YBN UNIVERSITY RANCHI, JHARKHAND

SYLLABUS

OF BACHELOR IN PERFORMING ARTS (VOCAL MUSIC) (3 YEARS / 6 SEMESTERS COURSE)

LIST OF PAPERS OFFERED FOR THE BACHELOR IN PERFORMING ARTS (VOCAL MUSIC)

SEMESTER – I S.N COURSE TITLE OF THE NATURE OF CREDIT CODE PAPER COURSE 1. 1Y3MUSGV01 CRITICAL & ACTIVITY BASED 5 COMPARATIVE STUDY OF COMPONENT OF & TALAS AND DIFFERENT GENRES OF VOCAL MUSIC – I 2. 1Y3MUSFM01 FUNDAMENTALS OF THEORY 2 MUSIC- I 3. 1Y3MUSBV BASICS OF ACTIVITY BASED 4 VOICE & SPEECH 4. 1Y3MUSFT01 FOLK/TRIBAL MUSIC OF THEORY 3 INDIA – I 5. 1Y3MUSCE COMMUNICATIVE COMPULSARY 3 ENGLISH TOTAL – 17

SEMESTER – II S. COURSE TITLE OF THE PAPER NATURE OF CREDIT N CODE COURSE 1. 1Y3MUSGV02 CRITICAL & ACTIVITY BASED 5 COMPARATIVE STUDY OF COMPONENT OF RAGAS & TALAS AND DIFFERENT GENRES OF VOCAL MUSIC – II 2. 1Y3MUSFM02 FUNDAMENTALS OF THEORY 2 MUSIC- II 3. 1Y3MUSBD BASICS OF DESIGN ACTIVITY BASED 4 4. 1Y3MUSFT02 FOLK/TRIBAL MUSIC OF THEORY 3 INDIA–II 5. 1Y3MUSEVS ENVIRONMENTAL SCIENCE COMPULSORY 3 TOTAL – 17

SEMESTER – III S.N COURSE TITLE OF THE PAPER NATURE OF CREDIT CODE COURSE

1. 1Y3MUSGV03 CRITICAL & ACTIVITY BASED 5 COMPARATIVE STUDY OF COMPONENT OF RAGAS & TALAS AND DIFFERENT GENRES OF VOCAL MUSIC – III 2. 1Y3MUSFM03 FUNDAMENTALS OF THEORY 2 MUSIC – III 3. 1Y3MUSIM INTRODUCTION TO THEORY 2 MODERN MUSIC (INDIA & WORLD) 4. 1Y3MUSPA MODERN INDIAN THEORY 3 PERFORMING ARTS TOTAL – 20

SEMESTER IV S.N COURS TITLE OF THE PAPER NATURE OF CREDIT E COURSE CODE 1. 1Y3MUSGV CRITICAL & ACTIVITY BASED 12 04 COMPARATIVE STUDY OF COMPONENT OF RAGAS & TALAS AND DIFFERENT GENRES OF VOCAL MUSIC – IV 2. 1Y3MUSMTA MUSIC THEORY A 1 THEORY 4 01 3. 1Y3MUSMTA MUSIC THEORY A 2 THEORY 4 02 4. 1Y3MUSDM DISASTER MANAGEMENT COMPULSORY 3 TOTAL – 23

SEMESTER V S.N COURSE TITLE OF THE NATURE OF CREDIT CODE PAPER COURSE 1. 1Y3MUSGV05 CRITICAL & ACTIVITY BASED 12 COMPARATIVE STUDY OF COMPONENT OF RAGAS & TALAS AND DIFFERENT GENRES OF VOCAL MUSIC – V 2. 1Y3MUSMTB01 MUSIC THEORY B 1 THEORY 4 3. 1Y3MUSMTB02 MUSIC THEORY B 2 THEORY 4 4. 1Y3MUSWM WESTERN MUSIC THEORY 3 TOTAL – 23

SEMESTER VI S.N COURSE TITLE OF THE NATURE OF CREDIT CODE PAPER COURSE 1. 1Y3MUSGV06 CRITICAL & ACTIVITY BASED 12 COMPARATIVE STUDY OF COMPONENT OF RAGAS & TALAS AND DIFFERENT GENRES OF VOCAL MUSIC – VI 2. 1Y3MUSMTC01 MUSIC THEORY C 1 THEORY 4 3. 1Y3MUSMTC02 MUSIC THEORY C 2 THEORY 4 TOTAL – 20 DETAILS OF PAPERS

SEMESTER - I S.No. COURSE TITLE OF DETAILS OF PAPER CODE THE PAPER 1. 1Y3MUSGV01 CRITICAL &  Exercises for voice training COMPARATIVE  Alankaars – Simple and Complex STUDY OF  Practical Knowledge of Critical and Comparative COMPONENT OF Analysis of Ragas and Talas of the Prescribed Course. RAGAS & TALAS  Ragas :Bhupali, , , Alhaiya Bilawal. AND DIFFERENT  Talas :Teental, Chartal, Keherwa With Thah and GENRES OF Dugun Layakari. VOCAL MUSIC-I  1 Drut in all the Ragas with Aalap and Taan.  1 or 1 Dhamar in any one of the Prescribed Ragas with Dugun Laykari.  1 Bhajan/ Lakshan Geet/ Sargam Geet  Rabindra Sangeet: Puja Paryay ke Geet, Prem Paryay ke Geet

2. 1Y3MUSFM01 FUNDAMENTA  Theoretical Knowledge of Prescribed Ragas and LS OF MUSIC- I Talas.  Definitions of Musical Terms :– Alankaar, Nada (2 Kinds, 3 Properties), Shruti, Swara (Shuddha-Vikrit), Varna, Jati (Audav-Shadav-Sampurna), Vadi- Samvadi-Anuvadi- Vivadi, Saptak (Mandra-Madhya- Taar), Alpatva-Bahutva, Avirbhav-Tirobhav, Purvang-Utrang.  Notation System Proposed by Pt. V.D. Paluskar and Pt. V. N. Bhatkhande.  Classification of Indian Musical Instruments.  Description of Classical Musical Forms – Dhrupad, Dhamar and Khyal.

3. 1Y3MUSBV BASICS  Basic Understanding of Voice and Speech. OF  Breathing Exercises. VOICE  Exercises in Volume and Pitch. &SPEEC  Articulation and Projection. H -1  Pronunciation.  Diction.  Intonation.  Emotional Expression 4. 1Y3MUSFT01 FOLK/TRIBAL  What is folk/tribal music?  Origin and Development of Folk/Tribal Music in – I India.  Different Folk/Tribal musical forms of India.  Practical work involving learning and research about Folk/Tribal Music related to the students’ own region  Learning Jharkhand folk/tribal music

5. 1Y3MUSCE COMMUNICATIV  Common Syllabus For All Students E ENGLISH

SEMESTER – II S.No. COURSE TITLE OF DETAILS OF PAPER CODE THE PAPER 1. 1Y3MUSGV02 CRITICAL &  Practical Knowledge of Critical and Comparative COMPARATIVE Analysis of Ragas and Talas of The Prescribed STUDY OF Course. COMPONENT OF  Ragas : , Bageshwari, , RAGAS & TALAS  Talas :Ektal, Dhamar, With Thah, Dugun And AND DIFFERENT Tigun Layakari. GENRES OF  1 Vilambit Khyal in any one of the Prescribe Ragas. VOCAL MUSIC –  1 Drut Khyal in all the Ragas with Aalap and Taan. II  1 Dhrupad or 1 Dhamar in any one of the Prescribed Ragas with Dugun and Tigun Laykari.  1 .  Rabindra Sangeet : Swadesh Parak Geet, Prakriti Paray Geet

2. 1Y3MUSFM02 FUNDAMENTALS  Theoretical Knowledge of Prescribed Ragas and OF MUSIC- II Talas.  Comparative Study of Hindustani and Carnatic Sangit Paddhati.  Study Of Musical Texts – Natyashastra, Sangeet Ratnakar.  Biographies Of Musicians – Tansen, Pt. V.D. Paluskar And Pt. V. N. Bhatkhande.  Merits And Demerits Of Vocalists

3. 1Y3MUSBD BASICS OF DESIGN  Concept of design  Elements and principles of design  Designing Space and Time in Performance  Introduction to Lights, Source, Colour, Intensity, Combination, Silhouette  Importance of Light Design in Theatre.  Introduction to Costume & Make-Up.  Sketching, Colour, Line, Texture.  Introduction to Set & Properties.

4. 1Y3MUSFT02 FOLK/TRIBAL  Folk/Tribal Instruments of India. MUSIC OF INDIA  Popular Folk/Tribal Dances of India. – II  Folk Music and Popular Culture.  Folk artists of India  Practical work with students regional forms (learning from each other)

5. 1Y3MUSEVS ENVIRONMENTAL  Common Syllabus for All Students SCIENCE SEMESTER – III S.No. COURSE TITLE OF DETAILS OF PAPER CODE THE PAPER 1. 1Y3MUSGV03 CRITICAL &  Practical Knowledge of Critical and Comparative COMPARATIVE Analysis of Ragas and Talas of the Prescribed Course. STUDY OF  Ragas :Ramkali, ShudhKalyan, Gaud Sarang, . COMPONENT OF  Talas :Jhaptal, Rupak, Addha with Thah, Dugun, Tigun RAGAS & TALAS and Chaugun Layakari. AND DIFFERENT  1 Vilambit Khyal in any one of the Prescribe Ragas. GENRES OF  1 Drut Khyal in all the Ragas with Aalap and Taan. VOCAL MUSIC –  1 Dhrupad or 1 Dhamar in any one of the Prescribed III Ragas with Dugun, Tigun and Chaugun Laykari.  1 Trivat/Chaturang.  Rabindra Sangeet : Aanushthanik Paryay ke Geet, Vichitra Paryay ke Geet

2. 1Y3MUSFM03 FUNDAMENTA  Theoretical Knowledge of Prescribed Ragas and Talas. LS OF MUSIC –  Comparative Study of Mela and That-Raga III Classification  Study of Musical Texts – Sangit Parijat, Chaturdandi Prakashika  Biographies of Musicians – Amir Khusro, Pt. Omkar Nath Thakur and Pt. Ravishankar  Description of Classical Musical Forms – Tarana, Trivat and Chaturang.

3. 1Y3MUSIM INTRODUCTION  Origin and Development of Modern after TO MODERN Romanticism. MUSIC (INDIA &  Trends and Concepts of Modern Indian Theatre WORLD)  Modern Indian Theatre- Practice  Modern Indian Drama and Theatre  Modern Indian Playwrights.  Realistic and Non-Realistic Theatre.  Study of selected text.

4. 1Y3MUSPA MODERN INDIAN  Contribution of Pt. V.D. Paluskar and Pt. V.N PERFORMING Bhatkhande ARTS  Rabindra Sangeet –  Life Sketch of Rabindra Nath Tagore with Special Reference to his Musical Quality  Different Forms of Rabindra sangeet,  Contribution of Uday Shankar and others in dance  Cultural politics of Indian Modernity: Emergence of the classical and denouncing the Popular (e.g. Nautanki, Jatra, , Parsi Theatre, etc.)  Modern Indian Theatre

SEMESTER IV S.No COURSE TITLE OF DETAILS OF PAPER . CODE THE PAPER 1. 1Y3MUSGV04 CRITICAL &  Practical Knowledge of Critical and Comparative COMPARATIVE Analysis of Ragas and Talas of The Prescribed Course. STUDY OF  Ragas :Darbari Kanhada, , , COMPONENT OF , Vibhas, Miya . RAGAS & TALAS  Talas :Tivra, Sultal, Tilwada With Thah, Dugun, AND DIFFERENT Tigun, Chaugun And Chhagun Layakari. GENRES OF  2 Vilambit in any two of the Prescribed Ragas. VOCAL MUSIC –  1 Drut Khyal in all the Ragas with Aalap and Taan. IV  1 Dhrupad or 1 Dhamar in any one of the Prescribed Ragas With Dugun, Tigun, Chaugun And Chhagun Laykari.  1 Kajri/Chaiti/Holi

2. 1Y3MUSMTA0 MUSIC THEORY  Theoretical Knowledge of Prescribed Ragas and Talas 1 A 1 and Different Genres of Vocal Music.  Contribution of Musicians in Indian Music.

3. 1Y3MUSMTA0 MUSIC THEORY  Unit I - History of Indian Classical Music. (Ancient, 2 A 2 Medieval And Modern Era)

 Unit II - Study of Shruti & Swaras. (Definition of Shruti, Samvad, Vivad And Their Relation With Shrutis. Comparative Study of Concept of Shruti And Swara In Ancient, Medieval And Modern Era. Introduction To Chatuh-Sarana As Stated By Bharat And Sharangdev. Method of Placing The Shuddha And Vikrit Swaras on Veena by Ahobal And Shrinivas)  Unit III - Prominent of Dhrupad and Khyal. (Origin And Development of Gharanas In Hindustani Vocal Music. Four Banis of Dhrupad. Study of Popular Gharanas of Dhrupad. Study of Popular Gharanas of Khyaal. Merits And Demerits of System)

4. 1Y3MUSDM DISASTER  Common Syllabus for All Students MANAGEMENT

SEMESTER V S.No COURSE TITLE OF DETAILS OF PAPER . CODE THE PAPER 1. 1Y3MUSGV05 CRITICAL &  Practical Knowledge Of Critical And Comparative COMPARATIVE Analysis Of Ragas And Talas Of The Prescribed STUDY OF Course. COMPONENT  Ragas : , Marwa, , , Miya Ki , OF RAGAS & PuriyaDhanashri TALAS AND  Talas :Jat Tal, Dipchandi. DIFFERENT  2 Vilambit Khyals In Any Two Of The Prescribed GENRES OF Ragas. VOCAL MUSIC  1 Drut Khyal In All The Ragas With Aalap And Taan. – V  1 Dhrupad Or 1 Dhamar In Any One Of The Prescribed Ragas With Added Chaupalli Layakari.  1 Thumri/Dadra

2. 1Y3MUSMTB01 MUSIC  Theoretical Knowledge Of Prescribed Ragas And Talas THEORY B 1 And Different Genres Of Vocal Music.  Contribution of Scholars In Indian Music.

3. 1Y3MUSMTB02 MUSIC  Unit – I Study Of Musical Term, Terminology, THEORY B 2 Concepts And Principles. (Margi-Deshi, Gandharva- Gaan, Gamak Ke 15 Prakar, Meedh ,Murki, Graha, AanshSwar, NayasSwar, Aanibadh -NibadhGaan, Aalapti Gaan, Swasthan Niyam, Kakus, Gram (Shadaj, Madhyam ,Gandhar),Moorchana, Jati, Taal Ke Dash Pran, Raag Ke Dash Lakshan, Raago Ka Samay Siddhant, Swara Prastaar

 Unit – II Comparative Study of Hindustani and Carnatic Music. (Comparison Between Hindustani And Carnatic Swar-Padhatti And Taal-Padhatti, Comparison Of Hindustani And Carnatic Ragas And Musical Compositions.

4. 1Y3MUSWM WESTERN  History of western music MUSIC  Genres and styles in western music  Biographies of Western Musicians/ Composers  Contribution of Western Scholars to Indian Music  Brief introduction to western notation system

SEMESTER VI S.N COURSE TITLE OF DETAILS OF PAPER o. CODE THE PAPER 1. 1Y3MUSGV06 CRITICAL &  Practical Knowledge of Critical and Comparative COMPARATIVE Analysis of Ragas and Talas of the Prescribed STUDY OF Course. COMPONENT OF  Ragas : , Paraj, Rageshri, Deshi, Shuddha RAGAS & TALAS Sarang, AND DIFFERENT  Talas :Jhumra, Brahma Tal. GENRES OF  2 Vilambit Khyals In Any Two of The Prescribed VOCAL MUSIC – Ragas. VI  1 Drut Khyal In All The Ragas With Aalap And Taan.  1 Dhrupad or 1 Dhamar In Any One Of The Prescribed Ragas With Added Chaupalli Laykari.

2. 1Y3MUSMTC01 MUSIC  Theoretical Knowledge of Prescribed Ragas And Talas THEORY C 1 And Different genres of Vocal Music.  General Essays In Music

3. 1Y3MUSMTC02 MUSIC  Unit – I Science Of Music THEORY C 2 (Vibration And Frequency, Pitch And Its Relation With Vibrator, Vocal And Instrumental Range Of Sound, Amplitude, Timbre, Qualities Of Musical And Unmusical Overtones (Swayambhu Swara), Echo, Reverberation And Resonance Of Sound).

 Unit – II Introduction To Western Music (Notation System Of Western Music/Western Notes, Time Signature, Harmony And Melody, Consonance And Dissonance, Different Musical Scales, Comparative Study Of Scales Of Bhatkhande And Western Music, Various Types Of Interval Of Notes, Main Types Of Chords

EVALUATION

Sessional Test I will be held during the fourth week of the semester for the syllabi covered till then. Sessional Test II will be held during the eighth week for the syllabi covered between fifth and eighth week. Sessional Test III will be held during the twelfth week for the syllabi covered between ninth and twelfth week. The sessional tests (of one to two hours duration) will carry 40% (20%+20%) of total marks for the course. The marks of the better of two Sessional Tests shall be taken into account for the computation of Grades.

There shall be one End semester examination of 3 hours duration carrying 60% of Marks in each course covering the entire syllabus prescribed for the course.

Syllabus prepared by –

 Dr. Ankita Kumari, Academic Coordinator, Assistant Professor, HOD, Department Of Music, YBN University, Ranchi, Jharkhand  Dr. Arbind Kumar, Associate Professor, Department Of Music, Magadh Mahila College, Patna University, Patna  Dr Neera Choudhury, Professor, Magadh Mahila College, Patna University, Patna