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Toronto Biennial of Art 2019 Complete List of Works
158 Sterling Road torontobiennial.org Toronto, ON [email protected] M6R 2B7 Canada @torontobiennial Toronto Biennial of Art 2019 Complete List of Works 259 Lake Shore Blvd E. Maria Thereza Alves Born in São Paulo, Brazil; lives in Naples, Italy, and Berlin, Germany Garrison Creek, 2019 Natural fibre bags, excavated soil, photograph printed on cloth (image courtesy City of Toronto Archives) Dimensions variable Courtesy the artist Commissioned by the Toronto Biennial of Art. Adrian Blackwell Born and lives in Toronto, ON, Canada Isonomia in Toronto? (harbour), 2019 Ash harvested in Toronto 914.4 x 914.4 x 274.32 cm Courtesy the artist Production assisted by Daniel Abad; Construction: Daniel Abad, Adrian Blackwell, Christopher Mendoza, Geoff Tanner; Lumber: Sawmill Sid; Structural: Christian Bellini (Blackwell Engineering); Accessibility: Luke Anderson (StopGap). Commissioned by the Toronto Biennial of Art. AA Bronson Born in Vancouver, BC, Canada; lives in Berlin, Germany A Public Apology to Siksika Nation, 2019 A work in progress Multi-media project with publication, installation, and performative components in several stages, further stages to be completed. Stage 1 (Publication): AA Bronson. A Public Apology to Siksika Nation at the Toronto Biennial of Art. Toronto: Toronto Biennial of Art, 2019 Stage 2 (Installation): A Public Apology to Siksika Nation, 2019 158 Sterling Road torontobiennial.org Toronto, ON [email protected] M6R 2B7 Canada @torontobiennial Mixed-media installation Including original vintage documents and publications from the AA Bronson Archive, facsimiles of vintage documents and photographs from the Glenbow Archive, Calgary, and a portrait of the Venerable Archdeacon John William Tims by Nicholas de Grandmaison, 1926 Stage 3 (Performance): A Public Apology to Siksika Nation at the Toronto Biennial of Art, 2019 A declarative reading of the text of the same name This iteration of Bronson’s project is commissioned by the Toronto Biennial of Art. -
JOSEPHINE MECKSEPER Born in Lilienthal
JOSEPHINE MECKSEPER Born in Lilienthal, Germany Lives and works in New York, USA EDUCATION 1992 MFA, California Institute of the Arts, Valencia, USA 1990 Graduate Studies, Hochschule der Künste, Berlin, Germany SELECTED SOLO EXHIBITIONS 2017 Proyectos Monclova, Mexico City, Mexico, “Josephine Meckseper” (forthcoming) 2016 Gagosian Gallery, Paris, France, “Josephine Meckseper,” October 19 – December 21 (catalogue) Galerie Reinhard Hauff, Stuttgart, Germany, “Josephine Meckseper,” September 24 – November 11 2015 Timothy Taylor Gallery, London, United Kingdom, “Josephine Meckseper,” October 12 – December 12 (catalogue) Half Gallery, New York, NY, “Silver Shadow,” May 5 – June 6 2014 Neuer Aachener Kunstverein, Aachen, Germany, “2X (I) ST,” March 30 – May 25 The Rose Art Museum at Brandeis University, Waltham, MA, “Mark Boulos and Josephine Meckseper,” February 14 – March 16 2013 Andrea Rosen Gallery, New York, NY, “Josephine Meckseper,” November 23 – January 18, 2014 Parrish Art Museum, Water Mill, New York, NY, “Josephine Meckseper,” July 13 – October 14 2012 Worpsweder Kunsthalle, Worpswede, Germany, “Josephine Meckseper,” November 4 – January 22, 2013 Contemporary Art Gallery, Vancouver, Canada, “American Leg, Window Spaces, ” May 25 – September 2 Art Production Fund, New York, NY, “Manhattan Oil Project,” March 5 – May 6 2011 Timothy Taylor Gallery, London, United Kingdom, “Josephine Meckseper,” October 12 – November 12 The FLAG Art Foundation, New York, NY, “Josephine Meckseper,” February 23 – May 26 (catalogue) ARNDT, Berlin, Germany, -
Public and Counterpublic Spaces in Dionne Brand's
DECENTRING MULTICULTURALISM: PUBLIC AND COUNTERPUBLIC SPACES IN DIONNE BRAND’S WHAT WE ALL LONG FOR AND TIMOTHY TAYLOR’S STANLEY PARK by Natasha Larissa Sharpe B.F.A, The University of Victoria, 2009 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The College of Graduate Studies (English) THE UNIVERSITY OF BRITISH COLUMBIA (Okanagan) November 2012 © Natasha Larissa Sharpe, 2012 ii Abstract This study explores the usage of public and counterpublic spaces in two Canadian novels, Dionne Brand‘s What We All Long For (2005) and Timothy Taylor‘s Stanley Park (2001). These navigations and explorations reconstitute public space in order to claim that space for marginalized Canadians, challenging the discourse of multicultural tolerance and constructions of Canadian identity as white. These texts challenge current understandings of citizenship based on exclusion in order to promote a citizenship predicated on civic engagement, coalition, and affinity, rather than essentialist identity. I undertake a close reading and comparison of both novels within the context of Canadian literary history, Canada‘s history of multicultural policy, and the intersections of multicultural discourse and Canadian literature, in particular the ways in which literature by Canadian authors designated as ‗multicultural‘ is appropriated by national multicultural discourse to promote Canadian tolerance and preserve white hegemony and centrality in Canada. My work draws upon theories of postcolonialism, postmodernism, and hybridity to explore race, gender, and class as they constitute subjects within relations of power in these novels. While Brand‘s characters at times seek refuge in subaltern counterpublics, they ultimately realize the limitations and failings of those spaces, opting instead to remake and reimagine the public in their own image as a space for civic engagement on their own terms rather than those of the white, capitalist hegemony. -
Eclipsing Binary Stars Springer Science+Business Media, LLC Josef Kallrath Eugene F
Eclipsing Binary Stars Springer Science+Business Media, LLC Josef Kallrath Eugene F. Milone Eclipsing Binary Stars Modeling and Analysis Foreword by R.E. Wilson With 131 Illustrations , Springer Josef Kallrath Eugene F. Milone BASF-AG Department of Physics and Astronomy ZOIfZC-C13 University of Calgary D-67056 Ludwigshafen 2500 University Drive NW Gennany Calgary, Alberta T2N IN4 and Canada Department of Astronomy University of Florida Gainesville, FL 32611 USA Library of Congress Cataloging-in-Publication Data Kallrath, losef. Eclipsing binary stars: modeling and analysis / loser Kallrath, Eugene F. Milone. p. cm. Includes bibliographical references and index. I. Eclipsing binaries-Light curves. I. Milone, E.F., 1939- 11. Title. m. Series. QB82l.K36 1998 523.8'444-dc21 98-30562 Printed on acid-free paper. ISBN 978-1-4757-3130-9 ISBN 978-1-4757-3128-6 (eBook) DOI 10.1007/978-1-4757-3128-6 © 1999 Springer Science+Business Media New York Originally published by Springer-Verlag New York, Inc. in 1999. Softcover reprint ofthe hardcover 1st edition 1999 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher Springer Science+Business Media, LLC except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use of general descriptive names, trade names, trademarks, etc., in this publication, even if the former are not especially identified, is not to be laken as a sign that such names, as understood by the Trade Marks and Merchandise Marks Act, may accordingly be used freely by anyone. -
Bakery All Fired up Lutheran Churches Churches Invited to Amalgamate Spend Day by HENRIETA PAUKOV by STUART MANN the Bells of St
PAGE 2 PAGE 3 PAGE 9 Young Anglican Seasonal workers Bishops commit to in top 20 get second home Anglican Communion TheTHE NEWSPAPER OF THE DIOCESE OF TORONTO A A SECTION OF THE ANGnLICAN JOURNAL g l www.tiorontoc.anglican.ca n SEPTEMBER 2012 Anglican, Bakery all fired up Lutheran Churches churches invited to amalgamate spend day BY HENRIETA PAUKOV BY STUART MANN THE bells of St. Mark, Midland, JOHN Stephenson Jr. and Bob rang during the Lord’s Prayer at Harford have been working hard the service celebrating the amal - over the summer to get Take This gamation with Holy Cross Bread, the new bakery started by Lutheran Church on May 27, one All Saints, Sherbourne Street in of many small ways that this serv - downtown Toronto, up and run - ice was different from the usual ning. Sunday service. Each Friday, the two have been “Part of the Lutheran tradition baking loaves of bread and selling is that the Lord’s Prayer is a highly them, at reduced prices, to the significant part of the service, and tenants of the nearby Dan Harri - so they’ve always rung their bells son Community Complex. They’ve during the praying of the Lord’s also been inviting the tenants to Prayer,” says the Rev. Catherine join them in the baking. Barley, the incumbent of St. They’re hoping to have the bak - From left, Keenan Menard, Bob Mark’s. “So the person who has al - ery running three days a week by Harford and John Stephenson dis - ways done that at Holy Cross did early September, selling bread, play their bread outside Take This that at St. -
University of Alberta 'Indo-Jazz Fusion'
University of Alberta ‘Indo-Jazz Fusion’: Jazz and Karnatak Music in Contact by Tanya Kalmanovitch A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music Edmonton, Alberta Spring 2008 Abstract An inherently intercultural music, jazz presents a unique entry in the catalog of interactions between Indian music and the west. This dissertation is situated in a line of recent accounts that reappraise the period of Western colonial hegemony in India by tracing a complex continuum of historical and musical events over three centuries. It charts the historical routes by which jazz and Karnatak music have come into contact in the twentieth and twenty-first centuries, both in India and abroad. It presents a detailed account of the history of jazz in India, and Indian music in jazz, and examines jazz’s contact with Karnatak music in three contexts—jazz pedagogy, intercultural collaboration, and the Indian diaspora in the United States—illustrating the musical, social and performative spaces in which these musics come into contact, and describing the specific musical and social practices, and political and social institutions that support this activity. Case studies in this dissertation include an educational exchange between the Jazz and Contemporary Music Program of the New School University (New York, NY) and the Brhaddhvani Research and Training Centre for Musics of the World (Chennai, India), directed by the author in December 2003 – January 2004; a 2001 collaboration between Irish jazz/traditional band Khanda and the Karnataka College of Percussion; and analyses of recent recordings by pianist Vijay Iyer, saxophonist Rudresh Mahanthappa and drummer Ravish Momin. -
We Are in a Moment in Between Bishop Andrew Asbil, the Dio- Wheels, Because Down, Look Up
PAGE 2 PAGE 3 PAGE 12 Service laments Cleanup removes Church bells toll gun violence racist graffiti to mark Armistice TheTHE NEWSPAPER OF THE DIOCESE OF TORONTO AnglicanA SECTION OF THE ANGLICAN JOURNAL www.toronto.anglican.ca JANUARY 2019 We are in a moment in between Bishop Andrew Asbil, the dio- wheels, because down, look up. Watch where cese’s coadjutor bishop, gave this they can give you’re going. Keep pedaling. Now Charge to Synod on Nov. 9. He you confidence pedal faster. Don’t look down, will become the Bishop of Toronto when you don’t look up. Keep moving.” on Jan. 1, succeeding Archbishop quite have your We just kept moving with Colin Johnson, who is retiring. balance, and they speed and more speed, and can help you before I knew it there was a little ride and keep nudge, and I thought he was still BY BISHOP ANDREW ASBIL upright when there, and it was only when I you’re kind of Bishop Andrew looked back and noticed him far o you remember the first tipping over, and Asbil behind that I wiped out. But you time you learned how you can navigate know, it didn’t matter, because to ride a bicycle? If your tight corners. But with time, you I’d caught for that little moment Dexperience was anything realize that there are limitations that I’d taken flight, just for a like mine, it happens in stages. I when you have training wheels moment. first learned in the 1960s, when on. While you can out-speed the It feels like I have training banana seats and big handlebars little kids on the tricycle, you wheels on again as I’ve been and streamers were all the rage. -
Marcel Dzama Born 1974 in Winnipeg, Canada
This document was updated June 22, 2020. For reference only and not for purposes of publication. For more information, please contact the gallery. Marcel Dzama Born 1974 in Winnipeg, Canada. Lives and works in Brooklyn. EDUCATION 1994-1997 B.F.A., University of Manitoba, Winnipeg, Canada SOLO EXHIBITIONS 2020 Marcel Dzama: Blue Moon of Morocco, David Zwirner, Paris Marcel Dzama: Pink Moon, David Zwirner Online [online presentation] Marcel Dzama, Tim Van Laere Gallery, Antwerp [forthcoming] 2019 Marcel Dzama: Be good little Beuys and Dada might buy you a Bauhaus, Sies + Höke, Düsseldorf Marcel Dzama: Crossing the Line, David Zwirner, Hong Kong [catalogue] 2018 Marcel Dzama: A Jester’s Dance, University of Michigan Museum of Art, Ann Arbor, Michigan Marcel Dzama: Ya es hora, Galería Helga de Alvear, Madrid 2017 Marcel Dzama: Revolution Blues, Galleri Magnus Karlsson, Stockholm Marcel Dzama: Drawing on a Revolution, La Casa Encendida, Madrid 2016 Marcel Dzama and Raymond Pettibon: Forgetting the Hand, David Zwirner, New York [limited edition zine Dzama/Pettibon] [two-person exhibition] Marcel Dzama and Raymond Pettibon: Let us compare mythologies, David Zwirner, London [limited edition zine] [two-person exhibition] Marcel Dzama: A Flower of Evil, Sies + Höke, Düsseldorf 2015 Campeonato de Guadalajara: Marcel Dzama and Eduardo Sarabia, Travesía Cuatro, Guadalajara [two-person exhibition] Marcel Dzama: The Fallen Fables, Crown Point Press, San Francisco Marcel Dzama: Mischief Makes a Move, World Chess Hall of Fame, St. Louis, Missouri [exhibition -
Compassionate Service, Intelligent Faith, Godly Worship
155th Regular Session of Synod MINUTES International Plaza Hotel, Toronto November 29 and 30, 2013 Compassionate Service, Intelligent Faith, Godly Worship Friday, November 29, 2013 Pursuant to the notice, the opening of the 155th Regular Session of Synod of the Diocese of Toronto assembled at 9:45 a.m. at the International Plaza Hotel, Toronto. Synod Opens The Most Rev. Colin R. Johnson called the meeting to order. Constitution of the Meeting Report of the Committee on Credentials Chancellor Canon Dr. Robert Falby noted that the Committee on Credentials reports that all Clerical and Lay Members here gathered are entitled to take seats at Synod. Eucharist The Most Rev. Colin R. Johnson presided at the Eucharist. Announcements and Late Arrivals The Most Rev. Colin R. Johnson made several housekeeping announcements and shared prayer requests with Synod. Archbishop Johnson acknowledged the Rt. Rev. Michael Bedford-Jones and gave thanks for the forty-sixth anniversary of his ordination to the diaconate. Late Arrivals The Honorary Secretaries made housekeeping announcements and read the names of those given permission in advance of Synod to arrive late. The list includes: Ms. Joyce Badley, The Rev. Warren Beal, Ms. Clare Burns, The Rev. David Burrows, Ms. Lydia Cordie, Ms. Beth Conway, Mr. Paul Couillard, Ms. Suzan Hall, Ms. Christine Herbert, Ms. Allyson Lemire, The Rev. Pamela Lucas, Mr. Stephen Masson, The Rev. Canon Dr. Drew MacDonald, Ms. Lynda McKerr, Ms. Debbie McLean- Schubert, The Rev. David, Mulholland, Mr. Stephen Powell, Mr. Stephen Steynor, Dr. Ian Storey, and The Rev. Martha Tatarnic. MOVED by the Rev. Canon Judith Herron-Graham and SECONDED by Mr. -
European Journal of American Studies, 10-3 | 2015 Stanley Park, Literary Ecology, and the Making of Sustainability 2
European journal of American studies 10-3 | 2015 Special Double Issue: The City Stanley Park, Literary Ecology, and the Making of Sustainability Georg Drennig Electronic version URL: https://journals.openedition.org/ejas/11382 DOI: 10.4000/ejas.11382 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Georg Drennig, “Stanley Park, Literary Ecology, and the Making of Sustainability”, European journal of American studies [Online], 10-3 | 2015, document 2.7, Online since 31 December 2015, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/11382 ; DOI: https://doi.org/10.4000/ejas. 11382 This text was automatically generated on 8 July 2021. Creative Commons License Stanley Park, Literary Ecology, and the Making of Sustainability 1 Stanley Park, Literary Ecology, and the Making of Sustainability Georg Drennig 1. Introduction The1 study of urban systems and the role of cities in debates about sustainability is a fashionable topic in numerous fields in academia, with the need for interdisciplinary research being a much-voiced aspect of such academic interest. Yet the contributions of the humanities and the study of culture to these debates stay within the respective disciplines of studying literature and popular culture. In the following reading of Timothy Taylor’s 2001 novel Stanley Park, I intend to explore an avenue that offers some way of making literary studies relevant to the discussion of sustainable cities and the future of urbanity. Following a brief discussion of the possible contributions of literary studies to a better understanding of urban sustainability, the specific ways in which literature can do cultural work within the social setting of the city shall be investigated. -
Read the June Issue of the Anglican
PAGE 2 PAGE 3 PAGE 6 Deacon works Ministry grows Online worship on front line crops at church is here to stay TheTHE NEWSPAPER OF THE DIOCESE OF TORONTO AnglicanA SECTION OF THE ANGLICAN JOURNAL www.toronto.anglican.ca JUNE 2020 ‘I would do it all over again’ Bishop Fenty reflects on ministry as he prepares for retirement BY STUART MANN WHEN he was just five years old, Bishop Peter Fenty told his family that he would like to be a priest when he grew up. Today, after 45 years of ordained ministry, his passion for God and the Church remains undimmed. As he heads towards retirement at the end of November, Bishop Fenty, 68, has no regrets about the path he has followed from an early age. “I’m convinced that God called me to ordained ministry and I would do it all over again,” he says. “There is no other vocation I would choose than a priest of the Church and now a bishop. It’s something I enjoy getting up to do every single day, in its good moments and not so good moments.” After attending Codrington Col- lege in Barbados, he was ordained a priest in 1975 and served in three parishes there, as well as being a chaplain to the University of the West Indies. From 1980-82, he at- tended Huron College in London, Ont., earning a Master of Divinity degree. He ministered in Barbados until 1992, then answered a call to be the rector of St. Lawrence, LaSalle in the Diocese of Montreal, moving there with his wife Angela and two young children. -
Jonathan Lasker, 1948 —
Jonathan Lasker, 1948 — “Over the last thirty years Jonathan Lasker has produced a body of work that, while operating within the general framework of late modernist painting and drawing practice, has mounted a serious challenge to painting’s status quo. In doing so, he has, as much as anyone, maintained the vitality and validity of contemporary abstraction … In Lasker’s work, images … are part of a larger schema, but independent in terms of form, colour, texture, and manner of paint application. Each image becomes a thing itself, an element to be examined, experienced and categorized; a component of the larger grammatical structure that Lasker has built.” – Richard Kalina, Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York Lasker has exhibited internationally since the early 1980s. A major retrospective of his work was held at the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain in 2003, which travelled to K-20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Other notable solo exhibitions include; Jonathan Lasker, Musee d'art Modern, Saint Etienne, France, 2015; Jonathan Lasker: Selective Identity – Paintings from the 1990s, which in 1999-2000 toured the Forum for Contemporary Art, St Louis, Missouri, USA; The Power Plant, Toronto, Canada; Rose Art Museum, Waltham, Massachusetts, USA and the Birmingham Museum of Art, Alabama,USA; Jonathan Lasker: Paintings 1977-1997, toured the Kunsthalle Bielefeld, Germany; Stedelijk Museum, Amsterdam, Holland and Kunstverein St Gallen im Kunstmuseum, Switzerland in 1997-98. Lasker is represented in numerous public collections, including the Eli Broad Foundation, LA, USA; Hirschhorn Museum, Washington D.C., USA; Museum Ludwig, Cologne, Germany; Moderna Museet, Stockholm, Sweden; MoMA, New York, USA; Centre Pompidou, Paris, France; Reina Sofia, Madrid, Spain; Whitney Museum of American Art, New York, USA and Museo de Arte Contemporaneo, Seville, Spain.