony for a quarter. selected Brenda Putnam for the bust’s commission. Putnam ing Anthony would honor $10,000 needed for the bust had sculpted the hall’s Harriet women’s work during World and unveiling ceremony. Beecher Stowe bust in 1925; War II, as well the twenty- Copies of a play consisting of her father Herbert Putnam fifth anniversary of the a “verbatim” transcript of was the former Librarian of Nineteenth Amendment. Anthony’s trial after her 1872 Congress and an elector. The Their support indicates the arrest for voting were sold for Independent Woman says of success of efforts to promote 25 cents to raise money. the Anthony bust, “Although Anthony’s importance to BPW encouraged club highly modern in treatment American history; educators members to view fundraising and feeling, it faithfully sent electors publications and personal contributions as reproduces her features and designed to help teachers a way to thank Anthony. A characteristic facial expression integrate Anthony into their 1952 fundraising plea in the as revealed in photographs curriculum. Civic groups from BPW publication Independent taken at about this period Anthony’s city of Rochester, Woman notes: in her young womanhood.” New York, also chimed in, “Let us all remind our­ The stress on the modern spurred after 1945 by the selves—let us remind our treatment emphasizes the link establishment of the Susan B. fellow club members—that between the nineteenth- Anthony Memorial, now whatever contributions we century reformer and twentieth- known as the Susan B. Anthony make should be regarded as century womanhood that Museum & House. merely the small payment was central to the strategies
Recommended publications
  • Joan of Arc" in the Artistic Development of Anna Hyatt Huntington
    Syracuse University SURFACE The Courier Libraries Fall 1975 The Significance of the questrianE Monument "Joan of Arc" in the Artistic Development of Anna Hyatt Huntington Myrna Garvey Eden Follow this and additional works at: https://surface.syr.edu/libassoc Part of the American Art and Architecture Commons Recommended Citation Eden, Myrna Garvey. "The Significance of the questrianE Monument 'Joan of Arc' in the Artistic Development of Anna Hyatt Huntington." The Courier 12.4 (1975): 3-12. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. JOAN OF ARC Bronze, 11.4 times life. 1915. Riverside Drive and 93rd Street, New York, New York. Anna Hyatt Huntington, Sculptor THE COURIER SYRACUSE UNIVERSITY LIBRARY ASSOCIATES VOLUME XII, NUMBER 4 Table of Contents Fall 1975 Page The Significance of the Equestrian Monument "Joan of Arc" in the Artistic Development of Anna Hyatt Huntington. 3 Myrna Garvey Eden The Sculpture of Anna Hyatt Huntington in the Syracuse University Art Collection. 13 Myrna Garvey Eden Clara E. Sipprell: American Photographer, In Memoriam 29 Ruth-Ann Appelhof News of the Library and Library Associates 33 Portrait of Anna Hyatt Huntington from Beatrice G. Proske's Archer M. Huntington, New York, Hispanic Society of America, 1963. Courtesy of Hispanic Society of America. The Significance of the Equestrian Monument "Joan of Arc" In the Artistic Development of Anna Hyatt Huntington by Myrna Garvey Eden The manuscript collection of Anna Hyatt Huntington, sculptor, 1876-1973, left to the George Arents Research Library at Syracuse University by Mrs.
    [Show full text]
  • USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev
    USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #1 *********** (Rev. 8-86) United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM NATIONAL HISTORIC LANDMARK NOMINATION FORM 1. Name of Property historic name: Atalaya and Brookgreen Gardens other name/site number: 2. Location street & number: U.S. Highway 17 not for publication: N/A city/town: Murrells Inlet vicinity: X state: SC county: Georgetown code: 043 zip code: 29576 3. Classification Ownership of Property: private Category of Property: district Number of Resources within Property: Contributing Noncontributing _10_ buildings _1_ sites _5_ structures _0_ objects 16 Total Number of contributing resources previously listed in the National Register: 9 Name of related multiple property listing: N/A USDI/NPS NRHP Registration Form Atalaya and Brookgreen Gardens Page #2 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this ___ nomination ___ req'uest for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. __ See continuation sheet. Signature of certifying official Date State or Federal agency and bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. __ See continuation sheet. Signature of commenting or other official Date State or Federal agency and bureau 5. National Park Service Certification I, hereby certify that this property is: entered in the National Register __ See continuation sheet.
    [Show full text]
  • HISTORIC PRESERVATION REVIEW BOARD Historic Landmark Case No
    HISTORIC PRESERVATION REVIEW BOARD Historic Landmark Case No. 18-16 Folger Shakespeare Memorial Library (Amendment and Interior) 201 East Capitol Street SE Square 0760 Lot 0031 Meeting Date: December 20, 2018 Applicant: Folger Shakespeare Library Affected ANC: 6B The Historic Preservation Office recommends that the Board amend the Historic Landmark designation of the Folger Shakespeare Library to include the additional documentation provided in this amendment, and to designate the following interior spaces of the building: the East Lobby; the Theater; the Exhibition Gallery; the Reading Room; and part of the West Wing including the West Lobby; the Main Stair; the Registrar Room; the West Corridor; and Founder’s Room as described and illustrated in the nomination. HPO recommends that the amended nomination be forwarded to the National Register of Historic Places at the local level of significance with a Period of Significance of 1929-1932. Preservation Background The Folger Shakespeare Library at 201 East Capitol Street SE was designated as a D.C. Landmark by the Joint Committee of Landmarks in 1964 and was listed in the National Register of Historic Places in 1969 with a Period of Significance of 1929-1932. The Folger Library building is also a contributing resource in the Capitol Hill Historic District. This amended nomination, submitted by the Folger Shakespeare Memorial Library in September 2018, is one of two amendments currently pending for the property. The other amendment, submitted by the D.C. Preservation League in March 2017 with a more expansive period of significance, will remain pending until such time as a hearing is triggered or is desired by the applicant or owner.
    [Show full text]
  • George Palmer Putnam Collection of Amelia Earhart Papers
    A GUIDE TO THE GEORGE PALMER PUTNAM COLLECTION OF AMELIA EARHART PAPERS PURDUE UNIVERSITY LIBRARIES ARCHIVES AND SPECIAL COLLECTIONS http://www.lib.purdue.edu/aearhart/ © Purdue University, West Lafayette, Indiana Revised: July 29, 2009 Compiled By: Sammie Morris, Archivist TABLE OF CONTENTS Page(s) 1. Descriptive Summary……………………………………………….3 2. Restrictions on Access………………………………………………3 3. Related Materials……………………………………………………3 4. Biographical Sketch, Amelia Earhart……………………………….4-6 5. Scope and Content Note……….……………………………………7-9 6. Inventory of the Papers……………………………………………..10-45 Flying Career………………....................10-14 Personal & Family Life…………………15-20 Business Activities ……………………...21 Photographs …………………………….22-23 Scrapbooks……………………………...24-37 Artifacts…………………………………38-40 Oversized Materials…………………….41-57 7. Index of Names and Subjects……………………………………..58-87 9/22/2017 2 Descriptive Summary Creator: Earhart, Amelia Mary, 1897-1937 Title: The George Palmer Putnam Collection of Amelia Earhart Papers Dates: 1785-1948 [bulk 1928-1937] Abstract: Correspondence, photographs, creative writings, printed material, scrapbooks, personal belongings and ephemera relating to the life and career of aviator Amelia Earhart. Quantity: 16.5 cubic ft. Repository: Archives and Special Collections, Purdue University Libraries Acquisition: Gifts from George Palmer Putnam (Amelia Earhart’s husband), 1940; and Sally Putnam Chapman (George Putnam’s granddaughter), 2002 Preferred Citation: The George Palmer Putnam Collection of Amelia Earhart Papers, Archives and Special Collections, Purdue University Libraries Processed by: Sammie Morris, May 2004 Restrictions Access: Access to the original collection is closed. Use digitized collection at http://www.lib.purdue.edu/spcol/aearhart/ . Related Materials Amelia Earhart at Purdue University Collection (1935-1937) Correspondence, photographs, notes, press, printed material, and ephemera relating to Earhart’s activities at Purdue University, 1935-1937.
    [Show full text]
  • Artists for Victory
    THE METROPOLITAN MUSEUM UF ART Artists for Victory M Sxhibition of Contemporary American Art PAINTINGS SCULPTURE PRINTS SPONSORED BY ARTISTS FOR VICTORY, INC ARTISTS FOR VICTORY, INC. 101 PARK AVENUE, NEW YORK, N. Y. Includes the Following Artists' Organizations: ALLIED ARTISTS OF AMERICA ALUMNI ASSOCIATION OF THE AMERICAN ACADEMY IN ROME AMERICAN ABSTRACT ARTISTS AMERICAN INSTITUTE OF DECORATORS AMERICAN SOCIETY OF MINIATURE PAINTERS AMERICAN VETERANS SOCIETY OF ARTISTS AMERICAN WATER COLOR SOCIETY AN AMERICAN GROUP, INC. ARCHITECTURAL LEAGUE OF NEW YORK BOMB SHELL ARTISTS GROUP FEDERATION OF MODERN PAINTERS AND SCULPTORS LEAGUE OF AMERICAN ARTISTS MUNICIPAL ART SOCIETY OF NEW YORK NATIONAL ACADEMY OF DESIGN NATIONAL ASSOCIATION OF WOMEN ARTISTS NATIONAL SCULPTURE SOCIETY NATIONAL SOCIETY OF MURAL PAINTERS NEW YORK CHAPTER OF THE AMERICAN ARTISTS PROFESSIONAL LEAGUE NEW YORK CHAPTER OF THE AMERICAN INSTITUTE OF ARCHITECTS NEW YORK CHAPTER OF THE AMERICAN SOCIETY OF LANDSCAPE ARCHITECTS NEW YORK SOCIETY OF WOMEN ARTISTS PITTSBURGH ARTISTS FOR VICTORY SCULPTORS GUILD, INC. SOCIETY OF AMERICAN ETCHERS UNITED SCENIC ARTISTS THE METROPOLITAN MUSEUM OF ART Artists for Victory An Exhibition of Contemporary American Art SPONSORED BY ARTISTS FOR VICTORY, INC. NEW YORK, 1942 WO. \ FOREWORD HE present exhibition expresses a desire on the part of the Museum Tto proclaim its faith in the American artist during one of the most critical years in our history. We believed that the facilities of the Mu­ seum should be turned over to the artists to organize an exhibition as they themselves would want it done. Artists for Victory, Inc., the emergency wartime agency representing the twenty-three leading art societies in New York was asked to undertake the task.
    [Show full text]
  • Folger Shakespeare Library Amendment
    NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: Folger Shakespeare Memorial Library (additional documentation) Other names/site number: ______________________________________ Name of related multiple property listing: N/A (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: 201 East Capitol Street, S.E. City or town: Washington State: DC County: ____________ Not For Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements
    [Show full text]
  • Center for Creative Photography University of Arizona Research Series, Number 13 April 19 81
    CENTER FOR CREATIVE PHOTOGRAPHY UNIVERSITY OF ARIZONA RESEARCH SERIES, NUMBER 13 APRIL 19 81 The Early Work of Laura Gilpin 1917-1932 Contents Director's Statement 3 The Early Work of Laura Gilpin 1917-1932 by Terence R. Pitts 7 Photographs by Laura Gilpin 11 Acquisitions Highlight: Jean-Pierre Sudre by Lawrence M. Fong 38 Acquisitions July through December 1979 41 CENTER FOR CREATIVE PHOTOGRAPHY is a research publication of previously unpublished or unique material from the collections in the archives of the Center for Creative Photography. Subscription and renewal rate: $20 (USA), $25 (foreign) for fiveissues. Back issues available. Address inquiries and subscriptions to: Center for Creative Photography, University of Arizona, 843 East University Boulevard, Tucson, Arizona 85719. Center for Creative Photography University of Arizona Copyright ® 1981 Arizona Board of Regents All Rights Reserved Photographs by Laura Gilpin 1981 by Amon Carter Museum of Western Art © Photographs from the Vegetal & Insectes series ® 1981 by Jean-Pierre Sudre Portrait of Laura Gilpin © 1980 by John P. Schaefer The Research Series of the Center for Creative Photography is supported in part by Polaroid Corporation. FRONT COVER: BACK COVER: JOHN P. SCHAEFER JEAN-PIERRE SUDRE Laura Gilpin, Santa Fe Home, 1978 from V egetal & lnsectes series Gelatin silver print, 29.0 x 21.0 cm Gelatin silver print ( toned and chemically 79:141:001 altered), 30.5 x 23.9 cm 79: 12:010 Directors Statement THE PORTFOLIO SECTION OF THIS ISSUE OF Secessionists, the Weegee Collection of over the Center's research publication contains a selec­ three hundred prints, the Sonya Noskowiak tion of rare, largely unknown, platinum prints by Collection, and the Margrethe Mather Collec­ Laura Gilpin.
    [Show full text]
  • Odds Were Against Me
    GLOUCESTER, MASSACHUSETTS Odds Were Against Me by Martha Oaks addition, as the Cape Ann Museum ap- Odds Were Against Me is a special exhibi- proaches the 150th anniversary of its tion through January 3, 2021, at the Cape he Cape Ann Museum is fortu- founding in 2023, the exhibition will also Ann Museum, 27 Pleasant Street, Glouces- T nate to have a strong collection feature artwork by women artists associat- ter, Massachusetts, 01930, 978-283-0455, of artwork and artifacts in its holdings re- ed with Cape Ann. www.capeannmuseum.org. lated to women, now and in the past. Anna Vaughn Hyatt Huntington While many of these items are regularly on (1876-1973) was born in Cambridge, New York, she always thought of herself as display throughout the galleries, this year Massachusetts. Her father, Alpheus Hyatt, a self-taught artist, crediting her older sis- as people across the country pause to rec- was a naturalist and mother, Audella Beebe ter, Harriet, with sparking her interest in ognize the 100th anniversary of women’s Hyatt, was a watercolorist whose name is sculpture when she was in her teens. suffrage, the Museum is highlighting many found in the circle of women who studied In 1902, Anna moved to New York of these works and inviting viewers to ex- on Cape Ann with William Morris Hunt. City to pursue her career as a sculptor—a plore the myriad of stories they reflect The Hyatts purchased a summer house in bold move for a woman at that time. She about women’s abilities and achievements.
    [Show full text]
  • 1 102. a Rare and Large Carved Istrian Marble Cistern North Italian, 16Th/17Th Century on Associated Ionic Order Pilaster Capita
    CATALOGUE Currency: GBP - UK Pound GARDEN STATUARY SALE - 29/09/20 Page: 1 102. A rare and large carved Istrian marble cistern North Italian, 16th/17th century on associated ionic order pilaster capital supports 84cm high by 232cm long by 84cm deep £6000-10000 105. A substantial carved white marble planter Northern European, 19th century 34cm high by 96cm wide £1500-2500 106. A rectangular carved marble planter Northern European, late 19th century 32cm high by 66cm long £800-1200 107. A pair of carved Bourgogne stone planters 89cm long £2000-3000 108. A substantial carved Bourgogne stone oval planter Northern European, 19th century 30cm high by 74cm wide £600-1000 CATALOGUE Currency: GBP - UK Pound GARDEN STATUARY SALE - 29/09/20 Page: 2 113. A fine and rare lead figure of a mower by John Cheere mid 18th century 135cm high, and on associated stoneware pedestal, circa 1870 198cm high overall Provenance: Christies sale of The collection of Professor Sir Albert Richardson P.R.A, 19th October 2013. Professor Sir Albert Richardson P.R.A (1880-1964). President of Royal Academy (1954- 1956). His 20th Century contribution to 20th century architecture is well documented. Following Sir Albert's death in 1964 his home Avenue House, Ampthill Bedfordshire was preserved in its entirety by the family for almost half a century, until its sale finally in 2013. This reluctantly followed a seven year failed negotiation with the National Trust to keep house and its entire collection intact for the nation. Apollo Magazine Sept 2013: https://www.apollo-magazine.com/avenue-house After entering Ampthill House in 1919 Sir Albert went on to acquire artefacts over the next 40 years.
    [Show full text]
  • Finding Aid to the George Palmer Putnam Collection of Amelia Earhart Papers, 1785-1948
    FINDING AID TO THE GEORGE PALMER PUTNAM COLLECTION OF AMELIA EARHART PAPERS, 1785-1948 Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2004 Purdue University Libraries. All rights reserved. Revised by: Mary A. Sego, May 30, 2017 Processed by: Sammie Morris, Archivist, 2004 Descriptive Summary Creator Information Earhart, Amelia Mary, 1897-1937 Title The George Palmer Putnam collection of Amelia Earhart papers Collection Identifier MSP 9 Date Span 1785-1948, predominant 1928-1937 Abstract Correspondence, photographs, creative writings, printed material, scrapbooks, personal belongings and ephemera relating to the life and career of aviator Amelia Earhart. Extent 31.1 cubic feet Finding Aid Author Sammie Morris and Mary A. Sego Languages English Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location ASC Information: Access Access to the original collection is closed. Use the digitized collection at: Restrictions: http://www.lib.purdue.edu/spcol/aearhart/ Acquisition Gifts from George Palmer Putnam (Amelia Earhart’s husband), 1940; and Information: Sally Putnam Chapman (George Putnam’s granddaughter), 2002 Accession 1940 Number: 20020502 Preferred MSP 9, George Palmer Putnam collection of Amelia Earhart papers, Citation: Karnes Archives and Special Collections, Purdue University Libraries Copyright
    [Show full text]
  • About Those Rhinos.Pdf (3.949Mb)
    About those rhinos The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Ambler, Louise Todd. 1973. About those rhinos. Harvard Library Bulletin XXI (3), July 1973: 271-276. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37364022 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA About Those Rhinos Louise 1..,oddA111bler -• OLLO,v the parade of pelicans ne2r the northeast end of Div in- ity-Avenue and you \vill find yourself in the court3r2.rd of the -111111 Biological Laboratories, facing t,vo cnorn1ous bronze Indian rhinoceroses. Above, the frieze of pelicans has turned the corner, and continues as relief portrayals of ani1nals representing the fauna of four of the earth's zoogeogra phic regions. These sculptures~ together ,vith the three bronze doors of the n1ain entrance, en1bellish the ,vorkaday brick and glass structure con1pletcd in 193 1 as a research center for ~ufields of biological investigation. The Laboratories ,vcr c designed b) 7 Coolidge, Shcp 1 ey, Bulfinch and Abbott, the architccrural firm to ,vhich Harvard has turned so often for n1ore than a century. Apparently-a scheme for sculptural decoration dcvc]oped <luring the planning~ and Dr. Thorna~· Barbour, Direct or of th c i\-"1u seu n1 of Co1npara ti ve Zoology., recon11n ended to Harold Coolidge and I~Icnry R.
    [Show full text]
  • 1 Speaker Abstracts Paintings, Like Computer Files, Are Storage
    Relationality in American Art Speaker Abstracts Caitlin Cherry, Assistant Professor of Painting and Printmaking, Virginia Commonwealth University “Painting OS (operating system): Self-Touching the Other” Paintings, like computer files, are storage containers for visual information. As some painters increasingly refer to “digital experience” as content, others unconsciously embed the peculiarities of the parallel reality of a computer's underlying code, replicating via a paintbrush issues unique to .PNG and .JPG file formats. As painters and computers develop a symbiotic relationship, the machine enfolds under the skin. In the process of making, the artist chooses to accept or veto the decision-making processes of the machine. If conflict between these two arises, it is characterized by our ergonomic and politicized relationship to the computer, and likewise by the blank canvas as a similar cultural storage container. Our orientations towards these interfaces and objects are gendered, raced, queered and imbued with personal and cultural history, influencing the outcome of any artwork produced with this machine as aid or collaborator. This lecture will examine emergent painting phenomenologies grounding my own artistic practice by viewing the painting as an object, exploring painting's relationship to the computer as a storage device, and utilizing painting-installation as a multistable technology. 1 Jennifer Doyle, Professor, Department of English, University of California, Riverside “Marxism for Artists: Life in the Iron Mills/Death of the Artist” For several months last year, Jennifer Doyle led a reading group with this talk’s title. This reading group was intended to create a space for artists and art workers to read and discuss Marx together, and to do that through a shared primary text — “Life in the Iron Mills,” an 1861 short story centered on an iron worker with the soul of an artist.
    [Show full text]