NAC 2016 Eligible Final List 12-20-15.Xlsx
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Canadian Guiding Badges and Insignia Brownie Six/Circle Emblems
Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems Following the introduction of the Brownie program to provide Guiding for younger girls, and after the decision to base the new program on The Brownie Story, a further decision was made in 1919 to subdivide a Brownie Pack into smaller groups consisting of six girls. These smaller groups within the Pack were known as Sixes and were identified by a Six emblem bearing the name of some mythical fairy- like person from folklore. [Reference: POR (British, 1919)] The original Six emblems were brown felt; later versions were brown cotton with the edges bound in brown. In 1995, the term “Sixes” was replaced by the term “Circles”, and the shape of the emblems was changed as well. In 1972, three of the original twelve Six emblems were retired and in 1995 four new ones were added. Page 1 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0001 SC0002 Bwbachod Badge Discontinued 1919- 19? 19? - 1972 SC0003 SC0004 Djinn Introduced 1994 1995-2004 1994 SC0005 SC0006 Dryad Introduced 1994 1995- 1994 Page 2 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0007 SC0008 SC0009 Elf 1919-19? 19? - 1995 1995- SC0010 SC0011 SC0012 Fairy 1919-19? 19? - 1995 1995- SC0013 SC0014 Ghillie Dhu Badge Discontinued 1919-19? 19? - 1972 Page 3 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0015 SC0016 SC0017 Gnome 1995- 1919-19? 19? - 1995 SC0018 SC0019 Imp Badge Discontinued 1919-19? 19? - 1995 SC0020 SC0021 SC0022 Kelpie (formerly called Scottish -
Attractions in Bergen – Opening Hours
OFFICIAL GUIDE FOR BERGEN ENGLISH BERGEN CHRISTMAS & NEW YEAR’S IN BERGEN 2018 2018 © Bergen Reiselivslag / Christer Rønnestad – visitBergen.com PLAN & BOOK: visitBergen.com World Heritage City 2 WELCOME INFORMATION 3 © Bergen Reiselivslag / Robin Strand – visitBergen.com © Bergen Reiselivslag / Robin Strand – visitBergen.com Welcome to Christmas time in Bergen! Calendar Whether you’re spending Christmas or carolling in their neighbourhood. In New Year’s here, we hope you’ll enjoy Bergen this is traditionally done by kids Monday Tuesday Wednesday Thursday Friday Saturday Sunday your stay! on New Year’s Eve (nyttårsbukk). There is 17. Dec. 18. Dec. 19. Dec. 20. Dec. 21. Dec. 22. Dec. 23. Dec. Every country has its own set of traditions (or was) an adult version of this tradition and Christmas in Norway might be where people dress up to avoid being different from what you’re familiar with. recognised and visit their neighbours and Norwegian Christmas is all about family friends, asking for drinks. Monday Tuesday Wednesday Thursday Friday Saturday Sunday and traditions! To most Norwegians Jul Nyttårsaften (New Year’s Eve) is 24. Dec. 25. Dec. 26. Dec. 27. Dec. 28. Dec. 29. Dec. 30. Dec. means family time – the Scandinavian celebrated with a huge dinner with your concept of hygge is important. On family or friends, and celebrated with Christmas Eve we celebrate with fi reworks, either at home or on the traditional food – usually pinnekjøtt, town. January 1 is a day of relaxation, Monday Tuesday Wednesday Thursday Friday Saturday Sunday lutefi sk or ribbe – and opening of restitution and refl ection before heading Christmas presents (not on Christmas back to work on January 2. -
Black Women in Primetime Soap Opera: Examining Representation Within Genre Television
Black Women in Primetime Soap Opera: Examining Representation within Genre Television by Courtney Suggs A Thesis Submitted in Partial Fulfillment of Requirements for the Degree of Master of Science in Media Studies Middle Tennessee State University December 2019 Dissertation Committee: Dr. Katie Foss, Chair Dr. Sanjay Asthana Dr. Sally Ann Cruikshank ABSTRACT Using textual genre analysis, this research studied representation in primetime soap operas Scandal, How To Get Away with Murder, and Empire. Two hundred and eighty- three episodes were viewed to understand how black female identity is represented in primetime soap and how genre influences those representation. Using Collins (2009) theory of controlling images, this study found that black female protagonists were depicted as jezebels and matriarchs. The welfare mother stereotype was updated by portrayals of black woman as hard working. Soap opera conventions such as heavy talk helped provide context to stereotypical portrayals while conventions such as melodrama lead to reactive characterization. ii TABLE OF CONTENTS CHAPTER I: INTRODUCTION……………………………………………….….....1 Background……………………………………………………...………........3 CHAPTER II: LITERATURE REVIEW.....................................................................9 Black Women in Scripted Television…...........................................................9 Television Effects on Viewers……………………………………………....14 CHAPTER III: THEORETICAL FRAMEWORK………………………………....18 Representation Theory……………………………………………………...18 Genre Theory……………………………………………………………….19 -
'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
The World of Paladium: a Players Guide
The World of Palladium: Players guide. The world of Paladium: A players guide. This guide and all of it's content is made according to the PALLADIUM BOOKS® INTERNET POLICY which can be found at http://www.palladiumbooks.com/policies.html. Palladium Fantasy RPG® is a registered trademark owned and licensed by Kevin Siembieda and Palladium Books, Inc © 1983, 1987, 1988, 1990 Kevin Siembieda; © 1995 Palladium Books, All rights reserved world wide. No part of this work may be reproduced in part or whole, in any form or by any means, without permission from the publisher. All incidents, situations, institutions, governments and people are fictional and any similarity to characters or persons living or dead is strictly coincidental." The staff of The World of Palladium can in no way be held responsible for anything in this guide, nor anything that happens at The World of Palladium server. Page 1 of 92 The World of Palladium: Players guide. Table of Contents The Server Rules:................................................................................................................................. 5 Starting tips:........................................................................................................................................11 The haks needed:................................................................................................................................ 12 Class Rules:....................................................................................................................................... -
The Fairy Godmothers and Other Tales
The Fairy Godmothers and Other Tales Mrs. Alfred Gatty The Project Gutenberg eBook, The Fairy Godmothers and Other Tales, by Mrs. Alfred Gatty, Illustrated by Lucette E. Barker This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Fairy Godmothers and Other Tales Author: Mrs. Alfred Gatty Release Date: February 26, 2004 [eBook #11319] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK THE FAIRY GODMOTHERS AND OTHER TALES*** E-text prepared by Internet Archive; University of Florida; and Beth Trapaga and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes the original illustration. See 11319-h.htm or 11319-h.zip: (http://www.ibiblio.org/gutenberg/1/1/3/1/11319/11319-h/11319-h.htm) or (http://www.ibiblio.org/gutenberg/1/1/3/1/11319/11319-h.zip) Images of the original pages are available through the Florida Board of Education, Division of Colleges and Universities, PALMM Project, 2001. (Preservation and Access for American and British Children's Literature, 1850-1869.) See http://purl.fcla.edu/fcla/dl/UF00001801.jpg or http://purl.fcla.edu/fcla/dl/UF00001801.pdf THE FAIRY GODMOTHERS AND OTHER TALES. BY MRS. ALFRED GATTY. 1851. [Illustration: HERMIONE SKETCHING.] Col miele, e non coll' aceto si piglian le mosche. -
Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales
University of Kentucky UKnowledge Folklore Anthropology 7-5-2002 Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales Jack Zipes Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Zipes, Jack, "Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales" (2002). Folklore. 15. https://uknowledge.uky.edu/upk_folklore/15 Breaking the Magic Spell Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright O 1979 by Jack Zipes Published 2002 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. - Editorial and Sales Ofices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Library of Congress Cataloging-in-Publication Data Zipes, Jack Breaking the magic spell. 1. Tales, European-History and criticism. 2. Literature and society. I. Title ISBN-10: 0-8131-9030-4 (paper) ISBN-13: 978-0-8131-9030-3 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Investigating Veronica Mars the Noir and Teen Clash in Neptune, California
Investigating Veronica Mars The Noir and Teen Clash in Neptune, California by Kim Johansen Østby Master’s Thesis in Media Studies Department of Media and Communication University of Oslo Spring 2010 “[…] why is Veronica Mars so good? It bears little resemblance to life as I know it, but I can't take my eyes off the damn thing.” (Stephen King, Entertainment Weekly, 01/02-2007) I Abstract What happens when you combine the long tradition of film noir and the contemporary television teen drama? Through genre analysis, this thesis explores how the television show Veronica Mars (2004-2007) mixes noir and teen drama and how this creates a dark vision of society and teen life. Through four chapters I investigate key points of the show, such as the narration and aesthetics, the representation of the noir universe through the show’s depiction of social class inequalities and an incapacitated criminal justice system, the show’s exploration of teen drama themes and how this is affected by noir and finally, an analysis of the main characters and how they relate to this hybrid universe. Noir and teen elements pulsate throughout the entire show. Together they create a tense, paranoid and mysterious atmosphere and allow the show to repeatedly explore dark themes and plots that do not commonly appear in teen dramas. The teen private investigator protagonist Veronica must tackle mysteries ranging everywhere from disappearances, blackmail, scams and theft, to situations where she must deceive the FBI, confront and battle a serial rapist and solve the mass murder of her fellow classmates, all while making her way through high school and college. -
Universidade Federal Do Rio Grande Do Sul Faculdade De Biblioteconomia E Comunicação Departamento De Comunicação Comunicaç
1 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO DEPARTAMENTO DE COMUNICAÇÃO COMUNICAÇÃO SOCIAL – HABILITAÇÃO PUBLICIDADE E PROPAGANDA FERNANDA FAGUNDES XAVIER GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: escândalos e ocultações da política na série Scandal PORTO ALEGRE 2016 2 FERNANDA FAGUNDES XAVIER GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: escândalos e ocultações da política na série Scandal Trabalho de Conclusão de Curso apresentado à Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial à obtenção do grau de Bacharel em Comunicação Social – Publicidade e Propaganda. Orientadora: Profª. Drª. Maria Berenice da Costa Machado PORTO ALEGRE 2016 3 FERNANDA FAGUNDES XAVIER GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: escândalos e ocultações da política na série Scandal Trabalho de Conclusão de Curso apresentado à Faculdade de Biblioteconomia e Comunicação da Universidade Federal do Rio Grande do Sul como requisito parcial à obtenção do grau de Bacharel em Comunicação Social – Publicidade e Propaganda. Aprovado em: BANCA EXAMINADORA _______________________________ Profª. Drª. Maria Berenice da Costa Machado Orientadora _______________________________ Profª. Drª. Mariângela Machado Toaldo Examinadora _______________________________ Prof. Dr. Rudimar Baldissera Examinador 4 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL FACULDADE DE BIBLIOTECONOMIA E COMUNICAÇÃO AUTORIZAÇÃO Autorizo o encaminhamento para avaliação e defesa pública do TCC (Trabalho de Conclusão de Curso) intitulado “GLADIADORES DE TERNO, GERENCIAMENTO DE CRISES E IMAGEM: ESCÂNDALOS E OCULTAÇÕES DA POLÍTICA NA SÉRIE SCANDAL” de autoria de Fernanda Fagundes Xavier, estudante do curso de Comunicação Social – Habilitação Publicidade e Propaganda, desenvolvida sob minha orientação. Porto Alegre, .............. de ............................. -
Download Noctua (.Pdf)
Noctua: Medieval and Renaissance Studies at The W Volume 2 Spring, 2017 Editor: Gabrielle Lestrade Faculty Advisor: Dr. Kristi DiClemente CONTENTS Tera Pate Crown and Character: How the Word “Crown” Reveals Character in Richard II and I Henry IV 1 Lauren Harmon “His Most Humble Handmaid”: The Influence of Matilda of Scotland and Eleanor of Aquitaine 15 Morrigan Hollis In Defense of Guinevere 25 James O’Loughlin Capellanus Unmasked 33 Josh Herrick Classical Literary Influence Upon Dante’s Conceptualization of the Christian Hell 43 Dear Reader, I am pleased to present the second volume of Noctua: Journal of Medieval and Renaissance Studies at The W. This journal provides a forum for Mississippi University for Women students to present their original research on the Middle Ages and Renaissance and is sponsored by the Medieval and Renaissance Studies Minor in the Department of History, Political Science, and Geography. The articles in this journal arise from the Medieval and Renaissance Studies Research Symposium that took place on April 7, 2017 on the campus of The W. This issue includes five articles, related to both history and literature, examining life, death, power, and love in the Middle Ages and Renaissance. First, Tera Pate, who just graduated with a B.A. in English discusses the use of the word “crown” in Shakespeare’s Richard III and I Henry IV. Second, Lauren Harmon, a rising sophomore in History, compares the power of two queens (Eleanor of Aquitaine and Matilda of Scotland) using letters to and from powerful religious men. Third, Morrigan Hollis, a rising junior in English and History, argues that despite Guinevere’s bad reputation in modern culture, her role in Le Morte d’Arthur showed power and agency. -
T9A-FB – Hobgoblins
HOBGOBLINS Where you Infernal Dwarves Supplement Army Book 2nd Edition, version 2021 beta 1 – hy shall r Army Specific Rules 2 Characters 4 Army Model Rules 2 Character Mounts 6 Hereditary Spell 3 Core 8 Special Items 3 Special 9 Army Organisation 3 Blotting the Sun 12 Quick Reference Sheet 14 The 9th Age: Fantasy Battles is a community-made miniatures wargame. All rules in this book are supplementary to the Core Rules of The 9th Age. They are produced by our teams and should be viable for use in any game, but you should seek permission from your opponent or tournament organiser to use, as they significantly increase the complexity of the game. All rules and feedback can be found and given at: the-ninth-age.com . Refer to the Rulebook for instructions on How to Read Unit Entries. A Copyright Creative Commons license: the-ninth-age.com/license.html . Edited with LTEX. To our mighty Overlord of Karutab, undisputed master of the lands, the Shah of Papak sends humble greetings. In accordance with his wise proclamations, we hereby disclose our forces under arms. As you shall see, the Shah is careful to keep within the limits justly prescribed to the Vassals of the Citadel of Karutab, whatever reports to the contrary may have been sent by troublemakers from other settlements. Additionally, the Shah wishes to assure the generous Overlord, to whom his life is owed, that the Hobgoblins of Papak are utterly loyal. To be Hobgoblin is to be loyal. We have forsaken the treachery and cunning of our lesser brethren, and seek only to emulate the nobility and warrior spirit of the mighty Infernal people, though of course we are but the palest of imitations. -
'Fairy' in Middle English Romance
'FAIRY' IN MIDDLE ENGLISH ROMANCE Chera A. Cole A Thesis Submitted for the Degree of PhD at the University of St Andrews 2014 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/6388 This item is protected by original copyright This item is licensed under a Creative Commons Licence ‘FAIRY’ IN MIDDLE ENGLISH ROMANCE Chera A. Cole A thesis submitted for the degree of Doctor of Philosophy at the School of English in the University of St Andrews 17 December 2013 i ABSTRACT My thesis, ‘Fairy in Middle English romance’, aims to contribute to the recent resurgence of interest in the literary medieval supernatural by studying the concept of ‘fairy’ as it is presented in fourteenth- and fifteenth-century Middle English romances. This thesis is particularly interested in how the use of ‘fairy’ in Middle English romances serves as an arena in which to play out ‘thought-experiments’ that test anxieties about faith, gender, power, and death. My first chapter considers the concept of fairy in its medieval Christian context by using the romance Melusine as a case study to examine fairies alongside medieval theological explorations of the nature of demons. I then examine the power dynamic of fairy/human relationships and the extent to which having one partner be a fairy affects these explorations of medieval attitudes toward gender relations and hierarchy. The third chapter investigates ‘fairy-like’ women enchantresses in romance and the extent to which fairy is ‘performed’ in romance.