Entertainment

Total Page:16

File Type:pdf, Size:1020Kb

Entertainment [email protected] Technique Entertainment Editor: Patricia Uceda 15 Assistant Entertainment Editor: Friday, Entertainment Zheng Zheng February 18, 2011 !"##$%&'()#*+,-(*.*/#&0(*+1%#&2#0 By Hank Whitson !e prologue, which covers the christening Sta! Writer scene, is essentially an act unto itself, and it is the fairies and character actors time to shine. Tchaikovsky’s adaptation of Marius Petipa’s Abigail Tan’s portrayal of the Lilac Fairy fea- Sleeping Beauty is widely regarded as one of the tured ephemeral movements, and her gestures most technically challenging classical ballets were crisp. Peng-Yu Chen gave a stand-out ever choreographed. !e story will be familiar performance with her vivacious Canari Fairy to anyone who has seen the 1959 Disney "lm, variation. Tara Lee stole the show as Carabosse, though it is more faithful to the traditional though. Her lines were sharp, and her dramat- Brothers Grimm fairy tale. ic gestures seethed with malevolence. Her It tells the story of Aurora, a princess happily ghouls also delivered comic bu#oonery to born to King and Queen Florestan XXIV after give the mice from Nutcracker a many childless years. At her christening, Au- run for their money. rora is blessed by six benevolent fairies, but she is also cursed by Carabosse, a seventh fairy who was uninvited. !e curse dictates that Aurora will be pricked by a sewing needle and die. !e Act 1 Lilac fairy uses her own magic to alter the curse opens with a staple of classi- so the needle will put Aurora into an ageless cal ballet, happy peasants dancing a sleep until she is awakened by a kiss of true love. garland waltz in celebration. !e princes who !e curse comes to pass, of course, and the vie for Aurora’s a#ections had great individual entire kingdom slumbers for one hundred years, technique, though their formations were a lit- when Prince Desiré arrives at the enchanted for- tle askew. Kristine Necessary lit up the stage est. With some help from the Lilac Fairy, De- as Aurora with a smile that you could see siré defeats Carabosse, "nds Aurora and lifts from the rafters. Her precise, delicate tech- the curse. !e ballet concludes with a wedding nique paired with the relentlessly pretty scene attended by many other popular Brother’s choreography is almost too sweet to bear Grimm characters like Little Red Riding Hood, at times. Tom !umb, Puss in Boots and the Big Bad You could see a little bit of strain Wolf. Atlanta Ballet’s production of Beauty is in her leg during the infamous Rose fantastic. !e dancers are expressive and tech- Adagio, but she kept her smile nically superb. !e elaborate costumes and sets throughout all four excruciating, !"#$! are gorgeous. !e Atlanta Ballet orchestra per- consecutive promenades. Her The Sleeping Beauty formed the score. pantomime of the dreaded nee- !e prologue is the fairies time to shine. dle prick was also incredibly PERFORMER: Atlanta Ballet While the score is not as iconic as Tchaikovsky’s sharp. You would be surprised LOCATION: Cobb Energy other ballets, there are a few lovely and famil- at how dramatic dropping a Centre iar pieces like the waltz theme and !e Atlanta spool of thread can be. Ballet Orchestra performed them splendidly, DATE: Feb. 11 2011 Sleeping matching the tempo of the dancers without no- See , page 16 ticeably altering the music. OUR TAKE: !!!!! Image Courtesy of Atlanta Ballet Monster Jam destroys the weekend competition !"#$! and the results were made o$cial. !e real catalyst point, though, Monster Jam !is is Monster Jam, an annual was in 1981 when Bob Chandler, event that tours the country pit- a driver for a truck named Big- PERFORMER: Monster Jam ting truly behemoth sized trucks foot, decided to make a promo- LOCATION: Philips Arena against each other in a series of tional video using Bigfoot for his races and freestyle trick runs in four wheel drive repair shop. In DATE: Feb. 12 2011 front of a screaming, cheering au- the video Chandler drove Bigfoot dience of thousands. over a few junk cars, crushing OUR TAKE: !!!!! Monster Jam is actually hosted them. under the United States Hot Rod Once word of the video spread, By Michael Valente Association, or USHRA, which Bob Chandler and Bigfoot started Contributing Writer hosts a variety of events from mo- traveling and crushing cars for au- tocross and quad racing to !un- diences around the country. It was late last Saturday night der Nationals, another monster By 1988 the "rst champion se- when the Georgia Dome erupted truck competition. ries for racing monster trucks had with the sound of applause that It is arguably the most popu- started and soon after that free deafened the already overwhelm- lar of the monster truck racing style portions were added. ing sound of roaring engines from circuits and features some of the !is year the 2011 Mon- within. most recognizable trucks includ- ster Jam took the action to new Sixty-"ve thousand fans all ing Gravedigger and Maximum heights. !e event is split into two were on their feet giving a stand- Destruction. main parts. ing ovation to the spectacle that !e phenomenon of monster In the "rst the trucks compete laid beneath them. trucks as we know it now had a in a single elimination bracket Gravedigger, a massive 1500 humble beginning. In the late tournament race featuring jumps horsepower monster truck, had 1970s, mud bogging and truck and obstacles. just clinched the Advance Auto pulling started to gain popularity !e trucks competed quickly, Parts 2011 Monster Jam Freestyle in the southern US. and soon, the championship race competition with a run that had As this sport grew, the drivers was being held between the nick- seemingly de"ed the laws of phys- of these trucks started to upgrade named “!e Icon” Gravedigger ics. their vehicles, adding bigger and and the aptly named Advance !e broken, barely running bigger tires, axles and better sus- Auto Parts Grinder. truck triumphantly pulled into pension in order to have an advan- Monster Photo by Basheer Tome / Student Publications place as the fans slowly quieted, tage in the competition. See , page 17 16 • February 18, 2011 • Technique ENTERTAINMENT Sleeping from page 15 essary o# her feet. Again, the very traditional !e big wedding scene is simi- grand pas between Aurora and !e second act was Jacob lar to the Nutcracker’s second half her prince felt somewhat anticli- Bush’s time to shine as Prince De- in that it is parade of light-hearted mactic after the parade of playful !"#$%"$ siré, and his technique was suit- celebratory dances, and a splendid character dances. ably bold and gallant. mix of character acting and sharp Bush and Necessary are very !"#$%&Cuisines around Atlanta He was not as obviously ex- technique. well paired technically, though '' pressive as Necessary, but his pan- !e Gold and Gems double they lacked the sort of luminous %&!'(%)(*'! the Calamari tacos with jalap- tomimes call for him to be pen- pas was exquisitely coordinated chemistry required to truly and Hankook Taqueria enos and sweet chili sauce, or the sive and withdrawn, so it is hard and the lady soloists were very fully realize the tale’s legendary, pulled pork tacos with spicy Ko- to fault him. sharp. !e playful pas between eternal love. LOCATION: 1341 Collier Road rean BBQ sauce. !e highlight of the entire the rakish Puss in Boots and the It would be interesting to com- CUISINE: Korean BBQ and All, yes all, tacos and burritos ballet was the frenzied, pas de prissy White Cat was a lot of fun pare them to the alternate cast fea- Mexican Fusion come with green onion, green cab- deux duel between Desiré and and garnered a few laughs from turing John Welker and Christine bage, soy sesame vinaigrette, ci- Carabosse, as he struggles to turn the audience. Winkler, who are husband and COST: ~ $10 lantro and jack cheese. It is of my her own knife against her. Little Red Riding Hood dis- wife in real life. HOURS: 11 a.m. - 4 p.m. conspiring nature that I believe In a neat bit of stage magic, played some precise and blister- If you are looking to introduce Mexico was actually colonized by Carabosse melts into the stage ing pointe-work, and the Big Bad a loved one or a child to the plea- PHONE: 404-352-8881 the Koreans and not the Spanish. with a pu# of smoke as she is fa- Wolf seemed to be having a great sures of classical ballet, !e Nut- Otherwise there is no explanation tally stabbed. !e transition is time. !e %uttering bluebird pas cracker is a more accessible entry OUR TAKE: !!!!! for why their foods complement clean and organic. was solid, though there have been point, being considerably briefer another so well. After such a stirring scene, the more elaborate takes on the vir- and boasting %ashier, more easily By Alex Kessler In addition, the menu o#ers fated kiss between Desiré and tuoso solo variations. appreciated choreography. Contributing Writer nachos with Korean beef, tem- Aurora seemed somewhat anti- !e quick brisé volé sections But if you are looking for an pura fried sweet potatoes, tilapia climactic. It was still convincing, were present and impressive, how- example of classical dancers who Hankook Taqueria is the "rst burritos, BBQ beef quesadillas however, and the pas that followed ever. Brian Wallenberg’s Tom have mastered their craft of move- of its kind to emerge on the At- and a spicy hot dog with cabbage was suitably romantic, with the !umb variation takes "rst prize.
Recommended publications
  • The Good Life Help Wanted Nights Mp3, Flac, Wma
    The Good Life Help Wanted Nights mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Help Wanted Nights Country: UK Released: 2007 Style: Indie Rock MP3 version RAR size: 1998 mb FLAC version RAR size: 1127 mb WMA version RAR size: 1188 mb Rating: 4.7 Votes: 874 Other Formats: ADX MMF ASF AU AUD AIFF MP2 Tracklist 1 On The Picket Fence 3:33 2 A Little Bit More 3:23 3 Heartbroke 1:56 4 Your Share Of Men 2:32 5 You Don't Feel Like Home To Me 4:41 6 Keely Aimee 3:30 7 Playing Dumb 2:17 8 Some Tragedy 3:45 9 So Let Go 3:54 10 Rest Your Head 10:44 Credits Artwork – Zack Nipper Backing Vocals – A.J. Mogis (tracks: 4) Bass, Backing Vocals – Stefanie Drootin Bass, Synthesizer, Organ, Guitar – Ian Aeillo (tracks: 8) Drums – Roger Lewis Engineer – Ian Aeillo Engineer, Mixed By – A.J. Mogis Guitar, Electric Piano, Organ – Ryan Fox Mastered By – Doug Van Sloun Mixed By – Mike Mogis (tracks: 1, 3, 7) Organ – Nate Walcott (tracks: 10) Timpani – A.J. Mogis (tracks: 8) Vocals, Guitar – Tim Kasher Notes Recorded at Arc Studios in Omaha, NE, on and off from January into April, 2007 Barcode and Other Identifiers Barcode: 648401510829 Other versions Category Artist Title (Format) Label Category Country Year Help Wanted Nights (LP, LBJ-108 The Good Life Saddle Creek LBJ-108 US 2007 Whi) LBJ-108 The Good Life Help Wanted Nights (LP, Cle) Saddle Creek LBJ-108 US 2015 Help Wanted Nights (CD, LBJ-108 The Good Life Saddle Creek LBJ-108 US 2007 Album) Help Wanted Nights (CD, LBJ-108PR The Good Life Saddle Creek LBJ-108PR US 2007 Album, Promo) Help Wanted Nights (CD, Saddle Creek SCE108PR The Good Life SCE108PR Europe 2007 Album, Promo) Europe Related Music albums to Help Wanted Nights by The Good Life Pete Yorn - Back & Fourth First Aid Kit - The Lion's Roar Criteria - When We Break Son of '76 & The Watchmen - Letters From Shangri-La Cursive - Happy Hollow M.
    [Show full text]
  • Myths, Legends, Fairy Tales and Folk Tales in Music ______
    ______________________________________________________________________________________________________ Sounds of Enchantment: Myths, Legends, Fairy Tales and Folk Tales in Music ______________________________________________________________________________________________________ Gioacchino ROSSINI Overture from William Tell Felix MENDELSSOHN Scherzo from A Midsummer Night’s Dream Sergei PROKOFIEV Waltz Coda and Midnight from Cinderella, Op. 87 David CROWE How Birds Came Into the World John WILLIAMS Raiders March from Raiders of the Lost Ark Piotr Ilyich TCHAIKOVSKY Scene from Swan Lake Modest MUSSORGSKY / arr. Ravel Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition HOW TO USE THIS STUDY GUIDE This guide is designed as a curriculum enhancement resource primarily for music teachers, but is also available for use by classroom teachers, parents, and students. The main intent is to aid instructors in their own lesson preparation, so most of the language and information is geared towards the adult, and not the student. It is not expected that all the information given will be used or that all activities are applicable to all settings. Teachers and/or parents can choose the elements that best meet the specific needs of their individual situations. Our hope is that the information will be useful, spark ideas, and make connections. TABLE OF CONTENTS Sounds of Enchantment Overview – Page 4 Program Notes – Page 7 ROSSINI | Overture from William Tell Page 8 MENDELSSOHN | Scherzo from A Midsummer Night’s Dream Page 10 PROKOFIEV | Waltz Coda and Midnight from Cinderella, Op. 87 Page 13 CROWE | How Birds Came Into the World Page 17 WILLIAMS | Raiders March from Raiders of the Lost Ark Page 20 TCHAIKOVSKY | Scene from Swan Lake Page 22 MUSSORGSKY | Baba Yaga and The Great Gate of Kiev from Pictures at an Exhibition Page 24 Activities — Page 27 Student Section— Page 39 CREDITS This guide was originally created for the 2008-2009 Charlotte Symphony Education Concerts by Susan Miville, Chris Stonnell, Anne Stewart, and Jane Orrell.
    [Show full text]
  • Qmonthly Magazine
    May 2007 Monthly SPLASH ISSUE Magazine Q THE FACE OF AUSTIN’S GAY COMMUNITY do The American Twenties The Full Monty at Arts on Real learn Hate Crimes Bill Reintroduced News from Across the Nation explore Vancouver’s Summer of Festivals Titanic Marks Anniversary In Victoria PLEASE JOIN US FOR AN EVENING OF CELEBRATION IN SUPPORT OF INDIVIDUALS AND FAMILIES LIVING WITH HIV/AIDS Texas Swing ‘07 Friday, June 1st 8-Midnight FEATURING LIVE MUSIC BY ALVIN CROW BBQ • Auction • Dance Lessons Dance Lessons 7-8pm Tickets $40 • $35 in Advance Saengerrunde Hall 1607 San Jacinto For more info call (512) 454-8646 or visit ProjectTransitions.org Proceeds benefit Doug’s House, Roosevelt Gardens & Highland Terrace P.S. Tickets are available in advance for $35 at :Top Drawer Thrift (4902 Burnet), Tapelenders Video (1114 W. 5th St.–Ste. 201), Book Woman (918 W. 12th St.), by calling (512) 454-8646, or $40 at door night of event. PLEASE JOIN US FOR AN EVENING OF CELEBRATION IN SUPPORT OF INDIVIDUALS AND FAMILIES LIVING WITH HIV/AIDS Texas Swing ‘07 Friday, June 1st 8-Midnight FEATURING LIVE MUSIC BY ALVIN CROW BBQ • Auction • Dance Lessons Dance Lessons 7-8pm Tickets $40 • $35 in Advance Saengerrunde Hall 1607 San Jacinto For more info call (512) 454-8646 or visit ProjectTransitions.org Proceeds benefit Doug’s House, Roosevelt Gardens & Highland Terrace P.S. Tickets are available in advance for $35 at :Top Drawer Thrift (4902 Burnet), Tapelenders Video (1114 W. 5th St.–Ste. 201), Book Woman (918 W. 12th St.), by calling (512) 454-8646, or $40 at door night of event.
    [Show full text]
  • LH Women of Military Service, We Salute You... Page 17
    March 2014 The Official Magazine of Sun CompassCity Lincoln Hills 2014 Board of Directors... page 2 Remembering Rosie... page 7 What's New at Kilaga LH Women of Military Springs Café... page 10 Service, We Salute You... page 17 Association News Board of Directors Report ActivitiesIn News & HappeningsThis ................................. Issue 5, 44 Marcia VanWagner, Director, SCLH Board of Directors Ad Directory / Compass Advertisers .......................... 103 n February 20, about 20 residents wants this to be the best Aging Well: Do You Sleep Beautifully? ......................... 9 attended the Annual Meeting of community we can have and An Opportunity to Enrich Your Life: Lincoln Wine Fest .... 19 OMembers of the Lincoln Hills Com- that we all work very hard to ARC/Architectural Review Committee ...................... 10 munity Association. And we even had free achieve that goal. Association Contacts & Hours Directory ...................... 102 coffee! Because there was no quorum, the Part of our work is serving as liaisons Board of Directors Report........................................... 2 meeting was adjourned as no business to the Association committees. Jim Le- Bulletin Board ..................................................... 39 could take place without a quorum. The onhard, as Treasurer, will represent the • You Are Invited ............................................... 39 Special Board Meeting was convened and Board on the Finance Committee, Marcia • Community Perks ...................................................
    [Show full text]
  • Songs for Shakespeare the Baltimore Consort
    The Food of Love: Songs for Shakespeare The Baltimore Consort As You Like It Kemp’s Jig anon, Cambridge MS, late 16th c. It was a Lover and his Lass Thomas Morley, First Booke of Ayres, 1600 Twelfth Night O Mistresse Mine Morley, Consort Lessons, 1599 Peg a Ramsey Playford, The English Dancing Master, 1651 Farewell, dear love Robert Jones, First Book of Songs, 1600 The Buffens (Les Buffons) Jean d’Estrée Tiers livre de danseries, 1559 Romeo and Juliet When Griping Grief Richard Edward, 1525-1566 Lady Carey’s Dump anon., Marsh Lutebook, 16th c. Complain my lute anon., broadside ballad, 16th c. Heart’s Ease (The Honeysuckle) Anthony Holborne, Pavans, Galliards, and Almains….1599 Henry IV, Part II & A Winter’s Tale Queen’s Goodnight Thomas Robinson, 1560-1620 Fancy John Dowland, 1563-1626 The Carman’s Whistle anon, broadside ballad, c. 1600 Whoope, do me no harm/Jog on anon., late 16th c. ----------- INTERMISSION --------- Hamlet King of Denmark’s Galliard John Dowland Tarleton’s Riserrectione anon., late 16th c. Gravedigger song (“In Youth When I Did Love”) anon., late 16th c. Tarleton’s Riserrectione .anon., late 16th c. Bonny sweet robin Matthew Holmes MSS, c. 1588-97 Tarleton’s Jig anon., late 16th c The Tempest Greensleeves anon., 16th c., and John Johnson c.1545 -1594 Where the bee sucks Robert Johnson, c. 1583-1634 Loth to depart John Dowland Full fathom five Robert Johnson Merry Wives of Windsor & Othello Fortune my foe anon., The Dallis Lute book, 1585 Willow Song anon., The Lodge Lute Book, c.1559 Midsummer Night’s Dream Fairie
    [Show full text]
  • The Grotesque in the Fiction of Joyce Carol Oates
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1979 The Grotesque in the Fiction of Joyce Carol Oates Kathleen Burke Bloom Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Bloom, Kathleen Burke, "The Grotesque in the Fiction of Joyce Carol Oates" (1979). Master's Theses. 3012. https://ecommons.luc.edu/luc_theses/3012 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1979 Kathleen Burke Bloom THE GROTESQUE IN THE FICTION OF JOYCE CAROL OATES by Kathleen Burke Bloom A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy March 1979 ACKNOWLEDGEMENTS I would like to thank Professors Thomas R. Gorman, James E. Rocks, and the late Stanley Clayes for their encouragement and advice. Special thanks go to Professor Bernard P. McElroy for so generously sharing his views on the grotesque, yet remaining open to my own. Without the safe harbors provided by my family, Professor Jean Hitzeman, O.P., and Father John F. Fahey, M.A., S.T.D., this voyage into the contemporary American nightmare would not have been possible.
    [Show full text]
  • New Studio on Broadway: Music Theatre and Acting
    ® ® 2019 CELEBRATING JIMMY NEDERLANDER James M. Nederlander or “Jimmy,” Chairman of The Nederlander Organization, was the visionary theatrical impresario who built one of the largest private live entertainment companies in the world known for producing and presenting world-class entertainment since 1912. Jimmy started working in the theatre at age 7 sweeping floors for his father, David Tobias (D.T.) Nederlander, in Detroit, Michigan. During a career that spanned over 70 years, Jimmy amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world famous Palace; in Los Angeles: The Pantages; in London: the Adelphi, Aldwych, and Dominion; and in Chicago: the Auditorium, Broadway Playhouse, Cadillac Palace, and CIBC Theatres, and the Oriental Theatre which this year was renamed the James M. Nederlander Theatre in Jimmy’s honor. He produced over one hundred acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Les Liaisons Dangereuses, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Life and Adventures of Nicholas Nickelby, The Will Rogers Follies, Woman of the Year, and many more. “Generous,” “loyal” and “trusted” are just a few of the accolades his friends use to describe him. Jimmy was beloved by the industry and the recipient of many distinguished honors including an Honorary Doctorate of Fine Arts from the University of Connecticut (2014), the Exploring the Arts Foundation Award (2014), the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2011), the New York Pop’s Man of the Year (2008), and the special Tony Award for Lifetime Achievement (2004).
    [Show full text]
  • Chick Corea and Béla Fleck
    Chick Corea and Béla Fleck Thu, April 24 ABOUT THE PROGRAM Royce Hall Chick Corea & Béla Fleck, two master songwriters, musicians, and band leaders 8pm meet in a historic duet of piano and banjo, combining Corea and Fleck’s classic tunes with music from their 2007 Grammy-winning album The Enchantment. With a mix of jazz and pop standards, crossing a myriad of genres, from jazz, PERFORMANCE DURATION: bluegrass, rock, flamenco and gospel, this will be a casual, intimate evening Approximately two hours; with two legends from different musical worlds. One Intermission The original Enchantment recording came about after the two artists had admired each other’s music for several years. Chick had previously recorded PRE-SHOW CONCERT three songs on Béla’s 1994 CD, Tales From the Acoustic Planet, as well as on the SCA Terrace Series featuring group’s 1996 live CD, Live Art. Sean Stevens and Andrew Davis. FREE - ROYCE TERRACE - 7PM Chick, in turn, had enlisted Fleck to perform with him and Bobby McFerrin on the 2002 Rendezvous in New York project. Fleck said that The Enchantment was “one of my greatest experiences as a Supported in part by the musician … playing with my hero, Chick Corea.” Chick returned the compliment Evelyn & Mo Ostin Endowment by saying that for the Performing Arts the album broke new ground for him, with Fleck inspiring him to delve into “unfamiliar territory.” “I love those kinds of challenges, and we had a blast on The Enchantment, which MEDIA SPONSORS: has a totally new kind of sound,” Chick says. ABOUT THE ARTISTS MESSAGE FROM THE CENTER: Chick Corea Since embarking on a solo career in 1966, Chick has been at the We’re incredibly proud to bring two of the most acclaimed forefront of jazz, both as a renowned pianist forging new ground with instrumentalists in the world to the Royce Hall stage.
    [Show full text]
  • BRIGHT EYES Clear of Any Kind of Americana- Or Folk- Or Space to Follow Their Country-Driven Sound
    JAN/FEB 2011 ISSUE JAN/FEB 2011 ISSUE JAN/FEB 2011 ISSUE MMUSICMAG.COM Q&A make different-sounding records—staying on it. My goal was to have it fi t on one piece couldn’t have done it without them, but interested in what we’re doing, not just of vinyl—which tops at about 45 minutes— there was a little mystery about what repeating ourselves or painting by numbers. and that was one song some of us didn’t exactly was going on. This batch of songs refl ects my interests at think fi t with the others. It was too normal- the time I was writing them. sounding. At the 11th hour, we started trying Is this a political record? to make it more expansive or trippy. We put It’s probably a subtext to all the music I When were these songs written? delay on the clap track so it doesn’t sound make, because it’s hard to divorce yourself They were written over the last year and a half, like claps anymore, and our friend Laura from the world entirely. I don’t think there’s and it’s different than other records in that Burhenn sang a bunch of harmonies—and anything overtly political on this album there wasn’t tons of material. We focused that was the magic dust we needed for it to except for a humanist stance—that we on revising and editing. We really wanted stay on the record. should try to see ourselves in each other, to make a record that was concise and tied we’re all one, and all these ideas of division together.
    [Show full text]
  • Officials Appoint New University Librarian Professor Examines Gender
    the Observer The Independent Newspaper Serving Notre Dame and Saint Mary’s Volume 44 : Issue 82 Tuesday, FEBRUARY 8, 2011 ndsmcobserver.com Officials appoint new University librarian By AMANDA GRAY 21st century,” provost Tom 2003, the release said. Articles governing the mittee that identified, recruit- Burish said in the release. “It is an honor to be invited University. ed and evaluated candidates News Writer “She is a proven innovator to lead the libraries at this Walker will take over for for the position,” Burish said. who understands how to time of high expectations and assistant provost Susan Ohmer said she likes University officials appoint- manage the of great opportunity,” Walker Ohmer, who was named inter- Walker for the position. ed Diane Parr Walker to the c o m p l e x said in the release. “I look im University librarian on “I can say that the libraries position of University librari- c h a l l e n g e s forward to joining the com- May 18. Former University of the University of Virginia an, according to a Thursday imposed by munity and together with librarian Jennifer Younger are models for us and that we press release. r a p i d l y them building the Notre left at the end of the 2009-10 are very excited to have Walker is currently deputy c h a n g i n g Dame library for the future.” school year for a position someone who was important university librarian at the t e c h n o l o g y The University librarian is with the Catholic Research to their success coming to the University of Virginia.
    [Show full text]
  • Helping? in the Housing Community Center (HCC)
    ~····-~···········~······ ·································~·················································································· THE CRESCENT NEW RUSSIAN PALEO ..,. ...'-../' """'- CITY PROFESSOR COMES TO Evergreen Elena Sonina OLYMPIA volunteer offers of Altai, Russia A review of his '----'".C.......--LJ ents Evergreen stories from the effort to loves life for surprise and performance with Robin artist Teresa Meza's epic rebuild New Orleans opportunity Cutler and the Winning doodle,"Exiting Caves" 6 ~ P, GE 7 Lasses ~PAGE 10 ~PAGE 15 ·····~·· ·······~ . ·························~····················~···--~~····~·····~ ·····~·····~··················~ ····~ ·····~·····~·········· ···· ···············~···················· C:U'\ 1 RJBl II 10 TilL ( :uoPER l\)I.Yl.J01 'R:-;AL G\U. :itiU 8;)7-G:! t:l, t~i\L\IL C:l~J(a;EVl·:RGKE .EN.I·~Dl OR STOP BY ( :AB :; lti • ISSUE :2. VOU.l.\JE :5ti, SEJYJ"EMBER '2.7, :21)1)7 I\E\VS BRIEFS Is the new Student govern­ mentTown "Before Iformed textbook Hall Meeting you in the womb, ' )) There will be a town hall meeting- a 1knew you. legislation time for students to voice concerns, questions and ideas to the Geoduck .God Union twice on Wednesday, Oct. 3. 1 Tentatively, they will take place at t I p.m. in the Longhouse and 7 p.m. ..\O 0 \YS rn1__ u \_ __ ~ helping? in the Housing Community Center (HCC). More student govermnment information is available on page 3. f?y GAVIN DAHL LAUREN Ti\KORES On college campuses around the 40 DAYS FOR LIFE SUPPORTERS OUTSIDE OLYMPIA'S PLANNED PARENTHOOD. country, Public Interest Research Group Inter-Group Soli- (PIRG) chapters are campaigning for more affordable textbooks. In April, darity Poduck Washington Governor Christine The Evergreen Center for ~e~student~oup Gregoire signed what the PIRGs call Radical Education presents a "landmark" legislation intended to Kickoff Event, the first in the • address the concerns of student and Intergroup Solidarity Potluck faces opposition faculty organizations.
    [Show full text]
  • Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
    1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.
    [Show full text]